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Lyndsey Gollogly (2893 KP) rated Rescuing Norah (Corrupted #1) in Books
Jul 1, 2020
116 of 200
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Rescuing Norah ( Corrupted book 1)
By J.W. Ashley
Sometimes the people we think we know, turn out to be someone else entirely.For Norah, running into a handsome young benefactor had never been in the cards. After being raised in shelters, she never expected to meet her own prince charming. So when Clayton Matthews turned his attention on her, she never looked back.But as the years pass, Norah's seemingly perfect life begins to unravel, revealing a much more sinister side to the man she's promised to marry.After losing his job on a technicality, Harley is determined to redeem himself in the eyes of the Seattle PD.Taking down one of Seattle's biggest crime bosses would be a damn good way to start, but as a Mercenary working for an off-the-books firm he's got his work cut out for him.On the night he's set to present his evidence, everything changes, and he finds himself on the run with none other than his target's beautiful fiancee.And as the game of cat and mouse turns deadly, Harley finds himself torn between duty and the intense attraction he feels for a woman he should hate.Rescuing Norah is the first in a series of intertwined suspense novels where the threat gets bigger, the sparks burn hotter, and the only thing standing in the way of victory is the bulls-eye painted on their backs.
This was a bit of a surprise for as I didn’t expect it to be as good as it was! Full of action a little romance and a very solid storyline! It definitely had you rooting for the good guys and booing the baddies. Loved the little twist with Norah and Gerry very sweet!
Kindle
Rescuing Norah ( Corrupted book 1)
By J.W. Ashley
Sometimes the people we think we know, turn out to be someone else entirely.For Norah, running into a handsome young benefactor had never been in the cards. After being raised in shelters, she never expected to meet her own prince charming. So when Clayton Matthews turned his attention on her, she never looked back.But as the years pass, Norah's seemingly perfect life begins to unravel, revealing a much more sinister side to the man she's promised to marry.After losing his job on a technicality, Harley is determined to redeem himself in the eyes of the Seattle PD.Taking down one of Seattle's biggest crime bosses would be a damn good way to start, but as a Mercenary working for an off-the-books firm he's got his work cut out for him.On the night he's set to present his evidence, everything changes, and he finds himself on the run with none other than his target's beautiful fiancee.And as the game of cat and mouse turns deadly, Harley finds himself torn between duty and the intense attraction he feels for a woman he should hate.Rescuing Norah is the first in a series of intertwined suspense novels where the threat gets bigger, the sparks burn hotter, and the only thing standing in the way of victory is the bulls-eye painted on their backs.
This was a bit of a surprise for as I didn’t expect it to be as good as it was! Full of action a little romance and a very solid storyline! It definitely had you rooting for the good guys and booing the baddies. Loved the little twist with Norah and Gerry very sweet!
Mark @ Carstairs Considers (2554 KP) rated Trust Me in Books
Mar 29, 2020
Claustrophobic Game of Cat and Mouse
Mercer Hennessey is a former reporter who is getting over a deep personal loss. Her life is altered when her former editor, Katherine, asks her to cover the Baby Boston trial. Ashlyn Bryant is about to go on trial for the death of her daughter, Tasha Nicole. Mercer is among those who is certain that Ashlyn is guilty, and Katherine is asking Mercer to write a book about the case and the trial. With the way it grabbed headlines, it is certain to be a best seller. Mercer reluctantly agrees, but Ashlyn’s constant claims of innocence begin to get to Mercer. As Mercer delves further into the book, Ashlyn begins to get into her head. What is true? Is Ashlyn guilty?
I had intended to read Hank Phillippi Ryan’s stand-alone suspense novels before now, but I’m glad I picked up this first one. The book starts out a little slowly. Yes, we are getting needed background, but it feels like it could have been shortened a little. However, once things really get going, I was completely hooked. This is a strong psychological suspense story as Mercer is forced to question everything she thinks is true. The almost claustrophobic feeling of this part of the book certainly helps with that. To pull this off, the characters have to be strong, and they absolutely are, making me question what I thought was going on the entire time. Once you start, you’ll have to know how this book ends.
