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Gareth von Kallenbach (971 KP) rated Inherent Vice (2015) in Movies
Aug 6, 2019
“Inherent Vice” Follows Doc (Joaquin Phoenix), a private investigator, as he falls down a dark rabbit hole into a world of crime and systemic corruption.
Phoenix is a transformative actor, delving deep into his role. We’ve seen him do it before in movies like “Walk the Line.” He becomes his character to the point that it is conceivable this just might be the real him.
It is set in bohemian 1970s California. Everything from the way the camera captures the scene, to the outfits that adorn the characters, exudes a hippy-grunge vibe.
The film encompasses multiple genres including crime, comedy, and drama.
Similar to movies like “The Big Lebowski,” it is filled with humorous moments as Doc, a well-meaning and laid back stoner, is constantly found in the middle of the proverbial shit.
When his ex-girlfriend Shasta Fay (Katherine Waterston) reappears one random day, telling him of a plot to kidnap her billionaire boyfriend and then disappears shortly after, Doc becomes consumed by his investigation into her whereabouts. He is led into a conspiracy-like web of drugs, crime, and corruption.
It is not a typical movie with a coherent storyline, rather it is an experience of what Doc goes through as a mind bending mystery unfolds before him.
Strange, subtle details leave a trail of breadcrumbs for the audience to follow along with Doc, as he tries to make some sense out of the connections he stumbles across.
The plot transpires in a blur, floating into the perceptions of the audience like the winding smoke of an opium den. With a few dull moments, it drags on at times, much like the reality of human experience tends to do.
The musical selection only adds to the film’s tantalizing stylistic ambiance – at times it’s a dull and prolonged high, other times it’s a seedy bluesy underground, or absolute instrumental lunacy. Interestingly, much of the music was composed by Radiohead lead guitarist Jonny Greenwood.
Adding to the intricacy and authenticity of the film, is a brief cameo by what is perhaps the most psychedelic band of our time, The Growlers. This moment will only be recognized by fans who are paying close attention, but is an absolutely fitting detail.
Director Paul Thomas Anderson adapted the film from the original novel written by Thomas Pynchon. Like reading a novel, the film is consuming. But because it goes by much quicker than reading a book, it may need to be watched several times for the viewer to grasp exactly what happened.
Audiences will leave theaters with a resonating feeling of pure delirium from the cerebral experience that is “Inherent Vice.”
A surreal masterpiece, I give “Inherent Vice” 5 out of 5 stars.
Phoenix is a transformative actor, delving deep into his role. We’ve seen him do it before in movies like “Walk the Line.” He becomes his character to the point that it is conceivable this just might be the real him.
It is set in bohemian 1970s California. Everything from the way the camera captures the scene, to the outfits that adorn the characters, exudes a hippy-grunge vibe.
The film encompasses multiple genres including crime, comedy, and drama.
Similar to movies like “The Big Lebowski,” it is filled with humorous moments as Doc, a well-meaning and laid back stoner, is constantly found in the middle of the proverbial shit.
When his ex-girlfriend Shasta Fay (Katherine Waterston) reappears one random day, telling him of a plot to kidnap her billionaire boyfriend and then disappears shortly after, Doc becomes consumed by his investigation into her whereabouts. He is led into a conspiracy-like web of drugs, crime, and corruption.
It is not a typical movie with a coherent storyline, rather it is an experience of what Doc goes through as a mind bending mystery unfolds before him.
Strange, subtle details leave a trail of breadcrumbs for the audience to follow along with Doc, as he tries to make some sense out of the connections he stumbles across.
The plot transpires in a blur, floating into the perceptions of the audience like the winding smoke of an opium den. With a few dull moments, it drags on at times, much like the reality of human experience tends to do.
The musical selection only adds to the film’s tantalizing stylistic ambiance – at times it’s a dull and prolonged high, other times it’s a seedy bluesy underground, or absolute instrumental lunacy. Interestingly, much of the music was composed by Radiohead lead guitarist Jonny Greenwood.
Adding to the intricacy and authenticity of the film, is a brief cameo by what is perhaps the most psychedelic band of our time, The Growlers. This moment will only be recognized by fans who are paying close attention, but is an absolutely fitting detail.
