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Darren Fisher (2454 KP) rated Island of Death (1976) in Movies
Jan 11, 2021 (Updated Jan 11, 2021)
70's Exploitation At Its Best
Story has it that Greek director Nico Mastorakis saw the Texas Chainsaw Massacre at the cinema and was impressed that such a violent low budget horror film could make so much money. So with that in mind Nico decided to make an even more depraved feature than Tobe Hooper and therefore make even more money! He succeeded in the latter but as for make more money? Well, we can only guess not. I won't bother going into the plot as I assume most people already know about this depraved and sick little flick. All that I will say is that as far as 70's exploitation flicks go this is one of the best. Depravity has never been in so much abundance as is on show here. This will not be to many viewers taste (and a big "no, no" for the Snowflake Generation) as we are subjected to rape, gay rape, incest, drug abuse, beastiality, torture, urinating on pensioners and even a fart in the face as a downright insult. The list of depravity doesn't stop there but to list them all would take some time and spoil it for those that want to watch it for the first time...
The gore is kept to a mimimum and the acting is pretty bad, but as the film progresses this is not really an issue (there are some great bits of crazy dialogue throughout). The majority of death scenes are very imaginative, including deaths involving a plane flight, bulldozer and a pot of paint.
Also there is a cracking soundtrack provided by the legendery Nikos Lavranos (Destination Understanding being the obvious favourite of the 'cult elite').
I cannot recommend this film enough, it is superb, but if you are easily offended I would suggest giving this one a very wide berth. Maybe I need psychiatric help... A MUST SEE.
The gore is kept to a mimimum and the acting is pretty bad, but as the film progresses this is not really an issue (there are some great bits of crazy dialogue throughout). The majority of death scenes are very imaginative, including deaths involving a plane flight, bulldozer and a pot of paint.
Also there is a cracking soundtrack provided by the legendery Nikos Lavranos (Destination Understanding being the obvious favourite of the 'cult elite').
I cannot recommend this film enough, it is superb, but if you are easily offended I would suggest giving this one a very wide berth. Maybe I need psychiatric help... A MUST SEE.
Mark @ Carstairs Considers (2357 KP) rated Blood Alone in Books
Jan 22, 2021
Can Billy Recover His Memory in Time to Complete His Mission?
As this book opens, Billy Boyle is waking up in a field hospital. He can’t remember who he is or what he is doing there. Slowly, he begins to piece together things like his name and the fact that he is in Sicily in the summer of 1942. He also believes he has an important mission to carry out for his uncle, General Eisenhower. But he can’t remember what that mission is. However, he knows he has to keep moving, especially when he stumbles upon a dead body. Following the only clues he has, he sets out across the island, soon joined by a local doctor. Will he recover his memory in time?
Amnesia isn’t a new plot device, but I thought it was handled well here to set up the story and draw us in. As Billy relearns who he is, it also offers reminders on what has happened before without saddling us with long exposition. New readers should be warned that this does contain some pretty major spoilers for the first two books, however. That information is needed since it allows us to see real growth in the characters; I love how they are developing. We also see the impact of the war, not only on Billy and the other soldiers but also on the people living in Sicily at the time. All of this does sidetrack the mystery at times, and I’m torn on this. I appreciate how rich the book is, but I wish the pacing were a little better. That’s not to say there isn’t plenty of action; so much so that Billy feels like an action hero at times. There is a solid mystery in the book with some good twists that took me by surprise. Overall, this is a great third book in a series I wish I had started sooner.
Amnesia isn’t a new plot device, but I thought it was handled well here to set up the story and draw us in. As Billy relearns who he is, it also offers reminders on what has happened before without saddling us with long exposition. New readers should be warned that this does contain some pretty major spoilers for the first two books, however. That information is needed since it allows us to see real growth in the characters; I love how they are developing. We also see the impact of the war, not only on Billy and the other soldiers but also on the people living in Sicily at the time. All of this does sidetrack the mystery at times, and I’m torn on this. I appreciate how rich the book is, but I wish the pacing were a little better. That’s not to say there isn’t plenty of action; so much so that Billy feels like an action hero at times. There is a solid mystery in the book with some good twists that took me by surprise. Overall, this is a great third book in a series I wish I had started sooner.
ClareR (5885 KP) rated The Flatshare in Books
Sep 1, 2019
A great feel-good story - and who knew I liked romance?!
