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BookwormMama14 (18 KP) rated A Lady in Defiance (Romance in the Rockies #1) in Books
Jan 2, 2019
When God leads three sisters to a town called Defiance, they had no idea how He would use them to shine His light in the darkest of places.
"Naomi found it mind-boggling and quite humbling what God could do if you let him."
Location 3665
About the Book
Charles McIntyre is the founder of Defiance, a town riddled with lust and drunkenness. He is determined to clean up the town so that the railroad will lay tracks there. The only problem is, he has forgotten what it takes to be a man of honor. Recently widowed Mrs. Naomi Miller and her two sisters, Hannah and Rebecca, know that they were led to Defiance by God. Intent on opening a respectable hotel, they face challenges that they have been unprepared for. Following the Lord's lead...and sometimes that of a feisty personality, the sisters aim to earn a decent reputation in the town and share the love of God with those around them. Showing them that no one is perfect, and that our Heavenly Father loves us no matter our past. Repentance and salvation is available to us all. Will Naomi be able to see past the sins of the man and see his heart? With more than one disreputable man in town, will the sisters remain safe?
My Thoughts
I have not read many books that so blatantly show us the black and white of sin and salvation. There is a lot of language referencing the work of the prostitutes in the story. But I do not feel that the profession was glamorized at all, far from it. There is a lot of reference to the prostitutes' low cut dresses and ogling of the females in general by the men. But as the sisters remain pure, their attitudes and behavior rubs off on those around them. Giving us a perfect example of being in the world but not of it. They held firm to their beliefs and were not swayed by the godless world around them. And through them God brought a change to the town and the occupants. While this is not a book I would recommend for young readers, I never felt uncomfortable reading this and I am planning on reading the rest of the series. I would also like to honor Heather for writing what she was called to write. She shares the true grit of the west with the pure love and acceptance of our Lord Jesus Christ.
My Rating
★★★★☆ - You must allow me to tell you how ardently I admire and love you. (More Info)
Published by Rivulet Publishing. I received a free digital copy of A Lady in Defiance in exchange for my honest review. All opinions expressed are mine alone.
"Naomi found it mind-boggling and quite humbling what God could do if you let him."
Location 3665
About the Book
Charles McIntyre is the founder of Defiance, a town riddled with lust and drunkenness. He is determined to clean up the town so that the railroad will lay tracks there. The only problem is, he has forgotten what it takes to be a man of honor. Recently widowed Mrs. Naomi Miller and her two sisters, Hannah and Rebecca, know that they were led to Defiance by God. Intent on opening a respectable hotel, they face challenges that they have been unprepared for. Following the Lord's lead...and sometimes that of a feisty personality, the sisters aim to earn a decent reputation in the town and share the love of God with those around them. Showing them that no one is perfect, and that our Heavenly Father loves us no matter our past. Repentance and salvation is available to us all. Will Naomi be able to see past the sins of the man and see his heart? With more than one disreputable man in town, will the sisters remain safe?
My Thoughts
I have not read many books that so blatantly show us the black and white of sin and salvation. There is a lot of language referencing the work of the prostitutes in the story. But I do not feel that the profession was glamorized at all, far from it. There is a lot of reference to the prostitutes' low cut dresses and ogling of the females in general by the men. But as the sisters remain pure, their attitudes and behavior rubs off on those around them. Giving us a perfect example of being in the world but not of it. They held firm to their beliefs and were not swayed by the godless world around them. And through them God brought a change to the town and the occupants. While this is not a book I would recommend for young readers, I never felt uncomfortable reading this and I am planning on reading the rest of the series. I would also like to honor Heather for writing what she was called to write. She shares the true grit of the west with the pure love and acceptance of our Lord Jesus Christ.
My Rating
★★★★☆ - You must allow me to tell you how ardently I admire and love you. (More Info)
Published by Rivulet Publishing. I received a free digital copy of A Lady in Defiance in exchange for my honest review. All opinions expressed are mine alone.
Hazel (2934 KP) rated The Guest Book in Books
May 30, 2021
This is the first time reading this author and likely won't be the last as this was an enjoyable and easy read.
