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Hadley (567 KP) rated Beautiful Creatures (Caster Chronicles, #1) in Books
Sep 3, 2019
Great story (1 more)
Witches and supernatural beings!
A lot of inconsistencies (1 more)
Bad writing
Given the great success of the 'Harry Potter' series, witchcraft has become a prevalent theme in most books written in the last decade. 'Beautiful Creatures' may not have a wizard school, but they do have the old town of Gatlin, South Carolina.
'Beautiful Creatures,' is a witchy novel series by Kami Garcia and Margaret Stohl, that brings the family of witches (among other supernatural creatures) to life: focusing on the niece, Lena, who just came to town to live with her shut-in uncle, Macon. Readers soon find out that Lena belongs to one of the oldest families in the Southern town of Gatlin.
Yet, the main character of this book isn't Lena, but a young man named Ethan Wate; a long time resident of Gatlin who attends the local high school. When we meet Ethan, we find out that he has been having dreams of a girl and a song for some time before Lena showed up, but when he overhears Lena playing the exact same song from his dream, he's sure it's her he's dreaming of.
Suddenly, the two, are able to communicate telepathically. This part is written in a way that is not believable for the reader because Ethan has been feeling that he is going crazy up until this point: hearing the song being played by Lena caused him to flee the school, as with some other things (not to give away too much), but when he can suddenly speak to Lena telepathically, it's as if this is completely normal to him. A more believable part would have had Ethan freaking out as he did before, maybe even more so.
The story takes a dramatic turn when Ethan finds an old locket out in a garden beside Macon's house. He and Lena are quickly transported to visions of a past event that happened nearby involving that very locket. For most of the book, the two are trying to find out more about this locket and who it belonged to. Each time Ethan and Lena touch the locket together, they are transported to another event in the same vision. They soon find out that the locket belonged to the loved one of a distant relative belonging to Lena's family from 1865. And as the reader continues, this locket and it's visions hold a very important key to the story.
Throughout the story, it's hinted at that Ethan may not just be a human, but may have some supernatural powers of his own, but unfortunately, this never comes to fruition. Being that this is the first of four books, and I have only read this one, the other books may bring light to this subject. Lena, on the other hand, is about to turn sixteen, and turning sixteen in her family means you will be 'claimed.' Lena explains: " 'In my family, when you turn sixteen, you're Claimed. Your fate is chosen for you, and you become Light, like Aunt Del and Reece, or you become Dark, like Ridley. Dark or Light, Black or White. There's no grey in my family. We can't choose, and we can't undo it once we're Claimed. ' " In summary, Lena's family either become good witches (or whatever supernatural being they are) or bad witches (and such). Lena, by family, is considered a Natural at this point, where she can control the weather, write on walls without her hands or a pen,and break glass at will, so they believe she is most likely to be a Light witch, and they try to reinforce this thought into her throughout the entire book.
'Beautiful Creatures' is a great story, but it has quite a few flaws. The flow of the story is good, but when you come across so many inconsistencies, it can break the connection between story and reader, such as Lena suddenly revealing that her family had a word for what they called the telepathic communication between her and Ethan:
" 'Who knew Kelting would save my life.'
I had missed something, as usual. 'What's Kelting?'
'That's what it's called, the way we're able to communicate with each other no matter where we are. Some Casters can Kelt, some can't. Ridley and I used to be able to talk to each other at school that way, but---' ." Up until this scene, the reader is left to believe that this has never happened to Lena before, so to just bring this out so suddenly leaves us to think that this was a quick add-on to give Lena and her sister, Ridley, more of a connection,. Another time is when the popular girls at the local high school have it out for Lena, Lena lets on that she can't face them, but the very next page she's telling Ethan that she has to:
" I tried to pull her up, but she pulled me back down. She shrunk back next to the tire. 'I just need a minute.'
'Are you okay?'
'Look at them. They think I'm a monster. They formed a club.'
'They can't stand outsiders, and you're the new girl. A window broke. They need someone to blame. This is just a ---'
'Witch hunt.'
I wasn't going to say that.
But you were thinking it.
I squeezed her hand and my hair stood on end.
You don't have to do this.
Yes I do. I let people like them run me out of my last school. I'm not going to let it happen again. "
The story continues with Lena fearing that she is going to go Dark, so her and Ethan come across a locket vision of a witchcraft book that may be of help called 'the Book of Moons.' This is, personally, one of my favorite parts of 'Beautiful Creatures' because, in order for them to get the book, they have to go to a specific grave and dig it up! In this very chapter, we get to see a ghost - and this is the only chapter we see a ghost - and it is done wonderfully:
" She was only partially materialized, a mix of cloudy haze and light, fading in and out as the air moved through her ghostly form, but there was no mistaking it. It was Genevieve, the woman in the painting. She had the same golden eyes and long, wavy red hair. Her hair blew gently in the wind, as if she was just a woman sitting on a bench at the bus stop, instead of an apparition sitting on a headstone in a graveyard. She was beautiful, even in her present state, and terrifying at the same time. "
The majority of the story involves Lena's family and Ethan trying everything they can to keep her from being claimed Dark. This seems to be a nod to reality, where all of us have a choice to be a good person or a bad person, but in 'Beautiful Creatures,' the authors play off of the fear that many people have: that they are just like their family, and have no control over who they are or will be. Overall, I believe readers of the 'Harry Potter' series would like this book, but would I read this again, although I gave it a very low rating? Yes, the story is that intriguing, but the writing could use quite a bit of work.
'Beautiful Creatures,' is a witchy novel series by Kami Garcia and Margaret Stohl, that brings the family of witches (among other supernatural creatures) to life: focusing on the niece, Lena, who just came to town to live with her shut-in uncle, Macon. Readers soon find out that Lena belongs to one of the oldest families in the Southern town of Gatlin.
Yet, the main character of this book isn't Lena, but a young man named Ethan Wate; a long time resident of Gatlin who attends the local high school. When we meet Ethan, we find out that he has been having dreams of a girl and a song for some time before Lena showed up, but when he overhears Lena playing the exact same song from his dream, he's sure it's her he's dreaming of.
