Search
Search results
Purple Phoenix Games (2266 KP) rated Tiny Epic Galaxies: Beyond the Black in Tabletop Games
Mar 11, 2022
In the expansion review series, we take a look at a game expansion to discuss whether it is a necessary purchase/addition to one’s collection.
This review is a breakdown of the Beyond the Black expansion for Tiny Epic Galaxies. Beyond the Black introduces several new components to the game: Pilot cards, Hangars, and Exploration cards. To set up for a game with the expansion, things are done as normal with a few additions. The deck of Pilot cards is shuffled, and a market is created above the row of Planet cards. Each player receives a Hangar mat with 4 Advanced Ships, and the Exploration cards are shuffled and placed face-down on the Exploration mat. A handful of new Planet and Secret Mission cards are included in this expansion, and are shuffled into their respective decks. Pictured below are some of the expansion components.
The gameplay with the Beyond the Black expansion is essentially identical to that of the base game, with two new action options. On your turn, when you have rolled your dice, you have the option to Hire Pilots. These Pilots will take control of an Advanced Ship from your Hangar mat, and will provide special and powerful abilities in the game. In order to Hire a Pilot, you must pay the dice cost for the specific type of Advanced Ship for which you are hiring. Take the Pilot card and place it on your Hangar mat, on the corresponding Advanced Ship. You then replace one of your normal ships with the new Advanced Ship, to be used throughout the rest of the game. Not all Pilots can control every ship, so you have to strategize on which Pilots to hire.
The other new action option is Exploration. On your turn, when you roll a “Move a Ship” action, you may move a ship to the Exploration mat. Exploring uncharted space could result in helpful discoveries (gaining resources) or dangerous consequences (usually losing resources). Once on the Exploration mat, you have the option to take any face-up card from the Exploration row, if there are any, or you have the option to reveal the top card of the Exploration deck. If you reveal the top card and it is a green Discovery card, you may choose to take it and reap the rewards, or you can choose to push your luck and draw another card hoping for something better. If you draw a red Danger card, you must immediately take it and suffer the consequences, thus ending your turn. The Exploration row can only ever have 3 face-up cards at a time, so knowing when to push your luck or when to take a safe card is key.
The game continues in the normal fashion, with these additional actions, until a player has earned 21 or more VP. Along with the base game VP, the expansion allows players to earn VP for hired Pilots and Exploration cards. When the game end is triggered, players will then score their Secret Mission cards and VP earned from Exploration cards, and the player with the highest total is declared the winner!
Official recommendation: If you’ve read our review of Tiny Epic Galaxies, and it’s newest iteration, Tiny Epic Galaxies Blast Off!, then you’ll know that we absolutely love this game. The gameplay is excellent, the theming is on point, and the mechanics are engaging. That being said, is the Beyond the Black expansion necessary? If you, like us, are serious fans of the base game, I would say yes. This expansion builds upon the great elements of the base game, and provides even more opportunities for strategy in your gameplay. Should you hire this Pilot now, and for which Advanced Ship? You’re allowed to replace Pilots in future turns, but what if you replace someone and then regret it? How far are you willing to push your luck to Explore uncharted space? The benefits are nice, but the consequences can be brutal. The gameplay is elevated by the inclusion of these new elements, and is not bogged down by unnecessary additions. When first introducing this game to people, I would probably just use the base game to build an understanding of the gameplay. But beyond that (see what I did there?), I would highly recommend grabbing a copy of the Beyond the Black expansion to include in your future plays of this awesome little space game.
This review is a breakdown of the Beyond the Black expansion for Tiny Epic Galaxies. Beyond the Black introduces several new components to the game: Pilot cards, Hangars, and Exploration cards. To set up for a game with the expansion, things are done as normal with a few additions. The deck of Pilot cards is shuffled, and a market is created above the row of Planet cards. Each player receives a Hangar mat with 4 Advanced Ships, and the Exploration cards are shuffled and placed face-down on the Exploration mat. A handful of new Planet and Secret Mission cards are included in this expansion, and are shuffled into their respective decks. Pictured below are some of the expansion components.
The gameplay with the Beyond the Black expansion is essentially identical to that of the base game, with two new action options. On your turn, when you have rolled your dice, you have the option to Hire Pilots. These Pilots will take control of an Advanced Ship from your Hangar mat, and will provide special and powerful abilities in the game. In order to Hire a Pilot, you must pay the dice cost for the specific type of Advanced Ship for which you are hiring. Take the Pilot card and place it on your Hangar mat, on the corresponding Advanced Ship. You then replace one of your normal ships with the new Advanced Ship, to be used throughout the rest of the game. Not all Pilots can control every ship, so you have to strategize on which Pilots to hire.
