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BankofMarquis (1832 KP) rated The Spy Who Dumped Me (2018) in Movies
Nov 20, 2018
If you like the leads, you'll like this film
The family was surfing through the "Pay-Per-View" films the other night when we settled on THE SPY WHO DUMPED ME. I knew that this action.comedy came and went pretty quickly this past summer, so I wondered what was wrong with it. But with 2 strong leads in Mila Kunis and Kate McKinnon, we decided to give it a try.
And we're glad we did, for THE SPY WHO DUMPED ME is a very fun, very funny action/comedy that delivers the goods with 2 charismatic and very watchable lead actresses.
Kunis stars as Audrey, a waitress who's boyfriend dumps her. Unbeknownst to her, her boyfriend was...any guesses...a spy! And in his things in Audrey's apartment is an item that other spies want to get. Audrey must go on the run with her roommate and best friend, Morgan to escape the "bad guys" and figure out what to do to stay alive while keeping the item safe.
Pretty standard plot set-up, to be sure. But in the hands of 2 comics like Kunis and McKinnon, it rises above average fair. Kunis is winning in her role and is pleasant enough personality to spend 2 hours with. McKinnon, on the other hand, is hilarious. Now, some say that "a little Kate McKinnon goes a long way". I don't agree with that. I find her fascinatingly funny to watch. Ranking right up there with Will Ferrell as a comedian who will go anywhere and do anything for a joke. Joining in on the fun are Jane Curtin and Paul Reiser as the parents of one of the characters. They are a welcome addition to the proceedings.
Writer and Director Susanna Fogel does a nice job of keeping the plot moving and mixes fun action/chase scenes in between the comedy sequences in a formula that works very well, indeed.
I was pleasantly surprised by how much I enjoyed THE SPY WHO DUMPED - and you (and your house guests) will, too.
Letter Grade: B+
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
And we're glad we did, for THE SPY WHO DUMPED ME is a very fun, very funny action/comedy that delivers the goods with 2 charismatic and very watchable lead actresses.
Kunis stars as Audrey, a waitress who's boyfriend dumps her. Unbeknownst to her, her boyfriend was...any guesses...a spy! And in his things in Audrey's apartment is an item that other spies want to get. Audrey must go on the run with her roommate and best friend, Morgan to escape the "bad guys" and figure out what to do to stay alive while keeping the item safe.
Pretty standard plot set-up, to be sure. But in the hands of 2 comics like Kunis and McKinnon, it rises above average fair. Kunis is winning in her role and is pleasant enough personality to spend 2 hours with. McKinnon, on the other hand, is hilarious. Now, some say that "a little Kate McKinnon goes a long way". I don't agree with that. I find her fascinatingly funny to watch. Ranking right up there with Will Ferrell as a comedian who will go anywhere and do anything for a joke. Joining in on the fun are Jane Curtin and Paul Reiser as the parents of one of the characters. They are a welcome addition to the proceedings.
Writer and Director Susanna Fogel does a nice job of keeping the plot moving and mixes fun action/chase scenes in between the comedy sequences in a formula that works very well, indeed.
I was pleasantly surprised by how much I enjoyed THE SPY WHO DUMPED - and you (and your house guests) will, too.
Letter Grade: B+
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Neon's Nerd Nexus (360 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Aug 15, 2019
As real as a donut
once upon a timeinhollywood is slow paced, tight methodical, uplifting & intricately woven look into the life of a hollywood star in the late 60s. I have to say im not overly a big Tarantino fan (with Inglorious bastards & the hateful eight being my favourites of his) so I wasnt really that excited about seeing this but once I stopped being on edge waiting for something bad to happen & finally sat back letting the film pull me in I knew this wasnt the usual Tarantino movie & I found that strangely compelling. While slow 90% of the run time the film never drags or ever stops being interesting & fascinating. Characters just drip cool are all likeable well fleshed out & distinguishable with every performance absolutely killing it even people that arnt in it much. It just all feels very human, relatable, down to earth & real. Sets are crafted with such perfection & filled with so much painstaking detail that you would swear the film was actually shot in the 60s creating an atmosphere & believability like no other. Accompany that with a smooth soundtrack you have a movie that just pops with style constantly. While everyone does a fantastic job its brad pitt that owns the film, his character is so deep, inspirational & the true hero of the film. Overall I saw this film as a more chill ed out & about how every day life for us all most of the time is way more exciting, thrilling, full of drama & strange events day to day making our lives just as exciting & as watchable as going to the movies & if we all just stopped worrying/stressing for just a second about technology, love, being successful etc life would fall into place, be stress free, we would be healthier & happier. Masterfully filmed, inteligent, mature & well executed this is not only a true love letter to the art of film making but a tribute to movies & how inspiring they can be in general. So sit back enter the decade & relax it may all seem very anti violence at first but the violence does come with time & when it finally hits its shocking & nasty but it feels earned & perfectly timed.