Suddenly, the two, are able to communicate telepathically. This part is written in a way that is not believable for the reader because Ethan has been feeling that he is going crazy up until this point: hearing the song being played by Lena caused him to flee the school, as with some other things (not to give away too much), but when he can suddenly speak to Lena telepathically, it's as if this is completely normal to him. A more believable part would have had Ethan freaking out as he did before, maybe even more so.
The story takes a dramatic turn when Ethan finds an old locket out in a garden beside Macon's house. He and Lena are quickly transported to visions of a past event that happened nearby involving that very locket. For most of the book, the two are trying to find out more about this locket and who it belonged to. Each time Ethan and Lena touch the locket together, they are transported to another event in the same vision. They soon find out that the locket belonged to the loved one of a distant relative belonging to Lena's family from 1865. And as the reader continues, this locket and it's visions hold a very important key to the story.
Throughout the story, it's hinted at that Ethan may not just be a human, but may have some supernatural powers of his own, but unfortunately, this never comes to fruition. Being that this is the first of four books, and I have only read this one, the other books may bring light to this subject. Lena, on the other hand, is about to turn sixteen, and turning sixteen in her family means you will be 'claimed.' Lena explains: " 'In my family, when you turn sixteen, you're Claimed. Your fate is chosen for you, and you become Light, like Aunt Del and Reece, or you become Dark, like Ridley. Dark or Light, Black or White. There's no grey in my family. We can't choose, and we can't undo it once we're Claimed. ' " In summary, Lena's family either become good witches (or whatever supernatural being they are) or bad witches (and such). Lena, by family, is considered a Natural at this point, where she can control the weather, write on walls without her hands or a pen,and break glass at will, so they believe she is most likely to be a Light witch, and they try to reinforce this thought into her throughout the entire book.
'Beautiful Creatures' is a great story, but it has quite a few flaws. The flow of the story is good, but when you come across so many inconsistencies, it can break the connection between story and reader, such as Lena suddenly revealing that her family had a word for what they called the telepathic communication between her and Ethan:
" 'Who knew Kelting would save my life.'
I had missed something, as usual. 'What's Kelting?'
'That's what it's called, the way we're able to communicate with each other no matter where we are. Some Casters can Kelt, some can't. Ridley and I used to be able to talk to each other at school that way, but---' ." Up until this scene, the reader is left to believe that this has never happened to Lena before, so to just bring this out so suddenly leaves us to think that this was a quick add-on to give Lena and her sister, Ridley, more of a connection,. Another time is when the popular girls at the local high school have it out for Lena, Lena lets on that she can't face them, but the very next page she's telling Ethan that she has to:
" I tried to pull her up, but she pulled me back down. She shrunk back next to the tire. 'I just need a minute.'
'Are you okay?'
'Look at them. They think I'm a monster. They formed a club.'
'They can't stand outsiders, and you're the new girl. A window broke. They need someone to blame. This is just a ---'
'Witch hunt.'
I wasn't going to say that.
But you were thinking it.
I squeezed her hand and my hair stood on end.
You don't have to do this.
Yes I do. I let people like them run me out of my last school. I'm not going to let it happen again. "
The story continues with Lena fearing that she is going to go Dark, so her and Ethan come across a locket vision of a witchcraft book that may be of help called 'the Book of Moons.' This is, personally, one of my favorite parts of 'Beautiful Creatures' because, in order for them to get the book, they have to go to a specific grave and dig it up! In this very chapter, we get to see a ghost - and this is the only chapter we see a ghost - and it is done wonderfully:
" She was only partially materialized, a mix of cloudy haze and light, fading in and out as the air moved through her ghostly form, but there was no mistaking it. It was Genevieve, the woman in the painting. She had the same golden eyes and long, wavy red hair. Her hair blew gently in the wind, as if she was just a woman sitting on a bench at the bus stop, instead of an apparition sitting on a headstone in a graveyard. She was beautiful, even in her present state, and terrifying at the same time. "
The majority of the story involves Lena's family and Ethan trying everything they can to keep her from being claimed Dark. This seems to be a nod to reality, where all of us have a choice to be a good person or a bad person, but in 'Beautiful Creatures,' the authors play off of the fear that many people have: that they are just like their family, and have no control over who they are or will be. Overall, I believe readers of the 'Harry Potter' series would like this book, but would I read this again, although I gave it a very low rating? Yes, the story is that intriguing, but the writing could use quite a bit of work.
postapocalypticplayground (27 KP) rated Six of Crows in Books
Jan 9, 2018
Every so often a book will come along which will make you re-evaluate all the 5 star reviews you have given in the past. Six of Crows for me is that book. Set in Leigh Bardugo's "Grishaverse" it is the tale of an impossible heist where the rewards far outweigh the risk. Our main protagonist Kaz Brekker is fast becoming a legend in the bowels of the Barrel, the criminal underworld of Ketterdam. He is young, but a driven and ruthless trickster, with a team to match. They are tasked with breaching the heavily fortified Ice Court to rescue a scientist held hostage. It's a feat which has never been achieved, but with the promise of a reward that will take Kaz and his team out of the bottom of the Barrel it's risk he's willing to take, after all, just how many things could go wrong?
Six of Crows is told in multiple points of view, which can sometimes be confusing for me but there were only a couple of occasions that I found myself flipping back to the start of the chapter to remind myself who in the limelight. I felt that this was a style that worked really well with this story as the main six often found themselves in different places with different tasks and this way of storytelling allowed it all to come seamlessly together. Whilst it does majorly involve the Grisha, I found it was a world that I easily fell into pace with, without having read the Grisha Trilogy first. I'm told there are a number of nods which are present but I never felt lost or like I was missing out.
