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The Goddess and the Thief
The Goddess and the Thief
Essie Fox | 2013
6
6.0 (1 Ratings)
Book Rating
The Goddess and the Thief is a work of fiction based in Victorian England and briefly at the beginning in Lahore, India. It tells the story of Alice Willoughby, who after living all her life in India with Her father Charles, is moved to England to live in the care of her Aunt Mercy whilst her father returns to Lahore were is works for the English residency as a surgeon. Her Aunt Mercy works as a spiritual medium and after events including the death of Alice’s father and the introduction of the enigmatic Lucian Tillsbury, Alice’s aunt endeavours for her to join the clairvoyant profession. All events lead to dramatic and catastrophic events for Alice.

Considering all the elements such as; gothic Victorian era, Hindu mythology, intrigue, drama and the paranormal I feel I should have liked this book more than I did. There is nothing particular wrong with the book, it works well and is written fine with no obvious errors that I have observed in other books. I just wasn’t my style of book. I have read other reviews that have liken Essie Fox’s writing style as similar to Sarah Waters, who I have read previously and also not found to my taste. Perhaps if books written in the style of Sarah Waters is your cup of tea you may appreciate this tale more. Having said this the inclusion of the Hindu mythology was really interesting and differently added a lot to the story development. There are twists and turns along the way and this is by no means a ‘bad book’ as said just not to my taste.
  
The Water Babies
The Water Babies
Charles Kingsley | Children
6
6.0 (2 Ratings)
Book Rating
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>

This year (2017), Calla Editions are printing a new hardback version of the original 1863 children’s classic <i>The Water Babies</i> written by the Anglican clergyman, Charles Kingsley (1819-75). Subtitled “<i>A Fairytale for a land-baby</i>” the book was intended for Kingsley’s youngest son and therefore was targeted at a juvenile demographic. However, as a result of the 1800’s vernacular and particularly deep themes, it has become more appropriate for older readers. With full-colour illustrations by Jessie Wilcox Smith (1863-1935) from the height of the golden age of illustration, this edition promises to be a collector’s item.

Charles Kingsley, the founder of England’s Christian Socialist movement, was exceedingly interested in the plight of the working class, particularly of the abuse and protection of children. This is reflected in his story about Tom, the ten-year-old London chimney sweep, who suffers ill-treatment at the hands of his employer. Tom, who has known nothing but the sooty streets of London, is embarrassed after scaring a beautiful young girl with his grimy appearance. Running away through a countryside he is unfamiliar with, Tom dives into a river to wash, however, falls asleep in the water.

On awakening, Tom discovers he has been transformed into a water baby; he can live and breathe amongst all the fishes and other mystical water creatures. Forgetting his horrible past, Tom is soon frolicking with the characters he meets, teasing and provoking unsuspecting individuals. But the fairies in charge of water babies are determined to teach him many lessons about truth, mercy, justice and courage.

<i>The Water Babies</i> is a morality fable with fairy-tale-like qualities. It educates young readers about the consequences of their actions but also enlightens them about the cruelty of some adults. Kingsley often talks to the reader (in this instance his son), drawing them into the story and making the scenarios as relatable as possible. The magical underwater setting is merely a veil to hide the lessons Kingsley is attempting to preach.

For the adult reader, Kingsley has a much more political message. Written at the time of political and scientific advancement, particularly in respect to the concept of natural selection, Kingsley attempts to ridicule the ideas of thinkers such as Charles Darwin by producing a satirical narrative. He suggests that scientists are fools who use unnecessarily long and foreign terms, evidenced by his use of the made-up subject of <i>Necrobioneopalæonthydrochthonanthropopithekology</i>. He also goes as far as to mock the majority of adults and appears to be completely anti-Irish people.

In some instances, Charles Kingsley goes too far in his satire, resulting in something that would not be accepted by publishers today. In order for Tom to be the hero of the story, adults need to be viewed as less than good – people who need to be punished for their discourteous treatment of children, which in this instance, they are, and quite graphically. But the most controversial theme explored is death. The more naïve may not cotton on to the fact that Tom falling asleep in the river equates to drowning, yet that is exactly what happened. Only through death can one become a water baby. To make matters slightly more alarming, Kingsley does not see this death as a bad thing; he describes Tom’s new life as something far better than life on earth – coming from a clergyman this is understandable – which suggests that death is better than living for an abused child.