Neon's Nerd Nexus (360 KP) rated The Gentlemen (2020) in Movies
Jan 6, 2020 (Updated Jan 6, 2020)
A funny angle
Gentleman is Guy Richie's attempt to bring the british gangster movies from the past back into the modern time and while it may just be an updated version of Snatch its a bloody enjoyable update. It seems like years ago now since I grew out of the 'British Gangster' film phase of my life and while I actaully find Snatch to be over rated myself instead much preferring Guy Richie's other work I can still understand why it has such a big following. Gentleman follows the same formula either deliberately or coincidentally and while this does feel repetative/outdated I couldnt help but be pulled in and deliciously entertained by it. Playing out a bit like reading a comic book Gentleman is satisfyingly violent, full of cusing/crudness and full of mostly satisfying twists and turns. At first I hated it but after the first 20 minutes I just let go and finally started getting back in to this sort of style. Full to the brim with exposition dialog but its handled in a refreshing new way which made hearing it less eye rolling and instead kept it constantly entertaining. Essentially one big power struggle between an assortment of characters non of which are actually very nice people but the ones Hugh Grant and Charlie hunnam play are extremely likeable. Watching these two interact on screen is the absolute bread and butter and they both play interesting characters both with very unique individual traits and characteristics. Colin Farrell is also superb and memorable too and the film has a wicked sense of humor that kept me laughing the whole way through. If you are easily offended its safe to say this is not the film for you as its not only full of extreame cursing but constant racism and violence too. By no means a perfect film or a gangster masterpiece Gentleman is still and absolute blast to watch and has enough twists/turns, quirky characters, witty dialog, fresh ideas, tension, violence/mucking about to entertain and offend pretty much anyone. Highly enjoyable.
ClareR (5950 KP) rated Frankissstein in Books
Aug 6, 2019
A novel with a lot to think about!
I feel a sense of satisfaction having finished this book. I loved it, and I can really see why it has made the Booker Prize longlist (2019).
It is set in two different timelines. The first begins in 1816 with Mary Shelley, Percy Shelley (actually, before they were married), Lord Byron, Mary’s stepsister and Byron’s lover, Claire Clairmont and Polidori, Byron’s doctor. During a particularly wet two weeks on Lake Geneva, Byron sets them all the task of writing a horror story. And so Frankenstein; or, The Modern Prometheus is born.
In the modern day, we follow Ry Shelley, a transgender doctor, Victor Stein (a ‘mad’ scientist), Ron Lord (a very successful sexbot producer), Clare (a staunch Christian, who seems to be working undercover in the most unlikely places!) and Polly Dory (a journalist for Vanity Fair. Do you see what she did here? It took me a couple of ‘chapters’, sadly! This is the Frankenstein of the modern age. Where Mary Shelley was terrified at the idea of creating a living man from parts of the dead, Victor Stein in the present day wants to preserve the brains and thoughts of the dead - and it’s equally terrifying.
Mary Shelley and Ry Shelley are very similar (the same, but in different times?) characters, even though they are in two very different times. Mary is at the mercy of her female body - she falls pregnant and loses two babies before she has the third who survives. Ry is trying to change his body from female to male so that he has control over it. But society has very fixed ideas about these characters in both timelines.
It’s a very current book with mention of Brexit and Trump, but I think it will hold up well in the future because it is so well written, and it has a lot to say about society and gender.
I thoroughly enjoyed it - and now I’m going to go and find more books in Jeanette Wintersons back catalogue!
