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5 Minute Movie Guy (379 KP) rated 22 Jump Street (2014) in Movies
Jun 26, 2019 (Updated Jun 29, 2019)
22 Jump Street is ingeniously self-aware. (3 more)
It's a fun film with lots of laughs and good action.
Channing Tatum and Ice Cube are both hilarious.
It ends with an unforgettably awesome credits sequence.
22 Jump Street may be a familiar foray, but this summer bromance still manages to be loads of fun and is without a doubt one of the funniest movies of the year.
Officers Schmidt and Jenko are back again for the biggest bromance of the summer. Previously on the film 21 Jump Street, this pair of police officers went undercover, disguised as high school students, to stop the spread of a new drug that was being distributed throughout the campus. Their mission was a success, and now the buddy cop duo returns with a new assignment – or actually the same assignment – but this time they’re going to college! 22 Jump Street has essentially the same exact premise as its predecessor and shamelessly spares no expense in letting you know it. It’s a running joke throughout the film with characters blatantly reminding you of the similarities. It may be a familiar foray, but 22 Jump Street still manages to be loads of fun and is without a doubt one of the funniest movies of the year.
One of the strengths of 22 Jump Street is that it never takes itself too seriously. Right off the bat, it sarcastically sets the stage through a cheesy and overly-dramatic recap of the first film that feels like it’s straight out of a ‘90s TV series. The movie continues to poke fun at itself every step of the way, reminding you that the creators are very much in on the joke. Rather than coming off as a lazy rehash, 22 Jump Street’s self-awareness makes it feel fresh and inviting. The whole movie plays out like a fourth-wall-breaking inside-joke between the actors and the audience. It openly acknowledges that it’s silly and redundant, but in doing so, it encourages us to put that aside and just sit back and have a good time. All in all, I most certainly did have a good time, and 22 Jump Street ended up being far more funny and enjoyable than I ever expected.
As much as I liked the movie, I have to say that it’s awfully heavy on the bromance. Many of the jokes revolve around the relationship between Jonah Hill’s Schmidt and Channing Tatum’s Jenko, and it gets to be pretty excessive and overdone. While Schmidt struggles to fit in at college, Jenko is accepted with open arms and quickly befriends the star quarterback Zook, played by Wyatt Russell, who recruits him to join the university football team. This puts a serious strain on Schmidt and Jenko’s friendship, and the film revels in their troubled relationship, portraying them like a bickering couple. The problem, however, is that it continuously stresses this bromance to the point where it becomes more awkward than funny. Additionally, as Schmidt feels more and more out of place without Jenko, I think Jonah Hill similarly falls more and more out of place in this film.
Jonah Hill and Channing Tatum make for an adequate comedic pair, however I find that Hill struggles in scenes without his co-star. While I respect Hill as an actor, it’s Tatum that truly carries the film, further establishing himself as a Hollywood star. He’s not only the funnier of the two, but he’s also highly entertaining and a perfect fit for an action star. He’s a natural in the movie’s comical action sequences, which include car chases, shootouts, and a well-choreographed fight scene on the beaches of Cancun. The movie drags on through Hill’s mopey solo scenes, only to be reinvigorated by Tatum’s humor and enthusiasm. Though the two of them play well together, I can’t help but feel like perhaps Hill should consider sticking to more dramatic roles.
While some of Hill’s attempts at humor fall flat, most of the comedy in the movie does work. Ice Cube is a stand-out in his return as police captain Dickson and his short temper creates some of the movie’s more memorable scenes. Meanwhile Tatum’s Jenko makes for a perfectly lovable and amusing airhead. The movie is chock-full of clever self-referential jokes and has an elaborate credits scene that expertly basks in its own egotism. 22 Jump Street is a movie that knows full well what it is and is proud of it.
22 Jump Street may be more of the same, but it’s completely content with that and wagers that you will be too. It’s a fun and comical adventure through college, and is coincidentally one of the best comedies of the year.
(This review was originally posted at 5mmg.com on 12.2.14.)
One of the strengths of 22 Jump Street is that it never takes itself too seriously. Right off the bat, it sarcastically sets the stage through a cheesy and overly-dramatic recap of the first film that feels like it’s straight out of a ‘90s TV series. The movie continues to poke fun at itself every step of the way, reminding you that the creators are very much in on the joke. Rather than coming off as a lazy rehash, 22 Jump Street’s self-awareness makes it feel fresh and inviting. The whole movie plays out like a fourth-wall-breaking inside-joke between the actors and the audience. It openly acknowledges that it’s silly and redundant, but in doing so, it encourages us to put that aside and just sit back and have a good time. All in all, I most certainly did have a good time, and 22 Jump Street ended up being far more funny and enjoyable than I ever expected.
As much as I liked the movie, I have to say that it’s awfully heavy on the bromance. Many of the jokes revolve around the relationship between Jonah Hill’s Schmidt and Channing Tatum’s Jenko, and it gets to be pretty excessive and overdone. While Schmidt struggles to fit in at college, Jenko is accepted with open arms and quickly befriends the star quarterback Zook, played by Wyatt Russell, who recruits him to join the university football team. This puts a serious strain on Schmidt and Jenko’s friendship, and the film revels in their troubled relationship, portraying them like a bickering couple. The problem, however, is that it continuously stresses this bromance to the point where it becomes more awkward than funny. Additionally, as Schmidt feels more and more out of place without Jenko, I think Jonah Hill similarly falls more and more out of place in this film.
