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Acanthea Grimscythe (300 KP) rated The Waking Land (The Waking Land, #1) in Books
May 16, 2018
Looking for a delightful, magical read? Callie Bates’s The Waking Land may sate your hunger. With several strong, female leads (like Rhia Knoll), the practice of forbidden arts, war, and just a taste of romance, this book easily lands as one of my most enjoyable reads so far this year.
I can honestly say this is one of the few books where the main character begins as the weakest. When we meet Lady Elanna Valtai, she appears weak and, quite honestly, brainwashed by her Ereni up-bringing. Throughout the first two-thirds of the novel, El proves to be unreliable. She is clueless as to where her loyalties truly lie, even as the truth rams itself down her throat. Fortunately, those she counts among her friends know what they’re doing and don’t have to rely on her for quite a while.
Loyce, the new Queen of Eren, on the other hand is an awful brat. Unfaithful to her husband (who readers never meet), she colludes with an equally disgusting noble boy, Denis Falconier. Their command over the Butcher of Novarre strikes fear into the hearts of those that dare to rebel. And the Butcher? He’s an altogether interesting figure on his own. Trust me on that one.
Eren and Caeris, the lands where this tale takes place, on beautifully rendered, proving Bates’s strength with the written word. Her command of language coupled with her love of nature come together seamlessly, visualizing a truly fantastic world. The story Bates weaves into this battle-worn land offers readers a faint taste of epic fantasy, in a style pleasing for fans of young adult literature. For some, The Waking Land may be the gateway to delving into high fantasy – Bates’s concept of magic is that wonderful.
The Waking Land is a fantastic ride through a world that fears magic. It is the timeless tale of how war erodes nations. Because of El’s wishy-washy portrayal and the sheer fact that we don’t see a lot of action until the last fifteen percent of the book, I cannot give this one five stars. A four though, certainly.
I would like to thank NetGalley, the publisher, and the author for providing me with a free copy of this book for the purpose of unbiased review.
I can honestly say this is one of the few books where the main character begins as the weakest. When we meet Lady Elanna Valtai, she appears weak and, quite honestly, brainwashed by her Ereni up-bringing. Throughout the first two-thirds of the novel, El proves to be unreliable. She is clueless as to where her loyalties truly lie, even as the truth rams itself down her throat. Fortunately, those she counts among her friends know what they’re doing and don’t have to rely on her for quite a while.
Loyce, the new Queen of Eren, on the other hand is an awful brat. Unfaithful to her husband (who readers never meet), she colludes with an equally disgusting noble boy, Denis Falconier. Their command over the Butcher of Novarre strikes fear into the hearts of those that dare to rebel. And the Butcher? He’s an altogether interesting figure on his own. Trust me on that one.
Eren and Caeris, the lands where this tale takes place, on beautifully rendered, proving Bates’s strength with the written word. Her command of language coupled with her love of nature come together seamlessly, visualizing a truly fantastic world. The story Bates weaves into this battle-worn land offers readers a faint taste of epic fantasy, in a style pleasing for fans of young adult literature. For some, The Waking Land may be the gateway to delving into high fantasy – Bates’s concept of magic is that wonderful.
The Waking Land is a fantastic ride through a world that fears magic. It is the timeless tale of how war erodes nations. Because of El’s wishy-washy portrayal and the sheer fact that we don’t see a lot of action until the last fifteen percent of the book, I cannot give this one five stars. A four though, certainly.
I would like to thank NetGalley, the publisher, and the author for providing me with a free copy of this book for the purpose of unbiased review.
Kayla Ackerman (15 KP) rated Halloween (2018) in Movies
Jun 5, 2019
Hints at the original just enough to make you go "oooh I got that reference!" without being too overbearing. (4 more)
Amazing soundtrack, they took what we all know and love and used it to gain inspiration for new music, rather than just remixing the original.
Halloween was brought into modern times without succumbing to the Hollywood Horror cliches that plague the cinema today.
They made an excellent decision to ignore the many previous sequels, which allowed them to create a plot that made sense, and welcomed newcomers who haven't followed the entire franchise.
Jamie Lee Curtis, and everything that she had to do with this film. Heck yes.
