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Rachel King (13 KP) rated Ghost Town in Books
Feb 11, 2019
I have to say, I really hope this series never truly ends, because I don't think I could ever get tired of reading about the escapades of Claire and friends in the supernatural town of Morganville, Texas.
In this book, Rachel Caine uses a unique form of mass amnesia to show the reader what Morganville was like before Claire showed up, including many of the different characters that play a part in the series. After Claire is forced to fix the machine that protects the town -- which proves once again how big her brain really is -- amnesia and Myrnin-style craziness erupt in Morganville. Claire, of course, is the only one who correctly guesses the source of the madness, though the more people forget, the harder it is for her to get to the machine and find a way to repair it.
If a giant broken machine is not enough to keep Claire busy, Amelie and Oliver are also in a power struggle for control of the town that not even mass amnesia can stop. The power struggle also reveals an interesting twist in their relationship that could be useful in future plots. Allegiances are also revealed, as well as the roles that a few of the vampires play under each of the two heads' discretion. One abhorred character is also conveniently killed off in the middle of this power struggle.
The mass amnesia also shows how some of the characters are predisposed to behaving a certain way, even if they can not remember certain things about themselves. Michael and Eve still have chemistry, as do Shane and Claire, and Monica is still the same - though a younger, flouncier version.
For the most part, the way the book ends is almost exactly how I predicted it would be, except for one crucial detail that made my jaw drop in shock. I really need to get my hands on the next book, Bite Club.
In this book, Rachel Caine uses a unique form of mass amnesia to show the reader what Morganville was like before Claire showed up, including many of the different characters that play a part in the series. After Claire is forced to fix the machine that protects the town -- which proves once again how big her brain really is -- amnesia and Myrnin-style craziness erupt in Morganville. Claire, of course, is the only one who correctly guesses the source of the madness, though the more people forget, the harder it is for her to get to the machine and find a way to repair it.
If a giant broken machine is not enough to keep Claire busy, Amelie and Oliver are also in a power struggle for control of the town that not even mass amnesia can stop. The power struggle also reveals an interesting twist in their relationship that could be useful in future plots. Allegiances are also revealed, as well as the roles that a few of the vampires play under each of the two heads' discretion. One abhorred character is also conveniently killed off in the middle of this power struggle.
The mass amnesia also shows how some of the characters are predisposed to behaving a certain way, even if they can not remember certain things about themselves. Michael and Eve still have chemistry, as do Shane and Claire, and Monica is still the same - though a younger, flouncier version.
For the most part, the way the book ends is almost exactly how I predicted it would be, except for one crucial detail that made my jaw drop in shock. I really need to get my hands on the next book, Bite Club.
Damian Sutton (4 KP) rated Ready Player One (2018) in Movies
May 3, 2019
A decent adaptation of a great book
Contains spoilers, click to show
From the get go, I think I'd best say I came to this with a pre-concieved notion that I was going to enjoy it, having read the book several times and having a long term love affair with Steven Spielberg (child of the 80s, so most of my formative years were spent sitting worshipping at the alter of Spielberg and Lucas) so I was aware that I was going to enjoy this film regardless, that said, there are moments in the film that fell flat for me, but on the whole....its a very enjoyable little action/adventure romp....with plenty in it for film lovers (the whole shining sequence had me grinning from ear to ear) and gamers too ( the whole film is deeply rooted in gamer culture and there are more gaming Easter eggs than you can shake a stick at) there's plenty of heart to this film too, and by the time the credits rolled I left the theatre thoroughly entertained, had this film come out a few years back, it would have been lauded as a sci-fi/adventure classic, however we now live in a post marvel world where every film they release seem to raise the bar very high, and films like this get lost in the shuffle a little, does this make it a worse movie....not at all, but it probably didn't get the acclaim it deserved because of being released in a sea of blockbusters.