Grace and Charles are on their way to St Ives to start their honeymoon when disaster strikes and they are stranded in the small seaside town of Saltwater; with there being few available rooms left, they have to book in to the run-down bed and breakfast, The Anchorage, and which is where the creepiness starts.
This is a story that is full of atmosphere which is excellently captured from start to finish. You can feel the weird vibe jumping out of the pages from not only the strange owners of The Anchorage but from the town itself and its inhabitants. You know something's not quite right but you struggle to put your finger on it and this builds the tension however, and it's a big however, it didn't really end as good as it started; it just seemed to fizzle out unfortunately and I didn't get that sense of satisfaction or pleasure when the "twist" was revealed.
Despite the disappointing conclusion, I did enjoy reading it and will seek out more of C.L. Pattison's work in the future.
Many thanks to Random House UK, Vintage and NetGalley for my copy in return for an honest, unbiased and unedited review.
Grace and Charles are on their way to St Ives to start their honeymoon when disaster strikes and they are stranded in the small seaside town of Saltwater; with there being few available rooms left, they have to book in to the run-down bed and breakfast, The Anchorage, and which is where the creepiness starts.
This is a story that is full of atmosphere which is excellently captured from start to finish. You can feel the weird vibe jumping out of the pages from not only the strange owners of The Anchorage but from the town itself and its inhabitants. You know something's not quite right but you struggle to put your finger on it and this builds the tension however, and it's a big however, it didn't really end as good as it started; it just seemed to fizzle out unfortunately and I didn't get that sense of satisfaction or pleasure when the "twist" was revealed.
Despite the disappointing conclusion, I did enjoy reading it and will seek out more of C.L. Pattison's work in the future.
Many thanks to Random House UK, Vintage and NetGalley for my copy in return for an honest, unbiased and unedited review.
RəX Regent (349 KP) rated The Pirates! An Adventure With Scientists (2012) in Movies
Feb 19, 2019
Ardman Animation returned to the big screen in 2012 with this adaptation of the Children novel series, The Pirates!.
After building model sets in order to plan out a CGI animation similar to their 2011 Arthur Christmas, they quickly decided to return to their roots and this 3-D adventure was filmed as a stop-motion movie and is much the better for it.
The story itself, whilst following real life characters such as Queen Victoria and Charles Darwin, is pure, adulterated fiction, not quite from the school of Ridley Scott in which he claims to be making historical epics whilst taking liberties, I grant you, but still, I’m still having to explain to my 5 year old daughter that Queen Victoria was a super villain as portrayed here! We follow a crew of Pirates, lead by The Pirate Captain (Hugh Grant) as he attempts to win the converted pirate of the year but to no avail.
After an encounter with Charles Darwin (David Tennent), he learns that the ships “parrot”, Polly, is in fact a thought to be extinct Dodo and the pair along with his crew, return to England in order to win Scientist Of The Year as well. But Queen Victoria wants the bird, in order to eat it with other world leaders who gather to taste rarest cuisine.
My main issue with this film is that Victoria is presented a villain and this is now how my 5 year old daughter, who loves this film by the way, now looks upon as a baddie! But other than that this is a witty film built on wit. Every frame contains a joke of some kind, whether it be in the background, audible or part of the action.
Ardman’s style is unmistakable and quintessentially British and I suspect that whilst some international audiences will find this quaint, it will probably be lost on many.
But this is an underrated adventure, with lovable characters, villains and all told at a good pace.
Not something to be used for your history homework but still and enjoyable romp none the less.
After building model sets in order to plan out a CGI animation similar to their 2011 Arthur Christmas, they quickly decided to return to their roots and this 3-D adventure was filmed as a stop-motion movie and is much the better for it.
The story itself, whilst following real life characters such as Queen Victoria and Charles Darwin, is pure, adulterated fiction, not quite from the school of Ridley Scott in which he claims to be making historical epics whilst taking liberties, I grant you, but still, I’m still having to explain to my 5 year old daughter that Queen Victoria was a super villain as portrayed here! We follow a crew of Pirates, lead by The Pirate Captain (Hugh Grant) as he attempts to win the converted pirate of the year but to no avail.
