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BankofMarquis (1832 KP) rated 7 Days In Entebbe (2018) in Movies
Mar 22, 2018
Doesn't really work
Most of us (including me), when we heard about the new film 7 DAYS IN ENTEBBE, thought to themselves "didn't they just make this film a few years ago...?" The answer is yes. A similar film to this - RAID ON ENTEBBE - was a TV movie made a few years ago - 42 years ago, to be precise. It starred Peter Finch, Martin Balsam, Jack Warden and good ol' Charles Bronson. Made a mere few months after the true events, this slapped together movie was an old-fashioned "shoot 'em up."
This film is most definitely not.
7 DAYS IN ENTEBBE tells the true story of the 1976 Air France Hijacking of (mostly) Israeli citizens that settle in Entebbe, Uganda (under the leadership of crazed dictator Idi Amin) - refusing to negotiate with terrorists, the Israeli government plan, stage and execute a daring rescue mission.
Sounds like a pretty good plot for a Charles Bronson shoot-em-up.
In this version, Director Jose Padilha (the 2014 remake of ROBOCOP) decides to focus most of his attention not on the hijacked Israeli citizens, but rather, a pair of German hijackers juxtaposed against the political infighting in Israel between Prime Minister Yitzhak Rabin and Defense Minister Shimon Peres. The Israeli governmental infighting was interesting to watch with intriguing characters and cat-and-mouse back-stabbing politics while the plight of the kidnappers was underwritten and underwhelming. Consequently, this film was "just okay".
Oh...and it had about an hour-fifteen minutes of content stretched over an hour-forty-five minutes, so to stretch things out, Padilha decided to cut back and forth between the action (what there was of it) and a modern dance recital. Clearly he was trying a metaphor of the dance punctuating the emotions and actions elsewhere. It just didn't work for me.
Neither did this film. Skip this one and check out the Charles Bronson shoot-em-up.
Letter Grade C+
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
This film is most definitely not.
7 DAYS IN ENTEBBE tells the true story of the 1976 Air France Hijacking of (mostly) Israeli citizens that settle in Entebbe, Uganda (under the leadership of crazed dictator Idi Amin) - refusing to negotiate with terrorists, the Israeli government plan, stage and execute a daring rescue mission.
Sounds like a pretty good plot for a Charles Bronson shoot-em-up.
In this version, Director Jose Padilha (the 2014 remake of ROBOCOP) decides to focus most of his attention not on the hijacked Israeli citizens, but rather, a pair of German hijackers juxtaposed against the political infighting in Israel between Prime Minister Yitzhak Rabin and Defense Minister Shimon Peres. The Israeli governmental infighting was interesting to watch with intriguing characters and cat-and-mouse back-stabbing politics while the plight of the kidnappers was underwritten and underwhelming. Consequently, this film was "just okay".
Oh...and it had about an hour-fifteen minutes of content stretched over an hour-forty-five minutes, so to stretch things out, Padilha decided to cut back and forth between the action (what there was of it) and a modern dance recital. Clearly he was trying a metaphor of the dance punctuating the emotions and actions elsewhere. It just didn't work for me.
Neither did this film. Skip this one and check out the Charles Bronson shoot-em-up.
Letter Grade C+
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
JT (287 KP) rated Headhunters (2012) in Movies
Mar 10, 2020
Roger Brown (Hennie) has it all, a gorgeous wife a beautiful house and lots of money. As a headhunter for a recruitment company he supplements this lifestyle by stealing rare and expensive paintings and replacing them with perfect copies.
At his wife Diana’s art gallery he is introduced to Clas (Coster-Waldau) who he lines up for a potential job with a big client. When Roger discovers that Clas is in possession of a rare painting he takes the opportunity to steal it, not realizing however that his actions will be traced back to him.
It’s clear that Roger’s flamboyant lifestyle and trophy wife is compensation for his own inferiority complex, as he explains in the opening monologue of the film. Filled with paranoia he soon believes that Clas is out to kill him, either for stealing the painting or to get rid of him so Clas can have Diana for his own.
It’s a simple game of cat and mouse between Roger and Clas that escalates into epic proportions as Roger goes on the run. Clas is extremely cool and calculated in his approach and toys with Roger, it’s a film that will keep you on the edge of your seat, tension that foreign film is seemingly well known for.
It’s adapted from the Jo Nesbø novel of the same name, and to be honest once Roger goes on the run it turns from thriller to black comedy and back again in an instant. Some scenes have shock value, others will turn your head away from the screen no sooner look at it but it’s all good fun.