I had intended to read Hank Phillippi Ryan’s stand-alone suspense novels before now, but I’m glad I picked up this first one. The book starts out a little slowly. Yes, we are getting needed background, but it feels like it could have been shortened a little. However, once things really get going, I was completely hooked. This is a strong psychological suspense story as Mercer is forced to question everything she thinks is true. The almost claustrophobic feeling of this part of the book certainly helps with that. To pull this off, the characters have to be strong, and they absolutely are, making me question what I thought was going on the entire time. Once you start, you’ll have to know how this book ends.
Michael Packner (32 KP) rated Strangers: Prey at Night (2018) in Movies
Jun 15, 2019 (Updated Jun 21, 2019)
The tone is surprisingly similar to the original given the change in director. (9 more)
The continued use of music as another character.
Turning the Strangers' truck into a 4th villain.
80s music.
The beautiful sets and cinematography.
The epic pool scene.
The evolution of the Strangers as characters while still respecting their mystery.
The 20 minute or so climax from the pool scene up until right before the final scene.
Damian Maffei's imposing performance as Man in the Mask, especially in his 3 big scenes.
Emma Bellomy's psychotic evolution of the Dollface killer.
The cut scenes we'll never get to see that should've been left in. (5 more)
The weak cop out ending.
Kinsey as a character.
The film's choice for a victor in the game of deadly cat and mouse.
The criminal underuse of Pinup Girl, although I know the unfortunate reason.
The runtime was way too short.
This film is truly a unique film, as while it is a polar opposite of the original Strangers, it is also awesomely familiar. Even with some of the glaring mistakes, I still give this film 5 ☆ because it takes it's own path and stands on its own in the franchise and doesn't try to mimic the first one, which could've been disastrous. Plus, I waited 10 freaking years for this film, and damnit I had a BLAST! While the original pays homage to 70s horror and the Hitchcock style as well as early Carpenter, Prey at Night chooses to pay straight homage to 80s slasher films and 80s Carpenter, and does a fantastic job. The film's 20 or so minute climax is more than worth the wait and contains the greatest pool scene in horror film history. The first film is dark and foreboding while the sequel is balls to the wall slasher fun. I can't wait to see what's in store next for my favorite horror franchise. ??
Isiah Zane Hodge (13 KP) rated Halloween (2018) in Movies
Jun 28, 2019
The best horror sequel ever?
How could anything truly top the great Halloween? Though the franchise has been riddled with cheese and just insane plot holes. This sequel of the original 1978 horror classic maybe one of the best horror sequels of all time let alone probably the best Halloween sequel ever? The film has a freaky atmosphere that seems to be directly copied from the original. Is that a bad thing? No not necessarily. The original sequels to the Halloween franchise have little to no atmosphere. Feels like more of the focus is promantly towards the "not so" mysterious Micheal Myers and less about setting the scene up for a good erie feeling. Which isn't to say that its easy to do. Much of a sequels scares come from the shocking and overrated "jump scare" aspect. Once you're shown the big bad on camera, it's hard to gain that same fear and mystery back. However in the 2019 film, it ramps it to 11. Maybe it's because we haven't seen Myers on the big screen for quite some time? There is something about seeing an older Myers that is so freaky to me. The cat and mouse plot twist is a wonderful change that makes this film a 9/10 for me. As a horror buff, I was so excited for this film so much that I didn't watch anything else for 2 months. I loved the film that much. Definitely a great watch.
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Phillip McSween (751 KP) rated The Shape of Water (2017) in Movies
Mar 29, 2019
A True Classic
A deaf woman working for a secret government agency finds a friend (and then some) when she stumbles across the creature the agency is hiding.
Acting; 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Strickland (played by Michael Shannon) ensured that strong action and tension remained throughout the film. Every scene he is a part of leaves you waiting for something bad to happen. The two opposing sides, those wishing to destroy the creature and those wishing to save it, are locked in a game of cat-and-mouse until the last twenty minutes when it’s more like a head-on collision. There were quite a few close calls that had me wondering whether or not the protagonists would make it.
Genre: 10
Just a beautiful film for the ages. Call it a drama. Call it fantasy or even science fiction. Wherever it’s classified, it hangs up there as one of the very best. Checks all the boxes and does so many things extremely well.