Jonah Hill and Channing Tatum make for an adequate comedic pair, however I find that Hill struggles in scenes without his co-star. While I respect Hill as an actor, it’s Tatum that truly carries the film, further establishing himself as a Hollywood star. He’s not only the funnier of the two, but he’s also highly entertaining and a perfect fit for an action star. He’s a natural in the movie’s comical action sequences, which include car chases, shootouts, and a well-choreographed fight scene on the beaches of Cancun. The movie drags on through Hill’s mopey solo scenes, only to be reinvigorated by Tatum’s humor and enthusiasm. Though the two of them play well together, I can’t help but feel like perhaps Hill should consider sticking to more dramatic roles.
While some of Hill’s attempts at humor fall flat, most of the comedy in the movie does work. Ice Cube is a stand-out in his return as police captain Dickson and his short temper creates some of the movie’s more memorable scenes. Meanwhile Tatum’s Jenko makes for a perfectly lovable and amusing airhead. The movie is chock-full of clever self-referential jokes and has an elaborate credits scene that expertly basks in its own egotism. 22 Jump Street is a movie that knows full well what it is and is proud of it.
22 Jump Street may be more of the same, but it’s completely content with that and wagers that you will be too. It’s a fun and comical adventure through college, and is coincidentally one of the best comedies of the year.
(This review was originally posted at 5mmg.com on 12.2.14.)
Darren (1599 KP) rated 21 Jump Street (2012) in Movies
Jun 20, 2019
Story: We start by following our two very different high school students failing at something different things. We fast forward seven years to the police academy where the two become friends to help each other overcome their problems and get through. After they get through the two get partnered up but continue to fail leading them to get transferred to ’21 Jump Street’ program. They have to go undercover as high school students. They have to uncover a drug ring at the high school and get over the problems they faced before.
When it comes to buddy films cop we all know the basic formula and to be fair this follows everything together to keep the action and comedy blend flowing. It is good to see the mix with the high school film working as well as the idea of giving the two a chance to see how the other get through high school. Having never seen the original show I can’t say whether it is honest to the source material but in the end it really turns into a good action comedy in a world where the comedy films are starting to fall flat. (8/10)
Actor Review
Jonah Hill: Schmidt the high school geek who can get through all the paperwork side of the police work but lacks the physical presence Jenko has. Going undercover gives him a chance to experience the high school experiences he missed out. Jonah gives a good performance as we know he can play the teen comedy but also shows he ability to bounce of somebody else’s strengths. (8/10)
hill
Channing Tatum: Jenko after only just getting out of high school and being told he has no intelligence for a future he ends up joining the police force and until he teams up with Schmidt to help him with get through the academy. While undercover he ends up having to experience the geek in high school. Channing gives a good performance and shows that he can pull off comedy to go with his all action persona. (8/10)
channing
Brie Larson: Molly high school student who Schmidt takes a shine to who ends up leading him to push aside his responsibilities as the cop. Brie gives a solid performance in the supporting role. (7/10)
Dave Franco: Eric the drug dealer at the school who befriends Schmidt while the two try different ways to find out who the supplier is. Dave gives a solid performance as the teenage drug dealer trying to stay cool. (7/10)
franco
Support Cast: The drug dealers, other police officers, Schmidt’s parents and high school attendants all make up the support cast and all offer something for our main characters to work with to progress the story.
Director Review: Phil Lord, Christopher Miller – Good directing to balance the action and comedy perfectly. (9/10)
Action: With car chases being the main source of action they all come off very well with hints of comedy during without just being silly action. (8/10)
Comedy: The most part the comedy is all very good, but I did feel the over use of the sex jokes got boring. (8/10)
Chemistry: Hill and Tatum have brilliant chemistry together. (10/10)
Settings: The high school setting works really well for the story as we haven’t seen the undercover there before. (9/10)
Suggestion: It isn’t very often that I suggest a box office comedy but with this one I feel people should be watching. (Watch)
Best Part: Car and Motorbike Chase.
Worst Part: Slight over used of sex jokes.
Action Scene Of The Film: Car and Motorbike chase
Funniest Scene: The party
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one sequel and has talks of a third.
Post Credits Scene: No
Oscar Chances: No
Box Office: $202 Million
Budget: $42 Million
Runtime: 1 Hour 49 Minutes
Tagline: They’re too old for this shift
Overall: Enjoyable Buddy Cop Comedy
https://moviesreview101.com/2014/12/21/21-jump-street-2012/
When it comes to buddy films cop we all know the basic formula and to be fair this follows everything together to keep the action and comedy blend flowing. It is good to see the mix with the high school film working as well as the idea of giving the two a chance to see how the other get through high school. Having never seen the original show I can’t say whether it is honest to the source material but in the end it really turns into a good action comedy in a world where the comedy films are starting to fall flat. (8/10)
Actor Review
Jonah Hill: Schmidt the high school geek who can get through all the paperwork side of the police work but lacks the physical presence Jenko has. Going undercover gives him a chance to experience the high school experiences he missed out. Jonah gives a good performance as we know he can play the teen comedy but also shows he ability to bounce of somebody else’s strengths. (8/10)
hill
Channing Tatum: Jenko after only just getting out of high school and being told he has no intelligence for a future he ends up joining the police force and until he teams up with Schmidt to help him with get through the academy. While undercover he ends up having to experience the geek in high school. Channing gives a good performance and shows that he can pull off comedy to go with his all action persona. (8/10)
channing
Brie Larson: Molly high school student who Schmidt takes a shine to who ends up leading him to push aside his responsibilities as the cop. Brie gives a solid performance in the supporting role. (7/10)
Dave Franco: Eric the drug dealer at the school who befriends Schmidt while the two try different ways to find out who the supplier is. Dave gives a solid performance as the teenage drug dealer trying to stay cool. (7/10)
franco
Support Cast: The drug dealers, other police officers, Schmidt’s parents and high school attendants all make up the support cast and all offer something for our main characters to work with to progress the story.