Many thanks to Penguin Random House/ Jonathan Cape and NetGalley for a copy of this book (which I actually went and bought as well - it needs to be sat on my bookshelf!)
It is set in two different timelines. The first begins in 1816 with Mary Shelley, Percy Shelley (actually, before they were married), Lord Byron, Mary’s stepsister and Byron’s lover, Claire Clairmont and Polidori, Byron’s doctor. During a particularly wet two weeks on Lake Geneva, Byron sets them all the task of writing a horror story. And so Frankenstein; or, The Modern Prometheus is born.
In the modern day, we follow Ry Shelley, a transgender doctor, Victor Stein (a ‘mad’ scientist), Ron Lord (a very successful sexbot producer), Clare (a staunch Christian, who seems to be working undercover in the most unlikely places!) and Polly Dory (a journalist for Vanity Fair. Do you see what she did here? It took me a couple of ‘chapters’, sadly! This is the Frankenstein of the modern age. Where Mary Shelley was terrified at the idea of creating a living man from parts of the dead, Victor Stein in the present day wants to preserve the brains and thoughts of the dead - and it’s equally terrifying.
Mary Shelley and Ry Shelley are very similar (the same, but in different times?) characters, even though they are in two very different times. Mary is at the mercy of her female body - she falls pregnant and loses two babies before she has the third who survives. Ry is trying to change his body from female to male so that he has control over it. But society has very fixed ideas about these characters in both timelines.
It’s a very current book with mention of Brexit and Trump, but I think it will hold up well in the future because it is so well written, and it has a lot to say about society and gender.
I thoroughly enjoyed it - and now I’m going to go and find more books in Jeanette Wintersons back catalogue!
Many thanks to Penguin Random House/ Jonathan Cape and NetGalley for a copy of this book (which I actually went and bought as well - it needs to be sat on my bookshelf!)
The Art of Aphorism and Nietzsche's Blind Passion
Book
Aphorisms can be seen as an art: making the best connection between existing knowledge so as to...
ClareR (5950 KP) rated Where Every Man (Inspector James Given #4) in Books
Oct 26, 2020
Where Every Man by Charlie Garrett is set in rural France at the beginning of the second World War. James Given has retired from the police force back in England and has moved with his wife Rachel, to work on a farm. He seems happy with the work, and their plan is to move south with the good weather. This looks increasingly less likely as time progresses because of the approach of the German army towards France’s borders. Regardless, James and Rachel love their lives in the small French town, and consider staying anyway. Rachel teaches local students to play the violin, and it’s one of these students who draws James back in to his role as an investigator when the local librarian dies unexpectedly. The local policeman believes its merely a cycling accident, but it increasingly looks like it’s murder. When James looks further in to the accident, it appears there is a German spy in the village. Before he can do anything about it, the spy disappears. Did the spy have anything to do with the death of the librarian?
This mystery played out so well, and I loved the interactions between James and the violin student. She wants to work as a police officer when she leaves school - much to her fathers disapproval. The students role in the story was a really good way of showing how James approached the task of solving a murder.
I have to say, I read a lot of this with a feeling of mild panic, especially when James goes to visit his uncle and his family nearby. It showed the vulnerable position he and his family were in as Jews in France. Even though James and Rachel have forged passports that showed that they were Christians, there was still that worry for them and their family - and the spectre of the Nazis is hanging over this whole story.
I always enjoy these James Given books, and I’m intrigued to see what comes for him next as war approaches.
Many thanks to Sapere Books for a copy of this book to read and honestly review - I really enjoy this series (I bought books 2 and 3 myself, if that’s anything to go by!)
This mystery played out so well, and I loved the interactions between James and the violin student. She wants to work as a police officer when she leaves school - much to her fathers disapproval. The students role in the story was a really good way of showing how James approached the task of solving a murder.
I have to say, I read a lot of this with a feeling of mild panic, especially when James goes to visit his uncle and his family nearby. It showed the vulnerable position he and his family were in as Jews in France. Even though James and Rachel have forged passports that showed that they were Christians, there was still that worry for them and their family - and the spectre of the Nazis is hanging over this whole story.
I always enjoy these James Given books, and I’m intrigued to see what comes for him next as war approaches.