The other new action option is Exploration. On your turn, when you roll a “Move a Ship” action, you may move a ship to the Exploration mat. Exploring uncharted space could result in helpful discoveries (gaining resources) or dangerous consequences (usually losing resources). Once on the Exploration mat, you have the option to take any face-up card from the Exploration row, if there are any, or you have the option to reveal the top card of the Exploration deck. If you reveal the top card and it is a green Discovery card, you may choose to take it and reap the rewards, or you can choose to push your luck and draw another card hoping for something better. If you draw a red Danger card, you must immediately take it and suffer the consequences, thus ending your turn. The Exploration row can only ever have 3 face-up cards at a time, so knowing when to push your luck or when to take a safe card is key.
The game continues in the normal fashion, with these additional actions, until a player has earned 21 or more VP. Along with the base game VP, the expansion allows players to earn VP for hired Pilots and Exploration cards. When the game end is triggered, players will then score their Secret Mission cards and VP earned from Exploration cards, and the player with the highest total is declared the winner!
Official recommendation: If you’ve read our review of Tiny Epic Galaxies, and it’s newest iteration, Tiny Epic Galaxies Blast Off!, then you’ll know that we absolutely love this game. The gameplay is excellent, the theming is on point, and the mechanics are engaging. That being said, is the Beyond the Black expansion necessary? If you, like us, are serious fans of the base game, I would say yes. This expansion builds upon the great elements of the base game, and provides even more opportunities for strategy in your gameplay. Should you hire this Pilot now, and for which Advanced Ship? You’re allowed to replace Pilots in future turns, but what if you replace someone and then regret it? How far are you willing to push your luck to Explore uncharted space? The benefits are nice, but the consequences can be brutal. The gameplay is elevated by the inclusion of these new elements, and is not bogged down by unnecessary additions. When first introducing this game to people, I would probably just use the base game to build an understanding of the gameplay. But beyond that (see what I did there?), I would highly recommend grabbing a copy of the Beyond the Black expansion to include in your future plays of this awesome little space game.
Lottie disney bookworm (1056 KP) rated The Beast Within: A Tale of Beauty's Prince (Villains #2) in Books
Aug 24, 2019
Beauty and the Beast is arguably one of my favourite Disney classics. I adored Tale as Old as Time and so the Beast’s version of the villain’s tale series had some pretty big boots to fill.
The Beast Within is the second book in the villains’ series and shifts between time periods to provide the reader with an insight to the Beast’s life before and after he was cursed. This was such an interesting concept because each version of Beauty and the Beast contains the vain prince who shuns the enchantress: it’s a pretty key part of the story! However, Serena Valentino expands upon this and, although the Prince becomes no more likeable, Valentino humanises him. We learn the extent of his vanity and, to be honest, probably dislike him more than the original version!
We also receive more of an insight into the Odd Sisters within this novel. We visit their house and gain an idea of the pecking order within the foursome. Yes foursome! I have not drunk too much prosecco and can no longer count (well not yet) – the witches have a little sister.
Circe is as beautiful as her sisters are odd and also happens to be engaged to the Prince (massive coincidence I am sure) but is rejected by him when his best friend Gaston reveals that her family are pig farmers. He claims she deceived him with her beauty and is sickened by her grotesque appearance now he knows the truth.
In fact, by placing Gaston and the Prince side by side we start to think that maybe Belle made the wrong choice by dismissing the shallow hunter so quickly!
Needless to say, Circe is crushed: she accuses him of behaving like a beast, being tainted by vanity and not capable of true love. The spurned witch curses the Prince, warning him that he will slowly transform into the horrifying creature that he is within.
The fact that the reader witnesses the full transformation of Prince into Beast is really interesting and Circe’s words have a profound effect on the Prince, his grasp on his sanity and his future relationships. He veers wildly between dismissing Circe as crazy whilst simultaneously finding a bride in order to break the spell.
Naturally, the Prince is not alone in this story: Mrs Potts, Cogsworth and Lumiere unwittingly become swept up in Circe’s curse. In fact, the odd sisters taunt the Beast, implying that he is only concerned about his servants because of what they may do to him if the curse is not lifted.
Valentino does choose to express that Mrs Potts, in particular, had great affection for the Prince and Gaston as children but this isn’t really played on at all. The reader does gain the sense that the Prince is cared for by his staff but there are no real relationships developed here. Even when Lumiere realises that the Prince views the objects of the curse differently from everyone else; there lacks the compassion and assistance of their animated counterparts.