Despite these controversies, Kingsley’s prose is humorous and entertaining - far more mind-boggling than you may initially expect. With characters named Mrs Bedonebyasyoudid and Professor Ptthmllnsprts, there is plenty to make readers laugh. Some of the hilarities may go above the heads of children since the jargon is no longer used in today’s society, however, adults will be able to appreciate the comical aspect.

Over 150 years old, <i>The Water Babies</i> has remained a classic. It reveals the political, scientific and social situations of the mid-1800s, yet it contains wisdom that is still relevant today. As Kingsley’s daughter Rose says in the introduction, “What a fine thing it is to love truth, mercy, justice, courage, and all things noble and of good report.” No matter how peculiar this novel is, it says a lot about the virtues of our character.
  
PD
Platinum Doll
4
4.0 (1 Ratings)
Book Rating
I've longed admired Jean Harlow. There's just something about her that is mesmerizing and infectious. She was someone who seemed to glow from within. While I am no expert and haven't seen all her films, I still have an idea of who she might have been. I was so excited for the opportunity to read <b>Platinum Doll</b>, but as I was reading, the thrill decreased until it was gone.

Ms. Girard's portrayal of Jean Harlow, born Harlean Harlow Carpenter, is hollow, naive and full of wide-eyed wonder at everything. While I will buy the latter two to a certain degree, I can't help feeling that Harlean was savvier and more in control than described in the book. She never grew in the book, and yes there was lip service that she had, but it wasn't felt. Everything seemed to fall into her lap or it was dumb luck. It never felt that Harlean had much gumption or incentive to go for it. Now that's not something I believe is true. Someone who takes on a dare, dyes her hair a shocking platinum blonde, and defies a controlling mother when she elopes isn't a person who stands back and allows things to happen to her. No, she makes them happen.

As for the plot, well, most of it is devoted to her first marriage with Charles "Chuck" McGrew, which was unfortunate as it was boring and redundant with basically the same thing happening over and over again. Yawn. Her mother, Jean Harlow, was shown as your typical stage mother, which I don't doubt she was, but I would also guess that their mother/daughter relationship was deeper and more complicated than that written. Not much is told about her work, just brief glimpses and mentions. Part of the problem was that it was just basic a to b to c telling. Change the names and certain circumstances and this could be about any ingenue in the 20s and 30s.

I could go more in depth, but the book didn't so why should I? I wish I'd passed on <b>Platinum Doll</b> and watched the glamorous Jean Harlow at work or read a biography about her instead. I appreciate what the author tried to do, but the attempt failed to bring to life the vivacity of this fascinating woman.
<i>2.5 stars</i>
<center><img src="http://rs32.pbsrc.com/albums/d6/satilanna/Stars/harlow_zpsp70exwm6.jpg?w=480&h=480&fit=clip"></center>;
  
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Joe Dante recommended The Old Dark House (1932) in Movies (curated)

 
The Old Dark House (1932)
The Old Dark House (1932)
1932 | Horror
6.0 (1 Ratings)
Movie Favorite

"To go back to the ’30s, which is the movies I saw when I was growing up on television — it was one that they never showed, because it was lost for years and it was by James Whale. It’s called The Old Dark House, 1932. It’s currently about to be reissued on Blu-ray. For years, all you could see were these sort of beat-up prints I think they found in the mid-’60s, and they had been lost, because of a remake and some rights issues and stuff. Now, it’s sort of come back, and it’s got a great cast of Charles Laughton, Gloria Stuart, Boris Karloff, Melvyn Douglas, Raymond Massey. It’s the classic “travelers stranded in the haunted house and the bridge has washed out”, but it’s the template for all the movies that followed it. It’s still one of the more watchable and disturbing movies from that period. And it’s a shame that it isn’t better known; it never got television distribution, and it wasn’t included in the package of Universal horror pictures because it wasn’t in their library anymore. It’s a chance, I think, for people to catch up with it now. I’m a big James Whale fan, and this might be his best picture."

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Logan (2017)
Logan (2017)
2017 | Action, Adventure
Old Man Logan (2 more)
Amazing R rated comic book movie
Amazing story
Could have used one more x-man (0 more)
One of the best Marvel movies
Contains spoilers, click to show
Oh my god, this was fantastic. I knew this was going to be a amazing movie going in but it just blew my mind. I never thought we were going to get an Old Man Logan. But Hugh Jackman played the role in away I didn't see coming. From the opening scene inside the limo was the best. Logan was so angry but he really didn't want to bust out the claws. But when you are push to the brink anger just pops out. It was the first time I think I have ever seen blood in an X-men movie. It just got so much better after that.