The characters are fantastic, my favourite by far was Inej, the wraith. Rescued from the oldest profession by Kaz, she is a force to be reckoned with, a silent assassin. There are no walls she can't climb or secrets she can't glean. I felt most for her, what she had been through before joining with Kaz and how it had driven her to become who she now was. I loved the sense of purpose that grew within her throughout the story. The others too though all have their stories to tell, a proper band of misfits all with their secrets and terrible histories that have shaped them. It's hard to remember that they are all teenagers, but then that makes them easier to underestimate.
The audacity behind Kaz's plan is immeasurable and it is through this that I am just in awe of the writing. At just shy of 500 pages there was not a single moment of rest for the reader, I felt on edge every step of the way. I felt fear for these characters, trepidation but also the good humour that only a rag tag bunch of forgotten teenagers could have in the circumstances they faced. I simply did not want to put this down, at all. The last of the six sections I tried to slow down as I knew it was coming to an end but it pulled me in and wouldn't let go. It's rare for a book to leave me breathless, but this one really did. It's the first of a duology and I can't wait for pay day to roll round so I can pick up Crooked Kingdom. If I could give this six stars I would, It's a truly amazing read and If you're a YA fantasy fan you will not be disappointed!
Six of Crows is told in multiple points of view, which can sometimes be confusing for me but there were only a couple of occasions that I found myself flipping back to the start of the chapter to remind myself who in the limelight. I felt that this was a style that worked really well with this story as the main six often found themselves in different places with different tasks and this way of storytelling allowed it all to come seamlessly together. Whilst it does majorly involve the Grisha, I found it was a world that I easily fell into pace with, without having read the Grisha Trilogy first. I'm told there are a number of nods which are present but I never felt lost or like I was missing out.
The characters are fantastic, my favourite by far was Inej, the wraith. Rescued from the oldest profession by Kaz, she is a force to be reckoned with, a silent assassin. There are no walls she can't climb or secrets she can't glean. I felt most for her, what she had been through before joining with Kaz and how it had driven her to become who she now was. I loved the sense of purpose that grew within her throughout the story. The others too though all have their stories to tell, a proper band of misfits all with their secrets and terrible histories that have shaped them. It's hard to remember that they are all teenagers, but then that makes them easier to underestimate.
The audacity behind Kaz's plan is immeasurable and it is through this that I am just in awe of the writing. At just shy of 500 pages there was not a single moment of rest for the reader, I felt on edge every step of the way. I felt fear for these characters, trepidation but also the good humour that only a rag tag bunch of forgotten teenagers could have in the circumstances they faced. I simply did not want to put this down, at all. The last of the six sections I tried to slow down as I knew it was coming to an end but it pulled me in and wouldn't let go. It's rare for a book to leave me breathless, but this one really did. It's the first of a duology and I can't wait for pay day to roll round so I can pick up Crooked Kingdom. If I could give this six stars I would, It's a truly amazing read and If you're a YA fantasy fan you will not be disappointed!
Sass Perilla (36 KP) rated Frankenstein in Books
Aug 9, 2019
The plot and major themes. (1 more)
Further work it inspired.
Readable, but disjointed and repetitive in parts.
Contains spoilers, click to show
Fundamentally, the problem with this book is the narrator, Victor. He is thoroughly detestable. A selfish, cowardly, irresponsible, excuse ridden, narcissistic d****e-bag of the highest order. And unfortunately, it is Victor Frankenstein’s POV that we are forced into for the majority of the novel.
My hatred for and frustration with the self-pitying, feckless behaviour of the (pseudo)
protagonist made this an irritating read for me- and to an extent I think this was Shelley’s intention. Victor isn’t designed to be the likable, affable, morally “good” man fallen from grace he believes himself to be, and the horrific events that befall those around him are of his making.
However, this doesn’t make him any less grating! The "monster" (to me reminiscent of Caliban with his lyrical speech and enforced isolation, being neither man nor not man) is eloquent and persuasive when he asks his creator to account for his misdoings. So, you’ve got to ask yourself, if an infanticidal, demonic, bag of sew together corpses is actually more engaging than the main storyteller, is that storyteller really the
right character to be telling the story?
Now, with all that said, it is an important book. A work by a female author with strong female characters (albeit background characters) who was only nineteen when she wrote the initial draft. Very impressive. But, for me her youth is evident. When we teach secondary school pupils to write creatively, we often give them the ambiguous instruction “show don’t tell”, and for me the book is more of a list of horrible and horrific events told in a Chinese puzzle box style story within a story, rather than an engaging and “complete” narrative. It feels like she chooses to place focus on the wrong “bits”- for example the whole of chapter nineteen where Victor travels the British Isles, comments briefly on the local architecture of each town and city and
then repetitively reminds us that he couldn’t enjoy the surroundings because of his angst.
And I would have at least like to have seen some of the courtroom drama when Victor is tried for the death of Clerval...
So, I hate to be “that” gal, who poo-poos these fantastic works of fiction (we know they’re great because some clever-britches told us they were) but in all honesty, the novel ain’t that good, and I’ll maintain that stance no matter how clever the britches of the opposing schools of thought.
I think the continuing appeal is in it’s universal themes: parenting, nature versus
nurture; morality and scientific advancement- and the whole idea of stitching a creature out of
corpse-parts and electrocuting it to life is pretty darn cool. And there are some really effective
horror scenes, such as the vignette of Victor ripping apart project lady-monster (I kind wish she had a name- a working title- but given he can’t even be bothered to name monster number one I guess this was all too much to hope for).
It’s readable, but it’s value, for me at any rate, lies in the offshoots and creativity it has spawned, rather than the work itself.
My hatred for and frustration with the self-pitying, feckless behaviour of the (pseudo)
protagonist made this an irritating read for me- and to an extent I think this was Shelley’s intention. Victor isn’t designed to be the likable, affable, morally “good” man fallen from grace he believes himself to be, and the horrific events that befall those around him are of his making.
However, this doesn’t make him any less grating! The "monster" (to me reminiscent of Caliban with his lyrical speech and enforced isolation, being neither man nor not man) is eloquent and persuasive when he asks his creator to account for his misdoings. So, you’ve got to ask yourself, if an infanticidal, demonic, bag of sew together corpses is actually more engaging than the main storyteller, is that storyteller really the
right character to be telling the story?