Director Review: Phil Lord, Christopher Miller – Good directing to balance the action and comedy perfectly. (9/10)
Action: With car chases being the main source of action they all come off very well with hints of comedy during without just being silly action. (8/10)
Comedy: The most part the comedy is all very good, but I did feel the over use of the sex jokes got boring. (8/10)
Chemistry: Hill and Tatum have brilliant chemistry together. (10/10)
Settings: The high school setting works really well for the story as we haven’t seen the undercover there before. (9/10)
Suggestion: It isn’t very often that I suggest a box office comedy but with this one I feel people should be watching. (Watch)
Best Part: Car and Motorbike Chase.
Worst Part: Slight over used of sex jokes.
Action Scene Of The Film: Car and Motorbike chase
Funniest Scene: The party
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one sequel and has talks of a third.
Post Credits Scene: No
Oscar Chances: No
Box Office: $202 Million
Budget: $42 Million
Runtime: 1 Hour 49 Minutes
Tagline: They’re too old for this shift
Overall: Enjoyable Buddy Cop Comedy
https://moviesreview101.com/2014/12/21/21-jump-street-2012/
Phillip McSween (751 KP) rated Smallfoot (2018) in Movies
Jan 8, 2019
Surprisingly Awesome
A yeti freaks out his entire community when he sees a mythical “smallfoot” (human) for the first time. Since no one believes him, he decides to go on a journey to prove that they are real.
Acting: 10
Solid cast all around. Channing Tatum is the lead yeti Migo and his voice matches the over-the-top innocence of his character. His father Dorgle is voiced by Danny DeVito who I thought delivered the best performance. You can feel that he loves his son and wants to protect him because he wants the best for him. DeVito is heartfelt and feels like a true dad.
Beginning: 3
The beginning had me wondering what the heck I had gotten myself into. It starts off extremely slow and I can’t help but think there might have been a better way to introduce the yeti and their community. There is much to love once the film progresses, however.
Characters: 10
Cinematography/Visuals: 8
Conflict: 8
Genre: 7
Memorability: 10
Smallfoot is pretty hilarious at times. The visuals are strong (watch this baby in 4K), especially when you’re looking at the lighting inside the caves and the beautiful sunrises. Perhaps the most memorable aspect of this movie, though, is its strong message. It revolves around finding truth and seeking peace. I love it when animated films give you something to think about.
Pace: 5
Plot: 10
Resolution: 10
Overall: 8
1A great family film that does more than just entertain; it teaches us something. With beautiful visuals and a powerful message, Smallfoot was definitely a pleasant surprise in 2018.
Acting: 10
Solid cast all around. Channing Tatum is the lead yeti Migo and his voice matches the over-the-top innocence of his character. His father Dorgle is voiced by Danny DeVito who I thought delivered the best performance. You can feel that he loves his son and wants to protect him because he wants the best for him. DeVito is heartfelt and feels like a true dad.
Beginning: 3
The beginning had me wondering what the heck I had gotten myself into. It starts off extremely slow and I can’t help but think there might have been a better way to introduce the yeti and their community. There is much to love once the film progresses, however.
Characters: 10
Cinematography/Visuals: 8
Conflict: 8
Genre: 7
Memorability: 10
Smallfoot is pretty hilarious at times. The visuals are strong (watch this baby in 4K), especially when you’re looking at the lighting inside the caves and the beautiful sunrises. Perhaps the most memorable aspect of this movie, though, is its strong message. It revolves around finding truth and seeking peace. I love it when animated films give you something to think about.
Pace: 5
Plot: 10
Resolution: 10
Overall: 8
1A great family film that does more than just entertain; it teaches us something. With beautiful visuals and a powerful message, Smallfoot was definitely a pleasant surprise in 2018.
Gareth von Kallenbach (971 KP) rated Dear John (2010) in Movies
Aug 8, 2019
John is a soldier in the US Army on leave at a beach in South Carolina when he meets and instantly bonds with a local girl named Savannah. The two quickly develop a connection and fall in love, yet John, stationed overseas, must return to his post. The new lovebirds continue their relationship through letters, eagerly waiting for the day that John will come home and they can be together again.
For a film that exposes some of the challenges faced by love and military life, “Dear John” is truly telling. However, the lack of plot points has a slowing effect on the pace of the film. At times I felt that “Dear John” was trying to maintain the same tone as Spark’s other films, purposely slowing down and drawing out the emotional moments, even when it seemed to harm the film’s overall pacing.
However, “Dear John” was less of a tearjerker than past films based on Nicholas Spark’s novels. Maybe it is this lack of strong emotional response that also left “Dear John” less than engrossing especially when considering Spark’s other and better-done adaptations like “A Walk to Remember” or “Nights in Rodanthe”. This film seemed less like a journey or story and more like an advertisement for the oiled abdominal muscles of leading male, John (Channing Tatum).
If you do manage to sit through the entire film, the story is quite good. And for anyone who is not a book reader this is one way to learn that tale and to better understand some of the challenges faced by long term, long distance relationships. For those who do avidly read, I am sure the book is the best way to experience this particular story although it won’t provide the muscled men.
For a film that exposes some of the challenges faced by love and military life, “Dear John” is truly telling. However, the lack of plot points has a slowing effect on the pace of the film. At times I felt that “Dear John” was trying to maintain the same tone as Spark’s other films, purposely slowing down and drawing out the emotional moments, even when it seemed to harm the film’s overall pacing.
However, “Dear John” was less of a tearjerker than past films based on Nicholas Spark’s novels. Maybe it is this lack of strong emotional response that also left “Dear John” less than engrossing especially when considering Spark’s other and better-done adaptations like “A Walk to Remember” or “Nights in Rodanthe”. This film seemed less like a journey or story and more like an advertisement for the oiled abdominal muscles of leading male, John (Channing Tatum).
