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LeftSideCut (3778 KP) rated Resident Evil: Afterlife (2010) in Movies
Dec 30, 2020
Just when it seemed that these movies were getting slightly better each time, along comes Afterlife to extinguish whatever tiny flame of hope was still flickering.
Paul W.S. Anderson is back at the helm (joy to the world) it's clear that his main intention is to make Milla Jovovich look as "cool" as possible, quipping at every chance given to her. The opening sequence is sort of entertaining, but the over abundance of signature Anderson misplaced arrogant smugness and shoddy CGI violently soils anything positive.
The main bulk of the film is actually a fairly stripped back affair. It's low on scares as per, but I'm not mad at the more grounded feel to proceedings. Just a group of survivors surrounded by zombies, trying to find a solution to their problems. However, this respectable approach to the narrative is squandered. None of the characters are worth caring about, and the few that are, are given no development, as they go through the motions with the smartass-yet-boring script.
In terms of game connections, Ali Larter is back as Claire Redfield, and Wentworth Miller plays Chris Redfield. Kind of cool, of course, but he honestly could have just been playing a dude with a gun. The fact that he is Chris bears no importance to the film. Wesker is there as well but eh. The Majini infected from Resident Evil 5 are present as is The Executioner from the same game. They visually look pretty decent, and unlike previous films, aren't humanised like Nemesis and Tyrant were, so points for that.
The main issue then is all the action. Apart from the dodgy CGI, the set pieces suffer from a truly horrendous amount of slow motion. Not even exaggerating here, if there was no slow motion, the runtime would have been 20 minutes shorter. It's honestly painful. There's also a lot of gimmicky 3D shit being thrown at the camera which I don't really care for - there's just nothing exciting going on.
I'm not sure where else to mention this so I'll put it here, there's not 1, not 2, but 3 seperate scenes that consist of overhead shots of Alice flying a plane with edgy breakbeat music blaring out over it. (Not being chased or anything, just flying and relaxing) Make of that what you will, but basically, everything I hated about the first Resident Evil is still accounted for 8 years later. It's still poorly imitating The Matrix, 11 years later.
I know that these films have a lot of fans, so maybe I'm missing something and being overly spiteful, but I just find them mind numbingly shit. Maybe something will click for me during the last two, but as it stands, Afterlife is the worst of the bunch.
Paul W.S. Anderson is back at the helm (joy to the world) it's clear that his main intention is to make Milla Jovovich look as "cool" as possible, quipping at every chance given to her. The opening sequence is sort of entertaining, but the over abundance of signature Anderson misplaced arrogant smugness and shoddy CGI violently soils anything positive.
The main bulk of the film is actually a fairly stripped back affair. It's low on scares as per, but I'm not mad at the more grounded feel to proceedings. Just a group of survivors surrounded by zombies, trying to find a solution to their problems. However, this respectable approach to the narrative is squandered. None of the characters are worth caring about, and the few that are, are given no development, as they go through the motions with the smartass-yet-boring script.
In terms of game connections, Ali Larter is back as Claire Redfield, and Wentworth Miller plays Chris Redfield. Kind of cool, of course, but he honestly could have just been playing a dude with a gun. The fact that he is Chris bears no importance to the film. Wesker is there as well but eh. The Majini infected from Resident Evil 5 are present as is The Executioner from the same game. They visually look pretty decent, and unlike previous films, aren't humanised like Nemesis and Tyrant were, so points for that.
The main issue then is all the action. Apart from the dodgy CGI, the set pieces suffer from a truly horrendous amount of slow motion. Not even exaggerating here, if there was no slow motion, the runtime would have been 20 minutes shorter. It's honestly painful. There's also a lot of gimmicky 3D shit being thrown at the camera which I don't really care for - there's just nothing exciting going on.