Now, with all that said, it is an important book. A work by a female author with strong female characters (albeit background characters) who was only nineteen when she wrote the initial draft. Very impressive. But, for me her youth is evident. When we teach secondary school pupils to write creatively, we often give them the ambiguous instruction “show don’t tell”, and for me the book is more of a list of horrible and horrific events told in a Chinese puzzle box style story within a story, rather than an engaging and “complete” narrative. It feels like she chooses to place focus on the wrong “bits”- for example the whole of chapter nineteen where Victor travels the British Isles, comments briefly on the local architecture of each town and city and
then repetitively reminds us that he couldn’t enjoy the surroundings because of his angst.
And I would have at least like to have seen some of the courtroom drama when Victor is tried for the death of Clerval...
So, I hate to be “that” gal, who poo-poos these fantastic works of fiction (we know they’re great because some clever-britches told us they were) but in all honesty, the novel ain’t that good, and I’ll maintain that stance no matter how clever the britches of the opposing schools of thought.
I think the continuing appeal is in it’s universal themes: parenting, nature versus
nurture; morality and scientific advancement- and the whole idea of stitching a creature out of
corpse-parts and electrocuting it to life is pretty darn cool. And there are some really effective
horror scenes, such as the vignette of Victor ripping apart project lady-monster (I kind wish she had a name- a working title- but given he can’t even be bothered to name monster number one I guess this was all too much to hope for).
It’s readable, but it’s value, for me at any rate, lies in the offshoots and creativity it has spawned, rather than the work itself.
Phil Leader (619 KP) rated Brood of Bones (Lady of Gems #1) in Books
Nov 11, 2019
I got this book because I wanted to read some of Marling's work and it seemed a good starting point. I downloaded it at the same time as a lot of other works, intending just to skim the first chapter of each and then decide which one I was going to read.
I read the first part of this novel and I was hooked. The story unfolds really well and there is real suspense. The writing is a joy to read and the descriptions of the world are really evocative.
The story revolves around Elder Enchantress Hiresha who having become a powerful practitioner of magic is requested to return to her home town. There she quickly realises that something is very wrong - all the women are pregnant, and all are due around the same time. Clearly this is not normal, but what is the cause and why has it happened?
Hiresha must unravel the threads to work out what is going on and exactly what the threat to the town is. Perhaps the pregnancies are the divine work of a god, but for what purpose? Or perhaps the dark Lord of the Feast is involved so that he may dine on the fears of the population in the night? Hiresha must find the truth - and quickly - and along the way she will make both questionable alliances and bitter enemies. But who can really be trusted when the fate of the city is at stake?
The world is immersive, and Marling does well to convey just enough information to ensure the reader is not overwhelmed by some of the stranger aspects of his world. I have read other (more well known) authors who struggle in this regard. The characterisations are good, particularly impressive is Hiresha who despite her mastery of magic is very human, with many faults and failings which she must overcome during the course of the story. The supporting characters are also well drawn and have a depth. There is a real impression that they are leading their own lives outside of the story.
The story itself is mainly a fantasy 'whodunnit' with Hiresha gathering evidence and suspects, as well has finding out exactly what the pregnancies entail. The main twist is that she suffers from a form of narcolepsy and finds it hard to keep awake - and when awake she is not very perceptive. But when sleeps she is able to perform her magic and analyse what she has seen while awake.
Once the culprit is revealed, the ending is hard to put down as Hiresha has put herself - and possibly the whole town - in grave danger in order to find out the truth. The final part of the story is a breathtaking battle as powerful forces fight over the fate of the town.
I really could not stop reading this book. I looked forward to picking it up and was reluctant to put it down. The story is really very compelling and despite having a lot of swords and sorcery in it, this does not fall into any of the well trodden paths of fantasy. The writing moves the story on at a good pace and is full of fantastic descriptions and little details that really bring the world alive.
I rate this book very highly. I know it is only January but already I feel that this is easily one of the best books I will read this year. Very highly recommended
I read the first part of this novel and I was hooked. The story unfolds really well and there is real suspense. The writing is a joy to read and the descriptions of the world are really evocative.
The story revolves around Elder Enchantress Hiresha who having become a powerful practitioner of magic is requested to return to her home town. There she quickly realises that something is very wrong - all the women are pregnant, and all are due around the same time. Clearly this is not normal, but what is the cause and why has it happened?
Hiresha must unravel the threads to work out what is going on and exactly what the threat to the town is. Perhaps the pregnancies are the divine work of a god, but for what purpose? Or perhaps the dark Lord of the Feast is involved so that he may dine on the fears of the population in the night? Hiresha must find the truth - and quickly - and along the way she will make both questionable alliances and bitter enemies. But who can really be trusted when the fate of the city is at stake?
The world is immersive, and Marling does well to convey just enough information to ensure the reader is not overwhelmed by some of the stranger aspects of his world. I have read other (more well known) authors who struggle in this regard. The characterisations are good, particularly impressive is Hiresha who despite her mastery of magic is very human, with many faults and failings which she must overcome during the course of the story. The supporting characters are also well drawn and have a depth. There is a real impression that they are leading their own lives outside of the story.
The story itself is mainly a fantasy 'whodunnit' with Hiresha gathering evidence and suspects, as well has finding out exactly what the pregnancies entail. The main twist is that she suffers from a form of narcolepsy and finds it hard to keep awake - and when awake she is not very perceptive. But when sleeps she is able to perform her magic and analyse what she has seen while awake.
Once the culprit is revealed, the ending is hard to put down as Hiresha has put herself - and possibly the whole town - in grave danger in order to find out the truth. The final part of the story is a breathtaking battle as powerful forces fight over the fate of the town.
I really could not stop reading this book. I looked forward to picking it up and was reluctant to put it down. The story is really very compelling and despite having a lot of swords and sorcery in it, this does not fall into any of the well trodden paths of fantasy. The writing moves the story on at a good pace and is full of fantastic descriptions and little details that really bring the world alive.