Director Paul Thomas Anderson adapted the film from the original novel written by Thomas Pynchon. Like reading a novel, the film is consuming. But because it goes by much quicker than reading a book, it may need to be watched several times for the viewer to grasp exactly what happened.
Audiences will leave theaters with a resonating feeling of pure delirium from the cerebral experience that is “Inherent Vice.”
A surreal masterpiece, I give “Inherent Vice” 5 out of 5 stars.
Gareth von Kallenbach (971 KP) rated Conan the Barbarian (2011) in Movies
Aug 7, 2019
Conan.
The name either evokes pictures of half naked body builders, and topless wenches, or a very tall man with red, quaffed hair. Well, hopefully the former is what you are all thinking about, because that is what you are going to get. Nobody goes to a Conan movie for the tall, red haired guy. Right?
Jason Momoa, who is not awful to look at for a couple of hours, plays Conan. Physically, he is much truer to the character in the original source material, than the former governor of California. He also has this interesting gravity that makes you sit up and pay attention. Or maybe that was because he was shirtless for most of the movie.
Conan’s story begins as a baby, who is “battle born” and whose first taste, a familiar narrator states, “is not his mother’s milk, but her blood.” He is better then many of his village’s best warrior candidates and joins in a test that ends up being a battle against savages. While the other candidates run back to camp; Conan stay and fights. Not only does he return to the camp having passed the test, but he carries three of the savage’s heads with him. His father (Ron Pearlman) decides it is time to forge a sword and begin to train, with the father imparting sage words like, “You cannot yield the sword until you understand it.”
Conan’s training is interrupted by the arrival of Khalar Zym (Stephen Lang), a ruthless warlord who brings death and destruction to Conan’s village. Zym’s on a a quest to to claim the final piece of a mask that will give him control of the magic of Asheron. Conan is left the sole survivor of his Cimmarian people, growing up to become a fierce warrior intent on avenging his father’s death. All the while, Zym and his daughter Marique continue on Zym’s quest to become a powerful god, in search of a “pureblood” – the one person whose blood will make the mask work. Inevitably, Zym and Conan’s paths cross again and swordfights ensue.
The best thing about this movie, for me, were the female leads. Rose McGowan as Marique and Rachel Nichols as Tamara (the pureblood) are both warriors. It was also excellent to have Conan acknowledge this in Tamara; even saying, “Cimmarian women are warriors, give her the leather and armor.” We would have never heard 1982’s Conan say anything like this.
Listening to people while leaving the movie I heard grumblings about how the Conan character never really had an origin story. This movie provides that, and because of this it also provides something that the original movies lacked: plot. Not that the plot is very rich, but again, nobody goes to a Conan movie for the story or the plot. Right?
The name either evokes pictures of half naked body builders, and topless wenches, or a very tall man with red, quaffed hair. Well, hopefully the former is what you are all thinking about, because that is what you are going to get. Nobody goes to a Conan movie for the tall, red haired guy. Right?
Jason Momoa, who is not awful to look at for a couple of hours, plays Conan. Physically, he is much truer to the character in the original source material, than the former governor of California. He also has this interesting gravity that makes you sit up and pay attention. Or maybe that was because he was shirtless for most of the movie.
Conan’s story begins as a baby, who is “battle born” and whose first taste, a familiar narrator states, “is not his mother’s milk, but her blood.” He is better then many of his village’s best warrior candidates and joins in a test that ends up being a battle against savages. While the other candidates run back to camp; Conan stay and fights. Not only does he return to the camp having passed the test, but he carries three of the savage’s heads with him. His father (Ron Pearlman) decides it is time to forge a sword and begin to train, with the father imparting sage words like, “You cannot yield the sword until you understand it.”
Conan’s training is interrupted by the arrival of Khalar Zym (Stephen Lang), a ruthless warlord who brings death and destruction to Conan’s village. Zym’s on a a quest to to claim the final piece of a mask that will give him control of the magic of Asheron. Conan is left the sole survivor of his Cimmarian people, growing up to become a fierce warrior intent on avenging his father’s death. All the while, Zym and his daughter Marique continue on Zym’s quest to become a powerful god, in search of a “pureblood” – the one person whose blood will make the mask work. Inevitably, Zym and Conan’s paths cross again and swordfights ensue.