I'm not sure where else to mention this so I'll put it here, there's not 1, not 2, but 3 seperate scenes that consist of overhead shots of Alice flying a plane with edgy breakbeat music blaring out over it. (Not being chased or anything, just flying and relaxing) Make of that what you will, but basically, everything I hated about the first Resident Evil is still accounted for 8 years later. It's still poorly imitating The Matrix, 11 years later.
I know that these films have a lot of fans, so maybe I'm missing something and being overly spiteful, but I just find them mind numbingly shit. Maybe something will click for me during the last two, but as it stands, Afterlife is the worst of the bunch.
Kristy H (1252 KP) rated Musical Chairs in Books
Sep 17, 2020
A charming and delightful look at family and friendship
Bridget and Will are the best of friends--and nothing more--despite what everyone thinks. For over thirty years, they've been the two long-standing members of the Forsyth Trio. The third founding member, Gavin, went on to great success and stardom, leaving Bridget and Will to fill the position with a rotating crew of musicians. Before starting up the trio again, Bridget plans on spending the summer at her country house in Connecticut near her father, the famous musician Edward Stratton. But things go awry quickly. Her boyfriend breaks it off with her; her twenty-something twins surprise her by returning to the house for the summer, bringing their chaos with them; and the older Edward announces he's getting married. Will and Bridget decide to relaunch the Forsyth Trio at the wedding, but it all hinges on getting Gavin to return--someone they've both been avoiding for quite some time.
This is a charming and funny story. If it sounds all over the place, it's only because it's a reflection on Bridget's life, which is a total mess at the beginning of our tale. Each character in Poeppel's heartfelt tome is wonderful: real and true, standing out on the page as their own person. I fell easily for poor Bridget, hapless Will, the twins, and our host of side characters, ranging from Bridget's very New York-ish sister to Gwen to uppity Edward and his assistant to the local Connecticut townfolk who swarm to try to keep Bridget--and her cottage--from falling apart.
There's a lot of focus on music here--with Bridget, Will, and Edward all musicians, and it makes for a different and lovely book. While plenty of serious things happen, overall this is a sweet and funny story. I found myself smiling and laughing often while reading. There are some downright laugh out loud scenes. Bridget's inability to master technology, coupled with the helplessness of her twins, allow for some wonderful moments. But what really shines through is how much everyone here loves each other--Bridget and her kids, the whole Stratton family, and Will, who is truly part of the clan. How nice to read a book where, even if everyone might fight a day, their compassion and caring for each other shines through.
And, of course, I have a soft spot for any book featuring twins, so I enjoyed a prominent storyline featuring them.
Overall, this is delightful book that offered a wonderful distraction to the woes of the world. It's a funny and kind look at family and friendship, and it simply made me happy. 4+ stars.
This is a charming and funny story. If it sounds all over the place, it's only because it's a reflection on Bridget's life, which is a total mess at the beginning of our tale. Each character in Poeppel's heartfelt tome is wonderful: real and true, standing out on the page as their own person. I fell easily for poor Bridget, hapless Will, the twins, and our host of side characters, ranging from Bridget's very New York-ish sister to Gwen to uppity Edward and his assistant to the local Connecticut townfolk who swarm to try to keep Bridget--and her cottage--from falling apart.
There's a lot of focus on music here--with Bridget, Will, and Edward all musicians, and it makes for a different and lovely book. While plenty of serious things happen, overall this is a sweet and funny story. I found myself smiling and laughing often while reading. There are some downright laugh out loud scenes. Bridget's inability to master technology, coupled with the helplessness of her twins, allow for some wonderful moments. But what really shines through is how much everyone here loves each other--Bridget and her kids, the whole Stratton family, and Will, who is truly part of the clan. How nice to read a book where, even if everyone might fight a day, their compassion and caring for each other shines through.
And, of course, I have a soft spot for any book featuring twins, so I enjoyed a prominent storyline featuring them.
Overall, this is delightful book that offered a wonderful distraction to the woes of the world. It's a funny and kind look at family and friendship, and it simply made me happy. 4+ stars.
