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Bong Mines Entertainment (15 KP) rated In Disguise - Single by Ashe in Music
Jun 25, 2019
Ashe is a talented singer-songwriter based in California. Not too long ago, she released a lovely alternative-pop tune, entitled, “In Disguise”, released via Mom + Pop Music.
“I was living free like I wanted to, but they laughed at me. So, I came to you asking for a good time and a ticket out of my mind. You said people ‘round the world will try to bring you down. Told me don’t give in to the power, you got power yourself. Everybody’s got their reasons they can all go to hell if they like.” – lyrics
‘In Disguise’ tells an interesting tale of a young woman who would rather be hated for who she is than waste it all giving a damn.
Apparently, she would rather dig her own grave than to listen to what people have to say about her.
Later, she admits that it’s beneficial to follow your own heart. Also, it’s important to find out who your friends are in disguise.
‘In Disguise’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an alternative-pop aroma.
“‘In Disguise’ is about having healthy boundaries with the people around you. I don’t want to make everyone feel suspicious about the people they love. I just know there have been several people in my life who were seemingly ‘there for me’ when they really just wanted to use me. It’s just another look at the human condition.” – Ashe
‘In Disguise’ marks the announcement of the sprawling Mom’s First Headline Tour presented by Live Nation’s Ones To Watch and features support from Charlie Burg.
Ones To Watch is Live Nation’s discovery platform for emerging artists of all genres. As avid supporters of Ashe’s music since day one, they are proud to present what is set to be the prolific talent’s breakout tour.
⇒ Buy Tickets to see Ashe perform ⇐
The trek will begin on September 10th in Washington, DC, and run through October 25th as she wraps up over a month of performances in Atlanta, Georgia.
Ashe has established an incredible track record which includes being Amazon’s 2019 Artists To Watch, performing on Last Call with Carson Daly, and co-writing Demi Lovato’s hit single, entitled, “You Don’t Do It For Me Anymore”.
Her music has amassed over 48M global streams online, repeated appearances on Spotify’s Global Viral 50, and nine HypeM #1 slots in a row.
“I was living free like I wanted to, but they laughed at me. So, I came to you asking for a good time and a ticket out of my mind. You said people ‘round the world will try to bring you down. Told me don’t give in to the power, you got power yourself. Everybody’s got their reasons they can all go to hell if they like.” – lyrics
‘In Disguise’ tells an interesting tale of a young woman who would rather be hated for who she is than waste it all giving a damn.
Apparently, she would rather dig her own grave than to listen to what people have to say about her.
Later, she admits that it’s beneficial to follow your own heart. Also, it’s important to find out who your friends are in disguise.
‘In Disguise’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an alternative-pop aroma.
“‘In Disguise’ is about having healthy boundaries with the people around you. I don’t want to make everyone feel suspicious about the people they love. I just know there have been several people in my life who were seemingly ‘there for me’ when they really just wanted to use me. It’s just another look at the human condition.” – Ashe
‘In Disguise’ marks the announcement of the sprawling Mom’s First Headline Tour presented by Live Nation’s Ones To Watch and features support from Charlie Burg.
Ones To Watch is Live Nation’s discovery platform for emerging artists of all genres. As avid supporters of Ashe’s music since day one, they are proud to present what is set to be the prolific talent’s breakout tour.
⇒ Buy Tickets to see Ashe perform ⇐
The trek will begin on September 10th in Washington, DC, and run through October 25th as she wraps up over a month of performances in Atlanta, Georgia.
Ashe has established an incredible track record which includes being Amazon’s 2019 Artists To Watch, performing on Last Call with Carson Daly, and co-writing Demi Lovato’s hit single, entitled, “You Don’t Do It For Me Anymore”.
Her music has amassed over 48M global streams online, repeated appearances on Spotify’s Global Viral 50, and nine HypeM #1 slots in a row.
Bong Mines Entertainment (15 KP) rated Prom - Single by COTIS in Music
Jun 25, 2019
Ashe is a talented singer-songwriter based in California. Not too long ago, she released a lovely alternative-pop tune, entitled, “In Disguise”, released via Mom + Pop Music.