In The Flatshare, Tiffy and Leon share a flat and a bed, and yet they’re never in the flat or bed at the same time. This is the only way for Tiffy to be able to afford to live in Central London, and Leon has his own financial reasons for sharing his flat.
Tiffy has recently split up with her rich boyfriend, and she has to leave his flat. Her friends offer her their sofa, but Tiffy realises that she needs her independence (and a decent bed!) - even if it is a bit of an odd arrangement. Actually, when I was reading about it in the book, it didn’t seem at all unreasonable!
Tiffy is a great character. She’s an assistant editor for a publisher specialising in Arts and Crafts, and she’s a real individual - in both her dress and her attitude towards life. She’s also discovering that her ex-boyfriend may not have been as lovely as she thought.
Leon wants someone to share his flat so that he can pay the legal fees for his brothers court appeal. He works the permanent night shift at a local hospice as a nurse (the pay is better for this shift), and he’s a man of few words. He loves his job and he’s very caring towards his patients. And he’s a lovely man.
I really enjoyed this. It’s not your typical rom-com. I would say that there’s a serious side to it as well. I did laugh a lot, but I also worried along with Leon about his younger brother, and joined Tiffy’s friends in their dislike of her decidedly dodgy ex.
So if you’re not usually in to rom-coms, this might just be the book for you too. It was a really very pleasant surprise!
Many thanks to a Readers First for my copy of this book.
Tiffy has recently split up with her rich boyfriend, and she has to leave his flat. Her friends offer her their sofa, but Tiffy realises that she needs her independence (and a decent bed!) - even if it is a bit of an odd arrangement. Actually, when I was reading about it in the book, it didn’t seem at all unreasonable!
Tiffy is a great character. She’s an assistant editor for a publisher specialising in Arts and Crafts, and she’s a real individual - in both her dress and her attitude towards life. She’s also discovering that her ex-boyfriend may not have been as lovely as she thought.
Leon wants someone to share his flat so that he can pay the legal fees for his brothers court appeal. He works the permanent night shift at a local hospice as a nurse (the pay is better for this shift), and he’s a man of few words. He loves his job and he’s very caring towards his patients. And he’s a lovely man.
I really enjoyed this. It’s not your typical rom-com. I would say that there’s a serious side to it as well. I did laugh a lot, but I also worried along with Leon about his younger brother, and joined Tiffy’s friends in their dislike of her decidedly dodgy ex.
So if you’re not usually in to rom-coms, this might just be the book for you too. It was a really very pleasant surprise!
Many thanks to a Readers First for my copy of this book.
This isn’t the first time I’ve read this book, and it probably won’t be the last, either. I’m reading the first two books in preparation for reading the final book. Wolf Hall is as good as it was the first time round, and I think it’s a book that bears reading more than once - I’ve picked up things this time that I didn’t see the first read through. I have a sneaking suspicion that you could find something new, no matter how many times you read it.
It can be a little confusing at first, when Cromwell is referred to as ‘he’ throughout, but I slipped into the habit after a while. When learning about the Tudors at school, Cromwell is very much skimmed over. We learn that he had his moment of favour and then had his head chopped off 🤷🏼♀️. It seemed to be a bit of a professional hazard if you worked with royalty in those days.
This book gives Thomas Cromwell personality, feelings and you get to see his hopes and aspirations. He is portrayed as a thoroughly nice person, a good, caring father and employer. Someone who fought his way out of poverty, and tried to bring others out of that same situation. But he’s also shown to be calculating, cunning, a man that is no fool. There would have to be an element of the cut-throat about a man who wanted to work with Henry VIII; a king who was unpredictable, to say the least, and easily influenced by those around him.
I adore this period in history. Nothing is as shocking as real life, and I cannot for the life of me get over how cheap life was in a time where it should have been worth more (with no antibiotics, high infant and maternal mortality, death around the corner from simple illnesses). I’m really looking forward to rereading the second book in this trilogy now.
It can be a little confusing at first, when Cromwell is referred to as ‘he’ throughout, but I slipped into the habit after a while. When learning about the Tudors at school, Cromwell is very much skimmed over. We learn that he had his moment of favour and then had his head chopped off 🤷🏼♀️. It seemed to be a bit of a professional hazard if you worked with royalty in those days.