The best thing about this movie, for me, were the female leads. Rose McGowan as Marique and Rachel Nichols as Tamara (the pureblood) are both warriors. It was also excellent to have Conan acknowledge this in Tamara; even saying, “Cimmarian women are warriors, give her the leather and armor.” We would have never heard 1982’s Conan say anything like this.
Listening to people while leaving the movie I heard grumblings about how the Conan character never really had an origin story. This movie provides that, and because of this it also provides something that the original movies lacked: plot. Not that the plot is very rich, but again, nobody goes to a Conan movie for the story or the plot. Right?
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Kristy H (1252 KP) rated Party of Two (The Wedding Date #5) in Books
Feb 18, 2021
An absolutely charming romance with lots of cake!
This is the sixteenth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
When Olivia Monroe randomly chats with a handsome stranger at a hotel bar, she has no idea that they will wind up making a lasting connection. After her chance encounter, she learns that man was no other than Max Powell, a hotshot junior senator from California, where Olivia has just moved to start her own law firm. Olivia is focused on her firm--and she has no desire to date someone well-known--but when she and Max meet again, and he then sends her a cake, she can't help but be charmed. She finds she really likes Max, but not the scrutiny that comes with dating a high-profile figure. Olivia knows she and Max have something special, but is it worth all the other stuff?
This was my first book by Jasmine Guillory, but it will certainly not be my last. I found PARTY to be completely charming. I had no idea it was the fifth book in a series, and I'll definitely be going back and catching up on the previous books. That being said, this one seems to stand-alone.
PARTY is one of those romance books that just sweeps you off your feet from the beginning. It's incredibly fun and sexy and made me smile while reading it. Oh how I needed a book that made me smile. Olivia is smart and easy to identify with: I have a soft spot for skeptical workaholics. She also loves cake, and there are so many references to baked goods in this book. I was truly in heaven! (And hungry.) Max is handsome and a bit too perfect, but, yes, you learn, he too has flaws. And honestly, I was quite protective of my Olivia, so I only wanted the best for her anyway.
So sure, maybe this is a little predictable, but who cares, because it's so fun, and it made me laugh and tear up. Our couple is adorable, and the supporting cast is excellent (and, as far as I can tell, links to other books). I liked the references to politics and adored any and all mention of sweets. The book also touches on racism and the issues plaguing working women, so it's not just fluff. Overall, I loved basically every moment, and I can't wait to read the copy of THE WEDDING DATE I immediately bought upon finishing this book. 4.5 stars.
When Olivia Monroe randomly chats with a handsome stranger at a hotel bar, she has no idea that they will wind up making a lasting connection. After her chance encounter, she learns that man was no other than Max Powell, a hotshot junior senator from California, where Olivia has just moved to start her own law firm. Olivia is focused on her firm--and she has no desire to date someone well-known--but when she and Max meet again, and he then sends her a cake, she can't help but be charmed. She finds she really likes Max, but not the scrutiny that comes with dating a high-profile figure. Olivia knows she and Max have something special, but is it worth all the other stuff?
This was my first book by Jasmine Guillory, but it will certainly not be my last. I found PARTY to be completely charming. I had no idea it was the fifth book in a series, and I'll definitely be going back and catching up on the previous books. That being said, this one seems to stand-alone.
PARTY is one of those romance books that just sweeps you off your feet from the beginning. It's incredibly fun and sexy and made me smile while reading it. Oh how I needed a book that made me smile. Olivia is smart and easy to identify with: I have a soft spot for skeptical workaholics. She also loves cake, and there are so many references to baked goods in this book. I was truly in heaven! (And hungry.) Max is handsome and a bit too perfect, but, yes, you learn, he too has flaws. And honestly, I was quite protective of my Olivia, so I only wanted the best for her anyway.
So sure, maybe this is a little predictable, but who cares, because it's so fun, and it made me laugh and tear up. Our couple is adorable, and the supporting cast is excellent (and, as far as I can tell, links to other books). I liked the references to politics and adored any and all mention of sweets. The book also touches on racism and the issues plaguing working women, so it's not just fluff. Overall, I loved basically every moment, and I can't wait to read the copy of THE WEDDING DATE I immediately bought upon finishing this book. 4.5 stars.