After an encounter with Charles Darwin (David Tennent), he learns that the ships “parrot”, Polly, is in fact a thought to be extinct Dodo and the pair along with his crew, return to England in order to win Scientist Of The Year as well. But Queen Victoria wants the bird, in order to eat it with other world leaders who gather to taste rarest cuisine.
My main issue with this film is that Victoria is presented a villain and this is now how my 5 year old daughter, who loves this film by the way, now looks upon as a baddie! But other than that this is a witty film built on wit. Every frame contains a joke of some kind, whether it be in the background, audible or part of the action.
Ardman’s style is unmistakable and quintessentially British and I suspect that whilst some international audiences will find this quaint, it will probably be lost on many.
But this is an underrated adventure, with lovable characters, villains and all told at a good pace.
Not something to be used for your history homework but still and enjoyable romp none the less.
KatieLouCreate (162 KP) rated Pushing Daisies - Season 2 in TV
Jan 9, 2018
As mentioned in the first season, the story follows Emerson Cod, a private investigator; Charlotte Charles, Ned's childhood sweetheart brought back from the dead by Ned; and Ned, who has the ability to bring the dead back to life for one minute before something else takes its place.
Each episode entails all kinds of quirky murder mysteries in which Ned, Emerson, and Charlotte must solve together. As the season progresses, we learn more about each character and other sub characters such as Olive Snook.
We see Emerson in his flight to get in contact with his long lost daughter, Charlotte who tricks Ned into bringing her deceased father back to life, Olives unrequited love with Ned, and Ned who can never touch his only true, Charlotte, love again.
However, I will warn you, the series end kind of abruptly. The contract for a third series, for some reason, was cancelled meaning everything had to be tied up at the end when it should not have. It is rather unfortunate because it is such a good series.
Each episode entails all kinds of quirky murder mysteries in which Ned, Emerson, and Charlotte must solve together. As the season progresses, we learn more about each character and other sub characters such as Olive Snook.
We see Emerson in his flight to get in contact with his long lost daughter, Charlotte who tricks Ned into bringing her deceased father back to life, Olives unrequited love with Ned, and Ned who can never touch his only true, Charlotte, love again.
However, I will warn you, the series end kind of abruptly. The contract for a third series, for some reason, was cancelled meaning everything had to be tied up at the end when it should not have. It is rather unfortunate because it is such a good series.
Deborah (162 KP) rated White Rose Dies in Books
Dec 21, 2018
Main problem is that as its heart it assumes that the skeletons found in the reign of Charles II are the so-called Princes in the Tower and that they were murdered, neither of which I believe to be true. There isn't a shred of evidence that they were killed by anyone and the skeletons in questions we can't even be sure of the gender of. The author claims they are where Thomas More said they were buried, but in fact they were supposedly found exactly where More said they weren't! Said skeleton were also supposedly tipped on a rubbish heap and then later recovered, so there can be no absolute certainty that the bones interred in Westminster Abbey are the same ones. Of course science could answer so many of our questions now, but these bones have been refused permission for further examination - presumably as the powers that be realise that this will put paid to what they see as a good story on their tourist trail!
Honeycomb by Joanne Harris is a collection of short fairy tales that are all connected by way of the Lacewing King so that a bigger picture of this world is built. The Lacewing King is a cruel and selfish ruler, as are many of the Kings and Queens of the Silken Folk. However the Lacewing King begins to learn that there are consequences to his actions.
I loved these stories. I’m a huge fan of fairytales, myths and legends - they’re most definitely not just stories for children, as these dark and often disturbing stories prove. In fact, these short tales are just like the original fairy tales, in that people are tricked, driven to madness and die (but not ALL the time!).
The seemingly separate stories gives the reader more insight to the world of the Silken Folk, and the overarching story of the Lacewing King was just perfection. The beautiful artwork by Charles Vess really does make this a very special book, and I’m going to be sad to see it go back to the library!
I’d highly recommend this wonderful book.
I loved these stories. I’m a huge fan of fairytales, myths and legends - they’re most definitely not just stories for children, as these dark and often disturbing stories prove. In fact, these short tales are just like the original fairy tales, in that people are tricked, driven to madness and die (but not ALL the time!).