This book gives Thomas Cromwell personality, feelings and you get to see his hopes and aspirations. He is portrayed as a thoroughly nice person, a good, caring father and employer. Someone who fought his way out of poverty, and tried to bring others out of that same situation. But he’s also shown to be calculating, cunning, a man that is no fool. There would have to be an element of the cut-throat about a man who wanted to work with Henry VIII; a king who was unpredictable, to say the least, and easily influenced by those around him.
I adore this period in history. Nothing is as shocking as real life, and I cannot for the life of me get over how cheap life was in a time where it should have been worth more (with no antibiotics, high infant and maternal mortality, death around the corner from simple illnesses). I’m really looking forward to rereading the second book in this trilogy now.
KatieLouCreate (162 KP) rated Perfected (Perfected, #1) in Books
Jul 10, 2023
Perfected by Kate Jarvik Birch
This book has been sat on my bookshelf for as long as I can remember, which is why i finally decided to pick it up.
The book was originally published in 2014, around the height of YA Dystopian books. And if that doesn't tell you everything you need to know about this book allow me to continue.
After creating a new law which allows for the creation of human pets, congressman Kimball bought Ella. She is a pet designed and trained specifically for entertaining the Elite as the most prestigious family companion.
But for Ella, things aren't what they seem. Family secrets arise; she is kidnapped; and the dark world under her pampered life shows itself; and she cannot help but fall for the congressman's son, Penn. She is forced to question her existence. But if she chooses to act on these new revelations, she may face a fate worse than death.
Not to be rude, but this book is just like any other YA book written of its time. It draws a lot of similarities to Lauren DeStefano's Wither Trilogy. Its beautifully written, with lots of potential, but lacks execution. Ella is a very basic character for me. She is passive and her only motives for pushing herself derive from Penn, her love interest.
It seems the author tried to go for a hate to love relationship, but it fell flat with the instalovey trope. Even then, their love seemed more like lust to me. They didn't really build any foundations and connection. At least not enough to justify Ella's actions and motives.
Had I read this in my teens when the book came out, I would probably have loved it. But I'm older and nore cynical now.
I have already bought the second book on Audible and the book wasn't so terrible that I won't at least give it a try, but I'm apprehensive to say the least.
The book was originally published in 2014, around the height of YA Dystopian books. And if that doesn't tell you everything you need to know about this book allow me to continue.
After creating a new law which allows for the creation of human pets, congressman Kimball bought Ella. She is a pet designed and trained specifically for entertaining the Elite as the most prestigious family companion.
But for Ella, things aren't what they seem. Family secrets arise; she is kidnapped; and the dark world under her pampered life shows itself; and she cannot help but fall for the congressman's son, Penn. She is forced to question her existence. But if she chooses to act on these new revelations, she may face a fate worse than death.
Not to be rude, but this book is just like any other YA book written of its time. It draws a lot of similarities to Lauren DeStefano's Wither Trilogy. Its beautifully written, with lots of potential, but lacks execution. Ella is a very basic character for me. She is passive and her only motives for pushing herself derive from Penn, her love interest.
It seems the author tried to go for a hate to love relationship, but it fell flat with the instalovey trope. Even then, their love seemed more like lust to me. They didn't really build any foundations and connection. At least not enough to justify Ella's actions and motives.
Had I read this in my teens when the book came out, I would probably have loved it. But I'm older and nore cynical now.
I have already bought the second book on Audible and the book wasn't so terrible that I won't at least give it a try, but I'm apprehensive to say the least.
LeftSideCut (3776 KP) rated Everything Everywhere All At Once (2022) in Movies
May 11, 2022
Everything Everywhere All at Once is one of those rare films where I can't think of the appropriate words to describe it. It's a thrilling and emotional spectacle brimming with unique visuals and is a true cinematic rollercoaster.
The narrative is part family drama, and part mind bending sci-fi. The family drama is well crafted and effortless to become invested in. It's gives the characters room to breathe whilst simultaneously wasting little time before shit goes off the rails. When I say mind bending, that's exactly what it sounds like. The sci-fi element is just bonkers. The alternative universes that are shown off are memorable and colourful, and the action set pieces are joyous to behold. There's some solid martial arts on display, and multiple scenarios where you can safely say "well I've never seen that in a film before".
Towering above all of the batshit insane fun however, is the very human centre that EEAAO carries with it. The last 40 minutes or so get unashamedly existential, and accurately convey the feeling of how easy it is to feel like a failure, or to feel alone and unheard in a bustling universe. It's hard hitting but is wholesome as hell (never thought a silent and subtitled conversation between two rocks would hit me in the feels but here we are)
Michelle Yeoh is wonderful and delivers a career best performance. Stephanie Hsu is also great and it's bloody lovely to see Ke Huy Quan back with a vengeance. Jamie Lee Curtis remains easy to love, even as a pain in the arse, pro wrestling tax auditer.