Another relationship that lacked conviction was that between the Beast and Belle. This is one of the most iconic love stories in the Disney portfolio but I’m afraid I just wasn’t feeling it. I understand that Valentino needs to focus on Tulip: she is an important character who shows the Prince’s desperation, his unwillingness to change and his escalating beastly behaviour (she also links into the next book in the series). However, the focus on Tulip seems to sacrifice any detail when it comes to Belle. Yes, we learn that she attended the original ball and that she will do anything to save her father but that’s pretty much it. The blossoming romance that ensues is witnessed third hand via the odd sisters’ mirror and it begs the question: is this the tale of Beauty’s Prince or is the tale of Circe and her sisters?
Despite Circe being the youngest, it is often implied that she is more powerful than her older sisters and, although she does seem more sane, it cannot be said that Circe is a pushover: upon learning of her sisters’ involvement in the Beast’s fate, Circe punishes them; removes the curse and creates the spinning prince complete with fireworks that we remember from the original movie. This transition from bitter, heartbroken witch to sympathetic and forgiving is unforeseen and abrupt. To be honest it felt like it was a convenient way of shoe-horning the movie ending into the book.
Overall, I loved the potential of The Beast Within. I really enjoyed learning more about the Prince’s character and seeing a side of him that the reader cannot merely brush off as young or vain: he was a truly horrible person. I also loved the little nods to the fairy-tale world, such as Gaston suggesting a ball because it all worked out for the Prince’s friend “after the business with the slipper”.
Valentino also provides hints to future novels and so the references to Ursula were very intriguing as I prepare to read ‘Poor Unfortunate Soul’ next. There is the occasional reference to the old Queen, as well as the continuation of the theme of mirrors and love as a weakness: the odd sisters really do dominate the tales.
In a way I almost feel that the book has a little too much going on: we have the beast’s battle against the curse; the odd sister’s magic; Circe and Ursula’s little tangent and the original storyline. In my opinion, all of these factors make the ending of the book very rushed. For example, the Beast juxtaposes from being unable to fall in love with someone like Belle to presenting her with an entire library just to see her smile in a matter of sentences!
It is a shame because, after the ending of ‘Fairest of All’ I was expecting so much more. I did still like the book but I didn’t love it- I felt like the book could have expanded more on the more unique/dark aspects of the story, such as the creepy statues and the Beast’s alternative view of the curse.
Ah well, you can’t love them all! Onwards and upwards to Poor Unfortunate Soul!
The Beast Within is the second book in the villains’ series and shifts between time periods to provide the reader with an insight to the Beast’s life before and after he was cursed. This was such an interesting concept because each version of Beauty and the Beast contains the vain prince who shuns the enchantress: it’s a pretty key part of the story! However, Serena Valentino expands upon this and, although the Prince becomes no more likeable, Valentino humanises him. We learn the extent of his vanity and, to be honest, probably dislike him more than the original version!
We also receive more of an insight into the Odd Sisters within this novel. We visit their house and gain an idea of the pecking order within the foursome. Yes foursome! I have not drunk too much prosecco and can no longer count (well not yet) – the witches have a little sister.
Circe is as beautiful as her sisters are odd and also happens to be engaged to the Prince (massive coincidence I am sure) but is rejected by him when his best friend Gaston reveals that her family are pig farmers. He claims she deceived him with her beauty and is sickened by her grotesque appearance now he knows the truth.
In fact, by placing Gaston and the Prince side by side we start to think that maybe Belle made the wrong choice by dismissing the shallow hunter so quickly!
Needless to say, Circe is crushed: she accuses him of behaving like a beast, being tainted by vanity and not capable of true love. The spurned witch curses the Prince, warning him that he will slowly transform into the horrifying creature that he is within.
The fact that the reader witnesses the full transformation of Prince into Beast is really interesting and Circe’s words have a profound effect on the Prince, his grasp on his sanity and his future relationships. He veers wildly between dismissing Circe as crazy whilst simultaneously finding a bride in order to break the spell.
Naturally, the Prince is not alone in this story: Mrs Potts, Cogsworth and Lumiere unwittingly become swept up in Circe’s curse. In fact, the odd sisters taunt the Beast, implying that he is only concerned about his servants because of what they may do to him if the curse is not lifted.
Valentino does choose to express that Mrs Potts, in particular, had great affection for the Prince and Gaston as children but this isn’t really played on at all. The reader does gain the sense that the Prince is cared for by his staff but there are no real relationships developed here. Even when Lumiere realises that the Prince views the objects of the curse differently from everyone else; there lacks the compassion and assistance of their animated counterparts.
