"It’s astonishing; one of those soundscape albums where the songs barely hold together, but somehow they do, so beautifully and so delicately. They’re like hymns, all of them. There’s a very spiritual quality to the chord sequences, straight from the church. It’s worshipful and soulful. In some ways it relates to Talk Talk’s last works. But they have that dark, dubstep feel to them as well. I just love the way he deconstructs songs. After I’d bought the album, it was on in a people carrier when we were being driven to a festival somewhere, and everybody was saying, "this is really dreary", but I had to pipe up and say, "actually it’s one of my favourite albums at the moment so can we leave it on?" I felt connected to it. I thought, "this isn’t dreary; it’s making me feel uplifted." I like what he does. I like anyone who takes songs and challenges the notion of song structures."

"I love weird people. The thing about voices is there's this idea, and this is my favourite thing about punk, is that I get really sad when people say they can't sing. That's not true. Anyone can be a singer. But when you hear Nina, she sounds like the exorcist. She uses all of her different voices. I don't even know another Nina Hagen record because that's the only one that ever really resonated with me. Playing that at Little Girls Rock camp [a foundation that funds and supports music education for young girls, of which Ditto is on the advisory board along with Tegan And Sarah and Kathleen Hanna], it blew their fucking minds. It blew their minds, and that is why I love Nina Hagen, and Yoko Ono, Diamanda Galas and Nina Simone because all of their voices are instruments. And her look! I met her and what did she say to me, "I didn't escape East Germany for nothing". Her story is phenomenal. It makes sense, because when you come from that kind of place you have to push the envelope because there's nothing to guide you. You have to make it up yourself and when you get to do that without pop culture references you get fucking Nina Hagen. It's so rare. I wonder what the next level of really untouched creativity will be? I wonder what that will look like? "