So in closing, if you're looking for that perfect Sunday afternoon adventure film....you could do a lot worse than giving this a watch....see how many movie/gaming references you can spot
So in closing, if you're looking for that perfect Sunday afternoon adventure film....you could do a lot worse than giving this a watch....see how many movie/gaming references you can spot
Goddess in the Stacks (553 KP) rated Turtles All The Way Down in Books
Feb 8, 2018
Excellent descriptions of mental illness (1 more)
Unique main character
Another excellent book from John Green
So what the cover description of this book doesn't explicitly mention is that Aza, the main character, has a pretty severe anxiety disorder. That's really the core topic of the book - her thought spirals and dealing with life while caught in them. I trust John Green to write about these because he also suffers from severe anxiety. He's talked about it in interviews and on his vlogbrothers Youtube channel. (I'm a big Green brothers fan - what's known as a nerdfighter.) So when John Green writes a character with anxiety, I believe that it's a realistic portrayal. I loved the integration of technology in the story - two characters don't just text each other, the text conversation is on the page, formatted differently, so it's obvious these are text messages. I always love books that do that.
There's not a whole lot I can say about the book without giving things away; a lot of John Green's characters tend to wax eloquently about philosophy and things outside themselves, and Aza doesn't do that because she's so trapped within her own thoughts. She can't think of the future or existential dread because she's too worried about the microbes in her stomach getting out of control and giving her diseases. Definitely a departure from his usual story, though it does fit his standard MO of Main character meets other character who profoundly changes main character's life in some way. (There's a third part that is also consistent with most of John Green's novels but it's a spoiler.)
I think the book is a really good book for anyone who loves someone with anxiety. Or even for those who have anxiety themselves, to see that they're not alone.
You can find all my reviews at http://goddessinthestacks.wordpress.com
There's not a whole lot I can say about the book without giving things away; a lot of John Green's characters tend to wax eloquently about philosophy and things outside themselves, and Aza doesn't do that because she's so trapped within her own thoughts. She can't think of the future or existential dread because she's too worried about the microbes in her stomach getting out of control and giving her diseases. Definitely a departure from his usual story, though it does fit his standard MO of Main character meets other character who profoundly changes main character's life in some way. (There's a third part that is also consistent with most of John Green's novels but it's a spoiler.)
I think the book is a really good book for anyone who loves someone with anxiety. Or even for those who have anxiety themselves, to see that they're not alone.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Phillip McSween (751 KP) rated Uncle Buck (1989) in Movies
Mar 18, 2018
Hilarious
My Movies 365 journey has taken me deep into 80's territory, with Uncle Buck being my next up to review. Released in 1989, it just squeezes into the decade but is perfect for it. The 80's trend is becoming clearer with every film I watch: It was all about having fun. No strong depth. No taking itself too seriously. If you were going to see a film in the 80's, you were there for the sole purpose of having a good time. Did I have a good time watching Uncle Buck? Absolutely!
The film is simple in its design, yet still manages to have a ton of classic scenes. How many takes do you think it took to film the memorable Q&A scene with John Candy and McCauley Caulkin? I crack up just thinking about it so I can only imagine how hard it was for them. And Uncle Buck's car? Oh my God, the car! Hooptiest of hoopties. I don't know what's funnier, hearing its shotgun exhaust for the first time or watching everyone scatter for their lives.
Uncle Buck is called in to help babysit after his brother and sister-in-law have to go out of town to deal with an emergency. Other than the fact that there's no real substance to the movie, I don't really have anything bad to say about it. John Candy is perfect in his role as Buck. He's lived a life full of mistakes, but he's a great guy at heart. How can you not love a guy that will make you table-sized pancakes and punch out a clown for your birthday? My Favorite Line: "Take this quarter, go downtown, and have a rat gnaw that thing off your face!"
Recommended by an Uncle Kory, I'm so glad Uncle Buck made it's way onto my movie list. I'm giving it an 85.
The film is simple in its design, yet still manages to have a ton of classic scenes. How many takes do you think it took to film the memorable Q&A scene with John Candy and McCauley Caulkin? I crack up just thinking about it so I can only imagine how hard it was for them. And Uncle Buck's car? Oh my God, the car! Hooptiest of hoopties. I don't know what's funnier, hearing its shotgun exhaust for the first time or watching everyone scatter for their lives.
Uncle Buck is called in to help babysit after his brother and sister-in-law have to go out of town to deal with an emergency. Other than the fact that there's no real substance to the movie, I don't really have anything bad to say about it. John Candy is perfect in his role as Buck. He's lived a life full of mistakes, but he's a great guy at heart. How can you not love a guy that will make you table-sized pancakes and punch out a clown for your birthday? My Favorite Line: "Take this quarter, go downtown, and have a rat gnaw that thing off your face!"
Recommended by an Uncle Kory, I'm so glad Uncle Buck made it's way onto my movie list. I'm giving it an 85.