The Daniels have delivered and then some in their follow up effort to the equally weird Swiss Army Man and truly deserve all the praise coming their way.
Everything Everywhere All at Once is a phenomenal experience. I can't imagine anything will beat it for my personal best film of 2022. It's a bonafide, head fucking masterpiece.
The narrative is part family drama, and part mind bending sci-fi. The family drama is well crafted and effortless to become invested in. It's gives the characters room to breathe whilst simultaneously wasting little time before shit goes off the rails. When I say mind bending, that's exactly what it sounds like. The sci-fi element is just bonkers. The alternative universes that are shown off are memorable and colourful, and the action set pieces are joyous to behold. There's some solid martial arts on display, and multiple scenarios where you can safely say "well I've never seen that in a film before".
Towering above all of the batshit insane fun however, is the very human centre that EEAAO carries with it. The last 40 minutes or so get unashamedly existential, and accurately convey the feeling of how easy it is to feel like a failure, or to feel alone and unheard in a bustling universe. It's hard hitting but is wholesome as hell (never thought a silent and subtitled conversation between two rocks would hit me in the feels but here we are)
Michelle Yeoh is wonderful and delivers a career best performance. Stephanie Hsu is also great and it's bloody lovely to see Ke Huy Quan back with a vengeance. Jamie Lee Curtis remains easy to love, even as a pain in the arse, pro wrestling tax auditer.
The Daniels have delivered and then some in their follow up effort to the equally weird Swiss Army Man and truly deserve all the praise coming their way.
Everything Everywhere All at Once is a phenomenal experience. I can't imagine anything will beat it for my personal best film of 2022. It's a bonafide, head fucking masterpiece.
Gareth von Kallenbach (980 KP) rated Love, Simon (2018) in Movies
Jul 8, 2019
Meet Simon, just your average teenage boy who loves to hang out with his best friends and spend time with his family. His life is seemingly perfect, except he has a secret. Simon (Nick Robinson) is gay. With news of a closeted gay kid at school, who only is known as Blue; Simon starts to venture out of his secret. However, as John Hughes taught us in the 1980’s it’s not easy being a teenager. As Simon tries to navigate this new friendship with Blue, he begins to affect the lives of his best friends Leah (Katherine Langford), Nick (Keiynan Lonsdale), and Abby (Alexandra Shipp) just to keep his secret safe. Even his mom (Jennifer Gardiner) and dad (Josh Duhamel) begin to realize something is up. So, the question is if his secret gets out how will he handle it?
Love, Simon is the coming of age story 2018 needed. Modern coming of age films lack critical aspects of the teenage condition; being selfish and having massive amounts of teen angst. That is what was special about the 1980’s classics Breakfast Club and Sixteen Candles, they showed how teenagers actually felt.
Love, Simon also bring an LGBT love story into a heavily saturated heteronormative genre. Now for those who say, well why is this important? It’s important because representation in film matters. Being able to see yourself in a character on the big screen can mean so much.
Originally, going into this film I was a bit skeptical; as the film has been heavily advertised on all social media platforms. So, I began to worry if the hype would live up to the actual film. I was glad to be proven quite the opposite; as I ended up completely falling in love with this film. The wit shown in the script, and the delivery made by the actors was incredible. Watching this film was a breath of fresh air; as most coming of age films follow very formulated clichés and while this had some it used them in completely different ways. I would say more on this matter but truly you have to see it to experience it. Even the soundtrack exuded the teenage experience; completely complementing it from beginning to end.
Love, Simon is a film that shows being yourself is a freeing experience and it is definitely a film I will be buying once it hits Blu Ray. This film is for anyone who loved those coming of age movies from the 1980’s and anyone who loves a good love story
Love, Simon is the coming of age story 2018 needed. Modern coming of age films lack critical aspects of the teenage condition; being selfish and having massive amounts of teen angst. That is what was special about the 1980’s classics Breakfast Club and Sixteen Candles, they showed how teenagers actually felt.
Love, Simon also bring an LGBT love story into a heavily saturated heteronormative genre. Now for those who say, well why is this important? It’s important because representation in film matters. Being able to see yourself in a character on the big screen can mean so much.
