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Hive (2021)
Hive (2021)
2021 | Drama
10
10.0 (1 Ratings)
Movie Rating
Sundance Film Award winning film, it took me a while to write because even now things are still hammering in my head. It is a simple film, but extremely strong. A portrait of a society so different from ours, with a Muslim and sexist majority. The delivery to the role of all the actresses is impressive as it is so realistic. The scenes that caught my attention the most are the moments of calm and happiness of women in the midst of such a chaotic and sad life. The ghosts of conflict and the scars they cause are present in every second of the film and it manages to convey, as far as possible, the horror that is war. A film about empowerment that anyone who cares about feminism has to watch. Now I'm in the mood to try ajvar, I have a friend from Macedonia who confirmed that it's delicious, looking for it in a market.
  
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Lyndsey Gollogly (2893 KP) created a post

Jul 1, 2023  
My June 2023 reads!

16 reads this month a bit slower than normal but things have been chaotic

3 ⭐️⭐️⭐️⭐️⭐️
8 ⭐️⭐️⭐️⭐️
4 ⭐️⭐️⭐️
1 ⭐️⭐️
0 ⭐️
2 DNFS

My favourite book of the month is Awaken by G.R. Thomas this is the second book of hers that have been my book of the month! This author is becoming one of my favourites. This book was so intriguing and different.

Also Heartless by Nicola Claire this was the last I. This series and I’ve really enjoyed it.

My least favourite is Heart of a Warrior by Lali A Love I just didn’t get it.

My DNFS were not as high this month I just couldn’t get on with so many and I’m a great believer in not reading something just for the sake of it.

Book of the Month Awaken by G.R. Thomas
     
Twisters (2024)
Twisters (2024)
2024 | Adventure
7
7.0 (2 Ratings)
Movie Rating
A Solid Sequel That Doesn’t Fully Capture the Storm
As a long-time fan of the original Twister (1996), I went into Twisters (2024) with a mix of excitement and trepidation. How could this sequel live up to the raw, chaotic energy of its predecessor, a film that turned storm chasing into an adrenaline-fueled spectacle? The answer, for better or worse, is that it doesn’t quite match it, but it does enough to stand on its own.

Let’s start with what works. The visual effects are undeniably stunning. The tornadoes in this film are some of the most terrifyingly realistic I’ve ever seen on screen. They’re bigger, meaner, and more chaotic than ever, and the sequences where characters are caught in their destructive path are genuinely breathtaking. If you go into Twisters just wanting jaw-dropping destruction, you won’t be disappointed.

The cast also delivers solid performances. Daisy Edgar-Jones brings a grounded vulnerability to her role as a young meteorologist trying to prove herself, while Glen Powell’s charismatic storm chaser injects some much-needed levity into the film. Their chemistry isn’t groundbreaking, but it’s believable enough to keep the human drama engaging.

However, where Twisters falters is in its attempt to replicate the heart of the original. The 1996 film had a quirky charm and a ragtag group of storm chasers you couldn’t help but root for. In contrast, the characters here feel a bit more polished and conventional, and the film takes itself too seriously at times. It’s missing some of the playful chaos and oddball humor that made the original so endearing.

The plot, while serviceable, is also a bit formulaic. The stakes are high, but the story doesn’t take many risks, and it occasionally leans too heavily on nostalgia. I couldn’t help but feel that some moments—especially the callbacks to the original—were more about fan service than moving the story forward.

That said, Twisters does succeed as a modern disaster movie. It’s thrilling, visually spectacular, and worth seeing on a big screen. While it doesn’t quite recapture the magic of its predecessor, it’s an enjoyable
  
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Awix (3310 KP) rated Journey's End (2018) in Movies

Feb 7, 2018 (Updated Feb 9, 2018)  
Journey's End (2018)
Journey's End (2018)
2018 | Drama, War
Trench to Nowhere
Handsomely mounted and very well-performed war drama that does a good job of hiding its low budget. Made to mark the centenary of the (fictionalised) events it depicts, the focus is very much on the characters of the men in the front line of war, rather than action and adventure - when fighting takes place, it is confused and chaotic, and preceded by an almost palpable sense of dread.

There's a way in which this film adheres to the received narrative when it comes to the First World War, which is that it was a pointless slaughter in which a generation of young men were callously sacrificed by unfeeling senior staff, but this is not overplayed and the uniformly fine acting means that the focus is always on the individuals involved, rather than laboriously sending a message.

The fact that pretty much every speaking role goes to a white male means this is a film which is probably going to struggle to get traction with modern audiences and commentators, but it remains a sincere and powerful piece of drama.