Roger is put through the wringer as he’s slowly hunted down, avoiding capture by hiding in human faeces, trying to escape on the slowest form of transport imaginable and driven off the end of a cliff. At the end of all this the sympathy for Roger is overwhelming.
It’s a comically engaging film with twists and turns, gruesome in parts which you won’t expect.
At his wife Diana’s art gallery he is introduced to Clas (Coster-Waldau) who he lines up for a potential job with a big client. When Roger discovers that Clas is in possession of a rare painting he takes the opportunity to steal it, not realizing however that his actions will be traced back to him.
It’s clear that Roger’s flamboyant lifestyle and trophy wife is compensation for his own inferiority complex, as he explains in the opening monologue of the film. Filled with paranoia he soon believes that Clas is out to kill him, either for stealing the painting or to get rid of him so Clas can have Diana for his own.
It’s a simple game of cat and mouse between Roger and Clas that escalates into epic proportions as Roger goes on the run. Clas is extremely cool and calculated in his approach and toys with Roger, it’s a film that will keep you on the edge of your seat, tension that foreign film is seemingly well known for.
It’s adapted from the Jo Nesbø novel of the same name, and to be honest once Roger goes on the run it turns from thriller to black comedy and back again in an instant. Some scenes have shock value, others will turn your head away from the screen no sooner look at it but it’s all good fun.
Roger is put through the wringer as he’s slowly hunted down, avoiding capture by hiding in human faeces, trying to escape on the slowest form of transport imaginable and driven off the end of a cliff. At the end of all this the sympathy for Roger is overwhelming.
It’s a comically engaging film with twists and turns, gruesome in parts which you won’t expect.
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Bob Mann (459 KP) rated Greyhound (2020) in Movies
Aug 9, 2020
Hanks and Stephen Graham. (1 more)
Tense cat and mouse hunting
Grey but exciting.
Here's a great movie trivia question for you.... which 2020 movies link Claire Duburcq and Elizabeth Shue, and why? The answer is at the end of this review!
The battle of the Atlantic, which ran from 1939 to the end of the war, was a key battleground of World War 2. Failure to supply the European battlefront with fresh supplies and troops from the States would spell certain failure. (The wiki page addressing this is here.) But it's a field of combat that has been relatively overlooked at the movies. Of the handful of feature films, the most famous are that famously stiff-upper-lipped British offering "The Cruel Sea" from 1953 and Wolfgang Petersen's original 1981 U-boat film, "Das Boot", seeing it from the German's side.
Here, the subject gets the full Tom Hanks treatment. Not only does he star in the movie, but he also wrote it, based on the C.S. Forester novel "The Good Shepherd".
We join Captain Krause (Tom Hanks, with a strangely German-sounding name!) on dry land awaiting his beloved Evelyn (Elizabeth Shue) for a proposal. But that's the last dry land we see in the movie, since Krause is captaining the US destroyer "Greyhound" on its maiden voyage to protect a convoy of UK and US ships heading for England. But danger lurks beneath the waves as a pack of U-boats attempt to sink as many vessels as possible.
The issue with a movie about a war-time transatlantic crossing is that the ships are grey, the sky is grey and the sea is grey. It's a monochromatic and rather depressing context for a movie. To combat that, the CGI used to recreate the action needs to be good, and thankfully the film delivers in that department.
Where I had quibbles - and I'm not sure whether this was in Hank's original screenplay or the result of director Aaron Schneider's attempts at "added flair" - was in stopping the action mid-scene for a zoom up above the clouds to see the Aurora Borealis. Unnecessary and distracting.
Where the film really scores is in the tense action sequences. As a viewer, I found myself straining forwards in my seat for the "ping" of the sonar! The cat and mouse games being played out with the hidden foe are certainly well done.... albeit a colleague of mine refuses to watch it because "torpedoes don't bounce off the sides of ships" as shown in the trailer!
Perhaps what might have made the film richer still would have been the view from the German side. Another star name as the 'heard but never seen' mocking U-boat commander might have turned this into even more of a Shakespearean battle-royale.
Overall, this is an enthralling and enjoyable watch that I would recommend. Tom Hanks delivers YET another compelling captain role. It seems to be the rank that he naturally gravitates to.... having the gravitas to command, but not being too far removed from the common man. Here he is supported by the omnipresent Stephen Graham, also equally good.
It's a great shame that this never got the wide-screen cinematic release, because Greyhound deserved it. Who knows, perhaps with cinemas spasmodically opening up, there's still time for a national release. That would be good, and I'd certainly go and see it again on the big screen.