Phillip McSween (751 KP) rated Graceland (2013) in Movies
Apr 3, 2018
Amazing
Graceland is one of those films you remember for a long time after you've watched it. Set in the Philippines, the story revolves around Marlon Villar (Arnold Reyes) who is ambushed while driving his daughter and his boss' daughter home. Things spin wildly out of control when the kidnappers demand a ransom.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
The more I thought about Graceland as a whole, the more it made me think about how well things were filmed. The film is shot in a dark style, giving it a fitting gritty feel that sets the tone throughout. Particularly effective for me were the jarring moments that occur in close quarters, powerful and shocking at the same time. There are a number of points in the film that, due to how things were shot, will stick in my head for years to come.
Conflict: 10
Graceland is jarring and real because of the conflict created. The film never really gives you a chance to catch your breath at any point. You expect things to go one way and then are thrown for another loop. There was never a point where I felt like I could relax, which is exactly the feeling I look for in these type of films.
Genre: 8
Very interesting, original spin on your typical kidnapping story. While you empathize with the main character, you wonder if he's doing the right thing at the same time. He is faced with some tough decisions which you find out very early on in the story. You can never really tell up from down at any point. I can honestly say that I haven't really seen anything like it.
Memorability: 7
Pace: 10
Plot: 10
Resolution: 10
Overall: 91
Besides seeing film classics, Movies 365 has been all about me finding hidden gems like this one. Watch Graceland currently on Vudu for free. You won't regret it.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
The more I thought about Graceland as a whole, the more it made me think about how well things were filmed. The film is shot in a dark style, giving it a fitting gritty feel that sets the tone throughout. Particularly effective for me were the jarring moments that occur in close quarters, powerful and shocking at the same time. There are a number of points in the film that, due to how things were shot, will stick in my head for years to come.
Conflict: 10
Graceland is jarring and real because of the conflict created. The film never really gives you a chance to catch your breath at any point. You expect things to go one way and then are thrown for another loop. There was never a point where I felt like I could relax, which is exactly the feeling I look for in these type of films.
Genre: 8
Very interesting, original spin on your typical kidnapping story. While you empathize with the main character, you wonder if he's doing the right thing at the same time. He is faced with some tough decisions which you find out very early on in the story. You can never really tell up from down at any point. I can honestly say that I haven't really seen anything like it.
Memorability: 7
Pace: 10
Plot: 10
Resolution: 10
Overall: 91
Besides seeing film classics, Movies 365 has been all about me finding hidden gems like this one. Watch Graceland currently on Vudu for free. You won't regret it.
Goddess in the Stacks (553 KP) rated Superman: Dawnbreaker (DC Icons #4) in Books
Jul 23, 2019
This is the fourth in the DC Icons series, all of which I have now reviewed. It started with Wonder Woman, then moved through Batman and Catwoman before culminating in Superman. All four books have been written by popular young adult authors, from Leigh Bardugo to Marie Lu to Sarah J. Maas. Superman went to Matt De La Peña, who I had not actually heard of before. He apparently wrote a book called Ball Don't Lie that was made into a movie in 2011, and another book titled Mexican Whiteboy. What I'm trying to say is that De La Peña's Hispanic background makes him a perfect choice for this book. Because whatever else can be said about Superman, his is the ultimate immigrant story.
And this book not only tells Superman's immigrant story, but deals heavily with immigrant issues around him as well. Smallville is deliberating a new law that is basically stop-and-frisk; Hispanic people are going missing; undocumented immigrants are getting beaten in the streets. Clark is rightly horrified, and vows to get to the bottom of the disappearances.
The book is very timely, and I love what it says about one of our country's greatest fictional heroes. It reminds me of Justice League: Gods and Monsters, in which Superman is the son of General Zod, and was raised by illegal Mexican immigrants instead of the all-American Kents. (It's a fantastic animated movie, and well worth watching.)
Lex Luthor makes an appearance, and for a while I thought Clark's best friend, Lana, was a stand-in for Lois, but Lois is mentioned ever-so-briefly late in the book.
This is the fourth and final book in the DC Icons series, and taken as a whole, they're quite good. I wish they were a little more entwined with one another, but I understand that would be difficult with four different authors. But they are a very neat re-work of the four characters' origin stories.