If you do manage to sit through the entire film, the story is quite good. And for anyone who is not a book reader this is one way to learn that tale and to better understand some of the challenges faced by long term, long distance relationships. For those who do avidly read, I am sure the book is the best way to experience this particular story although it won’t provide the muscled men.
Gareth von Kallenbach (971 KP) rated Side Effects (2013) in Movies
Aug 7, 2019
Steven Soderbergh has been toying with the notion of retirement for a couple of years now, and has said that “Side Effects” will be his final film. I certainly hope not.
As its title intones, “Side Effects” is a movie about what can happen when prescription medications, such as anti-depressants, can do at their worst, leading to anyone who taking them wishing they weren’t. The movie certainly starts out looking like a propaganda-film about how Doctor’s push these drugs onto patients as they are paid by pharmaceutical representatives to test their drugs. It seems that everyone in the film is taking meds of some form or another. The cast for the film should be a recipe for success: Jude Law, Rooney Mara, Catherine Zeta-Jones and Channing Tatum. But because of this perception, the first two-thirds of the film nearly put me to sleep. And then a twist happened that the made the plot extremely complex and worth watching. In many ways, the less said about “Side Effects,” the better. This may produce a better experience for you than I had. But here’s the basic idea of the movie:
Emily Taylor, played by Rooney Mara, is introduced when she is visiting her husband Martin (Tatum), a man convicted of insider trading who is about to be released after four years behind bars. Martin’s discharge happens uneventfully, but adjusting to the new life of poverty rehashes the depression that first plagued Emily when her husband’s prison term started. This leads to Emily crashing her car head-on into the wall of the garage in her apartment building. While in the hospital, rules force her to see psychiatrist Jonathan Banks (Law).
Up until this point, I had trouble connecting with Mara’s character. While it is revealed that she had mental problems prior to this episode, you don’t really completely grasp what it is until later in the movie. Mara seemed to be very stiff, and way too much like her emotionless character from “The Girl with the Dragon Tattoo.” But then we enter Jude Law. Law’s character, Banks, is friendly, approachable and caring. He is what first drew me deeper into the movie. Though, you soon discover that he is a doctor who believes in the power of drugs. This character kept me interested because I couldn’t quite nail if he was going to be an antagonist or protagonist.
Of course our dear Dr. Banks prescribes some medications to Emily and she begins showing some disturbing side effects and… The side effects lead to really terrible, bloody things which ruins careers, lives, and even drive people to madness. Or does it?
As its title intones, “Side Effects” is a movie about what can happen when prescription medications, such as anti-depressants, can do at their worst, leading to anyone who taking them wishing they weren’t. The movie certainly starts out looking like a propaganda-film about how Doctor’s push these drugs onto patients as they are paid by pharmaceutical representatives to test their drugs. It seems that everyone in the film is taking meds of some form or another. The cast for the film should be a recipe for success: Jude Law, Rooney Mara, Catherine Zeta-Jones and Channing Tatum. But because of this perception, the first two-thirds of the film nearly put me to sleep. And then a twist happened that the made the plot extremely complex and worth watching. In many ways, the less said about “Side Effects,” the better. This may produce a better experience for you than I had. But here’s the basic idea of the movie:
Emily Taylor, played by Rooney Mara, is introduced when she is visiting her husband Martin (Tatum), a man convicted of insider trading who is about to be released after four years behind bars. Martin’s discharge happens uneventfully, but adjusting to the new life of poverty rehashes the depression that first plagued Emily when her husband’s prison term started. This leads to Emily crashing her car head-on into the wall of the garage in her apartment building. While in the hospital, rules force her to see psychiatrist Jonathan Banks (Law).
Up until this point, I had trouble connecting with Mara’s character. While it is revealed that she had mental problems prior to this episode, you don’t really completely grasp what it is until later in the movie. Mara seemed to be very stiff, and way too much like her emotionless character from “The Girl with the Dragon Tattoo.” But then we enter Jude Law. Law’s character, Banks, is friendly, approachable and caring. He is what first drew me deeper into the movie. Though, you soon discover that he is a doctor who believes in the power of drugs. This character kept me interested because I couldn’t quite nail if he was going to be an antagonist or protagonist.
Of course our dear Dr. Banks prescribes some medications to Emily and she begins showing some disturbing side effects and… The side effects lead to really terrible, bloody things which ruins careers, lives, and even drive people to madness. Or does it?
Gareth von Kallenbach (971 KP) rated Magic Mike XXL (2015) in Movies
Aug 6, 2019
When we last saw Mike Lane (Channing Tatum) he was trading in his g-string and the adulation of grown women with lots of dollar bills to spare, for a custom furniture business of his own and a serious relationship with a girl named Brooke. He said goodbye to his band of magical, muscular men (and by magical, we mean in the art of making clothes disappear) and headed off into a better future.
Or so he thought.
Three years later, we find Mike has found a little success, his company has grown by one employee. The empty apartment with no sign of a roommate suggests his future no longer includes Brooke. A phone call from Tarzan (Kevin Nash) has Mike donning a suit to attend a “wake”. Cue the reunion with his old gang that is far from somber, and more of a ruse to see him. Apparently, his orphaned crew is set on one last hurrah before they follow in Mike’s footsteps and go after their own entrepreneurial dreams.
Does Mike want in on the swan song of stripteases at Myrtle Beach’s stripper convention? Of course not. He has a business to run, employees to pay, he postures. But considering this movie is a sequel entitled “Magic Mike XXL” you know he changes his mind. And, boy, how he changes his mind! With a little help from power tools and Genuwine’s “Pony”, natch.