Gareth von Kallenbach (971 KP) rated The Lost City of Z (2017) in Movies
Jul 11, 2019
Charlie Hunnam (Sons of Anarchy) stars as the British Explorer Colonel Percival Fawcett, who disappeared on an expedition in search of an ancient city and civilization in the Amazon. The film centers on the true-life adventure of Col Fawcett and his journey to find evidence of a lost people while engaging audiences in the ego and superiority complex that much of western civilization finds itself.
We are introduced to Fawcett as he is an Army Major who seeks to have some sense of distinction and recognition. Seeking notoriety and a sense of honor, Fawcett accepts the task of mapping out disputed territory between Peru and Brazil at the opening of the 20th century in order to prevent war between the two nations.
In his exploits, he is confronted with the exploitation of the indigenous population, extraction of resources, and an untamed land. Upon subsequent journeys and serving in World War I, he is consumed with the need to find a sense of honor in his duty to his nation. Over the course of the film, we begin to see how invested he is in this struggle to learn more about the people and places that he is exploring, however, there isn’t a true connection made between Hunnam’s portrayal and the audience. At times, I found myself not caring about Fawcett’s contributions or career. I could not get invested in his story or his struggle to find a lost city that he believed existed in the wild. By the end of the film, I wasn’t invested in who Fawcett was, what he set out to accomplish, or even his legacy.
One thing that I did find remarkable was that the film helps to expose much of the anxiety and danger that existed during this period and previous expeditions into the region. Additionally, it gave me an appreciation for the endless heights of the human ego, ambition, and drive. The film allows for a critique to emerge about western interference and exploration of the region and the ethnocentrism held by western nations. Lost City of Z is an expansive visual spectacle. The jungle becomes a living, breathing, creature that audiences will connect with, become fearful of, and appreciate. It is the character that carries the film.
The actors and actresses are the background. This aspect allows for the audience to become absorbed by the surroundings and the environment that the characters find themselves in.
The film is beautifully shot and captivating. The sequences are engaging and give the sense of being transported to a foreign, mysterious land that holds secrets that many of us could never comprehend or witness with our own eyes.
We are introduced to Fawcett as he is an Army Major who seeks to have some sense of distinction and recognition. Seeking notoriety and a sense of honor, Fawcett accepts the task of mapping out disputed territory between Peru and Brazil at the opening of the 20th century in order to prevent war between the two nations.
In his exploits, he is confronted with the exploitation of the indigenous population, extraction of resources, and an untamed land. Upon subsequent journeys and serving in World War I, he is consumed with the need to find a sense of honor in his duty to his nation. Over the course of the film, we begin to see how invested he is in this struggle to learn more about the people and places that he is exploring, however, there isn’t a true connection made between Hunnam’s portrayal and the audience. At times, I found myself not caring about Fawcett’s contributions or career. I could not get invested in his story or his struggle to find a lost city that he believed existed in the wild. By the end of the film, I wasn’t invested in who Fawcett was, what he set out to accomplish, or even his legacy.
One thing that I did find remarkable was that the film helps to expose much of the anxiety and danger that existed during this period and previous expeditions into the region. Additionally, it gave me an appreciation for the endless heights of the human ego, ambition, and drive. The film allows for a critique to emerge about western interference and exploration of the region and the ethnocentrism held by western nations. Lost City of Z is an expansive visual spectacle. The jungle becomes a living, breathing, creature that audiences will connect with, become fearful of, and appreciate. It is the character that carries the film.
The actors and actresses are the background. This aspect allows for the audience to become absorbed by the surroundings and the environment that the characters find themselves in.
The film is beautifully shot and captivating. The sequences are engaging and give the sense of being transported to a foreign, mysterious land that holds secrets that many of us could never comprehend or witness with our own eyes.
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Bob Mann (459 KP) rated The Many Saints of Newark (2021) in Movies
Oct 5, 2021
Production design (1 more)
Great cast
Sopranos prequel that failed to hit the high note with this Sopranos virgin.