This is a Halloween film. It's revamped and revitalised, but it still feels like it belongs, it's got those good vibes that you associate with the first Halloween, and if you say it doesn't then you probably missed the point because you were rocking those nostalgia goggles a little too hard. This isn't a film made for nostalgia, this is an extension of the franchise, not a copy. There are throwback and recalls to the original, it is heavily inspired by it in all the right ways, but they took it and modernised it and they did a damn good job. Is it the best film ever? God no, its a still a horror, but it is so difficult to take a beloved classic and try to make something new, and they did such a good job. I feel a sense of irrational pride that they even attempted this and managed to not massacre that Halloween vibe, like a certain other attempt did. This was a highly enjoyable experience and I got so hyped feeling the Halloween energy pouring off of this shiny new film.
This film is like visiting your childhood home after many years and finding that someone completely redecorated. If you long for things to stay the same all the time, you're gonna have a bad time. But if you appreciate someone elses vision and attempt to make improvements, then you can enjoy the whole experience, from exploration of the new, to recognition of the familiar hidden behind it all.
This film is like visiting your childhood home after many years and finding that someone completely redecorated. If you long for things to stay the same all the time, you're gonna have a bad time. But if you appreciate someone elses vision and attempt to make improvements, then you can enjoy the whole experience, from exploration of the new, to recognition of the familiar hidden behind it all.
Kristy H (1252 KP) rated Best Day Ever in Books
Jan 21, 2018
Creepy, eerie narration (2 more)
Unreliable narrator
Tense and terrifying writing
Creepy, twisted tale
Paul Strom has the perfect life. He's a successful, wealthy advertising executive with a gorgeous wife, Mia, and two young sons. They live happily in a beautiful house and all is well. Paul is even taking Mia away for a romantic weekend to the couple's lake home--just to celebrate how good they have it. But the day starts off poorly--they are delayed when Paul takes a phone call, seemingly annoying Mia, and it's clear there is tension between the perfect couple. As they drive toward the lake, it appears as if nothing as is good and wonderful as it seems.
I'd heard a lot of good things about this book and was excited to receive it for Christmas. I have to say that Rouda definitely nails the unreliable narrator. The book is told entirely from Paul's perspective, and the result is an eerie, creepy tale. At first he seems like a slightly overbearing husband whose focus is on providing for his family. But as the story progresses, Paul drops a lot of clues that something (perhaps a lot of somethings) is off and more and more comes to light as the story unfolds that all is not as it seems with Paul and Mia.
As for Mia, we basically see her only from Paul's point of view, which is interesting. Is she truly this obedient wife, submitting to her husband's every whim? And is Paul truly fooling Mia as much as he thinks he is? We're along for the ride, subject to Paul's arrogance and forced to read between the lines as he tells us his tale.
In a way, not much happens in this novel, which basically covers one day--Paul and Mia's "best day ever" away at their lake house--and it can get slow at times. I kept waiting for some explosive surprise or reveal, but that never really materialized. Instead, the strength here is in the tense and terrifying writing and the characterization of Paul, which was beyond superb. As the hours tick by, you'll be on the edge of your seat and sucked into Paul's delusions. I sort of loved his machinations and was totally drawn into his sick little world. He reminded me a bit of Joe from You - just a great, albeit sick, character.
I'd heard a lot of good things about this book and was excited to receive it for Christmas. I have to say that Rouda definitely nails the unreliable narrator. The book is told entirely from Paul's perspective, and the result is an eerie, creepy tale. At first he seems like a slightly overbearing husband whose focus is on providing for his family. But as the story progresses, Paul drops a lot of clues that something (perhaps a lot of somethings) is off and more and more comes to light as the story unfolds that all is not as it seems with Paul and Mia.
As for Mia, we basically see her only from Paul's point of view, which is interesting. Is she truly this obedient wife, submitting to her husband's every whim? And is Paul truly fooling Mia as much as he thinks he is? We're along for the ride, subject to Paul's arrogance and forced to read between the lines as he tells us his tale.
In a way, not much happens in this novel, which basically covers one day--Paul and Mia's "best day ever" away at their lake house--and it can get slow at times. I kept waiting for some explosive surprise or reveal, but that never really materialized. Instead, the strength here is in the tense and terrifying writing and the characterization of Paul, which was beyond superb. As the hours tick by, you'll be on the edge of your seat and sucked into Paul's delusions. I sort of loved his machinations and was totally drawn into his sick little world. He reminded me a bit of Joe from You - just a great, albeit sick, character.