Magic Mike XXL is a road trip of discovery for Mike, Tarzan, Tito (Adam Rodriguez), Ken (Matt Bomer), Tobias (Gabriel Iglesias) and Big Dick Richie (Joe Mangeniello). There were a few times I wondered where exactly this story was going, but as ensemble features go, the insightful peeks into the guys’ individual stories distracted from the meandering plot. Okay, why I was looking for a plot in a movie clearly made to titillate fans of sculpted male phsyiques, I don’t know. Sorry. Not sorry.
The road to Myrtle Beach is littered with conquests, old and new, and epiphanies fueled by pharmaceuticals inspire the Kings of Tampa to learn a few new tricks along the way. XXL actually achieves that rare feat of being better than the original. I know, that may not exactly be high praise, but it delivers more of what fans enjoyed in the original – the male entertainment.
XXL has the same awkward, but slightly improved banter between Mike and the females he encounters, but it also has new routines, a sexier emcee in Jada Pinkett-Smith (with all due respect to Matthew McConaughey) and it doesn’t require Kevin Nash to dance like a lost mannequin. There are some eyebrow-raising casting choices for a couple of new strippers. You may find yourself asking “Hey, is that who I think it is jumping all over that woman?” And “Okay…so he doesn’t actually strip. He just sings?” But don’t worry, that singer inspires Matt Bomer to do both. Very well. How did I not know Matt Bomer could sing?
The finale is one the screener audience, the majority of which were female, of course, did not want to end. I admit I could’ve stayed in my seat for more Channing Tatum and professional dancer, Stephen “tWitch” Boss, who could make his own Magic Malik movie. As my girlfriends and I left the theater, one commented that her face hurt from smiling the whole time. At the risk of sounding extremely shallow, we all agreed that the only way the movie could have been better is if it was shown on the IMAX screen in 3D. Maybe in Dbox seats.
Probably not a movie women will want to take their significant others to, but their girlfriends for a ladies night out? Hell to the yeah.
For story, acting and plot? Ummm 2 out of 5
For sheer, eye-candy entertainment? 4 stars.
Or so he thought.
Three years later, we find Mike has found a little success, his company has grown by one employee. The empty apartment with no sign of a roommate suggests his future no longer includes Brooke. A phone call from Tarzan (Kevin Nash) has Mike donning a suit to attend a “wake”. Cue the reunion with his old gang that is far from somber, and more of a ruse to see him. Apparently, his orphaned crew is set on one last hurrah before they follow in Mike’s footsteps and go after their own entrepreneurial dreams.
Does Mike want in on the swan song of stripteases at Myrtle Beach’s stripper convention? Of course not. He has a business to run, employees to pay, he postures. But considering this movie is a sequel entitled “Magic Mike XXL” you know he changes his mind. And, boy, how he changes his mind! With a little help from power tools and Genuwine’s “Pony”, natch.
Magic Mike XXL is a road trip of discovery for Mike, Tarzan, Tito (Adam Rodriguez), Ken (Matt Bomer), Tobias (Gabriel Iglesias) and Big Dick Richie (Joe Mangeniello). There were a few times I wondered where exactly this story was going, but as ensemble features go, the insightful peeks into the guys’ individual stories distracted from the meandering plot. Okay, why I was looking for a plot in a movie clearly made to titillate fans of sculpted male phsyiques, I don’t know. Sorry. Not sorry.
The road to Myrtle Beach is littered with conquests, old and new, and epiphanies fueled by pharmaceuticals inspire the Kings of Tampa to learn a few new tricks along the way. XXL actually achieves that rare feat of being better than the original. I know, that may not exactly be high praise, but it delivers more of what fans enjoyed in the original – the male entertainment.
XXL has the same awkward, but slightly improved banter between Mike and the females he encounters, but it also has new routines, a sexier emcee in Jada Pinkett-Smith (with all due respect to Matthew McConaughey) and it doesn’t require Kevin Nash to dance like a lost mannequin. There are some eyebrow-raising casting choices for a couple of new strippers. You may find yourself asking “Hey, is that who I think it is jumping all over that woman?” And “Okay…so he doesn’t actually strip. He just sings?” But don’t worry, that singer inspires Matt Bomer to do both. Very well. How did I not know Matt Bomer could sing?
The finale is one the screener audience, the majority of which were female, of course, did not want to end. I admit I could’ve stayed in my seat for more Channing Tatum and professional dancer, Stephen “tWitch” Boss, who could make his own Magic Malik movie. As my girlfriends and I left the theater, one commented that her face hurt from smiling the whole time. At the risk of sounding extremely shallow, we all agreed that the only way the movie could have been better is if it was shown on the IMAX screen in 3D. Maybe in Dbox seats.
Probably not a movie women will want to take their significant others to, but their girlfriends for a ladies night out? Hell to the yeah.
For story, acting and plot? Ummm 2 out of 5
For sheer, eye-candy entertainment? 4 stars.
Gareth von Kallenbach (971 KP) rated Logan Lucky (2017) in Movies
Jul 11, 2019
Jimmy Logan (Channing Tatum) just got fired from his job and found out that his ex-wife is moving his daughter to another state. He lives for his daughter and needs to get money fast to pay for a lawyer to fight the move. He decides that the best way to get this fast cash is to rob his previous employer, the Charlotte Motor Speedway. He enlist the help of his brother Clyde Logan (Adam Driver), his fast driving sister Millie Logan (Riley Keough), and explosives expert Joe Bang (Daniel Craig). Together they hatch a plan to rob the cash vault under the NASCAR track during the biggest race of the year. It won’t be easy for the crew as they must overcome many obstacles along the way. For one they only one of them who can blow the massive safe, Bang, is currently in prison. Bang also insists that his two inept brothers be included in the heist. There is also the matter of a large private police force patrolling the track. But the biggest hurdle may be the Logan family curse. Something bad is seemingly always happening to the family. Jimmy was destine to go to the NFL before a freak accident ruined his knee and ended his football career. Clyde was on his way back home from deployment in the Army and was hit by a roadside bomb and lost his arm. If they can overcome all of this they can walk away with a fortune.