The addition of Professor X was kind of crazy. I didn't know how it would play out but him being bat shit crazy was a totally different side of him that worked. He really helped show the human side of being a mutant and show Logan there can be peaceful side of life. Them helping the farmer was one of the best scenes in the movie because it helped Logan bring out the human in him and not just his animal instincts.


The little girl that played X-23 was great. I did not know a girl could play anger so well. And that her parents would let her decapitate someone. I really hope they do a full X-23 movie with her grown up, I think it will help keep the series alive.


The death of Logan and Charles hit me so hard. I grew up watching these characters grow and get old and it was very sad to see it end. Logan's burial was done so fast but the kids had to escape, I do wish there was a little more to it and more of a score. But overall fantastic ending to a great Wolverine.


If you didn't see this movie in the theater that's to bad. If you haven't seen at all go see this movie now.
  
The Smallest Man
The Smallest Man
Frances Quinn | 2021 | Fiction & Poetry
10
10.0 (1 Ratings)
Book Rating
As soon as I read the synopsis of this book, I knew that I had to read it. I haven’t read many books set during this period, and as a big historical fiction fan, I could see that i needed to rectify this! To be quite honest, I didn’t even know the name of Charles I’s wife (it’s Henrietta Maria, by the way).
The queen’s dwarf, Nat Davy, leads an incredibly lucky life, even though his size would, under normal circumstances have potentially led to a life of being manipulated and used for others financial advantage. Nat misses his mother and brother in the time after he arrives at the palace, and had tried all sorts of stretching exercises to stay with them, but his father sees him as useless, pointless, a waste of his money. And when Nat’s father sells him to the Duke of Buckingham, he doesn’t know that he’s being sold into a life of privilege.

Although he’s terrified, and believes at one point that he’s going to be eaten, Nat is a very brave child. He does what’s asked of him, and is rewarded for his courage. He has an education, food, comfort and beautiful clothes.

Nat grabs his new life with both hands and begins to enjoy it - until he finds himself fleeing the country with the queen at the start of the Civil War. This must have been a pretty terrifying period to have been living in. Soldiers seemed to swap sides depending on who was winning - but Nat remains loyal to the queen.

I thoroughly enjoyed reading about Nat and his adventures. He’s a wonderful character, and he certainly lived an amazing life. Whilst Nat is an imagined character based on the real ‘dwarf’ Jeffrey Hudson, his imagined life was actually very tame in comparison to that of the real person. But I fell for Nat Davy. There’s no wonder that he had so many good friends who loved and respected him. Have I said that I loved this book? Well, I’ve said it again - I’d highly recommend it too!
  
A Woman is a Woman (1961)
A Woman is a Woman (1961)
1961 | Comedy, Drama, Romance
(0 Ratings)
Movie Favorite

"I blame this movie for starting me smoking again when I was in film school in the eighties. After becoming so smitten with all that Anna Karina embodies, I decided to wear blue tights with red skirts and smoke, constantly. Needless to say it did not turn me into Anna Karina—my tights were the wrong shade of blue, and I was hacking like an old granny at the Santa Anita racetrack. Still, I loved the film, wildly, and love her in it. What is so gorgeous about this DVD is, firstly, Anna herself, and nextly, the color is like powdered paint, soft yet vibrant—not just the gorgeousness of everything Karina wears but also the murals on the walls of the strip club where she works, the jukebox from which Charles Aznavour sings. The exteriors, often shot from high angles on rooftops, have the feel and texture of what Paris must have been at that moment. I saw in the booklet that this film was very special for Jean-Luc Godard and Karina. They were in love, they wed, she was pregnant with their baby, and you can feel the exuberance of the romance in this movie. It’s absolutely exhilarating to me, and also incredibly funny. The other amazing feature on the DVD is a short documentary on Anna Karina made in 1966, clearly to promote Anna, the musical Serge Gainsbourg wrote for her. Serge closes the short, talking in the most brazenly sensual, big, bold close-up about Anna’s humor, her voice, and her sex appeal . . . It’s scrumptious!"

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