Another relationship that lacked conviction was that between the Beast and Belle. This is one of the most iconic love stories in the Disney portfolio but I’m afraid I just wasn’t feeling it. I understand that Valentino needs to focus on Tulip: she is an important character who shows the Prince’s desperation, his unwillingness to change and his escalating beastly behaviour (she also links into the next book in the series). However, the focus on Tulip seems to sacrifice any detail when it comes to Belle. Yes, we learn that she attended the original ball and that she will do anything to save her father but that’s pretty much it. The blossoming romance that ensues is witnessed third hand via the odd sisters’ mirror and it begs the question: is this the tale of Beauty’s Prince or is the tale of Circe and her sisters?
Despite Circe being the youngest, it is often implied that she is more powerful than her older sisters and, although she does seem more sane, it cannot be said that Circe is a pushover: upon learning of her sisters’ involvement in the Beast’s fate, Circe punishes them; removes the curse and creates the spinning prince complete with fireworks that we remember from the original movie. This transition from bitter, heartbroken witch to sympathetic and forgiving is unforeseen and abrupt. To be honest it felt like it was a convenient way of shoe-horning the movie ending into the book.
Overall, I loved the potential of The Beast Within. I really enjoyed learning more about the Prince’s character and seeing a side of him that the reader cannot merely brush off as young or vain: he was a truly horrible person. I also loved the little nods to the fairy-tale world, such as Gaston suggesting a ball because it all worked out for the Prince’s friend “after the business with the slipper”.
Valentino also provides hints to future novels and so the references to Ursula were very intriguing as I prepare to read ‘Poor Unfortunate Soul’ next. There is the occasional reference to the old Queen, as well as the continuation of the theme of mirrors and love as a weakness: the odd sisters really do dominate the tales.
In a way I almost feel that the book has a little too much going on: we have the beast’s battle against the curse; the odd sister’s magic; Circe and Ursula’s little tangent and the original storyline. In my opinion, all of these factors make the ending of the book very rushed. For example, the Beast juxtaposes from being unable to fall in love with someone like Belle to presenting her with an entire library just to see her smile in a matter of sentences!
It is a shame because, after the ending of ‘Fairest of All’ I was expecting so much more. I did still like the book but I didn’t love it- I felt like the book could have expanded more on the more unique/dark aspects of the story, such as the creepy statues and the Beast’s alternative view of the curse.
Ah well, you can’t love them all! Onwards and upwards to Poor Unfortunate Soul!
"The door slid open and Clarke knew it was time to die." What a way to start the book. Kass Morgan dives right into her storyline with an in-your-face opener. It took a bit of time before I, as the reader realized what this book was about. She began by setting up a number of characters, switching between perspectives, to quickly introduce you to the players. Those people who will have the biggest impact upon the storyline.
Each character is thrown into the mix, destined to be sent to Earth. The first in a long, long time. While not all make it, we are still treated with back stories and past relationships. Had the author not included those scenes, her characters would have been much more difficult to relate to. You come to briefly understand what the person goes through, exactly why he/she is so angry and hurt, and what they each did to become subjected to the fate of the 100. Personally, I would have preferred that greater attention had been given to character development rather than relationship development.
The Earth was unlivable for so long, and yet they send these 100 "children" as guinea pigs, rather than trained professionals. People who could colonize, build shelters, feed the colony, study the land and environment, or even tend to the ill. Instead, these youths are forced to come together with a common goal - survival.
One gets to a certain point in the novel and then realizes they don't entirely know what these different living situations/names mean. Of course, the Walden and Arcadian people seem to be of a lower class, economic, and social standing than the Phoenix. Walden also had an outbreak at one point that had to be quarantined. But beyond that? I'm not entirely sure what the distinctions are. Clearly the Phoenix people are "posh", with foreign accents, prone to extravagances and taking what they have for granted. But how did they come to be in that, dare I say, caste to begins with? Were people settled based upon their original locations on Earth? Or perhaps based upon the money/knowledge they could provide? Unfortunately, that aspect of the story is not very clearly explained. It seems that the author took more time to focus on the intricacies of the relationships than the world building.
Sometimes the author was redundant, choosing to repeat the same fears/desire over and over again. Yes, we understand that the medicine is missing. Was it flung from the ship before the crash or during? Can they survive without it? We don't know yet, but if we didn't realize the medicine was important the first time it was mentioned... We certainly realized it after the tenth.
