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Suswatibasu (1703 KP) rated All Grown Up in Books
Jan 3, 2018 (Updated Jan 3, 2018)
Entertaining, a more realistic Sex and the City
This is a fictional but all too real account of one woman’s voyage through life, battered by family, societal pressures and her own inner demons. Andrea, the character at the heart of the book, is absolutely clear that she does not want a child of her own.
Her life is spread eagled across the pages for the reader to pick over. Each chapter is a snapshot of an episode in her life, whether it is looking back over some of her chaotic childhood years - Dad was a drug user who died too early; Mum, once on her own again, runs bi-monthly dinner parties in the 1990s attended by only men, who of course try and hit on Andrea, a teenager at the time; or whether it is an examination of her relationships with her friends, lovers and acquaintances who pass through her life now.
Andrea also has a brother who in turn has a daughter, only tiny, who was born with a congenital problem and her life expectancy is only around four years. Yet, our self absorbed protagonist does not really visit to offer support because she is so wrapped up in her own world. She simply does not have the mental capacity and resources to give to her brother and little niece.
This is an interesting read, on-point in many ways – it smacks of New York and of lives lived in the city, Freudian Angst, neuroses and all the shtick of metropolitan Manhattan. At times, it did feel a little cliched but may be we all repeat the same patterns?
Her life is spread eagled across the pages for the reader to pick over. Each chapter is a snapshot of an episode in her life, whether it is looking back over some of her chaotic childhood years - Dad was a drug user who died too early; Mum, once on her own again, runs bi-monthly dinner parties in the 1990s attended by only men, who of course try and hit on Andrea, a teenager at the time; or whether it is an examination of her relationships with her friends, lovers and acquaintances who pass through her life now.
Andrea also has a brother who in turn has a daughter, only tiny, who was born with a congenital problem and her life expectancy is only around four years. Yet, our self absorbed protagonist does not really visit to offer support because she is so wrapped up in her own world. She simply does not have the mental capacity and resources to give to her brother and little niece.
This is an interesting read, on-point in many ways – it smacks of New York and of lives lived in the city, Freudian Angst, neuroses and all the shtick of metropolitan Manhattan. At times, it did feel a little cliched but may be we all repeat the same patterns?
LeftSideCut (3776 KP) rated It (2017) in Movies
Aug 9, 2019
The best way to describe the most recent adaption of Stephen King's It, is that it feels like a ghost train.
It's one scene after the next of spooky imagery and mild jump scares - it's not overly terrifying, but it's an enjoyable time.
I didn't find It to be particularly scary - there were parts here and there that were uncomfortable (the old woman in the background of the library scene - no focus on her whatsoever, but it gave me chills) and of course, the already infamous scene at the beginning with Georgie is hard to watch considering the age of the child.
But it's lack of all out terror is not a bad thing - the movie can concentrate on a hugely important aspect of the original book - the friendship shared betweens The Losers Club.
The young actors in this are great, all hugely believable, and likable, as they set off on their quest to stop Pennywise and his reign over the town of Derry.
In a world transfixed with Stranger Things, the atmosphere of It treads familiar turf, the 80s setting hitting the right nostalgic spots.
Bill Skarsgård makes a great Pennywise. He doesn't try to copy what the great Tim Curry did in the original TV movie, he makes it his own. He's not quite as sinister as Tim Curry, but he's damn entertaining, and his costume and make up make for a creepy enough clown.
I'm really looking forward to the upcoming Chapter 2, to see if Andy Muschietti can pull off the ending as well as he pulled off the beginning.
It's one scene after the next of spooky imagery and mild jump scares - it's not overly terrifying, but it's an enjoyable time.
I didn't find It to be particularly scary - there were parts here and there that were uncomfortable (the old woman in the background of the library scene - no focus on her whatsoever, but it gave me chills) and of course, the already infamous scene at the beginning with Georgie is hard to watch considering the age of the child.
But it's lack of all out terror is not a bad thing - the movie can concentrate on a hugely important aspect of the original book - the friendship shared betweens The Losers Club.
The young actors in this are great, all hugely believable, and likable, as they set off on their quest to stop Pennywise and his reign over the town of Derry.
In a world transfixed with Stranger Things, the atmosphere of It treads familiar turf, the 80s setting hitting the right nostalgic spots.
Bill Skarsgård makes a great Pennywise. He doesn't try to copy what the great Tim Curry did in the original TV movie, he makes it his own. He's not quite as sinister as Tim Curry, but he's damn entertaining, and his costume and make up make for a creepy enough clown.
I'm really looking forward to the upcoming Chapter 2, to see if Andy Muschietti can pull off the ending as well as he pulled off the beginning.
Deborah (162 KP) rated What Matters in Jane Austen?: Twenty Crucial Puzzles Solved in Books
Dec 21, 2018
This book is subtitled "Twenty Crucial Puzzle Solved". I'm not sure I quite agree with that - it's more a case of throwing some light on areas of the novels that may puzzle a modern reader but would have been plain to a contemporary audience.
For example, there is a chapter on the games played in the novels. No one (that I know!) plays at Speculation any more, but we can grasp both the fundamentals of the game ("I am never to see my cards and Mr Crawford does all the rest" as Lady Bertram puts it!) and read into it some further illumination of the participating characters. And of course understand why Sir Thomas thought that it might not amuse him to have wife wife as a partner in Whist!
There are sections on characters who have no reported speech (it had not occurred before that we never hear Captain Benwick speak, but it is quite true!), clears away the myth that there are no scenes where women are not present and wraps up with an important consideration of Jane Austen's place in the development of the novel. I think that as she is so very readable, and perhaps also because she is a woman writer, people in general are too apt to dismiss her importance, but her innovations in style are immeasurable. I don't think it is going too far to say that without Austen the novel would not have developed in the way it has. If you read Henry James, Flaubert, Kafka and a long et cetera, you best give your thanks to Jane Austen!
For example, there is a chapter on the games played in the novels. No one (that I know!) plays at Speculation any more, but we can grasp both the fundamentals of the game ("I am never to see my cards and Mr Crawford does all the rest" as Lady Bertram puts it!) and read into it some further illumination of the participating characters. And of course understand why Sir Thomas thought that it might not amuse him to have wife wife as a partner in Whist!
There are sections on characters who have no reported speech (it had not occurred before that we never hear Captain Benwick speak, but it is quite true!), clears away the myth that there are no scenes where women are not present and wraps up with an important consideration of Jane Austen's place in the development of the novel. I think that as she is so very readable, and perhaps also because she is a woman writer, people in general are too apt to dismiss her importance, but her innovations in style are immeasurable. I don't think it is going too far to say that without Austen the novel would not have developed in the way it has. If you read Henry James, Flaubert, Kafka and a long et cetera, you best give your thanks to Jane Austen!
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