Originally, going into this film I was a bit skeptical; as the film has been heavily advertised on all social media platforms. So, I began to worry if the hype would live up to the actual film. I was glad to be proven quite the opposite; as I ended up completely falling in love with this film. The wit shown in the script, and the delivery made by the actors was incredible. Watching this film was a breath of fresh air; as most coming of age films follow very formulated clichés and while this had some it used them in completely different ways. I would say more on this matter but truly you have to see it to experience it. Even the soundtrack exuded the teenage experience; completely complementing it from beginning to end.
Love, Simon is a film that shows being yourself is a freeing experience and it is definitely a film I will be buying once it hits Blu Ray. This film is for anyone who loved those coming of age movies from the 1980’s and anyone who loves a good love story
Heather Cranmer (2721 KP) rated Between the Devil and the Deep Blue Sea (Between, #1) in Books
Jun 6, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
This is a book I'd been wanting to read for awhile. The whole gothic horror thing really piqued my interest. While this wasn't my favorite horror story, it was still a good read. I've also seen some reviews saying that this book was a lot like the Twilight series by Stephenie Meyer but I didn't think it was.
I must admit that the title is what caught my attention first. I love it, and I find that it's a very fitting title for the book.
The cover is the next thing that caught my attention, and while I don't think it really fits in with the story, it's still an interesting cover.
I enjoyed the world building very much. However, a majority of characters in this book had really peculiar names like Violet White, River West, True White, Sunshine, etc. Maybe it was just a coincidence, but I still found it strange that they all had extraordinary names. I loved the back story of everything which helped to set up the world building very nicely. The one thing that kind of annoyed me was the insta-love between River and Violet.
The pacing did start off a bit slow, but I hung in there. By about the third chapter, the book reeled me in, and my attention was focused solely on finding out what was going to happen and if River was truly a bad boy or just misunderstood.
I felt that the plot had some originality to it. River moves in to Violet's guest house and suddenly a bunch of weird things start happening. I really want to elaborate more on the plot, but I also don't want to give anything away. Let's just say the plot deals with the paranormal and romance. There is a plot twist. There's also a sort of cliff hanger ending since there's a second book in the series.
As for the characters, I thought they were alright even if they did seem a bit older than their actual ages of 16 and 17. I liked how Violet wasn't ashamed to be different. She was odd, yes, but that's what I loved about her. She seemed, for the most part, to be comfortable in her own skin. I didn't really know what to make of River. He was very mysterious and he lied...a lot! This made me not trust him at all, yet Violet was perfectly happy to trust River. (Okay, so Violet had one annoying trait). I liked Luke, and I didn't feel that he was as mean to Violet as what Violet led us to believe. In fact, I thought he was quite nice and caring. He was a bit of a ladies man, but the kid is 17 years old after all. I liked how Neely was like the protector of everyone. He did have a bit of a temper, but he was willing to do whatever it took to protect his friends and family. The character I really had a problem with was Brodie. He's such a stereotypical Texan, and that's what really made me upset. He came across as an uneducated hillbilly. I really did feel offended by the author for her portrayal of Texans.
The dialogue sounds more fitting for an adult novel as the teenagers in the book speak like they are much older than their 16 and 17 years. As I stated in the above paragraph, I was offended by the character of Brodie. His speech was so stereotypical and offensive. I've never even heard anyone from Texas speak the way Brodie spoke, and I was born and raised here in Texas! I think the author should've done a bit more research about the dialogue and dialect of Texas instead of just stereotyping. Other than that, the dialogue flowed smoothly and freely. The book is fairly violent, and there are some mild sexual situations. There is some swearing as well.
Overall, Between the Devil and the Deep Blue Sea is an intriguing read with a great plot. The world building is interesting, and the characters are likable even if one was extremely offensive.
I'd recommend this book to those aged 16+ who are fans of gothic horror or just horror in general.
<b>I'd give Between the Devil and the Deep Blue Sea by April Genevieve Tucholke a 3.75 out of 5.</b>
(I purchased a hardcover copy of this book with my own money from Amazon. No review was required).
This is a book I'd been wanting to read for awhile. The whole gothic horror thing really piqued my interest. While this wasn't my favorite horror story, it was still a good read. I've also seen some reviews saying that this book was a lot like the Twilight series by Stephenie Meyer but I didn't think it was.