With Bond showing on virtually every screen of my local Cineworld, there were few other choices for movies to go see this week. So even though I've never seen "The Sopranos" TV series, I decided to give this movie prequel a shot.
Positives:
- Like any good mafia story, there's a nicely developed sense of place for the action. The film is set in the late 60's / early 70's, and the score and the production design nicely portray the period. The rise of black factions to challenge the white status quo, even in the crime world, make this a nice companion piece to "Judas and the Black Messiah" .
- Although he's been in films like "American Hustle" and "Selma", I wouldn't have been able to pick Alessandro Nivola out of a line-up. But he did a great job portraying the different sides of Dickie: both caring uncle and psychopathic gangster. And Odom Jnr is again impressive: I've not yet seen him deliver any role that's been sub-par.
- It's also impressive that they had Michael Gandolfini to play the younger self of his late father's role. Although I kept being distracted by how much he looks and acts like a young John Cusack!
Negatives:
- The story is told over many years and the script came across as quite uneven. There are regular cut-aways to Dickie visiting his uncle "Hollywood Dick" (Ray Liotta) in prison, which a lot of the time, to me, felt disconnected from the main plot.
- Whilst most of the ensemble cast do a good job, some of the portrayals felt like forced caricatures of "Goodfellas" characters.
- As a "Sopranos" virgin, I could tell that there were lots of Easter Eggs and in-jokes in the movie (e.g. The baby Christopher crying whenever Anthony talked to him). WIth "Sopranos" regulars Alan Taylor and David Chase in charge, that's not surprising. But I'm afraid all of these went right over my head.
Summary Thoughts on "The Many Saints of Newark": This wasn't a complete bust for me, which it might have been if it had been a sequel rather than a prequel. Indeed there are the occasional flashes of brilliance with certain scenes. But neither did I find it so engrossing that it's going to trouble my top 20 for the year.
I guess is that if you are a "Sopranos" fan, then you would get a lot more out of this than I did. But it's still an interesting way to spend a couple of hours.
(For the full graphical review, please check out #oemannsmovies on the web, Facebook or Tiktok. Thanks.)
Positives:
- Like any good mafia story, there's a nicely developed sense of place for the action. The film is set in the late 60's / early 70's, and the score and the production design nicely portray the period. The rise of black factions to challenge the white status quo, even in the crime world, make this a nice companion piece to "Judas and the Black Messiah" .
- Although he's been in films like "American Hustle" and "Selma", I wouldn't have been able to pick Alessandro Nivola out of a line-up. But he did a great job portraying the different sides of Dickie: both caring uncle and psychopathic gangster. And Odom Jnr is again impressive: I've not yet seen him deliver any role that's been sub-par.
- It's also impressive that they had Michael Gandolfini to play the younger self of his late father's role. Although I kept being distracted by how much he looks and acts like a young John Cusack!
Negatives:
- The story is told over many years and the script came across as quite uneven. There are regular cut-aways to Dickie visiting his uncle "Hollywood Dick" (Ray Liotta) in prison, which a lot of the time, to me, felt disconnected from the main plot.
- Whilst most of the ensemble cast do a good job, some of the portrayals felt like forced caricatures of "Goodfellas" characters.
- As a "Sopranos" virgin, I could tell that there were lots of Easter Eggs and in-jokes in the movie (e.g. The baby Christopher crying whenever Anthony talked to him). WIth "Sopranos" regulars Alan Taylor and David Chase in charge, that's not surprising. But I'm afraid all of these went right over my head.
Summary Thoughts on "The Many Saints of Newark": This wasn't a complete bust for me, which it might have been if it had been a sequel rather than a prequel. Indeed there are the occasional flashes of brilliance with certain scenes. But neither did I find it so engrossing that it's going to trouble my top 20 for the year.
I guess is that if you are a "Sopranos" fan, then you would get a lot more out of this than I did. But it's still an interesting way to spend a couple of hours.
(For the full graphical review, please check out #oemannsmovies on the web, Facebook or Tiktok. Thanks.)