This book has a very unique concept in that it combines the post-apocalyptic Hunger Games or Divergent-type Earth with space. While it may exist in other novels, I've not yet read something similar. Where it does seem to follow typical YA novels is the fact that it has a love triangle. Those seem like they are a requirement, as they are in most popular young adult novels. (HG, Divergent, TMI, Vampire Diaries, etc.)
There is a bit of mystery in the book as well. It seems that the reason one of the characters is arrested must be kept a secret, even from the reader. The author continuously has the girl think to herself, 'Why isn't he asking me about my confinement?', 'He's happy, this is for the best [that he doesn't know.]', and even has her love interest say "I heard a rumor about a girl on Phoenix who was arrested for..." Yes, there was a dramatic pause. And no, he does not finish his sentence. After the third or fourth time, the author finally reveals the girl's situation during a flashback.
Throughout the novel, the author develops the relationship between two main characters. Unfortunately, it's a bit jarring and sporadic. It quickly jumps from bitter hatred from the moment they step foot on Earth to reconciliation after one act, then back to hatred. Again, after one act. While relationships can be a roller coaster, this is a bit too authentic to the carnival ride.
The relationship is not perfect, especially when she has a second possible love interest. A guy who after only a short while, thinks of only her before he falls asleep. That girl must be something. The first time they really spend any time together, he decides that making out is the best course of action. Much to the dismay of her other love interest, though it does not dissuade him. Sound familiar?
It doesn't take long before he snaps at her and their brief... Whatever it was is over. Or is it?
They must be masochists, because it seems they're just gluttons for punishment and emotional, gut wrenching hurt... Or just those that don't learn from history. (Doomed to repeat it and all that.) Who would continuously subject themselves to that kind of torment? Move on and let yourself heal. It's not a post-apocalyptic world that only the two of you can repopulate... There are other individuals in camp with you. (Like the second guy you may or may not like, but that you certainly make out with in the woods.) But that's just my perspective.
While I found myself bemused and skeptical at times about certain aspects of the book, none of those times corresponded to the purposefully exaggerated environment that they must adapt to on Earth. Rather it is the progression of relationships, situations characters find themselves in, and utterly disastrous karmic intervention. Seriously, they must have really messed with the world for it to so perfectly separate two lovers as it does.
I suspected there would be a particular plot twist and unsurprisingly it came to fruition approximately 98% of the way through the book. I'm intrigued to see where the author takes it and how it will develop in the sequel - The 100: Day
21 (which is next on my review list!)
I find myself enjoying the read, dispute the obvious flaws one notices whilst reading it. If you take it as an easy, enjoyable read - then that is what you will come away with. If you expect it to be a fantastic piece that delves into the human psyche to truly draw you into a character's life and relationships - then you will be quite disappointed. Overall, I would recommend this novel to those who enjoy dystopian, teen romance series.
Each character is thrown into the mix, destined to be sent to Earth. The first in a long, long time. While not all make it, we are still treated with back stories and past relationships. Had the author not included those scenes, her characters would have been much more difficult to relate to. You come to briefly understand what the person goes through, exactly why he/she is so angry and hurt, and what they each did to become subjected to the fate of the 100. Personally, I would have preferred that greater attention had been given to character development rather than relationship development.
The Earth was unlivable for so long, and yet they send these 100 "children" as guinea pigs, rather than trained professionals. People who could colonize, build shelters, feed the colony, study the land and environment, or even tend to the ill. Instead, these youths are forced to come together with a common goal - survival.
One gets to a certain point in the novel and then realizes they don't entirely know what these different living situations/names mean. Of course, the Walden and Arcadian people seem to be of a lower class, economic, and social standing than the Phoenix. Walden also had an outbreak at one point that had to be quarantined. But beyond that? I'm not entirely sure what the distinctions are. Clearly the Phoenix people are "posh", with foreign accents, prone to extravagances and taking what they have for granted. But how did they come to be in that, dare I say, caste to begins with? Were people settled based upon their original locations on Earth? Or perhaps based upon the money/knowledge they could provide? Unfortunately, that aspect of the story is not very clearly explained. It seems that the author took more time to focus on the intricacies of the relationships than the world building.
Sometimes the author was redundant, choosing to repeat the same fears/desire over and over again. Yes, we understand that the medicine is missing. Was it flung from the ship before the crash or during? Can they survive without it? We don't know yet, but if we didn't realize the medicine was important the first time it was mentioned... We certainly realized it after the tenth.
This book has a very unique concept in that it combines the post-apocalyptic Hunger Games or Divergent-type Earth with space. While it may exist in other novels, I've not yet read something similar. Where it does seem to follow typical YA novels is the fact that it has a love triangle. Those seem like they are a requirement, as they are in most popular young adult novels. (HG, Divergent, TMI, Vampire Diaries, etc.)