Ross (3284 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Nov 5, 2018 (Updated Nov 5, 2018)
Slight variation on the Alice in Wonderland reboot
I'm guessing Disney want to keep going with their live action Princess films, and thought they'd hit gold with the rights to the Nutcracker for a Christmas release. Similar to the 2010 Alice in Wonderland, the film intends to act as a sequel to the original tale of the Nutcracker, where the world has fallen into disarray. Clara is the daughter of the original story's Marie, who has passed away, and looking to open the intriguing present left by her mother she finds herself following a mouse (not a rabbit!) into a strange world. She is introduced to the world her mother was made queen of, though sadly learns that the "fourth realm" (led by Helen Mirren as Mother Ginger) is at war with the other three (among them are realms led by Keira Knightley and an underused Richard E Grant).
Here Disney have taken some liberties as Clara's brother and sister take the roles and names of her mother's siblings in the original, and for no apparent reason the film based on the Russian ballet that was based on the French adaptation of the German fairy tale, is set in London. I can only assume this was to up the Festive quotient, but seems a very odd choice, despite keeping a number of the German themes.
Keira Knightley is very irritating, doing an ear-piercing impression of Queenie from Blackadder.
Neither of the actors playing Clara or the Nutcracker are very good or likeable and you find yourself bored and starting to root for Mother Ginger just to end it.
The film is too long, and drags in large parts, and all three of my kids were restless for a lot of it. And there was a definite lack of large-scale special effects, some impressive scenes but audiences expect spectacles (not 3D glasses, I mean big scenes!) these days and those were lacking.
The most enjoyable scene was the use of ballet to get Clara up to date with the world she found herself in, being quite respectful to the medium it was adapting (though I can't say how authentic it was!).
Here Disney have taken some liberties as Clara's brother and sister take the roles and names of her mother's siblings in the original, and for no apparent reason the film based on the Russian ballet that was based on the French adaptation of the German fairy tale, is set in London. I can only assume this was to up the Festive quotient, but seems a very odd choice, despite keeping a number of the German themes.
Keira Knightley is very irritating, doing an ear-piercing impression of Queenie from Blackadder.
Neither of the actors playing Clara or the Nutcracker are very good or likeable and you find yourself bored and starting to root for Mother Ginger just to end it.
The film is too long, and drags in large parts, and all three of my kids were restless for a lot of it. And there was a definite lack of large-scale special effects, some impressive scenes but audiences expect spectacles (not 3D glasses, I mean big scenes!) these days and those were lacking.
The most enjoyable scene was the use of ballet to get Clara up to date with the world she found herself in, being quite respectful to the medium it was adapting (though I can't say how authentic it was!).
Neon's Nerd Nexus (360 KP) rated The Good Liar (2019) in Movies
Nov 9, 2019
Murder She Wrote
The good liar is creaky but enjoyable little movie that screams 80s British murder mystery Tv show and while its extreamly predictable theres enough twists to keep you entertained. Whats aparent right from the start is Ian Mckellen and Helen Mirren's on screen chemistry, the two are just fantastic to watch interacting with each other and really help to carry the entire film with thier acting skills alone. Sadly I really cant say the same about the rest of the cast most of whomb come across as stiff, lifeless souls with no personality making most of thier scenes dull and unitresting filler (russell toveys character especially). Plot wise its fine and actually tries some quite brave ideas for this kind of film taking the movie places I really didnt expect it to go. Trouble is the film feels caught between what it wants to be switching between grisly violent crime thriller back to tame old light hearted drama randomly without the two ever seeming connected. Also while ian mckellen is fantastic the film tries far to hard to make the viewer dislike him by using seemingly forced reasons eg showing him far to often randomly cursing profoudly, smoking, drinking or comitting a random out of place extreame act of violence its all very unnecisary and seems only there to hide a twist that comes later in the film. Music cues frustrate too cheaply placed into the film to tell us how we should be feeling during certain scenes but instead making the film feel outdated. Theres no real sense of nail biting tension either and while the story is fun to watch play out with no real danger, urgency or any griping scenes its all just one tone throughout. A big plot twist can also be seen coming right from the start too but thankfully theres enough twists and turns to make that not to much of a problem. All this being said I did have a good time with good liar the two leads clearly enjoyed working together and while the film is extreamly out dated as far as film making goes it will no doubt spark nostalgia and bring enjoyment to people that grew up with shows such a Poirot and Coloumbo.