BankofMarquis (1832 KP) rated A man called otto (2022) in Movies
Apr 8, 2023
Has Over-Sized Heart
They sure don’t make films like this anymore. A character study/drama featuring an “A-List” Star about a curmudgeon who finds that there is more to life than to hide from it. It’s the type of subject matter that has been seen over and over again, but this one hits differently.
It has an over-sized heart.
Based on the Swedish novel (and film) A MAN CALLED OVE…OTTO (played by Tom Hanks) is a recent Widower, who is forcibly retired and has given up on life. The question of the film is whether Otto can find a reason to keep on living.
These types of films can be over-melodramatic and saccharine, but in the capable hands of veteran Director Marc Forster (FINDING NEVERLAND) and the performance of Hanks (who shows that he still has his fastball) this film will touch your heart…if you open your heart up enough to receive it.
Foster has created a world where Otto has sealed himself off from the world by keeping a sharp eye on the perimeters of his row-housing. With an Engineering background, and a keen eye for detail, Otto keeps his world neat and orderly. However, it becomes clear that what Otto is really doing is retreating into this world - and further into himself - until a new neighbor (and a stray cat) starts pulling Otto out his cocoon.
Hanks, as mentioned above, is wonderful as the curmudgeonly Otto. It helps that Hanks’ inherit charm shines through during the early, grumpy, despondant portions of Otto’s existence. Despite what one is seeing on the surface, the audience instantly starts to root for Otto, more than likely due to the audience goodwill that Hanks has built up over his long and lusterous career.
Newcomer (at least to the BankofMarquis) Mariana Trevino is just as strong and caring as the new neighbor that starts breaking through the exterior of Otto. It is important for a film of this sort to have someone just as strong (but not overpowering) as the lead performer to serve as a balance. This Trevino (and the rest of the supporting cast) do very, very well.
Credit for this has to go to Director Forster who surehandedly steers the course of this film, threading the needle effectively on the edge of emotional heft and heart without falling into caricature and melodrama.
It is a charming, effective, quiet film that surprised the BankofMarquis with the amount of earnest heart imbedded within. If you are looking for a film that will charm you and warm your insides, look no further than A MAN CALLED OTTO.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
It has an over-sized heart.
Based on the Swedish novel (and film) A MAN CALLED OVE…OTTO (played by Tom Hanks) is a recent Widower, who is forcibly retired and has given up on life. The question of the film is whether Otto can find a reason to keep on living.
These types of films can be over-melodramatic and saccharine, but in the capable hands of veteran Director Marc Forster (FINDING NEVERLAND) and the performance of Hanks (who shows that he still has his fastball) this film will touch your heart…if you open your heart up enough to receive it.
Foster has created a world where Otto has sealed himself off from the world by keeping a sharp eye on the perimeters of his row-housing. With an Engineering background, and a keen eye for detail, Otto keeps his world neat and orderly. However, it becomes clear that what Otto is really doing is retreating into this world - and further into himself - until a new neighbor (and a stray cat) starts pulling Otto out his cocoon.
Hanks, as mentioned above, is wonderful as the curmudgeonly Otto. It helps that Hanks’ inherit charm shines through during the early, grumpy, despondant portions of Otto’s existence. Despite what one is seeing on the surface, the audience instantly starts to root for Otto, more than likely due to the audience goodwill that Hanks has built up over his long and lusterous career.
Newcomer (at least to the BankofMarquis) Mariana Trevino is just as strong and caring as the new neighbor that starts breaking through the exterior of Otto. It is important for a film of this sort to have someone just as strong (but not overpowering) as the lead performer to serve as a balance. This Trevino (and the rest of the supporting cast) do very, very well.
Credit for this has to go to Director Forster who surehandedly steers the course of this film, threading the needle effectively on the edge of emotional heft and heart without falling into caricature and melodrama.