Many thanks to Sapere Books for a copy of this book to read and honestly review - I really enjoy this series (I bought books 2 and 3 myself, if that’s anything to go by!)
15500 Useful English Phrases
Reference and Education
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INVEST some time with this App; it has the potential to become your best communication partner for...
David McK (3600 KP) rated Death to the Emperor (Macro and Cato #21) in Books
Apr 10, 2023
The Year 2001.
I wondered into a local branch of Eason's, and saw Under the Eagle on offer, sold for an introductory price (which I can't even remember), and with a blurb that sounded interesting. That, and a quote from the king of historical action-adventure fiction Bernard Cornwell that 'I really don't need this kind of competition ... a great read'.
Jump forward just over 20 years, and we're now onto book #20 in the series, and back in the Roman province of Brittania after the intervening books have had us all over the Roman Empire.
The series has also lost the 'Eagle' that was always included somewhere in the earlier titles (Under the Eagle, The Eagle's Conquest, The Eagle and the Wolves etc), with that word last used in the title in entry # 7 (The Eagle in the Sand).
That's not all that has changed: Cato is no longer the scared young man he had been in the first entries; Macro no longer the seasoned Centurion. Now, Macro is retired from active service whilst Cato - who now has a family of his own - has risen in rank above that that Macro ever reached but is still firm friends with the latter.
We've now also reached a pivotal moment in Roman Britain history, with the Boudicean revolt just about to kick off (as it does here) and as the Romans finally capture and raze the Druid stronghold of Mona.
Those two events form the backbone of this novel, with Cato involved in the attack on Mona whilst Macro is charged with the defence of Camulodunum (Colchester) and in charge of the Roman Reserves there whilst the main army is away on campaign, just after the Governor of Britain has further alienated their Icenian allies.
As with all of the Simon Scarrow books I've read, the history is worn lightly enough to make an enjoyable read: this is not a dry, stuffy retelling of events but rather uses the real historical events as the backbone for the story being built around it.
This, I have to say, is also the first in the series that I can remember ending in a definite cliffhanger ...
(I might have to go back and re-read the previous now)
I wondered into a local branch of Eason's, and saw Under the Eagle on offer, sold for an introductory price (which I can't even remember), and with a blurb that sounded interesting. That, and a quote from the king of historical action-adventure fiction Bernard Cornwell that 'I really don't need this kind of competition ... a great read'.
Jump forward just over 20 years, and we're now onto book #20 in the series, and back in the Roman province of Brittania after the intervening books have had us all over the Roman Empire.
The series has also lost the 'Eagle' that was always included somewhere in the earlier titles (Under the Eagle, The Eagle's Conquest, The Eagle and the Wolves etc), with that word last used in the title in entry # 7 (The Eagle in the Sand).
That's not all that has changed: Cato is no longer the scared young man he had been in the first entries; Macro no longer the seasoned Centurion. Now, Macro is retired from active service whilst Cato - who now has a family of his own - has risen in rank above that that Macro ever reached but is still firm friends with the latter.
We've now also reached a pivotal moment in Roman Britain history, with the Boudicean revolt just about to kick off (as it does here) and as the Romans finally capture and raze the Druid stronghold of Mona.
Those two events form the backbone of this novel, with Cato involved in the attack on Mona whilst Macro is charged with the defence of Camulodunum (Colchester) and in charge of the Roman Reserves there whilst the main army is away on campaign, just after the Governor of Britain has further alienated their Icenian allies.
As with all of the Simon Scarrow books I've read, the history is worn lightly enough to make an enjoyable read: this is not a dry, stuffy retelling of events but rather uses the real historical events as the backbone for the story being built around it.
This, I have to say, is also the first in the series that I can remember ending in a definite cliffhanger ...
(I might have to go back and re-read the previous now)
graveyardgremlin (7194 KP) rated Vixen (Flappers, #1) in Books
Feb 15, 2019
<i>3.75 stars</i>
<b><i>Once upon a time there were three beautiful girls who went to the best schools (and speakeasies), and they were each assigned booze and clothes that are the cat's meow. But the flapper lifestyle took them into different directions and now they work to find out who they are and what makes them truly happy. My name is Vixen.</i></b>
And so you've been introduced to the first installment of The Flappers series Charlie's Angels' style (the best I was able to come up with anyway).