The seemingly separate stories gives the reader more insight to the world of the Silken Folk, and the overarching story of the Lacewing King was just perfection. The beautiful artwork by Charles Vess really does make this a very special book, and I’m going to be sad to see it go back to the library!
I’d highly recommend this wonderful book.
Andy K (10823 KP) rated The Irishman (2019) in Movies
Nov 28, 2019
Great but disappointing
Frank Sheeran starts in humble beginnings driving a meat truck while trying to make a living to support his family. He takes the favor of the right connect mobsters and quickly rises through the ranks to become one of its elite. He perpetrates countless villainous activities including murder, bribery, extortion and general unpleasantness toward his fellow man to the point where it almost becomes routine.
Enter Jimmy Hoffa.
Sheeran befriends the mighty Teamsters union boss and popular, yet controversial figure and the two form a lasting friendship. Sheeran sometimes operates as middle man between the hot-headed Hoffa and his mob contacts, always trying to unruffle feathers and keep the peace. Over many years, there are ups and downs even when Hoffa goes to prison, but their friendship endures.
Sheeran's life of excess has fractures his own family life; however, as his daughter becomes estranged after seeing just what her father is capable of. Their relationship is strained and may never recover. Sheeran's mob connections become more of a family for him as they are where his true loyalties lie.
Sheeran's role n the death of Hoffa has to be considered speculation as, to my knowledge, the perpetrator(s) have never been fully identified. This could be due to the source book by Charles Brandt "I Heard You Paint Houses" where Sheeran confesses. There is forensic evidence to back this up, so I guess it could be more definitive than I first suspected.
If you are comparing The Irishman to Goodfellas and/or Casino, you will be disappointed. Easily in 3rd place of the 3, I enjoyed while watching, but no sequence in particular really stood out. I can remember entire sections of both Goodfellas and Casino and here it seems like Scorsese has lost some of his creativity as far as cool camera shots, long pans or long takes in favor o just letting his fantastic cast have the spotlight. Not a bad idea if you have De Niro, Pacino and Pesci, but I still feel like the film lacked that extra "spark" making it truly great. The screenplay was adequate which is also surprising since Academy Award winning screenwriter Steven Zaillian is no stranger to an epic story, but, again, seems more by the numbers and not very standout.
The run time of almost 3 1/2 hours doesn't help as the film gets bogged down somewhat in the union infighting politics and I can see where that would bore much of the audience. There is a lot to enjoy about the film led by the stellar cast of course. De Niro, while always fantastic, doesn't really have the flashy part this time. Even Joe Pesci is understated compared to his characters in other Scorsese films. Pacino as the stubborn, bullish Hoffa is the standout in my opinion, but every time he gets angry and starts shouting I always think of his role as Big Boy Caprice in Dick Tracy (ok I'm a little weird).
I won't be surprised if the film gets lots of Oscars nods for acting, directing and technicals; however, I feel this is a case where it might be a hot property for a little while and then fade away quickly. We also still don't know if history might repeat itself and Oscar voters turn a cheek away from a Netflix film in favor of one with a more "traditional" distribution. Many believe the same happened in 2018 when critic favorite Roma lost to Green Book for the same reason.
We shall see...
Enter Jimmy Hoffa.
Sheeran befriends the mighty Teamsters union boss and popular, yet controversial figure and the two form a lasting friendship. Sheeran sometimes operates as middle man between the hot-headed Hoffa and his mob contacts, always trying to unruffle feathers and keep the peace. Over many years, there are ups and downs even when Hoffa goes to prison, but their friendship endures.
Sheeran's life of excess has fractures his own family life; however, as his daughter becomes estranged after seeing just what her father is capable of. Their relationship is strained and may never recover. Sheeran's mob connections become more of a family for him as they are where his true loyalties lie.
Sheeran's role n the death of Hoffa has to be considered speculation as, to my knowledge, the perpetrator(s) have never been fully identified. This could be due to the source book by Charles Brandt "I Heard You Paint Houses" where Sheeran confesses. There is forensic evidence to back this up, so I guess it could be more definitive than I first suspected.