Gareth von Kallenbach (980 KP) rated Cars 2 (2011) in Movies
Aug 7, 2019
Producer Brad Lewis (Ratatouille)steps into the director’s chair for this sequel that follows racing legend Lightning McQueen (Owen Wilson) and his trusty sidekick, Mater (Larry the Cable Guy).
Passports are secured and ready to take part in the biggest race on the planet, Lightning and his freinds prepare to take on the best racers in the world. As the first-ever World Grand Prix approaches, cars from every continent prepare for the ultimate competition. But who will have what it takes to become the fastest car on the planet? Just as Lightning McQueen edges up to the starting line, however, his old pal Mater gets sidetracked on a top-secret spy mission that takes him from Japan to Europe. Thankfully Mater’s friends are always willing to lend a helping wheel, and as the race gets under way, everyone shifts into high gear to help out an old friend.
“Cars 2” It’s James Bond meets “Fast and the Furious” and Full of ACTION! None of the characters from the first film are forgotten Of course Tow Mater stands out the most for his hilarious ways of a small town country tow truck who isn’t afraid to do or say anything! Mater is as FUNNY as can be and shares a range of emotions with Lightning . The bond between Lightning McQueen and Tow mater “Mater” are classic as for Mater he encounters a reality check when he’s able to understand how others view him for the first time out of Radiator Springs. When Mater is mistaken for someone else a whole new world of adventure is opened up for him which causes him to grow.
I saw the film with an all ages group in the theater and I observed that everybody was enjoying it as well.
Watching this movie in 3D really made you feel like you were there! It’s funny when computer graphics of animation are realistic enough to make you become part of the story. It is amazing how much technology has changed from when I first encountered Disney animation in the 1970’s.
If you enjoyed the first Cars movie your sure to enjoy this one too! It is a must see! Never a dull moment. A Wonderful start to the Summer of family Movies.
Passports are secured and ready to take part in the biggest race on the planet, Lightning and his freinds prepare to take on the best racers in the world. As the first-ever World Grand Prix approaches, cars from every continent prepare for the ultimate competition. But who will have what it takes to become the fastest car on the planet? Just as Lightning McQueen edges up to the starting line, however, his old pal Mater gets sidetracked on a top-secret spy mission that takes him from Japan to Europe. Thankfully Mater’s friends are always willing to lend a helping wheel, and as the race gets under way, everyone shifts into high gear to help out an old friend.
“Cars 2” It’s James Bond meets “Fast and the Furious” and Full of ACTION! None of the characters from the first film are forgotten Of course Tow Mater stands out the most for his hilarious ways of a small town country tow truck who isn’t afraid to do or say anything! Mater is as FUNNY as can be and shares a range of emotions with Lightning . The bond between Lightning McQueen and Tow mater “Mater” are classic as for Mater he encounters a reality check when he’s able to understand how others view him for the first time out of Radiator Springs. When Mater is mistaken for someone else a whole new world of adventure is opened up for him which causes him to grow.
I saw the film with an all ages group in the theater and I observed that everybody was enjoying it as well.
Watching this movie in 3D really made you feel like you were there! It’s funny when computer graphics of animation are realistic enough to make you become part of the story. It is amazing how much technology has changed from when I first encountered Disney animation in the 1970’s.
If you enjoyed the first Cars movie your sure to enjoy this one too! It is a must see! Never a dull moment. A Wonderful start to the Summer of family Movies.