There is a bit of mystery in the book as well. It seems that the reason one of the characters is arrested must be kept a secret, even from the reader. The author continuously has the girl think to herself, 'Why isn't he asking me about my confinement?', 'He's happy, this is for the best [that he doesn't know.]', and even has her love interest say "I heard a rumor about a girl on Phoenix who was arrested for..." Yes, there was a dramatic pause. And no, he does not finish his sentence. After the third or fourth time, the author finally reveals the girl's situation during a flashback.
Throughout the novel, the author develops the relationship between two main characters. Unfortunately, it's a bit jarring and sporadic. It quickly jumps from bitter hatred from the moment they step foot on Earth to reconciliation after one act, then back to hatred. Again, after one act. While relationships can be a roller coaster, this is a bit too authentic to the carnival ride.
The relationship is not perfect, especially when she has a second possible love interest. A guy who after only a short while, thinks of only her before he falls asleep. That girl must be something. The first time they really spend any time together, he decides that making out is the best course of action. Much to the dismay of her other love interest, though it does not dissuade him. Sound familiar?
It doesn't take long before he snaps at her and their brief... Whatever it was is over. Or is it?
They must be masochists, because it seems they're just gluttons for punishment and emotional, gut wrenching hurt... Or just those that don't learn from history. (Doomed to repeat it and all that.) Who would continuously subject themselves to that kind of torment? Move on and let yourself heal. It's not a post-apocalyptic world that only the two of you can repopulate... There are other individuals in camp with you. (Like the second guy you may or may not like, but that you certainly make out with in the woods.) But that's just my perspective.
While I found myself bemused and skeptical at times about certain aspects of the book, none of those times corresponded to the purposefully exaggerated environment that they must adapt to on Earth. Rather it is the progression of relationships, situations characters find themselves in, and utterly disastrous karmic intervention. Seriously, they must have really messed with the world for it to so perfectly separate two lovers as it does.
I suspected there would be a particular plot twist and unsurprisingly it came to fruition approximately 98% of the way through the book. I'm intrigued to see where the author takes it and how it will develop in the sequel - The 100: Day
21 (which is next on my review list!)
I find myself enjoying the read, dispute the obvious flaws one notices whilst reading it. If you take it as an easy, enjoyable read - then that is what you will come away with. If you expect it to be a fantastic piece that delves into the human psyche to truly draw you into a character's life and relationships - then you will be quite disappointed. Overall, I would recommend this novel to those who enjoy dystopian, teen romance series.
SharpScan Pro + OCR: scan documents to clean PDF
Business and Productivity
App
Turn your iPhone into a jet Fast multi-page document scanner with SharpScan! Recognize and Share...
Debbiereadsbook (1669 KP) rated A Love To Remember in Books
May 1, 2018
so desperately wanted to hear from Sam!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Graham takes his dad to the cabin in the woods, because he cannot be on his own anymore. Ravaged by Alzheimer's, his father needs calm, and peace. But Graham can no longer look after his dad and work, so he hires an in-home nurse, Sam. Sam and Graham have met before, after a brief hook-up. Sam wants more, but Graham has to take a step back, and make Sam realise, what's slowly killing his father could very well kill him too.
It's only short, this one, some 85 pages, but Brook manages to get a lot in those 85 pages!
We get the intensity of that initial hook-up. We get all of Graham's fears for his dad. We get all of Graham's emotions trying to keep Sam at arms length, while fighting to pull him close. We get all of GRAHAM.
What we don't get is Sam. Any Sam, at all. And that's the only reason I'm giving it 4 stars, because it is single person point of view. Had Sam had a say, this could well have been a 5 star read, it really could!
It's not overly complicated, just two men falling in love while one tries really hard not to. There is no major breakup/make up, no nutty exes. It has some sexy time, and some emotional times, especially when Graham is fighting with himself to look after dad but having to admit that he really can't.
It really is a lovely, if short, read. Passed an hour, while watching the rain, on a Sunday afternoon.
4 solid stars
**same worded review will appear elsewhere**
Graham takes his dad to the cabin in the woods, because he cannot be on his own anymore. Ravaged by Alzheimer's, his father needs calm, and peace. But Graham can no longer look after his dad and work, so he hires an in-home nurse, Sam. Sam and Graham have met before, after a brief hook-up. Sam wants more, but Graham has to take a step back, and make Sam realise, what's slowly killing his father could very well kill him too.
It's only short, this one, some 85 pages, but Brook manages to get a lot in those 85 pages!