I must admit that the title is what caught my attention first. I love it, and I find that it's a very fitting title for the book.
The cover is the next thing that caught my attention, and while I don't think it really fits in with the story, it's still an interesting cover.
I enjoyed the world building very much. However, a majority of characters in this book had really peculiar names like Violet White, River West, True White, Sunshine, etc. Maybe it was just a coincidence, but I still found it strange that they all had extraordinary names. I loved the back story of everything which helped to set up the world building very nicely. The one thing that kind of annoyed me was the insta-love between River and Violet.
The pacing did start off a bit slow, but I hung in there. By about the third chapter, the book reeled me in, and my attention was focused solely on finding out what was going to happen and if River was truly a bad boy or just misunderstood.
I felt that the plot had some originality to it. River moves in to Violet's guest house and suddenly a bunch of weird things start happening. I really want to elaborate more on the plot, but I also don't want to give anything away. Let's just say the plot deals with the paranormal and romance. There is a plot twist. There's also a sort of cliff hanger ending since there's a second book in the series.
As for the characters, I thought they were alright even if they did seem a bit older than their actual ages of 16 and 17. I liked how Violet wasn't ashamed to be different. She was odd, yes, but that's what I loved about her. She seemed, for the most part, to be comfortable in her own skin. I didn't really know what to make of River. He was very mysterious and he lied...a lot! This made me not trust him at all, yet Violet was perfectly happy to trust River. (Okay, so Violet had one annoying trait). I liked Luke, and I didn't feel that he was as mean to Violet as what Violet led us to believe. In fact, I thought he was quite nice and caring. He was a bit of a ladies man, but the kid is 17 years old after all. I liked how Neely was like the protector of everyone. He did have a bit of a temper, but he was willing to do whatever it took to protect his friends and family. The character I really had a problem with was Brodie. He's such a stereotypical Texan, and that's what really made me upset. He came across as an uneducated hillbilly. I really did feel offended by the author for her portrayal of Texans.
The dialogue sounds more fitting for an adult novel as the teenagers in the book speak like they are much older than their 16 and 17 years. As I stated in the above paragraph, I was offended by the character of Brodie. His speech was so stereotypical and offensive. I've never even heard anyone from Texas speak the way Brodie spoke, and I was born and raised here in Texas! I think the author should've done a bit more research about the dialogue and dialect of Texas instead of just stereotyping. Other than that, the dialogue flowed smoothly and freely. The book is fairly violent, and there are some mild sexual situations. There is some swearing as well.
Overall, Between the Devil and the Deep Blue Sea is an intriguing read with a great plot. The world building is interesting, and the characters are likable even if one was extremely offensive.
I'd recommend this book to those aged 16+ who are fans of gothic horror or just horror in general.
<b>I'd give Between the Devil and the Deep Blue Sea by April Genevieve Tucholke a 3.75 out of 5.</b>
(I purchased a hardcover copy of this book with my own money from Amazon. No review was required).
Emma @ The Movies (1786 KP) rated La La Land (2016) in Movies
Jun 2, 2020
Let me give you the background on this one. Many years ago (when La La Land was due out in the cinemas) ITV2 were showing the new series of Scorpion in their prime time drama spot, this feature was sponsored by something and quite often that's a film. For the season's entire run it was sponsored by... you guessed it... La La Land. Every episode you'd have to see up to 8 clips of the film without any real context about what it was, and worst of all there was very little deviation, you could be seeing the same clip over and over again for 20 or so episodes. I love musicals and I love Emma Stone but this pushed me so far over the edge that I swore I'd never watch it. (The same goes for Moulin Rouge which I also now have to watch) Evidently though I'm a grown ass adult and can't hold petty grudges against films so now I have to watch them... partially so I can make other people watch films they don't want to watch in an underhanded deal on Twitter.
But I digress.
When Mia and Sebastian's lives cross unexpectedly it is impossible to know how much the future will change for both of them. What at first is a wholesome whirlwind of romance begins to fall apart as their careers progress and pull them apart.
At its heart it's a simple romance story for Mia and Sebastian as they build each other up for the lives they want and the perils that that brings, but when you add the extra depth into it all with the music it takes on a whole other dimension. As a spoiler alert for my take on the film, at one point I had to stop and I just wrote in my notes "oh god, why am I crying?!" That wasn't a feeling I had throughout the film though, in fact, straight off the bat I thought I was going to hate the film because of that opening musical number. That number made no impact on me and I was massively concerned, thankfully that didn't hold true for the next number.