I rate this book very highly. I know it is only January but already I feel that this is easily one of the best books I will read this year. Very highly recommended
Ivana A. | Diary of Difference (1171 KP) rated Strange Weather in Tokyo in Books
Oct 5, 2020
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Being born in Macedonia, I grew up reading books that were mostly translated. Because of that, I always appreciate the amazing job that translators do and have always cherished translated copies of my books. Strange Weather in Tokyo is no different, and Allison Markin Powell did an amazing job translating this book.
I read this book in August as part of the Tandem and Granta Books Instagram readalong - to celebrate #Kawakamimonth as well as Women in Translation month - and I am so glad I was able to join.
<b><i>Synopsis:</i></b>
One night when she is drinking alone in a local bar, Tsukiko finds herself sitting next to her former high school teacher. Over the coming months they share food and drink sake, and as seasons pass - from spring cherry blossom to autumnal mushrooms - Tsukiko and her teacher develop a hesitant intimacy that tilts awkwardly and poignantly towards love.
<b><i>My Thoughts:</i></b>
From the very first chapter, we travel to Japan and the whole mood changes. I could grasp the culture, taste the food and feel the weather changing through the seasons. The writing is brief and concise, yet full of emotion and wisdom. Both the characters and the scene had something very special about their description - they appeared so close, so real, as if you could just reach out your hand and touch them, feel them, taste them. This feeling stayed with me and I will cling on to it, because it happens so rarely these days.
Even though I am not a fan of student-teacher relationships, this relationship in particular kept me intrigued, simply because it was so much different than anything I have encountered before.
Tsukiko is young and tries to live in the modern world, while Sensei is much older and very traditional. They meet in the bar and talk. There are no dates, nor arranged meetings. They may see each other, and they may not. Sometimes it could be months before they bump into each other again. And that’s the beauty of their relationship. They live their own lives independently, and having each other as company is an added bonus.
A few plot twists lingered in the way of their love. Tsukiko’s potential boyfriend, who is the same age as her, Sensei’s old age and what that might mean, and the numerous arguments that seem bizarre, but test their relationship on deeper levels. It was very refreshing to see the brutally honest issue that is age between couples. Sensei knows he doesn’t have too long to live, and he is honest with Tsukiko, as he wants her to truly understand what this means, and once she understands it, he wants to ensure she is okay to proceed the relationship, given those circumstances.
<b><i>I have mixed feelings about the ending of Strange Weather in Tokyo.</i></b>
I was surprised at how it ended, but then I understood why. Perhaps I wanted a complete closure, but I learned that life doesn’t do closures. There is no perfect or right time to do something. We only have the “now” and we should enjoy every moment while we can.
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Being born in Macedonia, I grew up reading books that were mostly translated. Because of that, I always appreciate the amazing job that translators do and have always cherished translated copies of my books. Strange Weather in Tokyo is no different, and Allison Markin Powell did an amazing job translating this book.
I read this book in August as part of the Tandem and Granta Books Instagram readalong - to celebrate #Kawakamimonth as well as Women in Translation month - and I am so glad I was able to join.
<b><i>Synopsis:</i></b>
One night when she is drinking alone in a local bar, Tsukiko finds herself sitting next to her former high school teacher. Over the coming months they share food and drink sake, and as seasons pass - from spring cherry blossom to autumnal mushrooms - Tsukiko and her teacher develop a hesitant intimacy that tilts awkwardly and poignantly towards love.
<b><i>My Thoughts:</i></b>
From the very first chapter, we travel to Japan and the whole mood changes. I could grasp the culture, taste the food and feel the weather changing through the seasons. The writing is brief and concise, yet full of emotion and wisdom. Both the characters and the scene had something very special about their description - they appeared so close, so real, as if you could just reach out your hand and touch them, feel them, taste them. This feeling stayed with me and I will cling on to it, because it happens so rarely these days.
Even though I am not a fan of student-teacher relationships, this relationship in particular kept me intrigued, simply because it was so much different than anything I have encountered before.
Tsukiko is young and tries to live in the modern world, while Sensei is much older and very traditional. They meet in the bar and talk. There are no dates, nor arranged meetings. They may see each other, and they may not. Sometimes it could be months before they bump into each other again. And that’s the beauty of their relationship. They live their own lives independently, and having each other as company is an added bonus.
A few plot twists lingered in the way of their love. Tsukiko’s potential boyfriend, who is the same age as her, Sensei’s old age and what that might mean, and the numerous arguments that seem bizarre, but test their relationship on deeper levels. It was very refreshing to see the brutally honest issue that is age between couples. Sensei knows he doesn’t have too long to live, and he is honest with Tsukiko, as he wants her to truly understand what this means, and once she understands it, he wants to ensure she is okay to proceed the relationship, given those circumstances.
<b><i>I have mixed feelings about the ending of Strange Weather in Tokyo.</i></b>
I was surprised at how it ended, but then I understood why. Perhaps I wanted a complete closure, but I learned that life doesn’t do closures. There is no perfect or right time to do something. We only have the “now” and we should enjoy every moment while we can.
Hazel (1853 KP) rated The Sunlight Pilgrims in Books
May 25, 2017
So boring
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Note: I did not finish reading this book.
It is winter 2020 and the world is facing the most extreme winter for over 200 years. Jenni Fagan’s The Sunlight Pilgrims explores the potential disastrous effects of climate change beginning with a new ice age set in the very near future, only four years away. With the North Atlantic drift slowing and temperatures around the world dropping to -40 degrees, the Earth’s inhabitants fear a pending apocalypse.
The story is largely set in Clachan Fells, a Scottish caravan park situated at the base of a group of mountains. Tin houses are not the most practical form of abodes for cold weather, let alone the worst snowstorms the world has ever seen. This is the situation the main characters of The Sunlight Pilgrims find themselves. Dylan MacRae has moved into a mobile home he did not know he owned until the recent death of his mother and soon makes friends with his neighbour Constance and her daughter Stella. Although only twelve years old Stella is more concerned about her identity than she is the fatal weather condition outside. Born a boy, Stella is uncomfortable in her body and struggles to get other people to accept that she is really a girl.