This Steven Soderbergh (Ocean’s 11, Ocean’s 12, Ocean’s 13) directed film is a fun and fast paced heist film. It definitely fits into the Ocean’s film model, with a large cast, twists that keep the audience guessing and well thought out ending. This films stands apart from those by being more hillbilly than the sleek well put together Ocean’s crew. The film dialog is well done and written expertly by Rebecca Blunt, this is the first screen writing credit for Rebecca. There are plenty of cameos by West Virginia Natives, NASCAR drivers and commentators, and others. I had heard beforehand that there were several cameos and made for a fun exercise in spotting the NASCAR drivers in various roles. The ensemble cast is stellar led by Tatum, Driver and Craig. The cast includes fun performances by a barely recognizable Seth MacFarlane along with Dwight Yoakam, Katie Holmes, and Hilary Swank. There were times thought that the various accents that the cast were attempting to use felt forced and/or missing from particular scenes. The pace of the film is good but does get a little slow during the heist set up and the two hour run time was a tad too long for me.
Overall this is a fun film that fits the heist movie genre perfectly. One news report in the film characterized the robbery as Ocean’s 7/11 and that pretty well sums up the film. The characters are original and if you are a fan of these types of movies you will not be disappointed.
This Steven Soderbergh (Ocean’s 11, Ocean’s 12, Ocean’s 13) directed film is a fun and fast paced heist film. It definitely fits into the Ocean’s film model, with a large cast, twists that keep the audience guessing and well thought out ending. This films stands apart from those by being more hillbilly than the sleek well put together Ocean’s crew. The film dialog is well done and written expertly by Rebecca Blunt, this is the first screen writing credit for Rebecca. There are plenty of cameos by West Virginia Natives, NASCAR drivers and commentators, and others. I had heard beforehand that there were several cameos and made for a fun exercise in spotting the NASCAR drivers in various roles. The ensemble cast is stellar led by Tatum, Driver and Craig. The cast includes fun performances by a barely recognizable Seth MacFarlane along with Dwight Yoakam, Katie Holmes, and Hilary Swank. There were times thought that the various accents that the cast were attempting to use felt forced and/or missing from particular scenes. The pace of the film is good but does get a little slow during the heist set up and the two hour run time was a tad too long for me.
Overall this is a fun film that fits the heist movie genre perfectly. One news report in the film characterized the robbery as Ocean’s 7/11 and that pretty well sums up the film. The characters are original and if you are a fan of these types of movies you will not be disappointed.
Gareth von Kallenbach (971 KP) rated 21 Jump Street (2012) in Movies
Aug 7, 2019
Back in 1987, the fledgling Fox Network debuted, offering entertainment on Saturday and Sunday evenings aimed at a younger audience. One of the network’s first breakout shows was a police drama with young cops and plenty of action, a show named 21 Jump Street. The show featured a cast of largely unknowns who quickly bolted to overnight notoriety, most notably its star Johnny Depp who, much to his chagrin, became a pinup boy and sex symbol for the show.
The show mixed humor, action, and romance. It followed a team of young officers who were part of a special undercover unit that infiltrated high schools and colleges where they posed as students to solve various campus crimes. Johnny Depp left the show after the fourth season, wanting to be taken seriously as a legitimate actor. The show soon ended one year later. Despite having run only five seasons and having a short-lived spinoff series for star Richard Grieco, “21 Jump Street” remained a pop-culture hit 25 years later.
As such, I had a lot of skepticism when I first heard that Jonah Hill and Channing Tatum would be bringing an updated, raunchier version to the big screen that was heavy on laughs and would definitely aim for an R-rated. This theatrical version stars Hill as Officer Schmidt and Tatum as Officer Jenko, two young officers who met while in high school and, despite being on opposite ends of the social spectrum, bonded and became close friends during their time at the police academy years after graduation. When the duo find their lives as bike cops not as exciting as they had hoped and after they bungle their first chance at a significant arrest, the duo find themselves reassigned to the revived Jump Street project.
Schmidt, in spite of his misgivings, decides to face his fear of the horror that was high school decides to give it another chance. Jenko is soon horrified to see that the social structure that he dominated back in his day has clearly turned upside down. Jocks are no longer the big men on campus, replaced by sensitive New Age types. Nerds that he preyed upon are now the cool kids in school.
After the death of a student who took a new designer drug he bought at school, Schmidt and Jenko are assigned to find the dealers, infiltrate the gang and get to the bottom of the drug distribution ring and stop it at all costs. This proves to be easier said than done, especially for Schmidt. He begins to really relish his new found popularity in school and he starts to live the high school experience that he only dreamed about back in his day. Further complicating matters is Molly (Brie Larson), an attractive high school senior who quickly catches Schmidt’s attention and becomes a focal point of his day-to-day activities.
Jenko, on the other hand, finds himself struggling as the former high school kingpin now finds himself a social outcast, spending much of his time with the chemistry nerds trying to find a way to work the social structure to get to the bottom of the school’s drug trade.
Now what would be a simple assignment for two seasoned cops becomes completely unhinged for the to raw recruits who become more obsessed with social status than their mission and take extreme measures to ingratiate themselves with their new classmates. This all comes at a cost as their bond becomes strained due to Schmidt’s rapidly ascending social status and their continued inability to crack the case.