On the acting... Emma Stone is glorious and should be in everything... end of review... okay, fine. I loved the way she made Mia come to life, she's fun, got some sass to her and I loved the way she behaved through her auditions. Emma Stone may be my spirit animal, I absolutely love her.
And then there's Ryan Gosling... As an indication of how I feel about him please accept this reenactment of a recent conversation:
Friend: Did you see they're talking about the new Wolfman movie?
Me: Oh my god, really?! Yay! It'll be great!
Friend: Yeah, it's going to have Ryan Gosling in it!
Me: *crickets chirp and a tumbleweed bounces past*
His acting does nothing for me. It's very much the Brad Pitt style of acting without the humour, he always acts the same way, but... I would genuinely say this is the first of his films I've seen where it felt like he was acting. I genuinely enjoyed him in it, it didn't feel like he was hiding all his emotions in a box in his dressing room. I was so thankful.
The chemistry between the pair was brilliant and that really helped carry me through the film. With lots of musical numbers and elaborate looking sets to deal with I was worried that it might end up looking more like theatre than film, it obviously does have that vibe because that's part of the idea but it flowed incredibly well.
La La Land has a wonderful feel to it with vibrant sets and costumes, it gives a glow of the old school and this works incredibly well with the jazz side of the story. This, however, is part of my main problem with the film.
You've got the golden age vibe with the colours and the music, but the modern creeps in everywhere and I wasn't a fan of this mix. Every time it popped up I noticed it and it made me frown. That being said, I don't know if it would have worked being an entirely modern film but it could easily have gone back in time and lived happily ever after.
Even with me disliking that part of the film's story I really enjoyed watching La La Land. It's stunning visually, the music is (mainly) beautiful and I was incredibly surprised by the acting. The moral of this story is don't let excessive advertising put you off something.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/la-la-land-movie-review.html
But I digress.
When Mia and Sebastian's lives cross unexpectedly it is impossible to know how much the future will change for both of them. What at first is a wholesome whirlwind of romance begins to fall apart as their careers progress and pull them apart.
At its heart it's a simple romance story for Mia and Sebastian as they build each other up for the lives they want and the perils that that brings, but when you add the extra depth into it all with the music it takes on a whole other dimension. As a spoiler alert for my take on the film, at one point I had to stop and I just wrote in my notes "oh god, why am I crying?!" That wasn't a feeling I had throughout the film though, in fact, straight off the bat I thought I was going to hate the film because of that opening musical number. That number made no impact on me and I was massively concerned, thankfully that didn't hold true for the next number.
On the acting... Emma Stone is glorious and should be in everything... end of review... okay, fine. I loved the way she made Mia come to life, she's fun, got some sass to her and I loved the way she behaved through her auditions. Emma Stone may be my spirit animal, I absolutely love her.
And then there's Ryan Gosling... As an indication of how I feel about him please accept this reenactment of a recent conversation:
Friend: Did you see they're talking about the new Wolfman movie?
Me: Oh my god, really?! Yay! It'll be great!
Friend: Yeah, it's going to have Ryan Gosling in it!
Me: *crickets chirp and a tumbleweed bounces past*
His acting does nothing for me. It's very much the Brad Pitt style of acting without the humour, he always acts the same way, but... I would genuinely say this is the first of his films I've seen where it felt like he was acting. I genuinely enjoyed him in it, it didn't feel like he was hiding all his emotions in a box in his dressing room. I was so thankful.
The chemistry between the pair was brilliant and that really helped carry me through the film. With lots of musical numbers and elaborate looking sets to deal with I was worried that it might end up looking more like theatre than film, it obviously does have that vibe because that's part of the idea but it flowed incredibly well.
La La Land has a wonderful feel to it with vibrant sets and costumes, it gives a glow of the old school and this works incredibly well with the jazz side of the story. This, however, is part of my main problem with the film.
You've got the golden age vibe with the colours and the music, but the modern creeps in everywhere and I wasn't a fan of this mix. Every time it popped up I noticed it and it made me frown. That being said, I don't know if it would have worked being an entirely modern film but it could easily have gone back in time and lived happily ever after.
Even with me disliking that part of the film's story I really enjoyed watching La La Land. It's stunning visually, the music is (mainly) beautiful and I was incredibly surprised by the acting. The moral of this story is don't let excessive advertising put you off something.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/la-la-land-movie-review.html