“I was living free like I wanted to, but they laughed at me. So, I came to you asking for a good time and a ticket out of my mind. You said people ‘round the world will try to bring you down. Told me don’t give in to the power, you got power yourself. Everybody’s got their reasons they can all go to hell if they like.” – lyrics
‘In Disguise’ tells an interesting tale of a young woman who would rather be hated for who she is than waste it all giving a damn.
Apparently, she would rather dig her own grave than to listen to what people have to say about her.
Later, she admits that it’s beneficial to follow your own heart. Also, it’s important to find out who your friends are in disguise.
‘In Disguise’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an alternative-pop aroma.
“‘In Disguise’ is about having healthy boundaries with the people around you. I don’t want to make everyone feel suspicious about the people they love. I just know there have been several people in my life who were seemingly ‘there for me’ when they really just wanted to use me. It’s just another look at the human condition.” – Ashe
‘In Disguise’ marks the announcement of the sprawling Mom’s First Headline Tour presented by Live Nation’s Ones To Watch and features support from Charlie Burg.
Ones To Watch is Live Nation’s discovery platform for emerging artists of all genres. As avid supporters of Ashe’s music since day one, they are proud to present what is set to be the prolific talent’s breakout tour.
⇒ Buy Tickets to see Ashe perform ⇐
The trek will begin on September 10th in Washington, DC, and run through October 25th as she wraps up over a month of performances in Atlanta, Georgia.
Ashe has established an incredible track record which includes being Amazon’s 2019 Artists To Watch, performing on Last Call with Carson Daly, and co-writing Demi Lovato’s hit single, entitled, “You Don’t Do It For Me Anymore”.
Her music has amassed over 48M global streams online, repeated appearances on Spotify’s Global Viral 50, and nine HypeM #1 slots in a row.
“I was living free like I wanted to, but they laughed at me. So, I came to you asking for a good time and a ticket out of my mind. You said people ‘round the world will try to bring you down. Told me don’t give in to the power, you got power yourself. Everybody’s got their reasons they can all go to hell if they like.” – lyrics
‘In Disguise’ tells an interesting tale of a young woman who would rather be hated for who she is than waste it all giving a damn.
Apparently, she would rather dig her own grave than to listen to what people have to say about her.
Later, she admits that it’s beneficial to follow your own heart. Also, it’s important to find out who your friends are in disguise.
‘In Disguise’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an alternative-pop aroma.
“‘In Disguise’ is about having healthy boundaries with the people around you. I don’t want to make everyone feel suspicious about the people they love. I just know there have been several people in my life who were seemingly ‘there for me’ when they really just wanted to use me. It’s just another look at the human condition.” – Ashe
‘In Disguise’ marks the announcement of the sprawling Mom’s First Headline Tour presented by Live Nation’s Ones To Watch and features support from Charlie Burg.
Ones To Watch is Live Nation’s discovery platform for emerging artists of all genres. As avid supporters of Ashe’s music since day one, they are proud to present what is set to be the prolific talent’s breakout tour.
⇒ Buy Tickets to see Ashe perform ⇐
The trek will begin on September 10th in Washington, DC, and run through October 25th as she wraps up over a month of performances in Atlanta, Georgia.
Ashe has established an incredible track record which includes being Amazon’s 2019 Artists To Watch, performing on Last Call with Carson Daly, and co-writing Demi Lovato’s hit single, entitled, “You Don’t Do It For Me Anymore”.
Her music has amassed over 48M global streams online, repeated appearances on Spotify’s Global Viral 50, and nine HypeM #1 slots in a row.
Bong Mines Entertainment (15 KP) rated Redeye - Single by Roken in Music
Jun 25, 2019
Ashe is a talented singer-songwriter based in California. Not too long ago, she released a lovely alternative-pop tune, entitled, “In Disguise”, released via Mom + Pop Music.
“I was living free like I wanted to, but they laughed at me. So, I came to you asking for a good time and a ticket out of my mind. You said people ‘round the world will try to bring you down. Told me don’t give in to the power, you got power yourself. Everybody’s got their reasons they can all go to hell if they like.” – lyrics
‘In Disguise’ tells an interesting tale of a young woman who would rather be hated for who she is than waste it all giving a damn.
