Search

Search only in certain items:

Ruggles of Red Gap (1935)
Ruggles of Red Gap (1935)
1935 | Classics, Comedy, Drama
(0 Ratings)
Movie Favorite

"Charles Laughton plays an English butler whose British lord loses him in a poker game to a cowboy from Red Gap, Washington. Ruggles is the butler, a manservant, and he’s forced to move to America, and this cowboy doesn’t [Heaton goes into cowboy twang] feel comfortable having a manservant because it’s ‘Merica and every man is his own man and we have freedom. He tries to help Ruggles become a free man and Ruggles’ family’s whole tradition was being menservants to people. He finds it very hard to embrace American freedom. It has really funny, terrific, and moving performances, and not very many people watch it — or have even seen it or heard of it. I make my boys watch it every Thanksgiving. I’m like, “Boys, it’s that tiiiime!” and they’re like, “Noooooooo, not Ruggles.” but I think they’ll come to appreciate it."

Source
  
Bringing Up Baby (1938)
Bringing Up Baby (1938)
1938 | Classics, Comedy, Romance
8
8.8 (5 Ratings)
Movie Rating
The Perfect Example of a "Screwball Comedy"
It's always a bit of a crap-shoot when one shows an 82 year old, black and white film to a couple of college age students. But, with a film as crazy/zany as the 1938 Howard Hawks screwball comedy BRINGING UP BABY, the odds are in your favor.

The college students loved it.

Starring Cary Grant and Katherine Hepburn - in their screwball comedy best - BRINGING UP BABY tells the story of a paleontologist (Grant) who is looking to land a $1 million donation, but ends up crossing paths with a wealthy heiress (Hepburn) - who marches to the beat of her own drum.

Told at breakneck speed by Hawks - a trademark of screwball comedy - BRINGING UP BABY is smart, witty, wacky and very, very funny. I was surprised at this viewing just how fast-paced this film is - you do not come up for a breath throughout the entire film. It's a bit exhausting - and exhilarating - kind of like hanging onto a wild roller coaster ride.

Remembered more for their dramatic roles, Hepburn and Grant are marvelous as the 2 leads of this film, they banter back and forth - quickly - throughout the film, they have tremendous chemistry with each other and their patter is a hallmark of these types of films and I was amazed at the dexterity and timing of these 2 pros. They make the dialogue work by not commenting on the comedy of it, but just moving onto the next scene, the next line, the next situation.

The supporting cast - featuring such rubber faced character actors as Charles Ruggles, Barry Fitzgerald, Fritz Feld and Leona Roberts - are just as good and add to the insanity that is seen on the screen. All corralled beautifully by one of the greatest Directors of the Old Hollywood era (the era before 1960), Howard Hawks who would end up directing a few years later the epitome of the screwball comedy - HIS GIRL FRIDAY - but who also Directed such classics as SCARFACE, THE BIG SLEEP, TO HAVE AND HAVE NOT and GENTLEMEN PREFER BLONDES as well as quite a few John Wayne westerns like RED RIVER, RIO BRAVO and EL DORADO.

Oh...and did I mention...the 3rd leading performer of this film is a Leopard?

If you are looking to introduce someone (or maybe yourself) to a film type of a bygone era - you could do worse than BRINGING UP BABY - a screwball comedy that clips along in 102 fast-paced minutes.

Letter Grade: A-

8 stars (out of 10) and you can take that to the Bank(OfMarquis)