And, by the way, the answer to my trivia question is this film - Greyhound - and 1917. The reason being that in both movies the actresses named were the sole female players within the whole cast.
(For the full graphical review, please visit https://bob-the-movie-man.com/2020/08/01/one-manns-movies-film-review-greyhound-2020/ .)
The battle of the Atlantic, which ran from 1939 to the end of the war, was a key battleground of World War 2. Failure to supply the European battlefront with fresh supplies and troops from the States would spell certain failure. (The wiki page addressing this is here.) But it's a field of combat that has been relatively overlooked at the movies. Of the handful of feature films, the most famous are that famously stiff-upper-lipped British offering "The Cruel Sea" from 1953 and Wolfgang Petersen's original 1981 U-boat film, "Das Boot", seeing it from the German's side.
Here, the subject gets the full Tom Hanks treatment. Not only does he star in the movie, but he also wrote it, based on the C.S. Forester novel "The Good Shepherd".
We join Captain Krause (Tom Hanks, with a strangely German-sounding name!) on dry land awaiting his beloved Evelyn (Elizabeth Shue) for a proposal. But that's the last dry land we see in the movie, since Krause is captaining the US destroyer "Greyhound" on its maiden voyage to protect a convoy of UK and US ships heading for England. But danger lurks beneath the waves as a pack of U-boats attempt to sink as many vessels as possible.
The issue with a movie about a war-time transatlantic crossing is that the ships are grey, the sky is grey and the sea is grey. It's a monochromatic and rather depressing context for a movie. To combat that, the CGI used to recreate the action needs to be good, and thankfully the film delivers in that department.
Where I had quibbles - and I'm not sure whether this was in Hank's original screenplay or the result of director Aaron Schneider's attempts at "added flair" - was in stopping the action mid-scene for a zoom up above the clouds to see the Aurora Borealis. Unnecessary and distracting.
Where the film really scores is in the tense action sequences. As a viewer, I found myself straining forwards in my seat for the "ping" of the sonar! The cat and mouse games being played out with the hidden foe are certainly well done.... albeit a colleague of mine refuses to watch it because "torpedoes don't bounce off the sides of ships" as shown in the trailer!
Perhaps what might have made the film richer still would have been the view from the German side. Another star name as the 'heard but never seen' mocking U-boat commander might have turned this into even more of a Shakespearean battle-royale.
Overall, this is an enthralling and enjoyable watch that I would recommend. Tom Hanks delivers YET another compelling captain role. It seems to be the rank that he naturally gravitates to.... having the gravitas to command, but not being too far removed from the common man. Here he is supported by the omnipresent Stephen Graham, also equally good.
It's a great shame that this never got the wide-screen cinematic release, because Greyhound deserved it. Who knows, perhaps with cinemas spasmodically opening up, there's still time for a national release. That would be good, and I'd certainly go and see it again on the big screen.
And, by the way, the answer to my trivia question is this film - Greyhound - and 1917. The reason being that in both movies the actresses named were the sole female players within the whole cast.
(For the full graphical review, please visit https://bob-the-movie-man.com/2020/08/01/one-manns-movies-film-review-greyhound-2020/ .)
JT (287 KP) rated Safe (2012) in Movies
Mar 10, 2020
There doesn’t seem to be a lot that Jason Statham cannot do, if he’s not leaping from building to building he’s punching bad guys through walls, as someone told me once “it’s all chewing gum for the mind.”
Safe is pretty much that, Statham plays Luke Wright an ex-cage fighter among other things whose family are murdered after he fails to throw a fight for a Russian mob boss. Instead of sending him to the grave the Russians’ warn Statham that anyone he gets close to they’ll kill. So he becomes a drifter, a homeless loner. That is until he comes across Mei, a young girl with a mathematical mind who has memorized some numbers for the Triads.
The numbers are the combination to a safe containing a $3om haul. However, it seems that the Russian Mafia have taken an interest in Mei as well as a group of corrupt NYPD cops. The film plays out as you would expect it to, with Statham taking the girl under his wing and gets given the chance to kick some ass once again. “You, the garbage collector?” wails one poor Russian, ” I never collected the garbage, I disposed of it” quips Statham.
Safe carries on at cat and mouse pace with everyone after Statham and the girl. There are some great action set pieces as you would expect, and they are performed with ferocious ferocity and cool like choreography. There isn’t anything unusual here really, the supporting cast amble along but stand back far enough to let The Stath do his thing.