Apparently, she would rather dig her own grave than to listen to what people have to say about her.
Later, she admits that it’s beneficial to follow your own heart. Also, it’s important to find out who your friends are in disguise.
‘In Disguise’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an alternative-pop aroma.
“‘In Disguise’ is about having healthy boundaries with the people around you. I don’t want to make everyone feel suspicious about the people they love. I just know there have been several people in my life who were seemingly ‘there for me’ when they really just wanted to use me. It’s just another look at the human condition.” – Ashe
‘In Disguise’ marks the announcement of the sprawling Mom’s First Headline Tour presented by Live Nation’s Ones To Watch and features support from Charlie Burg.
Ones To Watch is Live Nation’s discovery platform for emerging artists of all genres. As avid supporters of Ashe’s music since day one, they are proud to present what is set to be the prolific talent’s breakout tour.
The trek will begin on September 10th in Washington, DC, and run through October 25th as she wraps up over a month of performances in Atlanta, Georgia.
Ashe has established an incredible track record which includes being Amazon’s 2019 Artists To Watch, performing on Last Call with Carson Daly, and co-writing Demi Lovato’s hit single, entitled, “You Don’t Do It For Me Anymore”.
Her music has amassed over 48M global streams online, repeated appearances on Spotify’s Global Viral 50, and nine HypeM #1 slots in a row.
“I was living free like I wanted to, but they laughed at me. So, I came to you asking for a good time and a ticket out of my mind. You said people ‘round the world will try to bring you down. Told me don’t give in to the power, you got power yourself. Everybody’s got their reasons they can all go to hell if they like.” – lyrics
‘In Disguise’ tells an interesting tale of a young woman who would rather be hated for who she is than waste it all giving a damn.
Apparently, she would rather dig her own grave than to listen to what people have to say about her.
Later, she admits that it’s beneficial to follow your own heart. Also, it’s important to find out who your friends are in disguise.
‘In Disguise’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an alternative-pop aroma.
“‘In Disguise’ is about having healthy boundaries with the people around you. I don’t want to make everyone feel suspicious about the people they love. I just know there have been several people in my life who were seemingly ‘there for me’ when they really just wanted to use me. It’s just another look at the human condition.” – Ashe
‘In Disguise’ marks the announcement of the sprawling Mom’s First Headline Tour presented by Live Nation’s Ones To Watch and features support from Charlie Burg.
Ones To Watch is Live Nation’s discovery platform for emerging artists of all genres. As avid supporters of Ashe’s music since day one, they are proud to present what is set to be the prolific talent’s breakout tour.
The trek will begin on September 10th in Washington, DC, and run through October 25th as she wraps up over a month of performances in Atlanta, Georgia.
Ashe has established an incredible track record which includes being Amazon’s 2019 Artists To Watch, performing on Last Call with Carson Daly, and co-writing Demi Lovato’s hit single, entitled, “You Don’t Do It For Me Anymore”.
Her music has amassed over 48M global streams online, repeated appearances on Spotify’s Global Viral 50, and nine HypeM #1 slots in a row.
Bong Mines Entertainment (15 KP) rated Sweet Boy - Single by Krissy in Music
Jun 25, 2019
Ashe is a talented singer-songwriter based in California. Not too long ago, she released a lovely alternative-pop tune, entitled, “In Disguise”, released via Mom + Pop Music.
“I was living free like I wanted to, but they laughed at me. So, I came to you asking for a good time and a ticket out of my mind. You said people ‘round the world will try to bring you down. Told me don’t give in to the power, you got power yourself. Everybody’s got their reasons they can all go to hell if they like.” – lyrics
‘In Disguise’ tells an interesting tale of a young woman who would rather be hated for who she is than waste it all giving a damn.
Apparently, she would rather dig her own grave than to listen to what people have to say about her.
Later, she admits that it’s beneficial to follow your own heart. Also, it’s important to find out who your friends are in disguise.
‘In Disguise’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an alternative-pop aroma.
