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Connor Sheffield (293 KP) rated The Raven (2012) in Movies
Apr 27, 2017
A brilliant crime thriller (4 more)
Gory
Connections to the work of Edgar Allan Poe
Great Cast
Watchable over and over again
Would love to know what happens in the end (1 more)
Not as exhilirating after the first watch
Quote the Raven, Nevermore.
First of all let me say this;
I am a poet and a writer, and my biggest inspiration as a writer has always been Edgar Allan Poe. I love the gothic horror, the tragedy, the macabre, and everything that makes Edgar Allan Poe the legend he is today.
With that said, let me tell you why I love this movie. It involves connections to some of Poe's greatest work, and not his poetry necessarily, it's actually more about his stories. Telltale Heart, Pit and the Pendulum and others that are all combined into the twisted mind of our antagonist who uses these stories to commit his crimes and leave evidence behind that only Poe himself would be able to figure out.
It's a brilliant crime thriller that delves into the mind of someone who is essentially Poe's biggest fan, but in a very dark and twisted way that gives us a fictional story about what happened during Poe's last days before he was found dead on a park bench. It's a known fact that Poe's last days remain a mystery and so this film had the opportunity to really play with some great ideas and they were executed brilliantly.
Speaking of execution this film is very grim and gory. One scene involving the story of The Pit and the Pendulum has us watch as a Pendulum drops lower and lower before slicing through a man's stomach like a warm knife through butter. It doesn't leave a lot to the imagination which gives this film some charm and makes it stand out from the rest of the Poe Film adaptations.
John Cusack plays the lengend himself, Edgar Allan Poe and brings a very interesting performance, that seems to suggest Poe thought himself as a higher intelligence to those around him, and he isn't shy to announce it.
Sharing the screen with Cusack, includes names such as Luke Evans who portrays Detective Fields, the detective I mentioned earlier that seeks Poe's assistance in the murder case. Brendan Gleeson portrays a very protective father named Charles Hamilton, who despises Poe being anywhere near his daughter Emily Hamilton, portrayed by Alice Eve. However there differences are put aside as the hunt for the missing Emily continues.
The story transitions well from scene to scene and story to story as each clue leads to the next, and eventually we discover the culprit who I shall not name here because I wish to leave the tension and suspense for you as you watch this film.
I am a poet and a writer, and my biggest inspiration as a writer has always been Edgar Allan Poe. I love the gothic horror, the tragedy, the macabre, and everything that makes Edgar Allan Poe the legend he is today.
With that said, let me tell you why I love this movie. It involves connections to some of Poe's greatest work, and not his poetry necessarily, it's actually more about his stories. Telltale Heart, Pit and the Pendulum and others that are all combined into the twisted mind of our antagonist who uses these stories to commit his crimes and leave evidence behind that only Poe himself would be able to figure out.
It's a brilliant crime thriller that delves into the mind of someone who is essentially Poe's biggest fan, but in a very dark and twisted way that gives us a fictional story about what happened during Poe's last days before he was found dead on a park bench. It's a known fact that Poe's last days remain a mystery and so this film had the opportunity to really play with some great ideas and they were executed brilliantly.
Speaking of execution this film is very grim and gory. One scene involving the story of The Pit and the Pendulum has us watch as a Pendulum drops lower and lower before slicing through a man's stomach like a warm knife through butter. It doesn't leave a lot to the imagination which gives this film some charm and makes it stand out from the rest of the Poe Film adaptations.
John Cusack plays the lengend himself, Edgar Allan Poe and brings a very interesting performance, that seems to suggest Poe thought himself as a higher intelligence to those around him, and he isn't shy to announce it.
Sharing the screen with Cusack, includes names such as Luke Evans who portrays Detective Fields, the detective I mentioned earlier that seeks Poe's assistance in the murder case. Brendan Gleeson portrays a very protective father named Charles Hamilton, who despises Poe being anywhere near his daughter Emily Hamilton, portrayed by Alice Eve. However there differences are put aside as the hunt for the missing Emily continues.
The story transitions well from scene to scene and story to story as each clue leads to the next, and eventually we discover the culprit who I shall not name here because I wish to leave the tension and suspense for you as you watch this film.
Goddess in the Stacks (553 KP) rated Clock Dance in Books
Aug 11, 2018
Clock Dance was the second pick for Barnes & Noble's nation-wide Book Club. (The first was Meg Wolitzer's The Female Persuasion, back in May.) Like the first one, it was contemporary fiction, which I'm pretty meh about. When I learned it was set mostly in Baltimore, and written by a local author, I became more interested. I'm originally from Oregon, but Baltimore has become my home, and I enjoy reading about it. We had a slightly larger group than last time, but I was the only returning attendee besides the store employee, Sam, who led the discussion.