Surprisingly, the dystopian snow scene seems to be more of a backdrop to a different storyline featuring identity, family and romance. Dylan is a lonely man falling in love with the woman next door, however she is tied up with relationship problems of her own. Stella, whilst seemingly carefree, is desperate to be accepted for who she is and live a happy and secure life.
Jenni Fagan does an exceptional job of portraying the confusion, thoughts and emotions of a transgender child experiencing stigma amongst her peers. Yet Fagan also emphasises the potential acceptance of people in this situation through the reception received from Dylan who did not bat an eyelid on discovering the truth about Stella’s identity.
The Sunlight Pilgrims combines popular current affairs that are likely to attract a wide audience. Sadly as a story it falls short of mediocrity. Without a clear storyline it is a struggle to remain interested. The readers’ lack of enthusiasm for the characters and their individual worries makes it a challenge to reach the end. As I never made it to the final chapter I cannot say whether the conclusion is worth sticking around for. Mixed reviews on Goodreads suggest that enjoyment depends on the individual reader rather than the novel itself. I, however, cannot recommend this book.
Note: I did not finish reading this book.
It is winter 2020 and the world is facing the most extreme winter for over 200 years. Jenni Fagan’s The Sunlight Pilgrims explores the potential disastrous effects of climate change beginning with a new ice age set in the very near future, only four years away. With the North Atlantic drift slowing and temperatures around the world dropping to -40 degrees, the Earth’s inhabitants fear a pending apocalypse.
The story is largely set in Clachan Fells, a Scottish caravan park situated at the base of a group of mountains. Tin houses are not the most practical form of abodes for cold weather, let alone the worst snowstorms the world has ever seen. This is the situation the main characters of The Sunlight Pilgrims find themselves. Dylan MacRae has moved into a mobile home he did not know he owned until the recent death of his mother and soon makes friends with his neighbour Constance and her daughter Stella. Although only twelve years old Stella is more concerned about her identity than she is the fatal weather condition outside. Born a boy, Stella is uncomfortable in her body and struggles to get other people to accept that she is really a girl.
Surprisingly, the dystopian snow scene seems to be more of a backdrop to a different storyline featuring identity, family and romance. Dylan is a lonely man falling in love with the woman next door, however she is tied up with relationship problems of her own. Stella, whilst seemingly carefree, is desperate to be accepted for who she is and live a happy and secure life.
Jenni Fagan does an exceptional job of portraying the confusion, thoughts and emotions of a transgender child experiencing stigma amongst her peers. Yet Fagan also emphasises the potential acceptance of people in this situation through the reception received from Dylan who did not bat an eyelid on discovering the truth about Stella’s identity.
The Sunlight Pilgrims combines popular current affairs that are likely to attract a wide audience. Sadly as a story it falls short of mediocrity. Without a clear storyline it is a struggle to remain interested. The readers’ lack of enthusiasm for the characters and their individual worries makes it a challenge to reach the end. As I never made it to the final chapter I cannot say whether the conclusion is worth sticking around for. Mixed reviews on Goodreads suggest that enjoyment depends on the individual reader rather than the novel itself. I, however, cannot recommend this book.
Zuky the BookBum (15 KP) rated The Chalk Man in Books
Mar 15, 2018
Big thanks to Janel @ Keeper of Pages for sending me her copy of the book!
This is one of those books that’s been getting a lot of attention in the bookish world, so of course, I wanted to see what all the fuss was about! While it only took me a couple of sessions to get through the whole thing, I wasn’t that thrilled by it. The hype wasn’t worth it for me.
I immediately knew this novel wasn’t going to be a 5 star read because I didn’t like the way it was written from page 1. It’s one of those novels that’s told in flashbacks, but rather than transporting us back in time to live the events as they happened, we were told it as though we were being read a story. I feel like this way of writing really makes you take a step back from the events and you don’t get the chance to experience them along with the characters. So anything that’s meant to be tense or exciting didn’t feel that way for me.
As for characters, I honestly didn’t have an opinion on any of them. You would have thought that our main character / narrator Eddie would have left some kind of impression on me, but he didn’t. I genuinely have nothing to say about him… he was unforgettable. The only thing I can think to mention is that his relationship with his housemate Chloe seriously cringy.
<spoiler>For me, there were too many characters in this book that were irrelevant. Including Mr. Halloran – “The Chalk Man”. He was literally only a character to make the title make sense and to have an extremely obvious ‘distraction’ to the real bad guy.</spoiler>
I didn’t mind the story in this one, but the synopsis had me ready for something so much more exciting and sinister. It kept me interested for the most part, but I wasn’t enthralled. I had the ‘baddie’ sussed in a matter of chapters, so from there, all I was trying to work out was their motive. It was pretty good at keeping you on your toes in that sense.
Some books try so hard to be exciting and this is one of them. It seemed to me, that each chapter had new drama in it. Less is sometimes more! Don’t forget that! We don’t need drama, after drama, after drama to keep us entertained. It got tedious and took any realism away from the story.
In the end, this novel was extremely underwhelming for me. I didn’t find it exciting and I didn’t think the story was particularly unique. I think this would be a good novel for non-mystery readers, but I’ve just read too many similar stories.
This is one of those books that’s been getting a lot of attention in the bookish world, so of course, I wanted to see what all the fuss was about! While it only took me a couple of sessions to get through the whole thing, I wasn’t that thrilled by it. The hype wasn’t worth it for me.
I immediately knew this novel wasn’t going to be a 5 star read because I didn’t like the way it was written from page 1. It’s one of those novels that’s told in flashbacks, but rather than transporting us back in time to live the events as they happened, we were told it as though we were being read a story. I feel like this way of writing really makes you take a step back from the events and you don’t get the chance to experience them along with the characters. So anything that’s meant to be tense or exciting didn’t feel that way for me.