If you are comparing The Irishman to Goodfellas and/or Casino, you will be disappointed. Easily in 3rd place of the 3, I enjoyed while watching, but no sequence in particular really stood out. I can remember entire sections of both Goodfellas and Casino and here it seems like Scorsese has lost some of his creativity as far as cool camera shots, long pans or long takes in favor o just letting his fantastic cast have the spotlight. Not a bad idea if you have De Niro, Pacino and Pesci, but I still feel like the film lacked that extra "spark" making it truly great. The screenplay was adequate which is also surprising since Academy Award winning screenwriter Steven Zaillian is no stranger to an epic story, but, again, seems more by the numbers and not very standout.
The run time of almost 3 1/2 hours doesn't help as the film gets bogged down somewhat in the union infighting politics and I can see where that would bore much of the audience. There is a lot to enjoy about the film led by the stellar cast of course. De Niro, while always fantastic, doesn't really have the flashy part this time. Even Joe Pesci is understated compared to his characters in other Scorsese films. Pacino as the stubborn, bullish Hoffa is the standout in my opinion, but every time he gets angry and starts shouting I always think of his role as Big Boy Caprice in Dick Tracy (ok I'm a little weird).
I won't be surprised if the film gets lots of Oscars nods for acting, directing and technicals; however, I feel this is a case where it might be a hot property for a little while and then fade away quickly. We also still don't know if history might repeat itself and Oscar voters turn a cheek away from a Netflix film in favor of one with a more "traditional" distribution. Many believe the same happened in 2018 when critic favorite Roma lost to Green Book for the same reason.
We shall see...
LeftSideCut (3776 KP) rated 1917 (2020) in Movies
Aug 16, 2020
1917 is a remarkable film through and through, and I can't praise it enough.
The cast, the cinematography, the set pieces, the music score are all outstanding.
The plot revolves around Lance Corporals Schofield (George McKay) and Blake (Dean-Charles Chapman) embarking on a seemingly impossible mission across no man's land in Northern France, deep into enemy territory to deliver a message to a fellow regiment, with the aim of preventing them from walking into a trap and potentially losing 1600 soldiers.
The two lead actors are fantastic, portraying two soldiers leaning on each other to achieve their goal.
The journey that takes place is tough and harrowing at times. There's a point about half way through the movie where the pace just doesn't slow down once. It's extremely intense, and bolstered infinitely by the shooting style.
The film is shot in a way that gives the viewer the impression of a one take movie. It's edited together so well that it appears seamless, and allows for some truly breathtaking moments, and never lets you break away from events unfolding. It caught my attention immediately and never lost it for one second.
This method allows for a very stylish looking experience, but it's a kind of style that never detracts or takes away from the horror of war. It's a perfect combination, ensuring that scenes of action feel relentless, whilst sadder moments are suitably poignant and perfectly executed. The emotional beats in 1917 are something else and took me by surprise. I have no shame in saying that I was fighting back tears a couple of times.
By the times the credits rolled, I was just sat in stunned silence, something that has only happened to me a few times before when it comes to movies.
1917 is pretty much perfect. A great war film, a great drama, and en effective exploration of what friendship and duty really mean.
Make the time to watch it if you haven't already!
The cast, the cinematography, the set pieces, the music score are all outstanding.
The plot revolves around Lance Corporals Schofield (George McKay) and Blake (Dean-Charles Chapman) embarking on a seemingly impossible mission across no man's land in Northern France, deep into enemy territory to deliver a message to a fellow regiment, with the aim of preventing them from walking into a trap and potentially losing 1600 soldiers.
The two lead actors are fantastic, portraying two soldiers leaning on each other to achieve their goal.
The journey that takes place is tough and harrowing at times. There's a point about half way through the movie where the pace just doesn't slow down once. It's extremely intense, and bolstered infinitely by the shooting style.
The film is shot in a way that gives the viewer the impression of a one take movie. It's edited together so well that it appears seamless, and allows for some truly breathtaking moments, and never lets you break away from events unfolding. It caught my attention immediately and never lost it for one second.