Now this is a premise that has been done countless times in numerous cop films. “21 Jump Street” has a bold and fresh formula that deftly mixes elements of the gross-out teen comedy with an action-adventure film. While the film drags a bit in the middle, there are some incredibly funny jokes throughout the film. The action in the film is solid and fits well with the story rather than trying to spice things up with random explosions.
I loved how the film, based on a story co-written by Jonah Hill, and produced by both Hill and Tatum, took a fresh approach to the subject matter but also respectfully made fun of the source material, banking on nostalgia while updating it for a younger audience.
I can easily say this was probably Jonah Hill’s best comedy to date as they were numerous laugh out loud moments in the film and he and Tatum make a fantastic duo, playing extremely well off one another. There are also several cameos in the film and strong supporting work from Ice Cube, who plays the extremely agitated captain of the inept cops placed under his command. The film sets up very well for a sequel and I understand that there’s already preparation underway should this one do well at the box office.
“21 Jump Street” is easily the funniest movie I’ve seen this year. I have not laughed this much, for all the right reasons, in quite a long time. Hip and fresh again, there’s plenty of bounce left in “21 Jump Street.”
The show mixed humor, action, and romance. It followed a team of young officers who were part of a special undercover unit that infiltrated high schools and colleges where they posed as students to solve various campus crimes. Johnny Depp left the show after the fourth season, wanting to be taken seriously as a legitimate actor. The show soon ended one year later. Despite having run only five seasons and having a short-lived spinoff series for star Richard Grieco, “21 Jump Street” remained a pop-culture hit 25 years later.
As such, I had a lot of skepticism when I first heard that Jonah Hill and Channing Tatum would be bringing an updated, raunchier version to the big screen that was heavy on laughs and would definitely aim for an R-rated. This theatrical version stars Hill as Officer Schmidt and Tatum as Officer Jenko, two young officers who met while in high school and, despite being on opposite ends of the social spectrum, bonded and became close friends during their time at the police academy years after graduation. When the duo find their lives as bike cops not as exciting as they had hoped and after they bungle their first chance at a significant arrest, the duo find themselves reassigned to the revived Jump Street project.
Schmidt, in spite of his misgivings, decides to face his fear of the horror that was high school decides to give it another chance. Jenko is soon horrified to see that the social structure that he dominated back in his day has clearly turned upside down. Jocks are no longer the big men on campus, replaced by sensitive New Age types. Nerds that he preyed upon are now the cool kids in school.
After the death of a student who took a new designer drug he bought at school, Schmidt and Jenko are assigned to find the dealers, infiltrate the gang and get to the bottom of the drug distribution ring and stop it at all costs. This proves to be easier said than done, especially for Schmidt. He begins to really relish his new found popularity in school and he starts to live the high school experience that he only dreamed about back in his day. Further complicating matters is Molly (Brie Larson), an attractive high school senior who quickly catches Schmidt’s attention and becomes a focal point of his day-to-day activities.
Jenko, on the other hand, finds himself struggling as the former high school kingpin now finds himself a social outcast, spending much of his time with the chemistry nerds trying to find a way to work the social structure to get to the bottom of the school’s drug trade.
Now what would be a simple assignment for two seasoned cops becomes completely unhinged for the to raw recruits who become more obsessed with social status than their mission and take extreme measures to ingratiate themselves with their new classmates. This all comes at a cost as their bond becomes strained due to Schmidt’s rapidly ascending social status and their continued inability to crack the case.
Now this is a premise that has been done countless times in numerous cop films. “21 Jump Street” has a bold and fresh formula that deftly mixes elements of the gross-out teen comedy with an action-adventure film. While the film drags a bit in the middle, there are some incredibly funny jokes throughout the film. The action in the film is solid and fits well with the story rather than trying to spice things up with random explosions.
I loved how the film, based on a story co-written by Jonah Hill, and produced by both Hill and Tatum, took a fresh approach to the subject matter but also respectfully made fun of the source material, banking on nostalgia while updating it for a younger audience.
I can easily say this was probably Jonah Hill’s best comedy to date as they were numerous laugh out loud moments in the film and he and Tatum make a fantastic duo, playing extremely well off one another. There are also several cameos in the film and strong supporting work from Ice Cube, who plays the extremely agitated captain of the inept cops placed under his command. The film sets up very well for a sequel and I understand that there’s already preparation underway should this one do well at the box office.
“21 Jump Street” is easily the funniest movie I’ve seen this year. I have not laughed this much, for all the right reasons, in quite a long time. Hip and fresh again, there’s plenty of bounce left in “21 Jump Street.”
Daniel Boyd (1066 KP) rated Neighbors 2: Sorority Rising (2016) in Movies
Jul 19, 2017
An Unnecessarily Good Time
When the trailers for the first Bad Neighbours movie were released, I really wanted to see it as I’m a big fan of Seth Rogen comedies, but when it was released I was really underwhelmed. Then I heard they were making a sequel and while I’m sure that the first movie made money I just thought that a sequel to Neighbours was totally unneeded. I love it when I’m wrong. Bad Neighbours 2 is a million times better than the first movie and it is also a lot better than the trailers show it to be. The trailers make it out to be a silly slapstick dick joke movie, but some of the comedy is actually really original and more subtly hidden in the dialogue in the script. The slapstick humour is kept to a minimum and the comedic timing from the whole cast is spot on. To be honest going in, I thought that the sorority would annoy me and detract from the comedy in the film, but they were probably the best element in the movie. There was a heavier girl in the movie playing one of the sorority members and I initially thought she would be no more than the Melissa McCarthy or Rebel Wilson character in the movie, where she would just say I’m fat and fall over and say a dirty word and call it comedy but she actually pleasantly surprised me and she was possibly the funniest character in the movie. This film was a breath of fresh air and it totally trumped it’s predecessor. Comedy directors should take note this is how you make a good sequel to a comedy flick.