<b>Meet our <s>Angels</s> Vixens:</b>
<u><i>Gloria</i></u> - She's the one who has it all: <i>the</i> name, riches, looks, clothes, a handsome fiancee, everything comes easily to her, and everybody seemingly loves her. But this poor little rich girl isn't so happy after all and so she begins to rebel.
<u><i>Clara</i></u> - Burned by her former flapper lifestyle, she's now trying to start over as "Country Clara" without her sordid past coming to light. So has she turned into a goody-two shoes or is it just part of a grander scheme? Only time will tell.
<u><i>Lorraine</i></u> - Jealous of best friend, Gloria, she's desperate to step out of Glo's shadow to become the center of attention as an individual.
<b>Before getting to my review, there are a few questions that should be addressed:</b>
Is this great literature? <i>No.</i>
Will this book change your life? <i>No.</i>
Will you learn anything from reading this book? <i>No. Well, maybe some twenties' slang.</i>
Is this book accurate to the period? <i>No, there are some liberties, but it's good enough as wallpaper to the players and scenes.</i>
Is this book entertaining beyond belief? <i>A resounding YES!</i>
VIXEN is very easy to read and captured my attention from the first page, and while it may not be the best book ever, I had a lot of fun reading it. While there's nothing glaringly obvious anachronism-wise, I did question some word choices, phrases, and actions, but overall they were easy to overlook and I likened it to watching A Knight's Tale starring Heath Ledger. Written in third-person, each chapter focuses on one the three girls' point-of-view, starting with Gloria and continuing with Clara and then Lorraine, throughout the book until the end.
As for the characters, Clara (named after Ms. Clara Bow?) was definitely my favorite to read about, she's recovering from the aftereffects of her life in New York City (which includes a boy, of course), and is trying her best to leave the past behind and move on with her life. Her story had a lot to offer and she felt like a real person who had made mistakes and was now left dealing with the repercussions. Lorraine was a trainwreck you can't take your eyes off of, and while I can't say I liked her, I felt sorry for her. She tries way too hard to stand out and ends up making herself look pathetic; if she keeps it up she'll turn into a very ugly person whom everyone hates. Forget Gloria, Lorraine is the "real" poor little rich girl of the book. She's in the middle of making all the wrong decisions and we're along for the journey, which made her multidimensional and interesting to read about as well. Gloria was my least favorite, mainly because I don't think the author knew quite how to write her. At one moment Gloria seemed like a good girl rebelling, but then there would be moments where she was a real bitch and those two aspects just didn't gel into a cohesive whole. Now if she was seemingly sweet on the outside and really was a conniving bitch underneath, then I'd be on board or at least would get it. But she wasn't that type of bitch and she wasn't Alexis Carrington-bitchy (or insert less-dated reference here) either. How she was written made her look more like Sybil and didn't render me to sympathize with her at all. It didn't help that I felt she was too close to a Mary-Sue for my liking. I don't like perfect or near-perfect characters, they're boring and so was she. What was her motivation for anything, such as singing? Was that always a dream or did it just now come about? Is her recent behavior only happening because she's unhappy? Sorry, but there's just not enough there to make me care about this character. Gloria needed to be more fleshed out to make her feel like a real human, with real thoughts in her head and real feelings, and not a cliched cardboard cut-out.
The love aspects of the novel were fairly glossed over, mainly Gloria and Jerome's story, and felt more like teenage hormones than actual real love.
<i>"I don't know you but you're hot and I love you."
"Nothing will keep us apart!"
"We'll be together forever!"</i>
Which is too bad because I like the idea of an interracial romance taking place in the 1920's, it could have been fantastic, but instead was tepid and generally unromantic. It didn't help that half the duo was boring old Gloria and the other half never developed beyond the fact that he's a black musician who's forbidden to her due to the color of his skin. I wished for more impact and still hope for that in the next installment of the series. Clara's budding relationship with Marcus was far more realistic because they actually had conversations *gasp* and was well-paced. The relationships between the girls were touch and go, sometimes they felt authentic, then at other times interactions appeared too advanced to where the relationship had last left off; it was like there were scenes edited out in chunks. The same could be said of the developing romance between Gloria and Jerome.