This method allows for a very stylish looking experience, but it's a kind of style that never detracts or takes away from the horror of war. It's a perfect combination, ensuring that scenes of action feel relentless, whilst sadder moments are suitably poignant and perfectly executed. The emotional beats in 1917 are something else and took me by surprise. I have no shame in saying that I was fighting back tears a couple of times.
By the times the credits rolled, I was just sat in stunned silence, something that has only happened to me a few times before when it comes to movies.
1917 is pretty much perfect. A great war film, a great drama, and en effective exploration of what friendship and duty really mean.
Make the time to watch it if you haven't already!
LeftSideCut (3776 KP) rated Halloween Kills (2021) in Movies
Oct 17, 2021
I can safely say, that I'm not 100% sure whether I liked Halloween Kills or not. There were parts that I genuinely enjoyed, in no small part thanks to Michael Myers. As in Halloween (2018), this Myers is a brutal and unforgiving one. His aesthetic is great and he's intimidating as fuck. This movie pulls no punches in making him out to be a monster, shying further away from the days of rooting for slasher villains. To top it off, Kills easily has some of the best Michael moments in the entire franchise. This is bolstered by some truly fantastic cinematography.
However, the positives are marred quite severely by everything else. The script is hammy as fuck, which is fine, but the tone of the movie is pretty damn serious, and a lot of the screenplay just doesn't land properly. There are endless characters saying something along the lines of "it's my fault, and I'm going to be the one to kill Michael Myers" for no real reason. Additionally, there are a whole bunch of "legacy" characters from the OG Halloween making their return. It's lovely to see the likes of Kyle Richards, Charles Cyphers, and Nancy Stephens back for another round, but they do kind of feel shoehorned in. Tommy Doyle being thrust into the spotlight as a main character is in no means a bad idea, but he's just a bit of a gammon for the entire runtime, and quickly becomes a tiresome protagonist. All of this is exacerbated by pacing that just plummets around the mid point. The whole subplot of a mob chasing down a small bald man who clearly isn't Michael Myers is just ludicrous, and it's goes on FOREVER. All just to throw in a forced "maybe we were the monsters all along" conundrum. It's really dumb.
I didn't hate Halloween Kills by any means, but for me, it was a huge step down from the fantastic 2018 effort. Hopefully, Halloween Ends will bring the quality back up (with more Laurie Strode fingers crossed)
However, the positives are marred quite severely by everything else. The script is hammy as fuck, which is fine, but the tone of the movie is pretty damn serious, and a lot of the screenplay just doesn't land properly. There are endless characters saying something along the lines of "it's my fault, and I'm going to be the one to kill Michael Myers" for no real reason. Additionally, there are a whole bunch of "legacy" characters from the OG Halloween making their return. It's lovely to see the likes of Kyle Richards, Charles Cyphers, and Nancy Stephens back for another round, but they do kind of feel shoehorned in. Tommy Doyle being thrust into the spotlight as a main character is in no means a bad idea, but he's just a bit of a gammon for the entire runtime, and quickly becomes a tiresome protagonist. All of this is exacerbated by pacing that just plummets around the mid point. The whole subplot of a mob chasing down a small bald man who clearly isn't Michael Myers is just ludicrous, and it's goes on FOREVER. All just to throw in a forced "maybe we were the monsters all along" conundrum. It's really dumb.
I didn't hate Halloween Kills by any means, but for me, it was a huge step down from the fantastic 2018 effort. Hopefully, Halloween Ends will bring the quality back up (with more Laurie Strode fingers crossed)
Emma @ The Movies (1786 KP) rated 1917 (2020) in Movies
Jan 22, 2020
It has felt like a long wait to get to this film, there was a lot of talk when Midway was coming out so I was very glad it finally arrived.
Lance Corporal Blake has been told to report with another soldier, the respite from war was short but something important must be afoot. It's more than just important, it's life and death for Blake's older brother. His company have sent word that they're going to advance on the retreating German troops but communications are down and they don't know they're going headfirst into a trap.
Blake and Schofield are tasked with finding a way to their position to stop the advance before they lead 1,600 men into the ambush. Between them and their objective? No man's land, abandoned German trenches and large expanses of open land. One another and vigilance are all they have to get them to their objective.