It is a charming, effective, quiet film that surprised the BankofMarquis with the amount of earnest heart imbedded within. If you are looking for a film that will charm you and warm your insides, look no further than A MAN CALLED OTTO.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
I was a big fan of Shanti Hershenson's other poetry book You Won't Know Her Name. Even though the subject matter was heavy, the poems were written extremely well. When I saw that Hershenson had published a companion poetry book titled I Know Her Name, I knew it was something I had to read. Shanti Hershenson, again, blew me away with how talented she is with her poetry.
While I Know Her Name isn't as dark or as heavy as its first book, You Won't Know Her Name, there were still some heavy themes throughout. Hershenson admits in this book that the nameless girl in You Won't Know Her Name was actually her (which I already suspected when I read the first book) and that all the poems in You Won't Know Her Name and I Know Her Name were written about what was happening and what had happened in regards to the bullying and sexual assault done at the hands of a "friend" while she was in junior high and her school's lack of caring. While I Know Her Name isn't a very long book, it still packs a big punch. The poetry is still amazingly written, and to know that they were written by such a young girl makes it even more so.
I Know Her Name is an emotional read, and my heart really went out to Shanti Hershenson whilst reading this. Her hurt, anger, sadness, frustrations, and all over emotions are easily conveyed with each poem. It broke my heart that she (and many other children) have to face bullying and abuse while the school does nothing about it. I felt like I was right beside Hershenson as she further tells her story through poetry although I felt helpless since I could only read the words and not physically do anything.
Trigger warnings for I Know Her Name include mentions of sexual assault (but not in detail), some profanity (but not much), bullying, depression, mentions of suicide and telling someone to kill themself, and violence.
All in all, I Know Her Name is such an emotional read written by a very talented teenager. It will definitely hit you with many feels and leave you angry at how the school failed this girl. Although this book can be read as a standalone, I would still read You Won't Know Her Name first just for more background and because it's so good. I would most definitely recommend I Know Her Name by Shanti Hershenson to those aged 14+ who are being bullied, have been bullied, or are the bullies themselves. This is a poetry book that won't disappoint.
While I Know Her Name isn't as dark or as heavy as its first book, You Won't Know Her Name, there were still some heavy themes throughout. Hershenson admits in this book that the nameless girl in You Won't Know Her Name was actually her (which I already suspected when I read the first book) and that all the poems in You Won't Know Her Name and I Know Her Name were written about what was happening and what had happened in regards to the bullying and sexual assault done at the hands of a "friend" while she was in junior high and her school's lack of caring. While I Know Her Name isn't a very long book, it still packs a big punch. The poetry is still amazingly written, and to know that they were written by such a young girl makes it even more so.
I Know Her Name is an emotional read, and my heart really went out to Shanti Hershenson whilst reading this. Her hurt, anger, sadness, frustrations, and all over emotions are easily conveyed with each poem. It broke my heart that she (and many other children) have to face bullying and abuse while the school does nothing about it. I felt like I was right beside Hershenson as she further tells her story through poetry although I felt helpless since I could only read the words and not physically do anything.
Trigger warnings for I Know Her Name include mentions of sexual assault (but not in detail), some profanity (but not much), bullying, depression, mentions of suicide and telling someone to kill themself, and violence.
All in all, I Know Her Name is such an emotional read written by a very talented teenager. It will definitely hit you with many feels and leave you angry at how the school failed this girl. Although this book can be read as a standalone, I would still read You Won't Know Her Name first just for more background and because it's so good. I would most definitely recommend I Know Her Name by Shanti Hershenson to those aged 14+ who are being bullied, have been bullied, or are the bullies themselves. This is a poetry book that won't disappoint.
Heather Cranmer (2721 KP) rated Failure to Protect (Dre Thomas & Angela Evans #4) in Books
Nov 12, 2019
I don't normally read legal thrillers, but there was something about Failure to Protect by Pamela Samuels Young that drew me in. I think it's because I was bullied as a child, but mostly because I'm a mom now. My oldest son has high functioning Autism and ADHD. He was bullied one year in school, and his school seemed to not do anything about it. Failure to Protect was a very emotional read, and I'm really glad I decided to give it a try.