LoganCrews (2861 KP) rated Dane Cook: Vicious Circle (2006) in Movies
Dec 5, 2020 (Updated Dec 6, 2020)
DANEgerous Edition
Less a stand-up show and more an event where you get to watch a manic cokehead scream at the top of his lungs and convulse around a small circular stage in front of a packed, sports-arena-esque crowd for nearly 2 hours and 15 minutes - one of the most breathless and impossible-to-look-away-from things I've ever seen. Say what you will about him, but he'll die before he loses your attention - it felt like *I* burned calories after watching him writhe, sweat, and shriek about for this long. Before Chappelle's similarly hit-or-miss 𝘚𝘵𝘪𝘤𝘬𝘴 & 𝘚𝘵𝘰𝘯𝘦𝘴, this was arguably the most divisive stand-up special out there - most people either swore by it as one of the greats, or lambasted it as a stain on the legacy of comedy itself. It's hard to remember, but there was a time Cook was a megastar - the same year this special aired he was listed in TIME Magazine's "Top 100 Most Influential People In the World" alongside industry titans Meryl Streep and George Clooney. Outside of maybe Bam Margera I don't think any other sole entertainer represented the crass ode to reckless debauchery that was the mid-2000s quite like this guy; it's beguilingly bizarre almost solely as a piece of a pop culture time capsule alone. Though on its own merits this shockingly holds up a lot more than expected, not always funny (does some cringe 2006 shit like having two women make out on stage while Dane watches for no reason and a rather uncomfortable segment where he seemingly makes a young lady flash her breasts onstage) but home to a satiable amount of hearty chuckles and an exuberant energy that can't be denied even well past the two hour mark. Laden with dead-on observations, colossal vulgarity, intense (and super idiosyncratic) physicality, oddly cerebral camerawork + editing, and guttural cries unlike any other set I've seen... then after all that he comes back on the stage with an acoustic guitar to fucking *sing* - this is the human body being put to its endurance test as a comedic performer. A great time even if some of the jokes get drawn out way past the point of repair - what I can only describe as unforgettable, often really fucking funny, spastically aroused hyperspecificity. Nearly top-to-bottom infectious in spite of its whiffs.
Less a stand-up show and more an event where you get to watch a manic cokehead scream at the top of his lungs and convulse around a small circular stage in front of a packed, sports-arena-esque crowd for nearly 2 hours and 15 minutes - one of the most breathless and impossible-to-look-away-from things I've ever seen. Say what you will about him, but he'll die before he loses your attention - it felt like *I* burned calories after watching him writhe, sweat, and shriek about for this long. Before Chappelle's similarly hit-or-miss 𝘚𝘵𝘪𝘤𝘬𝘴 & 𝘚𝘵𝘰𝘯𝘦𝘴, this was arguably the most divisive stand-up special out there - most people either swore by it as one of the greats, or lambasted it as a stain on the legacy of comedy itself. It's hard to remember, but there was a time Cook was a megastar - the same year this special aired he was listed in TIME Magazine's "Top 100 Most Influential People In the World" alongside industry titans Meryl Streep and George Clooney. Outside of maybe Bam Margera I don't think any other sole entertainer represented the crass ode to reckless debauchery that was the mid-2000s quite like this guy; it's beguilingly bizarre almost solely as a piece of a pop culture time capsule alone. Though on its own merits this shockingly holds up a lot more than expected, not always funny (does some cringe 2006 shit like having two women make out on stage while Dane watches for no reason and a rather uncomfortable segment where he seemingly makes a young lady flash her breasts onstage) but home to a satiable amount of hearty chuckles and an exuberant energy that can't be denied even well past the two hour mark. Laden with dead-on observations, colossal vulgarity, intense (and super idiosyncratic) physicality, oddly cerebral camerawork + editing, and guttural cries unlike any other set I've seen... then after all that he comes back on the stage with an acoustic guitar to fucking *sing* - this is the human body being put to its endurance test as a comedic performer. A great time even if some of the jokes get drawn out way past the point of repair - what I can only describe as unforgettable, often really fucking funny, spastically aroused hyperspecificity. Nearly top-to-bottom infectious in spite of its whiffs.
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Hazel (1853 KP) rated Spilt Milk in Books
May 30, 2017
Not about milk
I received this book for free through Goodreads First Reads.
Spilt Milk is the second historical novel by Amanda Hodgkinson, award-winning British author of 22 Britannia Road. Split into two parts it follows the lives of two sisters over several decades during the first half of the twentieth century. Set in Britain, this is a novel about relationships, family, secrets… and illegitimate pregnancies. Lots of illegitimate pregnancies.