As for characters, I honestly didn’t have an opinion on any of them. You would have thought that our main character / narrator Eddie would have left some kind of impression on me, but he didn’t. I genuinely have nothing to say about him… he was unforgettable. The only thing I can think to mention is that his relationship with his housemate Chloe seriously cringy.
<spoiler>For me, there were too many characters in this book that were irrelevant. Including Mr. Halloran – “The Chalk Man”. He was literally only a character to make the title make sense and to have an extremely obvious ‘distraction’ to the real bad guy.</spoiler>
I didn’t mind the story in this one, but the synopsis had me ready for something so much more exciting and sinister. It kept me interested for the most part, but I wasn’t enthralled. I had the ‘baddie’ sussed in a matter of chapters, so from there, all I was trying to work out was their motive. It was pretty good at keeping you on your toes in that sense.
Some books try so hard to be exciting and this is one of them. It seemed to me, that each chapter had new drama in it. Less is sometimes more! Don’t forget that! We don’t need drama, after drama, after drama to keep us entertained. It got tedious and took any realism away from the story.
In the end, this novel was extremely underwhelming for me. I didn’t find it exciting and I didn’t think the story was particularly unique. I think this would be a good novel for non-mystery readers, but I’ve just read too many similar stories.
LilyLovesIndie (123 KP) rated Hunted (The Gates Legacy, #1) in Books
Nov 5, 2018
Harrow Gates - vampire, diseased, hunted. Jordan - bereaved, determined, out for revenge. Pritchard Tack - entrepreneur, protector of the infected, searching for a cure. Altogether, they make a wonderful lead for a fantastic start to a series I know I will be watching closely for the foreseeable future!
My copy started with a glossary, which was a superb tease and left me rushing forward to find out what on earth could lead to all these ideas and words. Sure enough, within the first 5% I was completely hooked and didn't want to put my kindle down. I was totally drawn into the characters, drama and mystery, highlighting just how high the quality of writing was in this story. The way the perspective switches between the different characters is done with skill and is very clear to follow. This feeds into the mystery created by the glossary and the writing in general as you're ripped away from that character just as the next piece of information is about to be revealed! This makes it highly compulsive reading, with the 'one more chapter' syndrome being a real possibility when reading this book.
The characters are also fabulous, and we pick them apart just as carefully as the plot, slowly learning what makes each of them tick. Harrow, Tack and Jordan are wonderful to read, they engage you, pull you into your complicated life and leave you wanting to know more of them and their lives. Demetrius is a very odd character, driven by very different desires to the others, yet he is equally engaging to read about. It takes real skill to be able to pull a reader so completely into so many characters, and so I really must shower praise on Font for managing to do this.
The story is, at risk of repeating myself, fantastic. It thoroughly draws you in, instilling in you a need to keep reading and has you thinking about what is going to happen next. The momentum is excellently paced, particularly towards the end because even though you're expecting something big to happen, you're still shocked and hit just as hard as if it were a huge surprise! The deaths (not spoiling it though haha!) are quick and fast and really tug on your emotions, leaving you reeling as the end of the story arrives. I've got to warn you though, as these are the exact words a friend said to me, 'don't get too attached to anyone - you never know who is going to be next!' - and boy was she right! That said, I loved it, and I'm a convert to this series.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
My copy started with a glossary, which was a superb tease and left me rushing forward to find out what on earth could lead to all these ideas and words. Sure enough, within the first 5% I was completely hooked and didn't want to put my kindle down. I was totally drawn into the characters, drama and mystery, highlighting just how high the quality of writing was in this story. The way the perspective switches between the different characters is done with skill and is very clear to follow. This feeds into the mystery created by the glossary and the writing in general as you're ripped away from that character just as the next piece of information is about to be revealed! This makes it highly compulsive reading, with the 'one more chapter' syndrome being a real possibility when reading this book.
The characters are also fabulous, and we pick them apart just as carefully as the plot, slowly learning what makes each of them tick. Harrow, Tack and Jordan are wonderful to read, they engage you, pull you into your complicated life and leave you wanting to know more of them and their lives. Demetrius is a very odd character, driven by very different desires to the others, yet he is equally engaging to read about. It takes real skill to be able to pull a reader so completely into so many characters, and so I really must shower praise on Font for managing to do this.
The story is, at risk of repeating myself, fantastic. It thoroughly draws you in, instilling in you a need to keep reading and has you thinking about what is going to happen next. The momentum is excellently paced, particularly towards the end because even though you're expecting something big to happen, you're still shocked and hit just as hard as if it were a huge surprise! The deaths (not spoiling it though haha!) are quick and fast and really tug on your emotions, leaving you reeling as the end of the story arrives. I've got to warn you though, as these are the exact words a friend said to me, 'don't get too attached to anyone - you never know who is going to be next!' - and boy was she right! That said, I loved it, and I'm a convert to this series.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Hazel (1853 KP) rated How to Draw Anything in Books
Dec 17, 2018
Author/artist Mark Linley believes that anyone can learn to draw and inspires everyone to pick up a pencil and create a work of art. Unlike many ‘how to draw’ books – those that provide step by step visual aids but no further insight – Linley goes into a lot more written detail.
First of all an artist needs to be able to look properly. Without studying the subject or object properly, no one would be able to produce an accurate sketch. Starting with landscapes, Linley tells the reader how to and what to look for when beginning a drawing in order to get a basic outline. It is only after this is down on paper that specific details can be added.
Linley explains various methods of shading and line marks to give a suggestion of perspective, and emphasises that an illustration does not need to be 100% accurate – that is what cameras are for. After landscapes, Linley takes the reader/future artist through plants, animals, people and cartoons in a similar manner.
Each chapter provides the reader with a few assignments to undertake based on what they have read, or the example illustrations. Many of these tasks are to copy Linley’s own examples, however he stresses that the outcome does not need to – or rather should not – look exactly like his. Each artist needs to develop their own style.