The plot for Failure to Protect was solid. Nine-year-old Bailey Lewis is constantly being bullied at her school. When something major happens, Bailey's mother, Erika, decides to sue the elementary school. However, the principal, Darcella, is more concerned with keeping the school's good record intact instead of worrying about bullied students. The principal will do whatever it takes to make sure her school's stellar reputation doesn't get soiled even if it means doing some bullying herself.
Pamela Samuels Young did such a stellar job with the world building. Her knowledge of the court process and justice system is fantastic. Young is an attorney, and it's obvious she knows her stuff. Unfortunately, the subject of bullying in schools is all too real, and sadly, many schools are more worried about their reputation and all the paperwork and time a bullying case would take than actually caring about a bullied student. This fiction novel reads like a true story. There are a few plot twists which make this book even more interesting! Failure to Protect also answered every question I had. There's no speculation in Failure to Protect, and there's also no cliffhangers. This book is part of a series, but it's the first book I've read in the series, and I feel like it works as a standalone.
The pacing in Failure to Protect is done perfectly. Every single paragraph, and every single chapter flowed smoothly into the next. Not once did I want to put this book down. It had my attention throughout! I was also a fan of the short chapters which I felt helped with the pacing.
The best thing about Failure to Protect, besides everything, were the characters. Each character had such a unique personality which really helped them to feel like a real person rather than just a character in a novel. I loved little Bailey, and I just wanted to hug her and let her know that I'd protect her against her bully. It was heartbreaking reading about all she went through in her young life from losing her father not too long ago to being relentlessly bullied in school and online. I also felt horrible for her mother Erika. She also went through two horrible tragedies including one a parent should never have to go through. I was constantly in her corner, and I kept rooting for her throughout the whole bullying ordeal with the school. Erika felt like what happened to Bailey was mostly her fault, and I wanted to tell Erika that sometimes it's not easy to know everything about our children. Dre was my favorite character. I enjoyed his thought process and how passionate he was about everything. It was obvious how much he loved his goddaughter Bailey. I loved how Angela grew as a character when it came to her relationship with Erika. At first, she wasn't big on Erika, but it was obvious how much she did end up caring for her. Angela and Jenny were both fantastic attorneys, and I loved how they were willing to dedicate all their time and knowledge for Bailey's case. Darcella, the principal, was such a horrible person. Young did a fantastic job at creating Darcella to be the antagonist. So many times I was so angry with Darcella. I wanted to just shake her and ask her why she didn't do anything for Bailey. Darcella does explain why she decided to overlook the bullying, but I just wanted to know why she bothered to work in a profession dealing with children if she didn't have any empathy. I was so annoyed with Darcella. I was also annoyed with Ethan Landers, Darcella's attorney. I know he was just doing his job at the end of the day, but it wasn't easy to read about how he could just side with the enemy. Zola, Bailey's teacher, was also an interesting character. She was so conflicted about doing the right thing, and I liked reading about why she chose to do what she did. Apache, Dre's best friend, was a minor character in Failure to Protect, but he gets a mention because I loved his scenes. He was such a character, and I loved how comical he was especially when it came to helping out Dre.
Trigger warnings in Failure to Protect include bullying, racism, sexual situations (although not too graphic), suicide, death, lying, alcohol, mentions of past drug use and selling, profanity, and mentions of violence.
All in all, Failure to Protect is an emotionally well written novel. It would make a fantastic Lifetime movie - at least that's what I kept thinking whilst reading it. The story line is something that unfortunately is so commonplace in a lot of schools. I would definitely recommend Failure to Protect by Pamela Samuels Young to those aged 18+. I think this is a book that everyone should read and can relate to on at least some level. If you do decide to read Failure to Protect (which you should), please know that you'll feel a vast range of emotions!
--
(A special thank you to Pamela Samuels Young for providing me with an eBook of Failure to Protect in exchange for an honest and unbiased review.)