The relationship with Mei is formed well and has a believable level of trust between the pair as Wright attempts to play the three chasing parties off against each other. It’s what you’d expect and there is no question of being short changed here.
Safe is pretty much that, Statham plays Luke Wright an ex-cage fighter among other things whose family are murdered after he fails to throw a fight for a Russian mob boss. Instead of sending him to the grave the Russians’ warn Statham that anyone he gets close to they’ll kill. So he becomes a drifter, a homeless loner. That is until he comes across Mei, a young girl with a mathematical mind who has memorized some numbers for the Triads.
The numbers are the combination to a safe containing a $3om haul. However, it seems that the Russian Mafia have taken an interest in Mei as well as a group of corrupt NYPD cops. The film plays out as you would expect it to, with Statham taking the girl under his wing and gets given the chance to kick some ass once again. “You, the garbage collector?” wails one poor Russian, ” I never collected the garbage, I disposed of it” quips Statham.
Safe carries on at cat and mouse pace with everyone after Statham and the girl. There are some great action set pieces as you would expect, and they are performed with ferocious ferocity and cool like choreography. There isn’t anything unusual here really, the supporting cast amble along but stand back far enough to let The Stath do his thing.
The relationship with Mei is formed well and has a believable level of trust between the pair as Wright attempts to play the three chasing parties off against each other. It’s what you’d expect and there is no question of being short changed here.
Lyndsey Gollogly (2893 KP) rated Rescuing Norah (Corrupted #1) in Books
Jul 1, 2020
116 of 200
Kindle
Rescuing Norah ( Corrupted book 1)
By J.W. Ashley
Sometimes the people we think we know, turn out to be someone else entirely.For Norah, running into a handsome young benefactor had never been in the cards. After being raised in shelters, she never expected to meet her own prince charming. So when Clayton Matthews turned his attention on her, she never looked back.But as the years pass, Norah's seemingly perfect life begins to unravel, revealing a much more sinister side to the man she's promised to marry.After losing his job on a technicality, Harley is determined to redeem himself in the eyes of the Seattle PD.Taking down one of Seattle's biggest crime bosses would be a damn good way to start, but as a Mercenary working for an off-the-books firm he's got his work cut out for him.On the night he's set to present his evidence, everything changes, and he finds himself on the run with none other than his target's beautiful fiancee.And as the game of cat and mouse turns deadly, Harley finds himself torn between duty and the intense attraction he feels for a woman he should hate.Rescuing Norah is the first in a series of intertwined suspense novels where the threat gets bigger, the sparks burn hotter, and the only thing standing in the way of victory is the bulls-eye painted on their backs.
This was a bit of a surprise for as I didn’t expect it to be as good as it was! Full of action a little romance and a very solid storyline! It definitely had you rooting for the good guys and booing the baddies. Loved the little twist with Norah and Gerry very sweet!
Kindle
Rescuing Norah ( Corrupted book 1)
By J.W. Ashley
Sometimes the people we think we know, turn out to be someone else entirely.For Norah, running into a handsome young benefactor had never been in the cards. After being raised in shelters, she never expected to meet her own prince charming. So when Clayton Matthews turned his attention on her, she never looked back.But as the years pass, Norah's seemingly perfect life begins to unravel, revealing a much more sinister side to the man she's promised to marry.After losing his job on a technicality, Harley is determined to redeem himself in the eyes of the Seattle PD.Taking down one of Seattle's biggest crime bosses would be a damn good way to start, but as a Mercenary working for an off-the-books firm he's got his work cut out for him.On the night he's set to present his evidence, everything changes, and he finds himself on the run with none other than his target's beautiful fiancee.And as the game of cat and mouse turns deadly, Harley finds himself torn between duty and the intense attraction he feels for a woman he should hate.Rescuing Norah is the first in a series of intertwined suspense novels where the threat gets bigger, the sparks burn hotter, and the only thing standing in the way of victory is the bulls-eye painted on their backs.
This was a bit of a surprise for as I didn’t expect it to be as good as it was! Full of action a little romance and a very solid storyline! It definitely had you rooting for the good guys and booing the baddies. Loved the little twist with Norah and Gerry very sweet!