So a few things bothered me in the book, such as the issue I had with every girl who wasn't one of the main trio being cattily described, i.e. eyes are close together, that color makes her look sallow, etc. Can we get over doing that already? That's not encouraging good behavior. A little more positivity would be a refreshing change. Another thing that annoyed me was at one point, the crap hit the fan and *minor spoiler* <spoiler>Gloria's career as a torch singer, which she's naturally perfect at (of course), came out into the open. So who does she immediately blame? Her best friend, Lorraine of course, whom she slaps! And who to this point Gloria had no provocation to even think it'd be her who had spilled the beans. Lorraine had not done anything to deserve Gloria's wrath, or at least nothing she knew about yet, so I don't know if the author had forgotten that fact or what. It did not make any kind of sense because there were other people who knew what Gloria was up to and others who could have easily found out. To me it was sloppy writing. What kind of friend does that make Gloria anyway? Not one I'd like, who always thinks the worst of her best friend without any miniscule proof of guilt. Told ya she was a bitch</spoiler>. There were some minor editing inaccuracies, such as when Gloria's dress goes from gold sequined to red in less than a page (pages 74-5) but nothing too overt to jar me out of the book altogether. Lastly, perhaps there was a bit too much twenties' slang that wasn't always incorporated into the text as smoothly as possible.
Overall, the plots were well-done and moved along at a brisk enough pace that I never got bored. The ending unfolded so that it tied up the multiple plotlines while still keeping plenty of loose ends for the sequel. So, a lot of the book is superficial, in some cases there are caricatures instead of characters, and it is a shallow interpretation of the Roaring Twenties, I don't care, the book is just plain fun and sometimes that's all I need. And while I can't say I loved this book and it totally lived up to its beautiful cover (seriously that dress is gorgeous, though I could do without the pit shot), I was suitably entertained and will read the sequels to find out what happens next, while I keep up the hope that Gloria will turn into a real, live girl.
<b><i>Once upon a time there were three beautiful girls who went to the best schools (and speakeasies), and they were each assigned booze and clothes that are the cat's meow. But the flapper lifestyle took them into different directions and now they work to find out who they are and what makes them truly happy. My name is Vixen.</i></b>
And so you've been introduced to the first installment of The Flappers series Charlie's Angels' style (the best I was able to come up with anyway).
<b>Meet our <s>Angels</s> Vixens:</b>
<u><i>Gloria</i></u> - She's the one who has it all: <i>the</i> name, riches, looks, clothes, a handsome fiancee, everything comes easily to her, and everybody seemingly loves her. But this poor little rich girl isn't so happy after all and so she begins to rebel.
<u><i>Clara</i></u> - Burned by her former flapper lifestyle, she's now trying to start over as "Country Clara" without her sordid past coming to light. So has she turned into a goody-two shoes or is it just part of a grander scheme? Only time will tell.
<u><i>Lorraine</i></u> - Jealous of best friend, Gloria, she's desperate to step out of Glo's shadow to become the center of attention as an individual.
<b>Before getting to my review, there are a few questions that should be addressed:</b>
Is this great literature? <i>No.</i>
Will this book change your life? <i>No.</i>
Will you learn anything from reading this book? <i>No. Well, maybe some twenties' slang.</i>
Is this book accurate to the period? <i>No, there are some liberties, but it's good enough as wallpaper to the players and scenes.</i>
Is this book entertaining beyond belief? <i>A resounding YES!</i>
VIXEN is very easy to read and captured my attention from the first page, and while it may not be the best book ever, I had a lot of fun reading it. While there's nothing glaringly obvious anachronism-wise, I did question some word choices, phrases, and actions, but overall they were easy to overlook and I likened it to watching A Knight's Tale starring Heath Ledger. Written in third-person, each chapter focuses on one the three girls' point-of-view, starting with Gloria and continuing with Clara and then Lorraine, throughout the book until the end.