Memorability: 10
Guillermo Del Toro has a way of leaving an impression on your brain with his visual imagery. The movie is just stunning to look at in so many ways with a number of shots that you can’t forget. Del Toro has created a home for the weirdo here, a place of comfort for those that are different from the norm. It’s a movie so unique in its charm that it’s near impossible to shake.
Pace: 10
Plot: 10
Resolution: 10
Overall: 100
The Shape of Water has a charm you can’t get away from. When it won Best Picture, I was shocked and upset. That was, of course, before I had actually seen the movie. I get it now. A true classic.
Acting; 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Strickland (played by Michael Shannon) ensured that strong action and tension remained throughout the film. Every scene he is a part of leaves you waiting for something bad to happen. The two opposing sides, those wishing to destroy the creature and those wishing to save it, are locked in a game of cat-and-mouse until the last twenty minutes when it’s more like a head-on collision. There were quite a few close calls that had me wondering whether or not the protagonists would make it.
Genre: 10
Just a beautiful film for the ages. Call it a drama. Call it fantasy or even science fiction. Wherever it’s classified, it hangs up there as one of the very best. Checks all the boxes and does so many things extremely well.
Memorability: 10
Guillermo Del Toro has a way of leaving an impression on your brain with his visual imagery. The movie is just stunning to look at in so many ways with a number of shots that you can’t forget. Del Toro has created a home for the weirdo here, a place of comfort for those that are different from the norm. It’s a movie so unique in its charm that it’s near impossible to shake.
Pace: 10
Plot: 10
Resolution: 10
Overall: 100
The Shape of Water has a charm you can’t get away from. When it won Best Picture, I was shocked and upset. That was, of course, before I had actually seen the movie. I get it now. A true classic.
Into the Black Nowhere: An Unsub Novel
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Inspired by real-life serial killer Ted Bundy, an exhilarating thriller in which FBI profiler...
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Gareth von Kallenbach (980 KP) rated Spectre (2015) in Movies
Jun 19, 2019
In the latest cinematic outing for James Bond (Daniel Craig), Director Sam Mendes has crafted a thrilling and deep film which deftly combines the threads of the three previous Craig outings and sets the stage very well for future outings for the series.
In “Spectre” Bond finds himself operating alone when the 007 division is in danger of being shut down due to his latest unsanctioned actions and a change in the political landscape back home.
With the powers that be convinced that surveillance is the way of the future not agents with a license to kill, Bond is racing against time to get the truth behind a mysterious figure named Franz Oberhausen (Christoph Waltz), who is the head of a very mysterious, large, and deadly organization.
From locales ranging from Mexico City, London, Rome, Austria, and North Africa, Bond stalks his target in a deadly game of cat and mouse as his every move seems to have been anticipated by the deadly organization.
Further complicating matters is that Bond is not able to call upon his resources as M (Ralph Fiennes), is unable to do little more than watch due to the pending end of the division and his new superior.
In the trademark style that the series is known for, we have exotic locale, beautiful women, gadgets, fast cars, and thrilling and intense action sequences that combine for a winning formula.
I had been a bit disappointed with Craig’s earlier films as I found them to be a bit muddled and did not find his take on Bond to mesh with the suave agent I had grown up following. That being said, “Skyfall” helped turn things around and with the plot elements of “Spectre” in place; it clearly shows a connection between the earlier films and sets the stage very well for future outings in the series.
Waltz is fantastic as the lead villain as his less than imposing stature is highly deceptive to the danger the man empowers. Audience learn more about the backstory of Bond and how he became the man that his is and Dave Bautista makes a fantastic henchman echoing shades of Odd job and a train sequence from “From Russia With Love”.
In all, thanks to the intense action, great characters and compelling story, “Spectre” is the best of the Craig Bond films and I cannot wait to see what they do next.
http://sknr.net/2015/11/05/spectre/
In “Spectre” Bond finds himself operating alone when the 007 division is in danger of being shut down due to his latest unsanctioned actions and a change in the political landscape back home.
With the powers that be convinced that surveillance is the way of the future not agents with a license to kill, Bond is racing against time to get the truth behind a mysterious figure named Franz Oberhausen (Christoph Waltz), who is the head of a very mysterious, large, and deadly organization.