Don’t get me wrong, its not a perfect comedy by any means and some of the laughs do fall flat, but the vast majority of them do land and there were a few times where I belly laughed really loudly in the picture hall and that is something that has not happened in a while, probably not since Deadpool back in January. If you are looking to switch your brain off and enjoy a good juvenile summer comedy then I would definitely recommend this to you. Zac Effron is kind of doing a Channing Tatum impression these days in a lot of ways, but he, (like Tatum,) is so likable and charming that he pulls it off. His character, as well as Dave Franco’s character and the other guys from the first movie’s fraternity that are also in the sequel are much better written and portrayed across the board in this movie. This film is just superior in every way and it marks a rare occasion when a comedy sequel actually outshines the previous film. Don’t get me wrong though this isn’t the wittiest dialogue ever put to film either, there are plenty of dick jokes and some lazy slapstick, but for the most part the laughs are a bit deeper than what you would expect going in.
Overall I really enjoyed this movie for what it was and it really pleasantly surprised me in a big way. I’d also see it again as I’m sure there are a few jokes I missed the first time around.
Don’t get me wrong, its not a perfect comedy by any means and some of the laughs do fall flat, but the vast majority of them do land and there were a few times where I belly laughed really loudly in the picture hall and that is something that has not happened in a while, probably not since Deadpool back in January. If you are looking to switch your brain off and enjoy a good juvenile summer comedy then I would definitely recommend this to you. Zac Effron is kind of doing a Channing Tatum impression these days in a lot of ways, but he, (like Tatum,) is so likable and charming that he pulls it off. His character, as well as Dave Franco’s character and the other guys from the first movie’s fraternity that are also in the sequel are much better written and portrayed across the board in this movie. This film is just superior in every way and it marks a rare occasion when a comedy sequel actually outshines the previous film. Don’t get me wrong though this isn’t the wittiest dialogue ever put to film either, there are plenty of dick jokes and some lazy slapstick, but for the most part the laughs are a bit deeper than what you would expect going in.
Overall I really enjoyed this movie for what it was and it really pleasantly surprised me in a big way. I’d also see it again as I’m sure there are a few jokes I missed the first time around.
JT (287 KP) rated Haywire (2012) in Movies
Mar 10, 2020
With all the acting talent that was on offer in this film how could Soderbergh give us such an overrated pile of rubbish and waste said talent in an instant. Thank the lord I didn’t purchase this on Blu-ray as I was originally intending to; otherwise it would have been in the box and back to the shop the following day.
There is nothing wrong with casting a female in the lead role for an action film, it worked for Angelina Jolie in Tomb Raider, Wanted and Salt. Here though, Gina Carano, who had no acting talent at all and came from a Muay Thai background meant she would need little training in the fight choreography, but lots in the acting department. It was clear then that no one directed her to that department. Sharing the screen with the likes of Fassbender, Douglas, and McGregor she was well out of place.
Mallory Kane (Gina Carano) is a black ops soldier who has been double crossed and is now out for revenge. The plot that is so overdone it is boring with nothing new to offer at all. The film is told from Kane’s point of view to Scott (Michael Angarano), a customer in the diner who she escapes with. Looking at Soderbergh’s back catalogue he’s never really tackled a high octane action flick, and it shows right from the outset. The fight scenes are powerful and well put together but then I’m sure that is down to Carano’s skill and experience as a real life fighter.
Soderbergh tries to make it too slick and too involved. When all we are begging for is a decent car chase or explosion, something to get us off our seats and fist pump the air. This doesn’t happen, even if she does dispatch Fassbender with ease or leaves poor Channing Tatum with a broken arm.
The cast list is admirable, but in their own way they are used sparingly. Douglas’s government agent gets a little screen time, as does the shady contact Antonio Banderas who, like Douglas, is only around for a short space of time. The less said about McGregor the better as quite frankly he was crap! I personally didn’t rate this at all. Soderbergh is a good director but his foray into action was a bit of a let down and a great disappointment.
There is nothing wrong with casting a female in the lead role for an action film, it worked for Angelina Jolie in Tomb Raider, Wanted and Salt. Here though, Gina Carano, who had no acting talent at all and came from a Muay Thai background meant she would need little training in the fight choreography, but lots in the acting department. It was clear then that no one directed her to that department. Sharing the screen with the likes of Fassbender, Douglas, and McGregor she was well out of place.
Mallory Kane (Gina Carano) is a black ops soldier who has been double crossed and is now out for revenge. The plot that is so overdone it is boring with nothing new to offer at all. The film is told from Kane’s point of view to Scott (Michael Angarano), a customer in the diner who she escapes with. Looking at Soderbergh’s back catalogue he’s never really tackled a high octane action flick, and it shows right from the outset. The fight scenes are powerful and well put together but then I’m sure that is down to Carano’s skill and experience as a real life fighter.
Soderbergh tries to make it too slick and too involved. When all we are begging for is a decent car chase or explosion, something to get us off our seats and fist pump the air. This doesn’t happen, even if she does dispatch Fassbender with ease or leaves poor Channing Tatum with a broken arm.
The cast list is admirable, but in their own way they are used sparingly. Douglas’s government agent gets a little screen time, as does the shady contact Antonio Banderas who, like Douglas, is only around for a short space of time. The less said about McGregor the better as quite frankly he was crap! I personally didn’t rate this at all. Soderbergh is a good director but his foray into action was a bit of a let down and a great disappointment.