We get the intensity of that initial hook-up. We get all of Graham's fears for his dad. We get all of Graham's emotions trying to keep Sam at arms length, while fighting to pull him close. We get all of GRAHAM.
What we don't get is Sam. Any Sam, at all. And that's the only reason I'm giving it 4 stars, because it is single person point of view. Had Sam had a say, this could well have been a 5 star read, it really could!
It's not overly complicated, just two men falling in love while one tries really hard not to. There is no major breakup/make up, no nutty exes. It has some sexy time, and some emotional times, especially when Graham is fighting with himself to look after dad but having to admit that he really can't.
It really is a lovely, if short, read. Passed an hour, while watching the rain, on a Sunday afternoon.
4 solid stars
**same worded review will appear elsewhere**
Gareth von Kallenbach (980 KP) rated Into The Storm (2014) in Movies
Jun 19, 2019
It has been 20 years since “Twister” thrilled audiences by using state of
the art effects to simulate one of the most destructive forces on earth.
In the new film “Into the Storm:, Warner Bros has once again dipped into
the formula that made “Twister” so successful, combing the best FX on the
planet with high-end sound and human drama.
The film follows a documentary film crew low on cash and in desperate need
to find a storm so that funding can continue. At the same time, a student
is recording a video diary for his high school and dealing with his
estranged father who happens to be the assistant principal.
The family has severe tension over the death of their mother and see the
father as caring more about his working and position than the needs of his
kids.
The characters are not broadly written or well developed as essentially
they exist to serve as props for the very impressive scenes of destruction
when the massive tornadoes strike.
There are some very effective moments of tension when people and vehicles
are thrown around and as buildings are destroyed by the full force of
nature’s fury.
While many aspects of the film fail to stand out, the visual power of the
film is attention grabbing and does allow you to overlook the thin plot
and characters.
We were fortunate to screen the film with the latest Atmos Dolby sound
systems, which really enhanced the experience of what it is like to be the
a storm without risk to life and property.
For the visuals alone, I would say the film is worth seeing as long as you
temper your expectations accordingly.
http://sknr.net/2014/08/08/into-the-storm/
the art effects to simulate one of the most destructive forces on earth.
In the new film “Into the Storm:, Warner Bros has once again dipped into
the formula that made “Twister” so successful, combing the best FX on the
planet with high-end sound and human drama.
The film follows a documentary film crew low on cash and in desperate need
to find a storm so that funding can continue. At the same time, a student
is recording a video diary for his high school and dealing with his
estranged father who happens to be the assistant principal.
The family has severe tension over the death of their mother and see the
father as caring more about his working and position than the needs of his
kids.
The characters are not broadly written or well developed as essentially
they exist to serve as props for the very impressive scenes of destruction
when the massive tornadoes strike.
There are some very effective moments of tension when people and vehicles
are thrown around and as buildings are destroyed by the full force of
nature’s fury.
While many aspects of the film fail to stand out, the visual power of the
film is attention grabbing and does allow you to overlook the thin plot
and characters.
We were fortunate to screen the film with the latest Atmos Dolby sound
systems, which really enhanced the experience of what it is like to be the
a storm without risk to life and property.
For the visuals alone, I would say the film is worth seeing as long as you
temper your expectations accordingly.
http://sknr.net/2014/08/08/into-the-storm/
Phil Leader (619 KP) rated Life, the Universe and Everything in Books
Nov 20, 2019
Originally there were the two series of the radio show which Adams rewrote and reorganised into two books. And for a long time that was it, that was all there was of the Hitch Hiker's Guide to the Galaxy.
Then one day I was in a bookshop when there it was: A new Hitch Hiker's book by Douglas Adams, black cover with an old-fashioned ring pull on the cover (the ones that detached from the can to cause maximum environmental damage).
Having essentially completed what appeared to be the story arc in the first two books, what was going to be next for our heroes? Arthur and Ford were last seen stranded on prehistoric Earth and Zaphod and Trillian were missing after teleporting from Hotblack Desiato's stunt ship. Would this be a tired and cynical cash in, retreading old ground but failing to capture the magic of the originals?
Needless to say, Adams didn't disappoint, creating a plot around an alien race creating a weapon capable of destroying the universe, and it is up to Arthur, Ford, Zaphod and Trillian to save the day, along with Slartibartfast who had to be co-opted in to make the plot work since the other four would far rather have been at a party getting drunk (or in Arthur's case drinking some proper tea).