The plot for Failure to Protect was solid. Nine-year-old Bailey Lewis is constantly being bullied at her school. When something major happens, Bailey's mother, Erika, decides to sue the elementary school. However, the principal, Darcella, is more concerned with keeping the school's good record intact instead of worrying about bullied students. The principal will do whatever it takes to make sure her school's stellar reputation doesn't get soiled even if it means doing some bullying herself.
Pamela Samuels Young did such a stellar job with the world building. Her knowledge of the court process and justice system is fantastic. Young is an attorney, and it's obvious she knows her stuff. Unfortunately, the subject of bullying in schools is all too real, and sadly, many schools are more worried about their reputation and all the paperwork and time a bullying case would take than actually caring about a bullied student. This fiction novel reads like a true story. There are a few plot twists which make this book even more interesting! Failure to Protect also answered every question I had. There's no speculation in Failure to Protect, and there's also no cliffhangers. This book is part of a series, but it's the first book I've read in the series, and I feel like it works as a standalone.
The pacing in Failure to Protect is done perfectly. Every single paragraph, and every single chapter flowed smoothly into the next. Not once did I want to put this book down. It had my attention throughout! I was also a fan of the short chapters which I felt helped with the pacing.
The best thing about Failure to Protect, besides everything, were the characters. Each character had such a unique personality which really helped them to feel like a real person rather than just a character in a novel. I loved little Bailey, and I just wanted to hug her and let her know that I'd protect her against her bully. It was heartbreaking reading about all she went through in her young life from losing her father not too long ago to being relentlessly bullied in school and online. I also felt horrible for her mother Erika. She also went through two horrible tragedies including one a parent should never have to go through. I was constantly in her corner, and I kept rooting for her throughout the whole bullying ordeal with the school. Erika felt like what happened to Bailey was mostly her fault, and I wanted to tell Erika that sometimes it's not easy to know everything about our children. Dre was my favorite character. I enjoyed his thought process and how passionate he was about everything. It was obvious how much he loved his goddaughter Bailey. I loved how Angela grew as a character when it came to her relationship with Erika. At first, she wasn't big on Erika, but it was obvious how much she did end up caring for her. Angela and Jenny were both fantastic attorneys, and I loved how they were willing to dedicate all their time and knowledge for Bailey's case. Darcella, the principal, was such a horrible person. Young did a fantastic job at creating Darcella to be the antagonist. So many times I was so angry with Darcella. I wanted to just shake her and ask her why she didn't do anything for Bailey. Darcella does explain why she decided to overlook the bullying, but I just wanted to know why she bothered to work in a profession dealing with children if she didn't have any empathy. I was so annoyed with Darcella. I was also annoyed with Ethan Landers, Darcella's attorney. I know he was just doing his job at the end of the day, but it wasn't easy to read about how he could just side with the enemy. Zola, Bailey's teacher, was also an interesting character. She was so conflicted about doing the right thing, and I liked reading about why she chose to do what she did. Apache, Dre's best friend, was a minor character in Failure to Protect, but he gets a mention because I loved his scenes. He was such a character, and I loved how comical he was especially when it came to helping out Dre.
Trigger warnings in Failure to Protect include bullying, racism, sexual situations (although not too graphic), suicide, death, lying, alcohol, mentions of past drug use and selling, profanity, and mentions of violence.
All in all, Failure to Protect is an emotionally well written novel. It would make a fantastic Lifetime movie - at least that's what I kept thinking whilst reading it. The story line is something that unfortunately is so commonplace in a lot of schools. I would definitely recommend Failure to Protect by Pamela Samuels Young to those aged 18+. I think this is a book that everyone should read and can relate to on at least some level. If you do decide to read Failure to Protect (which you should), please know that you'll feel a vast range of emotions!
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(A special thank you to Pamela Samuels Young for providing me with an eBook of Failure to Protect in exchange for an honest and unbiased review.)