You can find all my reviews and more at http://goddessinthestacks.com
And this book not only tells Superman's immigrant story, but deals heavily with immigrant issues around him as well. Smallville is deliberating a new law that is basically stop-and-frisk; Hispanic people are going missing; undocumented immigrants are getting beaten in the streets. Clark is rightly horrified, and vows to get to the bottom of the disappearances.
The book is very timely, and I love what it says about one of our country's greatest fictional heroes. It reminds me of Justice League: Gods and Monsters, in which Superman is the son of General Zod, and was raised by illegal Mexican immigrants instead of the all-American Kents. (It's a fantastic animated movie, and well worth watching.)
Lex Luthor makes an appearance, and for a while I thought Clark's best friend, Lana, was a stand-in for Lois, but Lois is mentioned ever-so-briefly late in the book.
This is the fourth and final book in the DC Icons series, and taken as a whole, they're quite good. I wish they were a little more entwined with one another, but I understand that would be difficult with four different authors. But they are a very neat re-work of the four characters' origin stories.
You can find all my reviews and more at http://goddessinthestacks.com
This is the eighth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Teenage Erin's family moves after a difficult time. Erin surprisingly feels solace in her new room--where she soon realizes she isn't alone. It's occupied by the spirit of Joe, the teenage boy who lived in the room before her. At the local school, Joe's brother Olly is struggling with being left behind. Until he meets a girl--different from anyone he's ever dated before. Now, Erin finds herself torn between two brothers. One living, one caught between two worlds. How can she choose?
It's probably my fault for choosing a book with such a plot, but this one is pretty silly. To say it's cheesy and schmaltzy is putting it mildly. I kept thinking about if you could read a book like this without having to abandon all realism... I'm not sure. But, Erin accepts the fact that there is a ghost in her room without any issue at all. Which, um, okay? Even better, she falls in insta-love with this ghost.
There's very little character development here. We get light background on Erin and what seems like even less on Joe (in fact, it seems like his personality switches halfway through). So we're supposed to believe they are two flawed teens, and Olly is a happy go-lucky guy, without much evidence at all. There's insta-love everywhere you look. A preposterous plot. And no one is willing to use Google, apparently.
Still, it's a teen read, so I can see how they might enjoy some of this craziness. It's a fast read, and I won't lie, I was caught up in the story at times. And the ending really was pretty perfect. Still, as much as I hate to do it, as I've read some of Kessler's other books and loved them, I think this was a 2.5-star read for me.
Teenage Erin's family moves after a difficult time. Erin surprisingly feels solace in her new room--where she soon realizes she isn't alone. It's occupied by the spirit of Joe, the teenage boy who lived in the room before her. At the local school, Joe's brother Olly is struggling with being left behind. Until he meets a girl--different from anyone he's ever dated before. Now, Erin finds herself torn between two brothers. One living, one caught between two worlds. How can she choose?
It's probably my fault for choosing a book with such a plot, but this one is pretty silly. To say it's cheesy and schmaltzy is putting it mildly. I kept thinking about if you could read a book like this without having to abandon all realism... I'm not sure. But, Erin accepts the fact that there is a ghost in her room without any issue at all. Which, um, okay? Even better, she falls in insta-love with this ghost.
There's very little character development here. We get light background on Erin and what seems like even less on Joe (in fact, it seems like his personality switches halfway through). So we're supposed to believe they are two flawed teens, and Olly is a happy go-lucky guy, without much evidence at all. There's insta-love everywhere you look. A preposterous plot. And no one is willing to use Google, apparently.
Still, it's a teen read, so I can see how they might enjoy some of this craziness. It's a fast read, and I won't lie, I was caught up in the story at times. And the ending really was pretty perfect. Still, as much as I hate to do it, as I've read some of Kessler's other books and loved them, I think this was a 2.5-star read for me.
Sam (228 KP) rated The Willoughbys (2020) in Movies
May 13, 2020
Character development (or not) (3 more)
Good messages
Cute music
Adorable storyline
Absolutely Adorable
This film takes hard and upsetting topics, addressing them in a light-er tones that can be understood by children. This film is a heartwarming tale about the trust meaning of family and what it really means to choose your family. At the end (no spoilers!) there is a single moment where I began to worry that it would be one of THOSE movies and trust me you'll know it when you see it. I'll give you a hint and say it involves es both the parents and kids but that's all I'm saying!