Yet more footnotes and extracts from 'The Book' ensue with Adams' imagination creating a number of new comic inventions - Agrajag, how to fly, Wowbagger the Infinitely Prolonged. All of it moves with pace and brio as if the characters are enjoying the freedom of a new book, even if there is a universe to save and only one party.
Then one day I was in a bookshop when there it was: A new Hitch Hiker's book by Douglas Adams, black cover with an old-fashioned ring pull on the cover (the ones that detached from the can to cause maximum environmental damage).
Having essentially completed what appeared to be the story arc in the first two books, what was going to be next for our heroes? Arthur and Ford were last seen stranded on prehistoric Earth and Zaphod and Trillian were missing after teleporting from Hotblack Desiato's stunt ship. Would this be a tired and cynical cash in, retreading old ground but failing to capture the magic of the originals?
Needless to say, Adams didn't disappoint, creating a plot around an alien race creating a weapon capable of destroying the universe, and it is up to Arthur, Ford, Zaphod and Trillian to save the day, along with Slartibartfast who had to be co-opted in to make the plot work since the other four would far rather have been at a party getting drunk (or in Arthur's case drinking some proper tea).
Yet more footnotes and extracts from 'The Book' ensue with Adams' imagination creating a number of new comic inventions - Agrajag, how to fly, Wowbagger the Infinitely Prolonged. All of it moves with pace and brio as if the characters are enjoying the freedom of a new book, even if there is a universe to save and only one party.
Putty: From Tel-El-Kebir to Cambrai: the Life and Letters of Lieutenant General Sir William Pulteney 1861-1941
Book
Once described by a subordinate as "the most completely ignorant general I served during the war",...
Closed Casket: The New Hercule Poirot Mystery
Agatha Christie and Sophie Hannah
7.5
Rate It
Book
Hercule Poirot returns in another brilliant murder mystery that can only be solved by the eponymous...
LeftSideCut (3776 KP) rated Leprechaun in the Hood (2000) in Movies
Nov 24, 2020
"Holy shit, you midget Midas motherfucker!" - Mack Daddy
Let us get straight to it. Leprechaun in the Hood is so goddam cheap. It's painfully obvious that the entire film was made on a low budget, and shot on a limited movie set (pretty sure one scene is shot in a props cupboard) and this blights what could have been one of the better entries in the Leprechaun series. I say this because this sequel is horrendously entertaining, despite how poor the production values are - a true champion of the so-bad-it's-good mantra.
The big positives here are the lead characters. Postmaster P., Butch, and (to a lesser extent) Stray Bullet, are three amateur rapper protagonists who you can get behind. They're actually kind of likable, which is a genuine rarity in this franchise. Warwick Davis' Lep seems to actually have less screen time than usual, but it's not even noticable because of these characters. Ice-T also stars as ex-pimp-turned-music-mogul Mack Daddy, and he's a welcome addition to the Leprechaun lore. Speaking of lore, this is another sequel that yet again pays no notice to the other films, and just does its own thing. It has a vaguely resembelent set up to Leprechaun 3 but other than that, a big Fuck You to any sort of narrative consistency, which honestly isn't much of an issue at this point.
Leprechaun in the Hood is so so silly, and as mentioned, shits the bed on the production side of things, but it's occasionally funny, occasionally gory, and entertaining to a degree.
That full rap number that Lep does at the end is fucking awful though, and no one is going to change my mind.
Let us get straight to it. Leprechaun in the Hood is so goddam cheap. It's painfully obvious that the entire film was made on a low budget, and shot on a limited movie set (pretty sure one scene is shot in a props cupboard) and this blights what could have been one of the better entries in the Leprechaun series. I say this because this sequel is horrendously entertaining, despite how poor the production values are - a true champion of the so-bad-it's-good mantra.
The big positives here are the lead characters. Postmaster P., Butch, and (to a lesser extent) Stray Bullet, are three amateur rapper protagonists who you can get behind. They're actually kind of likable, which is a genuine rarity in this franchise. Warwick Davis' Lep seems to actually have less screen time than usual, but it's not even noticable because of these characters. Ice-T also stars as ex-pimp-turned-music-mogul Mack Daddy, and he's a welcome addition to the Leprechaun lore. Speaking of lore, this is another sequel that yet again pays no notice to the other films, and just does its own thing. It has a vaguely resembelent set up to Leprechaun 3 but other than that, a big Fuck You to any sort of narrative consistency, which honestly isn't much of an issue at this point.
Leprechaun in the Hood is so so silly, and as mentioned, shits the bed on the production side of things, but it's occasionally funny, occasionally gory, and entertaining to a degree.
That full rap number that Lep does at the end is fucking awful though, and no one is going to change my mind.