Mark @ Carstairs Considers (2318 KP) rated Trust Me in Books
Mar 29, 2020
Claustrophobic Game of Cat and Mouse
Mercer Hennessey is a former reporter who is getting over a deep personal loss. Her life is altered when her former editor, Katherine, asks her to cover the Baby Boston trial. Ashlyn Bryant is about to go on trial for the death of her daughter, Tasha Nicole. Mercer is among those who is certain that Ashlyn is guilty, and Katherine is asking Mercer to write a book about the case and the trial. With the way it grabbed headlines, it is certain to be a best seller. Mercer reluctantly agrees, but Ashlyn’s constant claims of innocence begin to get to Mercer. As Mercer delves further into the book, Ashlyn begins to get into her head. What is true? Is Ashlyn guilty?
I had intended to read Hank Phillippi Ryan’s stand-alone suspense novels before now, but I’m glad I picked up this first one. The book starts out a little slowly. Yes, we are getting needed background, but it feels like it could have been shortened a little. However, once things really get going, I was completely hooked. This is a strong psychological suspense story as Mercer is forced to question everything she thinks is true. The almost claustrophobic feeling of this part of the book certainly helps with that. To pull this off, the characters have to be strong, and they absolutely are, making me question what I thought was going on the entire time. Once you start, you’ll have to know how this book ends.
I had intended to read Hank Phillippi Ryan’s stand-alone suspense novels before now, but I’m glad I picked up this first one. The book starts out a little slowly. Yes, we are getting needed background, but it feels like it could have been shortened a little. However, once things really get going, I was completely hooked. This is a strong psychological suspense story as Mercer is forced to question everything she thinks is true. The almost claustrophobic feeling of this part of the book certainly helps with that. To pull this off, the characters have to be strong, and they absolutely are, making me question what I thought was going on the entire time. Once you start, you’ll have to know how this book ends.
Michael Packner (32 KP) rated Strangers: Prey at Night (2018) in Movies
Jun 15, 2019 (Updated Jun 21, 2019)
The tone is surprisingly similar to the original given the change in director. (9 more)
The continued use of music as another character.
Turning the Strangers' truck into a 4th villain.
80s music.
The beautiful sets and cinematography.
The epic pool scene.
The evolution of the Strangers as characters while still respecting their mystery.
The 20 minute or so climax from the pool scene up until right before the final scene.
Damian Maffei's imposing performance as Man in the Mask, especially in his 3 big scenes.
Emma Bellomy's psychotic evolution of the Dollface killer.
The cut scenes we'll never get to see that should've been left in. (5 more)
The weak cop out ending.
Kinsey as a character.
The film's choice for a victor in the game of deadly cat and mouse.
The criminal underuse of Pinup Girl, although I know the unfortunate reason.
The runtime was way too short.
This film is truly a unique film, as while it is a polar opposite of the original Strangers, it is also awesomely familiar. Even with some of the glaring mistakes, I still give this film 5 ☆ because it takes it's own path and stands on its own in the franchise and doesn't try to mimic the first one, which could've been disastrous. Plus, I waited 10 freaking years for this film, and damnit I had a BLAST! While the original pays homage to 70s horror and the Hitchcock style as well as early Carpenter, Prey at Night chooses to pay straight homage to 80s slasher films and 80s Carpenter, and does a fantastic job. The film's 20 or so minute climax is more than worth the wait and contains the greatest pool scene in horror film history. The first film is dark and foreboding while the sequel is balls to the wall slasher fun. I can't wait to see what's in store next for my favorite horror franchise. ??
Isiah Zane Hodge (13 KP) rated Halloween (2018) in Movies
Jun 28, 2019
The best horror sequel ever?
How could anything truly top the great Halloween? Though the franchise has been riddled with cheese and just insane plot holes. This sequel of the original 1978 horror classic maybe one of the best horror sequels of all time let alone probably the best Halloween sequel ever? The film has a freaky atmosphere that seems to be directly copied from the original. Is that a bad thing? No not necessarily. The original sequels to the Halloween franchise have little to no atmosphere. Feels like more of the focus is promantly towards the "not so" mysterious Micheal Myers and less about setting the scene up for a good erie feeling. Which isn't to say that its easy to do. Much of a sequels scares come from the shocking and overrated "jump scare" aspect. Once you're shown the big bad on camera, it's hard to gain that same fear and mystery back. However in the 2019 film, it ramps it to 11. Maybe it's because we haven't seen Myers on the big screen for quite some time? There is something about seeing an older Myers that is so freaky to me. The cat and mouse plot twist is a wonderful change that makes this film a 9/10 for me. As a horror buff, I was so excited for this film so much that I didn't watch anything else for 2 months. I loved the film that much. Definitely a great watch.
Andy K (10823 KP) Mar 22, 2018