From locales ranging from Mexico City, London, Rome, Austria, and North Africa, Bond stalks his target in a deadly game of cat and mouse as his every move seems to have been anticipated by the deadly organization.
Further complicating matters is that Bond is not able to call upon his resources as M (Ralph Fiennes), is unable to do little more than watch due to the pending end of the division and his new superior.
In the trademark style that the series is known for, we have exotic locale, beautiful women, gadgets, fast cars, and thrilling and intense action sequences that combine for a winning formula.
I had been a bit disappointed with Craig’s earlier films as I found them to be a bit muddled and did not find his take on Bond to mesh with the suave agent I had grown up following. That being said, “Skyfall” helped turn things around and with the plot elements of “Spectre” in place; it clearly shows a connection between the earlier films and sets the stage very well for future outings in the series.
Waltz is fantastic as the lead villain as his less than imposing stature is highly deceptive to the danger the man empowers. Audience learn more about the backstory of Bond and how he became the man that his is and Dave Bautista makes a fantastic henchman echoing shades of Odd job and a train sequence from “From Russia With Love”.
In all, thanks to the intense action, great characters and compelling story, “Spectre” is the best of the Craig Bond films and I cannot wait to see what they do next.
http://sknr.net/2015/11/05/spectre/
JT (287 KP) rated Ready or Not (2019) in Movies
Mar 3, 2020
Original story (1 more)
Solid tension
White wedding goes full bloodshed
Grace (Samara Weaving) is about to marry the man of her dreams, Alex Le Domas (Mark O’Brien). But her new in-laws, as it turns out, are going to be a real nightmare.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
ClareR (6210 KP) rated The Girl with the Green Eyes in Books
Dec 14, 2021
The Girl with the Green Eyes is a science-fiction novel set in an alternative present day - and a book that I very much enjoyed reading. You’re left thinking that the premis of this book could very well be possible, and it’s just that we don’t know about it (I should point out here that I’m no scientist. Not even a little bit of one, unless you count a love of sci-fi. Which no-one does…). But I do like the kind of science fiction where you’re left with the big question of: could this really be happening now?
So, this book is basically all about eugenics. The search for the perfect baby, the perfect human. Someone with perfection in every part of their genetic make-up. And the fact that there are people out there who are more than willing to pay for this service. The novel also shows that however much humans try to control every aspect of this process, there is an element of the uncontrollable. These babies, children and adults still throw up surprises, and show that they are, in fact, individuals, and that genetic manipulation can’t control everything. Not yet (at the time that this story is set, anyway!).
I won’t rewrite the synopsis, but I will add that this was an exciting game of cat and mouse. The reader is never quite sure who the ‘bad guys’ and the ‘good guys’ really are, because the whole morality of this is so hazy! What both sides are doing in this is most definitely morally dubious (and as the mother of a disabled son, this is often spoken about in this house - with the opinions of said son being very surprising!).
I will most definitely be looking out for the next two novels in this series. I’m a sucker for a strong, female character, and Bella D’accourt has some skills that I can really appreciate!
This is what The Pigeonhole does so well - I would have missed this book entirely if left to my own devices. So thanks, Pigeonhole, and huge thanks to J. M. Briscoe for reading along with us!
So, this book is basically all about eugenics. The search for the perfect baby, the perfect human. Someone with perfection in every part of their genetic make-up. And the fact that there are people out there who are more than willing to pay for this service. The novel also shows that however much humans try to control every aspect of this process, there is an element of the uncontrollable. These babies, children and adults still throw up surprises, and show that they are, in fact, individuals, and that genetic manipulation can’t control everything. Not yet (at the time that this story is set, anyway!).
I won’t rewrite the synopsis, but I will add that this was an exciting game of cat and mouse. The reader is never quite sure who the ‘bad guys’ and the ‘good guys’ really are, because the whole morality of this is so hazy! What both sides are doing in this is most definitely morally dubious (and as the mother of a disabled son, this is often spoken about in this house - with the opinions of said son being very surprising!).
I will most definitely be looking out for the next two novels in this series. I’m a sucker for a strong, female character, and Bella D’accourt has some skills that I can really appreciate!
This is what The Pigeonhole does so well - I would have missed this book entirely if left to my own devices. So thanks, Pigeonhole, and huge thanks to J. M. Briscoe for reading along with us!