I ended up seeing this twice on its opening weekend, mainly for technical reasons. When I completed my first watch I saw a lot of tweets about its "one-shot" filming and details of an interview about the filming techniques used, that all made me want to go back and watch for more detail.
If I'm honest with you I didn't notice the "one-shot" filming during my first trip to the cinema. In the interview I saw it said that there were no takes longer than 9 minutes, with its running time that meant that at the very least there were 14 cuts... of course I wanted to go and try to spot them. There were only a few "obvious" ones, but even then some of those felt so seamless that you wouldn't question if they said it was done in one (two) shot(s).
The effects in the film are fantastic, but also one of my only quibbles. There are several video clips with and without effects on floating around the internet and you'll see the massive effort that went into these effects. The major scene that comes to mind is in the trailer, Schofield is running across the field as the regiment is advancing around him. I had just assumed that the shot was aerial, but no, it was filmed from the back of a truck. That doesn't sound all that strange until you see in this video that the truck has a road to drive down that is then CGId out for the final cut. That was incredible to see. But this scene is also the only scene that made me doubt the effects too. When I watched it on the big screen it felt clear that some of the explosions were generated, and watching the clips proved that feeling to be right.
I could ramble on about the effects in this for ages but I need to remember there are other things to talk about... but well, I want to rave a little.
The nighttime scene is truly incredible to watch. It makes you paranoid and scared, you watch the shadows for soldiers and survivors, ugh, gripping and terrifying all at the same time.
Right, come one... move along, Emma!
Not much of a switch but I want to mention what I believe are mainly physical effects. One of the first scenes shows Blake and Schofield going through the trenches and over no man's land, walking through the trenches takes a long time, the fact they dug all of that and decked out the entire length for what is sometimes just a fleeting view. The soldiers as they sleep against the walls blending in like they're not there, the claustrophobic feeling as they walls creep higher and closer around them, and just the sheer volume of people down there. Both fast-paced and drawn out at the same time this whole sequence is complex and important.
After the trenches we see them go over the top into no man's land. The pair of them make an amazing job of playing in the mud. It's another part of the film that makes you look around. What's floating in the water? What's hidden in the mud? Truly spectacular additions and I imagine that on every viewing you'd see something different and horrific appear.
Come on, Emma... acting.
There are a lot of cameos from recognisable talented actors but the nature of the story means they're only the briefest of scenes. Mark Strong was probably my favourite of those, his tone at that critical part of the film was perfect.
To our main duo... Blake is played by Dean-Charles Chapman, a face I recognised but had to look up. I'd seen him most recently in The King and Blinded By The Light but clearly neither of those roles stuck with me. Schofield is played by George MacKay who I haven't seen in anything before. The pair had an interesting dynamic, there was certainly a camaraderie there but I swung between thinking they were good friends and just acquaintances because of their behaviour towards each other. Their characters felt very much at two ends of the scale, Blake optimistic and almost a little green, Schofield, battle-worn and sceptical.
Between the two I can easily say that George MacKay was the better performer. He does get some of the headier scenes to deal with but Chapman felt like he wasn't in a warzone. There were still good moments there but I wasn't as convinced by his performance. MacKay was acting even when he wasn't acting, his moments of silence were just as impressive as his scripted parts.
There is just so much in 1917 to look at, the background is so well thought out that you're drawn to it just as much as the action that's in the foreground. You're scanning everything as they move with them like you're a member of their regiment. It feels like it needs to be watched a couple of times. I watched it to see it, I watched it to watch the techniques and I feel like I want to see it again just to watch that background. None of these watches are for anything other than the technical side of things though. Even though I felt emotional connections with parts of the story it's still a basic quest with obstacles and while it's an interesting look at soldiers and their dedication it's not all that extraordinary.
This truly deserves to win a lot of technical awards. I'm not sure that the acting or script hit the same heights, but as a whole 1917 is definitely something special to see.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/1917-movie-review.html
Lance Corporal Blake has been told to report with another soldier, the respite from war was short but something important must be afoot. It's more than just important, it's life and death for Blake's older brother. His company have sent word that they're going to advance on the retreating German troops but communications are down and they don't know they're going headfirst into a trap.