I found <i>How To Draw Anything</i> a lot more useful than the ever popular step-by-step guides that most people gravitate to. In those types of books we are NOT taught to draw, we are taught to copy. You may be able to accurately draw the same cat as the artist/author of the book, but you would not know where to start when face with a real life cat. Linley tells us what to look out for and where to start in these situations – you feel like you are actually learning something.
Mark Linley comes across as a humorous individual – his writing is full of puns and quips, intending to make the reader smile or laugh out loud, thus making them feel more relaxed about the subject. Linley does not only attempt to teach people how to draw, he tries to make each of us feel more comfortable about our abilities and encourages us to keep on trying.
Before reading this book I had already begun developing my own illustration style, however I gave a few of Linley’s assignments a try (see <a href="https://hazelstainer.wordpress.com/2016/02/19/how-to-draw-anything-a-review/">here</a>;). I am pleased with my outcomes and feel inspired to try more landscape drawings in the future.
First of all an artist needs to be able to look properly. Without studying the subject or object properly, no one would be able to produce an accurate sketch. Starting with landscapes, Linley tells the reader how to and what to look for when beginning a drawing in order to get a basic outline. It is only after this is down on paper that specific details can be added.
Linley explains various methods of shading and line marks to give a suggestion of perspective, and emphasises that an illustration does not need to be 100% accurate – that is what cameras are for. After landscapes, Linley takes the reader/future artist through plants, animals, people and cartoons in a similar manner.
Each chapter provides the reader with a few assignments to undertake based on what they have read, or the example illustrations. Many of these tasks are to copy Linley’s own examples, however he stresses that the outcome does not need to – or rather should not – look exactly like his. Each artist needs to develop their own style.
I found <i>How To Draw Anything</i> a lot more useful than the ever popular step-by-step guides that most people gravitate to. In those types of books we are NOT taught to draw, we are taught to copy. You may be able to accurately draw the same cat as the artist/author of the book, but you would not know where to start when face with a real life cat. Linley tells us what to look out for and where to start in these situations – you feel like you are actually learning something.
Mark Linley comes across as a humorous individual – his writing is full of puns and quips, intending to make the reader smile or laugh out loud, thus making them feel more relaxed about the subject. Linley does not only attempt to teach people how to draw, he tries to make each of us feel more comfortable about our abilities and encourages us to keep on trying.
Before reading this book I had already begun developing my own illustration style, however I gave a few of Linley’s assignments a try (see <a href="https://hazelstainer.wordpress.com/2016/02/19/how-to-draw-anything-a-review/">here</a>;). I am pleased with my outcomes and feel inspired to try more landscape drawings in the future.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Arrival (The Eslite Chronicles, #1) in Books
Jan 23, 2020
So... it's been roughly a year since I read The Arrival's prequel, well before the author actually made it into a series. I even mentioned that it had potential to be a good series, and here we are: it's actually a series!!! I signed up ASAP when I saw it available to be reviewed on David Estes Fans and YA Book Lover's R&R program, despite the fact I should probably be knocking out some books on a certain reading challenge. *coughs* 2014 TBR Pile Challenge *coughs*
Plus, I'm really surprised I actually read this really quickly, and I'm personally thinking it's probably because I must be getting tired of not going to school or something. Or maybe my mind is still in devouring mode after reading The Forever Song and The Body In the Woods (review in June).
Either way, it's a quick read, and the prequel is actually set after the prologue in The Arrival, but before Chapter 1. It's set about 3 years after the events in the prequel, and Miranda and the other girls in Nidus are ready to break free from the compound because they discover the Eslites are there for different reasons entirely.
This is no sappy romance you usually find in other alien stories where the alien falls in love with the human while trying to get away from an enemy species that's not by the name of human. This is pure "aliens are going to take over the world, and they're a dominant species with high-tech technology." It's not like Lux or the Lorien Legacies, where the aliens are trying to be inconspicuous. The Arrival is completely different from that, even though there are romantic elements mixed in. Miranda is a determined heroine wanting to break both her and the girls currently in the compound away from the Eslites true reasons. And she's preventing other girls meeting similar fates.
Then there are a few curve balls thrown at you, which is always the biggest plus in the bowl. And there's the ending, in which I'm extremely curious about because it probably does some more table turning. Actually, that ending did do a table flip, so all I'm doing is blinking rapidly and wondering if that really just happened and the book is over. o_o
Oh, and a random thought, but Dimas really isn't as bad as I thought he would be from the prequel.
------------------------
Review copy provided by author (R&R)
Original Rating: 4.5 out of 5
This Review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
Plus, I'm really surprised I actually read this really quickly, and I'm personally thinking it's probably because I must be getting tired of not going to school or something. Or maybe my mind is still in devouring mode after reading The Forever Song and The Body In the Woods (review in June).
Either way, it's a quick read, and the prequel is actually set after the prologue in The Arrival, but before Chapter 1. It's set about 3 years after the events in the prequel, and Miranda and the other girls in Nidus are ready to break free from the compound because they discover the Eslites are there for different reasons entirely.
This is no sappy romance you usually find in other alien stories where the alien falls in love with the human while trying to get away from an enemy species that's not by the name of human. This is pure "aliens are going to take over the world, and they're a dominant species with high-tech technology." It's not like Lux or the Lorien Legacies, where the aliens are trying to be inconspicuous. The Arrival is completely different from that, even though there are romantic elements mixed in. Miranda is a determined heroine wanting to break both her and the girls currently in the compound away from the Eslites true reasons. And she's preventing other girls meeting similar fates.
Then there are a few curve balls thrown at you, which is always the biggest plus in the bowl. And there's the ending, in which I'm extremely curious about because it probably does some more table turning. Actually, that ending did do a table flip, so all I'm doing is blinking rapidly and wondering if that really just happened and the book is over. o_o
Oh, and a random thought, but Dimas really isn't as bad as I thought he would be from the prequel.
------------------------
Review copy provided by author (R&R)
Original Rating: 4.5 out of 5
This Review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>