The reason I enjoyed this film so much definitely has to do with how they chose to address the topics of social services and what it means to put a child into the system. They also do this in such a way that a child can understand and clearly see that there's something not right with how they go about things. However, despite this, they do not make 'orphan services' as it's called in the film, the bad guy. Rather they add a slightly different tone, hinting that they care and that their coldness is a result of trying to be apart of the working system. They're not the 'problem' in the film but simply another aspect within the film pushing the real problem. The system is broken, a system set up to help and keep children safe (they even mention it in film), is instead breaking up families for no other reason than minimal circumstance and (not sure if people caught this one) NO EVIDENCE.
I fear I'm starting to hint around spoilers so I'll say no more but the film is worth a look. Even if you don't necessarily like kid films the ideas in this film on family and 'the system' is truly something to marvel.
The reason I enjoyed this film so much definitely has to do with how they chose to address the topics of social services and what it means to put a child into the system. They also do this in such a way that a child can understand and clearly see that there's something not right with how they go about things. However, despite this, they do not make 'orphan services' as it's called in the film, the bad guy. Rather they add a slightly different tone, hinting that they care and that their coldness is a result of trying to be apart of the working system. They're not the 'problem' in the film but simply another aspect within the film pushing the real problem. The system is broken, a system set up to help and keep children safe (they even mention it in film), is instead breaking up families for no other reason than minimal circumstance and (not sure if people caught this one) NO EVIDENCE.
I fear I'm starting to hint around spoilers so I'll say no more but the film is worth a look. Even if you don't necessarily like kid films the ideas in this film on family and 'the system' is truly something to marvel.
Debbiereadsbook (1454 KP) rated Unlikely Hero (AUDIO) in Books
May 14, 2018
excellent narration of a great book!
Independent reviewer for Divine Magazine, I was gifted the audio version of this book.
Brock never got over Eric leaving him, but he understood why Eric needed to go. When Eric calls, 9 years later, Brock drops everything and calls upon his considerable resources to find Eric's 3 year old daughter , who has been kidnapped. But having Eric and Josie under his roof, to keep them safe, has Brock thinking about all the things he missed out on.
I loved this!!
Brock loved Eric, never stopped so of course he's gonna help him find his daughter! I loved that, right from Eric turning up at his office, Brock is calling him baby. I don;'t usually, so it surprised me here that I did love it! I think it surprised Brock too, the first time he did it!
Brock makes no apologies for his wealth and power and he pulls no punches in using both to keep Eric and Josie safe, and in finding out who is doing this.
But we don't get Eric, at all. This is told entirely from Brock's POV in the third person. And I really REALLY needed to hear from Eric at key points along the way: when Josie is first discovered gone; when he walks into Brock's office and when he finds out just who is behind it all. This is the only reason I gave the book 4 stars, because Eric is not given a voice, and he needed one.
I loved the supporting cast, especially Max and Gordon. They have a tale to tell, not least because of what goes down here!
Jeff Gelder narrates. This is the first, as far as I can see, that I have listened to of his work and I was very impressed. His reading voice is deep and even, and his voices consistent and easily identifiable in multi person conversations. Loved his voice for Josie, who sounded just like a 3 year old should, with all the funny things they say. Gelder gets over all of Brock's emotions in all the right places.
I cannot fault the narration. Gelder is firmly on my to listen list!
4 stars for the book
5 stars for the narration.
4.5 (rounded down to 4) overall.
**same worded review will appear elsewhere**
Brock never got over Eric leaving him, but he understood why Eric needed to go. When Eric calls, 9 years later, Brock drops everything and calls upon his considerable resources to find Eric's 3 year old daughter , who has been kidnapped. But having Eric and Josie under his roof, to keep them safe, has Brock thinking about all the things he missed out on.
I loved this!!
Brock loved Eric, never stopped so of course he's gonna help him find his daughter! I loved that, right from Eric turning up at his office, Brock is calling him baby. I don;'t usually, so it surprised me here that I did love it! I think it surprised Brock too, the first time he did it!
Brock makes no apologies for his wealth and power and he pulls no punches in using both to keep Eric and Josie safe, and in finding out who is doing this.
But we don't get Eric, at all. This is told entirely from Brock's POV in the third person. And I really REALLY needed to hear from Eric at key points along the way: when Josie is first discovered gone; when he walks into Brock's office and when he finds out just who is behind it all. This is the only reason I gave the book 4 stars, because Eric is not given a voice, and he needed one.
