"Someone told me that the middle of the road is the only place you definitely get run over, and this is very obvious, housewife soul… you can’t say that any more, can you? But I just like how it’s created. I get really into the fact that the band used to just bang out these songs, they’d put down these drum tracks then Al Green would just come in at the last minute and sing on top of it all. They’re so patterned, cyclical, and he just it off. It’s a load of faux, pre-religious romantic nonsense, but really well done. They were kind of cynical, I reckon. ‘Let’s knock a few of these out in a day and we’re on!’ They’re kind of simple songs when you look back at it, there’s a lack of depth to Al Green, but he’s got such a good voice, and such a good drummer. And age has made it sound cooler, but the core isn’t cool at all."

"I have an argument with people who say that the punk scene changed their lives. Nearly everyone I speak to says that the Clash were the most exciting and the most important group of the era. But without the Sex Pistols there wouldn't have been any Clash: end of story. And people claim that Chris Spedding played on the album [as uncredited session musician], but really it was Steve Jones, and he is one of the great rock & roll guitarists. And Lydon was streets ahead of everyone else. The Clash made great pop records and the Sex Pistols were a great punk group. And for me this is year zero, you can go back to the Stooges if you like but if you were a kid waiting for someone to kick against bands that I have listed like Genesis, then the Sex Pistols were it. They lit the touch paper. It's a cliché but it's true."