As for the characters, Clara (named after Ms. Clara Bow?) was definitely my favorite to read about, she's recovering from the aftereffects of her life in New York City (which includes a boy, of course), and is trying her best to leave the past behind and move on with her life. Her story had a lot to offer and she felt like a real person who had made mistakes and was now left dealing with the repercussions. Lorraine was a trainwreck you can't take your eyes off of, and while I can't say I liked her, I felt sorry for her. She tries way too hard to stand out and ends up making herself look pathetic; if she keeps it up she'll turn into a very ugly person whom everyone hates. Forget Gloria, Lorraine is the "real" poor little rich girl of the book. She's in the middle of making all the wrong decisions and we're along for the journey, which made her multidimensional and interesting to read about as well. Gloria was my least favorite, mainly because I don't think the author knew quite how to write her. At one moment Gloria seemed like a good girl rebelling, but then there would be moments where she was a real bitch and those two aspects just didn't gel into a cohesive whole. Now if she was seemingly sweet on the outside and really was a conniving bitch underneath, then I'd be on board or at least would get it. But she wasn't that type of bitch and she wasn't Alexis Carrington-bitchy (or insert less-dated reference here) either. How she was written made her look more like Sybil and didn't render me to sympathize with her at all. It didn't help that I felt she was too close to a Mary-Sue for my liking. I don't like perfect or near-perfect characters, they're boring and so was she. What was her motivation for anything, such as singing? Was that always a dream or did it just now come about? Is her recent behavior only happening because she's unhappy? Sorry, but there's just not enough there to make me care about this character. Gloria needed to be more fleshed out to make her feel like a real human, with real thoughts in her head and real feelings, and not a cliched cardboard cut-out.
The love aspects of the novel were fairly glossed over, mainly Gloria and Jerome's story, and felt more like teenage hormones than actual real love.
<i>"I don't know you but you're hot and I love you."
"Nothing will keep us apart!"
"We'll be together forever!"</i>
Which is too bad because I like the idea of an interracial romance taking place in the 1920's, it could have been fantastic, but instead was tepid and generally unromantic. It didn't help that half the duo was boring old Gloria and the other half never developed beyond the fact that he's a black musician who's forbidden to her due to the color of his skin. I wished for more impact and still hope for that in the next installment of the series. Clara's budding relationship with Marcus was far more realistic because they actually had conversations *gasp* and was well-paced. The relationships between the girls were touch and go, sometimes they felt authentic, then at other times interactions appeared too advanced to where the relationship had last left off; it was like there were scenes edited out in chunks. The same could be said of the developing romance between Gloria and Jerome.
So a few things bothered me in the book, such as the issue I had with every girl who wasn't one of the main trio being cattily described, i.e. eyes are close together, that color makes her look sallow, etc. Can we get over doing that already? That's not encouraging good behavior. A little more positivity would be a refreshing change. Another thing that annoyed me was at one point, the crap hit the fan and *minor spoiler* <spoiler>Gloria's career as a torch singer, which she's naturally perfect at (of course), came out into the open. So who does she immediately blame? Her best friend, Lorraine of course, whom she slaps! And who to this point Gloria had no provocation to even think it'd be her who had spilled the beans. Lorraine had not done anything to deserve Gloria's wrath, or at least nothing she knew about yet, so I don't know if the author had forgotten that fact or what. It did not make any kind of sense because there were other people who knew what Gloria was up to and others who could have easily found out. To me it was sloppy writing. What kind of friend does that make Gloria anyway? Not one I'd like, who always thinks the worst of her best friend without any miniscule proof of guilt. Told ya she was a bitch</spoiler>. There were some minor editing inaccuracies, such as when Gloria's dress goes from gold sequined to red in less than a page (pages 74-5) but nothing too overt to jar me out of the book altogether. Lastly, perhaps there was a bit too much twenties' slang that wasn't always incorporated into the text as smoothly as possible.
Overall, the plots were well-done and moved along at a brisk enough pace that I never got bored. The ending unfolded so that it tied up the multiple plotlines while still keeping plenty of loose ends for the sequel. So, a lot of the book is superficial, in some cases there are caricatures instead of characters, and it is a shallow interpretation of the Roaring Twenties, I don't care, the book is just plain fun and sometimes that's all I need. And while I can't say I loved this book and it totally lived up to its beautiful cover (seriously that dress is gorgeous, though I could do without the pit shot), I was suitably entertained and will read the sequels to find out what happens next, while I keep up the hope that Gloria will turn into a real, live girl.
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