Blake and Schofield are tasked with finding a way to their position to stop the advance before they lead 1,600 men into the ambush. Between them and their objective? No man's land, abandoned German trenches and large expanses of open land. One another and vigilance are all they have to get them to their objective.
I ended up seeing this twice on its opening weekend, mainly for technical reasons. When I completed my first watch I saw a lot of tweets about its "one-shot" filming and details of an interview about the filming techniques used, that all made me want to go back and watch for more detail.
If I'm honest with you I didn't notice the "one-shot" filming during my first trip to the cinema. In the interview I saw it said that there were no takes longer than 9 minutes, with its running time that meant that at the very least there were 14 cuts... of course I wanted to go and try to spot them. There were only a few "obvious" ones, but even then some of those felt so seamless that you wouldn't question if they said it was done in one (two) shot(s).
The effects in the film are fantastic, but also one of my only quibbles. There are several video clips with and without effects on floating around the internet and you'll see the massive effort that went into these effects. The major scene that comes to mind is in the trailer, Schofield is running across the field as the regiment is advancing around him. I had just assumed that the shot was aerial, but no, it was filmed from the back of a truck. That doesn't sound all that strange until you see in this video that the truck has a road to drive down that is then CGId out for the final cut. That was incredible to see. But this scene is also the only scene that made me doubt the effects too. When I watched it on the big screen it felt clear that some of the explosions were generated, and watching the clips proved that feeling to be right.
I could ramble on about the effects in this for ages but I need to remember there are other things to talk about... but well, I want to rave a little.
The nighttime scene is truly incredible to watch. It makes you paranoid and scared, you watch the shadows for soldiers and survivors, ugh, gripping and terrifying all at the same time.
Right, come one... move along, Emma!
Not much of a switch but I want to mention what I believe are mainly physical effects. One of the first scenes shows Blake and Schofield going through the trenches and over no man's land, walking through the trenches takes a long time, the fact they dug all of that and decked out the entire length for what is sometimes just a fleeting view. The soldiers as they sleep against the walls blending in like they're not there, the claustrophobic feeling as they walls creep higher and closer around them, and just the sheer volume of people down there. Both fast-paced and drawn out at the same time this whole sequence is complex and important.
After the trenches we see them go over the top into no man's land. The pair of them make an amazing job of playing in the mud. It's another part of the film that makes you look around. What's floating in the water? What's hidden in the mud? Truly spectacular additions and I imagine that on every viewing you'd see something different and horrific appear.
Come on, Emma... acting.
There are a lot of cameos from recognisable talented actors but the nature of the story means they're only the briefest of scenes. Mark Strong was probably my favourite of those, his tone at that critical part of the film was perfect.
To our main duo... Blake is played by Dean-Charles Chapman, a face I recognised but had to look up. I'd seen him most recently in The King and Blinded By The Light but clearly neither of those roles stuck with me. Schofield is played by George MacKay who I haven't seen in anything before. The pair had an interesting dynamic, there was certainly a camaraderie there but I swung between thinking they were good friends and just acquaintances because of their behaviour towards each other. Their characters felt very much at two ends of the scale, Blake optimistic and almost a little green, Schofield, battle-worn and sceptical.
Between the two I can easily say that George MacKay was the better performer. He does get some of the headier scenes to deal with but Chapman felt like he wasn't in a warzone. There were still good moments there but I wasn't as convinced by his performance. MacKay was acting even when he wasn't acting, his moments of silence were just as impressive as his scripted parts.
There is just so much in 1917 to look at, the background is so well thought out that you're drawn to it just as much as the action that's in the foreground. You're scanning everything as they move with them like you're a member of their regiment. It feels like it needs to be watched a couple of times. I watched it to see it, I watched it to watch the techniques and I feel like I want to see it again just to watch that background. None of these watches are for anything other than the technical side of things though. Even though I felt emotional connections with parts of the story it's still a basic quest with obstacles and while it's an interesting look at soldiers and their dedication it's not all that extraordinary.
This truly deserves to win a lot of technical awards. I'm not sure that the acting or script hit the same heights, but as a whole 1917 is definitely something special to see.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/1917-movie-review.html