The first part spans from 1913 until 1917 thus covering the First World War period. The second part picks up the storyline in 1939 and continues until the novel’s final pages set in 1965. So yet another world war is included, although it has little impact on the plot. The first chapter is almost like the calm before the storm. Everything appears peaceful and happy until everything spirals out of control. Vivian and Nellie Marsh (aged twenty three and twenty two) have been raised by their older sister Rose in a small farmhouse since the death of their parents when Nellie was a baby. We first meet Nellie rinsing chamber pots outside where she has a feeling that something is going to happen; something good, she hopes. Alas, it turns out it was a bad feeling after all as floodwaters rise and Rose dies. The only apparent good thing is the arrival of a hired farm hand, Joe Ferier. But no, that is also a bad occurrence that leaves one sister pregnant and the other temporarily homeless.
Over the years we see how the sisters deal with the way in which their lives have drastically changed up until Nellie has a child with her husbands brother. Luckily her husband is willing to pass the child off as his own, and so Nellie, unlike the other secret pregnancies in this story, actually gets to keep her love child.
At the start of part two, Nellie’s daughter Bertha (commonly known as Birdie) is eighteen years old and finds herself – can you guess? – pregnant after a one night stand. So that it can remain secret she goes to live with her Aunt Vivian until the baby is born and adopted. Vivian ends up housing many girls including a couple of minor characters who have got themselves in a similar way. I did say there were a lot of illegitimate pregnancies! It also comes to light that supposedly innocent, spinster Rose had not one but two babies during her teenage years.
The remainder of the novel shows us how the girls: Nellie, Vivian and Birdie; get on with their lives under the burden of their personal secrets and emotions. It is Birdie who struggles the most with the knowledge that her daughter is growing up without her but to talk to anyone about it would have deep consequences.
The size of the time period means that the reader can become attached to certain key characters and feel their pain as they struggle with their emotional afflictions, however each scene passes quickly as time goes on which means we do not really get to appreciate the minor characters.
Overall it is a good, reasonably quick read which many women would enjoy, particularly those who appreciate historical fiction and may have sisters of their own and therefore understand what the power of keeping secrets can result in.
Spilt Milk is the second historical novel by Amanda Hodgkinson, award-winning British author of 22 Britannia Road. Split into two parts it follows the lives of two sisters over several decades during the first half of the twentieth century. Set in Britain, this is a novel about relationships, family, secrets… and illegitimate pregnancies. Lots of illegitimate pregnancies.
The first part spans from 1913 until 1917 thus covering the First World War period. The second part picks up the storyline in 1939 and continues until the novel’s final pages set in 1965. So yet another world war is included, although it has little impact on the plot. The first chapter is almost like the calm before the storm. Everything appears peaceful and happy until everything spirals out of control. Vivian and Nellie Marsh (aged twenty three and twenty two) have been raised by their older sister Rose in a small farmhouse since the death of their parents when Nellie was a baby. We first meet Nellie rinsing chamber pots outside where she has a feeling that something is going to happen; something good, she hopes. Alas, it turns out it was a bad feeling after all as floodwaters rise and Rose dies. The only apparent good thing is the arrival of a hired farm hand, Joe Ferier. But no, that is also a bad occurrence that leaves one sister pregnant and the other temporarily homeless.
Over the years we see how the sisters deal with the way in which their lives have drastically changed up until Nellie has a child with her husbands brother. Luckily her husband is willing to pass the child off as his own, and so Nellie, unlike the other secret pregnancies in this story, actually gets to keep her love child.
At the start of part two, Nellie’s daughter Bertha (commonly known as Birdie) is eighteen years old and finds herself – can you guess? – pregnant after a one night stand. So that it can remain secret she goes to live with her Aunt Vivian until the baby is born and adopted. Vivian ends up housing many girls including a couple of minor characters who have got themselves in a similar way. I did say there were a lot of illegitimate pregnancies! It also comes to light that supposedly innocent, spinster Rose had not one but two babies during her teenage years.
The remainder of the novel shows us how the girls: Nellie, Vivian and Birdie; get on with their lives under the burden of their personal secrets and emotions. It is Birdie who struggles the most with the knowledge that her daughter is growing up without her but to talk to anyone about it would have deep consequences.
The size of the time period means that the reader can become attached to certain key characters and feel their pain as they struggle with their emotional afflictions, however each scene passes quickly as time goes on which means we do not really get to appreciate the minor characters.
Overall it is a good, reasonably quick read which many women would enjoy, particularly those who appreciate historical fiction and may have sisters of their own and therefore understand what the power of keeping secrets can result in.