I loved the supporting cast, especially Max and Gordon. They have a tale to tell, not least because of what goes down here!
Jeff Gelder narrates. This is the first, as far as I can see, that I have listened to of his work and I was very impressed. His reading voice is deep and even, and his voices consistent and easily identifiable in multi person conversations. Loved his voice for Josie, who sounded just like a 3 year old should, with all the funny things they say. Gelder gets over all of Brock's emotions in all the right places.
I cannot fault the narration. Gelder is firmly on my to listen list!
4 stars for the book
5 stars for the narration.
4.5 (rounded down to 4) overall.
**same worded review will appear elsewhere**
Acanthea Grimscythe (300 KP) rated Green Darkness in Books
May 16, 2018
Having picked <i>Green Darkness</i> up from the local library bookstore sale for only a quarter, I truly had no idea what I was getting myself into. Historical fiction, in any form, is not a genre that I've spent much time with, and coupling that with paranormal romance? Well, we can safely say that I was in for a ride.
<i>Green Darkness</i> shares the harrowing tale of forbidden love in mid-1500s England between an unfortunate peasant girl and a Benedictine monk, betwixt the reigns of King Edward VI, Queen Mary I, and Queen Elizabeth - a time when Catholicism and Protestantism (depending on the ruler) were met with persecution. It doesn't begin in that era, however; rather, the story starts in the 1960s, when Celia and her newly wedded husband, Richard Marsdon, arrive at his family's ancestral estate in Sussex. A baffling illness befalls the Marsdons, leaving the unorthodox physician, Doctor Akananda, to unravel the mysterious past that haunts the pair from hundreds of years before.
The twisting tale that unravels of that love affair is only a small part of what I enjoyed about this book, as romance is not typically my cup of tea. What truly enticed me was [a:Anya Seton|18930|Anya Seton|https://d.gr-assets.com/authors/1224813438p2/18930.jpg]'s faithfulness not only to history, but to location, legend, and use of historical figures. Cowdray House and Ightham Mote are real places, and an unfounded rumor regarding the Mote suggests that a female skeleton was found within its walls - which Seton used as a basis for her story. Through Seton, I discovered an unknown love for Tudor England, and undoubtedly I will read more books set in that time period.
Despite my praise for the book, I was unable to give it a five star rating because of its conclusion: it was as if Seton ran out of fuel. The idea of reincarnation takes a more ridiculous turn when Doctor Akananda hints at more pasts that conveniently interlock the same people. As if that were not enough of an affront, the resolution itself fell flat. With the Marsdon family tragedy conveniently wrapped up, Celia and Stephen seem aloof and their interaction felt a bit too forced. It is for this reason that I gave the book four stars.
<i>Green Darkness</i> shares the harrowing tale of forbidden love in mid-1500s England between an unfortunate peasant girl and a Benedictine monk, betwixt the reigns of King Edward VI, Queen Mary I, and Queen Elizabeth - a time when Catholicism and Protestantism (depending on the ruler) were met with persecution. It doesn't begin in that era, however; rather, the story starts in the 1960s, when Celia and her newly wedded husband, Richard Marsdon, arrive at his family's ancestral estate in Sussex. A baffling illness befalls the Marsdons, leaving the unorthodox physician, Doctor Akananda, to unravel the mysterious past that haunts the pair from hundreds of years before.
The twisting tale that unravels of that love affair is only a small part of what I enjoyed about this book, as romance is not typically my cup of tea. What truly enticed me was [a:Anya Seton|18930|Anya Seton|https://d.gr-assets.com/authors/1224813438p2/18930.jpg]'s faithfulness not only to history, but to location, legend, and use of historical figures. Cowdray House and Ightham Mote are real places, and an unfounded rumor regarding the Mote suggests that a female skeleton was found within its walls - which Seton used as a basis for her story. Through Seton, I discovered an unknown love for Tudor England, and undoubtedly I will read more books set in that time period.
Despite my praise for the book, I was unable to give it a five star rating because of its conclusion: it was as if Seton ran out of fuel. The idea of reincarnation takes a more ridiculous turn when Doctor Akananda hints at more pasts that conveniently interlock the same people. As if that were not enough of an affront, the resolution itself fell flat. With the Marsdon family tragedy conveniently wrapped up, Celia and Stephen seem aloof and their interaction felt a bit too forced. It is for this reason that I gave the book four stars.