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I don’t like Christmas books. Usually. I like A Christmas Carol, but I tend not to read many modern Christmas books - unless they’re children’s ones at work, or when I used to read them for my own children when they were little. Which is probably why I liked this so much. Usually in anthologies, there will be a few standout stories that make reading the collection as a whole worthwhile, but I’ve really struggled to single out one or two - I enjoyed them all far too much for that.

Most of the stories are set around Christmas with only a couple of exceptions. That didn’t cause me to like them any less though. The real standouts for me (if I absolutely HAVE to choose!) were: Phoebe Morgan’s Unexpected Present - the gift wrapped so nicely in expensive M&S paper being the main protagonists husband; The Switch by James Delargy had a Stephen King vibe to it (and I should add that it wasn’t because of The Green Mile!); Fresh Meat by Elle Croft gives new meaning to a raw meat diet for your cat; and The Vigilante by Clare Empson was a sad story of a Charles Dickens look-a-like who tries to save victims of crime in the dead of night.

If you need an excuse to buy this, then the proceeds go to ESDAS and Rights of Women, both domestic abuse charities.

Many thanks to The PIgeonhole for serialising this book, and to the authors who joined in. As always, it was a great experience!!
  
The Personal History of David Copperfield (2019)
The Personal History of David Copperfield (2019)
2019 | Classics, Comedy, Drama
This retelling of Charles Dickens’ David Copperfield takes us from his birth, through his adolescence and adulthood. With the tempo set like a whirling dervish from the moment David (Dev Patel) takes us with him to witness his birth and travel along through his pivotal life moments as he tells his story.

We see his birth where his mother, Clara Copperfield (Morfydd Clark, playing a double role, later as Dora Spenlow) a slight, fantastical woman, and the steadfast housekeeper, Peggotty (Daisy May Cooper) go through the hectic confusion while people mill about, entering and exiting during the process of birth. His Aunt, Betsy (Tilda Swinton) goes about, adding to the calamity insistent that the child of her late brother would be a girl, who would carry her legacy as a Trotwood. Her eccentricity noted immediately as she storms out once learning the child is a boy.

The film progresses, with the same quick tempo, through his brief, idyllic childhood with his mother, then his trip to Yarmouth summering with Peggotty’s family where his imagination begins its bloom in the house that is a boat, by the sea. Once David returns home, he is informed that his mother had married, and his stepfather sends him to London. He is sent to live with Mr. & Mrs. Micawber (Peter Capaldi and Bronagh Gallagher) while he works at the bottle factory.

David’s life goes from famine to feast, bear to bull. However, he has learned resilience through his encounters with people of all classes and situations. As Copperfield makes his way through life, the tempo slows down, and the frenzy subsides.

Yes, it’s a remake, the film is beautifully made, the cast is an incredibly talented international group. Hugh Laurie and Tilda Swinton provide an endearing portrait of eclectic personalities. The film is just a charming and whimsical piece of storytelling.
  
A Life of My Own: A Biographer's Life
A Life of My Own: A Biographer's Life
Claire Tomalin | 2017 | Biography
9
9.0 (1 Ratings)
Book Rating
A stunning memoir of a life well lived
A biographer's autobiography makes for fascinating reading. Claire Tomalin attempts to recount the past 84 years of her life to the best of her ability, revealing tragic losses without self-pity, and an enduring spirit.

From an unstable childhood, moving from place to place during the war, with her family living across several countries, to having an unstable marriage. She describes her unusual relationship with her first husband, the renowned journalist Nick Tomalin, who was killed while covering the Yom Kippur war in 1973. His constant fleeting from his family to other women, and abusive behaviour is dark and quite a difficult read. In this instance, Tomalin appears to be stuck in a pattern of staying with her abuser for the sake of her children, a common occurrence in the 1960's. In between the chaos of her life, she loses a baby only one month old and has another who is permanently disabled.

In the same way, the dark, inexplicable suicide of her youngest daughter is laid bare, but out of it comes a change of direction of life dimension as Claire's vocation as a literary biographer floods in to fill the gap. These are, ironically, the most touching and well-written scenes. Through her own writings of women such as Mary Wollstonecraft, and Charles Dickens' affair with Ellen Ternan, we see Tomalin's own creativity and resilience. She copes because she must, and because she can.

The literary name dropping is everywhere because it is woven into the huge patchwork quilt of her long life. The candour of her resentment for the Murdoch empire is matched by the awe and admiration she has for Harold Evans and her mother.

One of the final scenes, in which she describes her father's great grandchildren dancing unknowingly on the bed, where he himself lay dead in his coffin only hours before, encapsulates the spirit of this beautiful book. A truly wonderful look into her life.