Sam opened the discussion with the same question that she started the last one with - "Did you like the main character?" It's an interesting question because most people ask "Did you like the book?" which can have a different answer. I don't usually read books in which I don't like the main character, but that's usually because I choose my books. I'm not choosing my Book Club books, so it's a good question. Unlike last time, I did like Willa. I disagreed with her judgment when it came to husbands, but I still sympathized with her. I mentioned that I didn't like that she just floated through most of her life without any real ambition, but to be honest, I've done that too. I'm not a very ambitious person - or my ambitions are quite low. I think that, perhaps, is the difference. I find a lot of fulfillment in being, effectively, my husband's personal assistant. It's fun. Willa did not seem to find it fulfilling, she just - didn't want to rock the boat.
I like how we saw each of Willa's "defining moments" - the book opens on her as a child, her volatile mother having stormed out of the house during an argument. Her mother really does a number on her as a child. I think it's why she hates to rock the boat so much. From here, we fast forward to college, and Willa's boyfriend proposing to her after gaslighting her about an event that happened on the plane. Willa's mother disapproves. Vehemently. I think that's part of why Willa accepts. Our next view of Willa's life is the accident that takes her husband's life, and its aftermath.
Then we finally start into the real meat of the book, twenty years after the death of her first husband. Her sons have grown and moved away, she has remarried, and both of her parents have passed. Her husband is a little distant, and she seems rather untethered. Then she gets the strangest phone call. It turns out her eldest son lived with a woman (Denise) and her daughter for a little while in Baltimore; he has since moved on, but "Sean's mother" is still a phone number on Denise's emergency contact list. So when Denise is shot in the leg and put in the hospital, a neighbor lady sees it, assumes Willa is the grandmother of the child, and calls her to come take care of her. It's a little convoluted, and Willa can't even adequately explain to her husband why she's decided to fly to Baltimore to take care of a child she has no relation to, but she does so anyway.
This is where we get to Baltimore, and, in Anne Tyler's own words, "when her story changes to Technicolor."
I actually live just outside Baltimore myself, but one of my best friends lives in Charles Village, and I could SO EASILY envision Willa's neighborhood as a street of rowhomes. (Turns out it's probably based on a neighborhood in Hamilton, according to the Baltimore Sun.) I was even mapping locations in Willa's house to my friend's rowhome! Anne Tyler really captures the spirit of Baltimore, and now I want to read more of her books, even if they are contemporary fiction!
Overall I enjoyed Clock Dance; Anne Tyler is very good at subtle character growth, which is quite realistic. People don't often change all at once. Sometimes it takes a lifetime of being told what to do before finally waking up to what you WANT to do.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Sam opened the discussion with the same question that she started the last one with - "Did you like the main character?" It's an interesting question because most people ask "Did you like the book?" which can have a different answer. I don't usually read books in which I don't like the main character, but that's usually because I choose my books. I'm not choosing my Book Club books, so it's a good question. Unlike last time, I did like Willa. I disagreed with her judgment when it came to husbands, but I still sympathized with her. I mentioned that I didn't like that she just floated through most of her life without any real ambition, but to be honest, I've done that too. I'm not a very ambitious person - or my ambitions are quite low. I think that, perhaps, is the difference. I find a lot of fulfillment in being, effectively, my husband's personal assistant. It's fun. Willa did not seem to find it fulfilling, she just - didn't want to rock the boat.
I like how we saw each of Willa's "defining moments" - the book opens on her as a child, her volatile mother having stormed out of the house during an argument. Her mother really does a number on her as a child. I think it's why she hates to rock the boat so much. From here, we fast forward to college, and Willa's boyfriend proposing to her after gaslighting her about an event that happened on the plane. Willa's mother disapproves. Vehemently. I think that's part of why Willa accepts. Our next view of Willa's life is the accident that takes her husband's life, and its aftermath.
Then we finally start into the real meat of the book, twenty years after the death of her first husband. Her sons have grown and moved away, she has remarried, and both of her parents have passed. Her husband is a little distant, and she seems rather untethered. Then she gets the strangest phone call. It turns out her eldest son lived with a woman (Denise) and her daughter for a little while in Baltimore; he has since moved on, but "Sean's mother" is still a phone number on Denise's emergency contact list. So when Denise is shot in the leg and put in the hospital, a neighbor lady sees it, assumes Willa is the grandmother of the child, and calls her to come take care of her. It's a little convoluted, and Willa can't even adequately explain to her husband why she's decided to fly to Baltimore to take care of a child she has no relation to, but she does so anyway.
This is where we get to Baltimore, and, in Anne Tyler's own words, "when her story changes to Technicolor."
I actually live just outside Baltimore myself, but one of my best friends lives in Charles Village, and I could SO EASILY envision Willa's neighborhood as a street of rowhomes. (Turns out it's probably based on a neighborhood in Hamilton, according to the Baltimore Sun.) I was even mapping locations in Willa's house to my friend's rowhome! Anne Tyler really captures the spirit of Baltimore, and now I want to read more of her books, even if they are contemporary fiction!
Overall I enjoyed Clock Dance; Anne Tyler is very good at subtle character growth, which is quite realistic. People don't often change all at once. Sometimes it takes a lifetime of being told what to do before finally waking up to what you WANT to do.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Dean (6921 KP) Jul 26, 2017
Connor Sheffield (293 KP) Jul 27, 2017