“‘In Disguise’ is about having healthy boundaries with the people around you. I don’t want to make everyone feel suspicious about the people they love. I just know there have been several people in my life who were seemingly ‘there for me’ when they really just wanted to use me. It’s just another look at the human condition.” – Ashe
‘In Disguise’ marks the announcement of the sprawling Mom’s First Headline Tour presented by Live Nation’s Ones To Watch and features support from Charlie Burg.
Ones To Watch is Live Nation’s discovery platform for emerging artists of all genres. As avid supporters of Ashe’s music since day one, they are proud to present what is set to be the prolific talent’s breakout tour.
The trek will begin on September 10th in Washington, DC, and run through October 25th as she wraps up over a month of performances in Atlanta, Georgia.
Ashe has established an incredible track record which includes being Amazon’s 2019 Artists To Watch, performing on Last Call with Carson Daly, and co-writing Demi Lovato’s hit single, entitled, “You Don’t Do It For Me Anymore”.
Her music has amassed over 48M global streams online, repeated appearances on Spotify’s Global Viral 50, and nine HypeM #1 slots in a row.
“I was living free like I wanted to, but they laughed at me. So, I came to you asking for a good time and a ticket out of my mind. You said people ‘round the world will try to bring you down. Told me don’t give in to the power, you got power yourself. Everybody’s got their reasons they can all go to hell if they like.” – lyrics
‘In Disguise’ tells an interesting tale of a young woman who would rather be hated for who she is than waste it all giving a damn.
Apparently, she would rather dig her own grave than to listen to what people have to say about her.
Later, she admits that it’s beneficial to follow your own heart. Also, it’s important to find out who your friends are in disguise.
‘In Disguise’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an alternative-pop aroma.
“‘In Disguise’ is about having healthy boundaries with the people around you. I don’t want to make everyone feel suspicious about the people they love. I just know there have been several people in my life who were seemingly ‘there for me’ when they really just wanted to use me. It’s just another look at the human condition.” – Ashe
‘In Disguise’ marks the announcement of the sprawling Mom’s First Headline Tour presented by Live Nation’s Ones To Watch and features support from Charlie Burg.
Ones To Watch is Live Nation’s discovery platform for emerging artists of all genres. As avid supporters of Ashe’s music since day one, they are proud to present what is set to be the prolific talent’s breakout tour.
The trek will begin on September 10th in Washington, DC, and run through October 25th as she wraps up over a month of performances in Atlanta, Georgia.
Ashe has established an incredible track record which includes being Amazon’s 2019 Artists To Watch, performing on Last Call with Carson Daly, and co-writing Demi Lovato’s hit single, entitled, “You Don’t Do It For Me Anymore”.
Her music has amassed over 48M global streams online, repeated appearances on Spotify’s Global Viral 50, and nine HypeM #1 slots in a row.
Movie Metropolis (309 KP) rated Pacific Rim (2013) in Movies
Jun 11, 2019
“Today, we are cancelling the apocalypse” barks Idris Elba’s Stacker Pentecost in the trailer for Pacific Rim, but it’s over 90 minutes in when you finally hear him utter that attention grabbing phrase in a movie so big, it will make your head spin. But is it worth the migraine?
In short, the answer is yes. Director Guillermo del Toro has created a monster movie that utilises themes from many other ‘classic’ films, giving it an old fashioned feel, whilst still making it incredibly fresh and unique.
The story is simple, but don’t let it fool you into thinking it’ll be a one dimensional ride from A to B, Pacific Rim is much more than that, it’s a big blockbuster most definitely, but it also gets the subtleties right; it has a heart. We begin with a Shakespearean narration by Raleigh Becket (Charlie Hunnan) who tells us about a war breaking out between humans and the Kaiju, a race of monsters from deep within the Pacific Ocean, and the only way to beat them is to bring in the heavy metal. Enter the Jaeger program, a series of gigantic robots built across the world to defend Earth against the terrifying creatures.
Whilst piloting a Jaeger, you are connected with a co-pilot who can see memories in a ‘drift’, a kind of telepathy which can be deadly for those around you if you ‘chase the rabbit’ and trap yourself in a memory which has caused distress. After all, you’re piloting a giant robot with laser beams, swords and over 100 diesel engines in some cases.
Hunnan’s character Raleigh is distraught after an incident with a Kaiju, so much so that he leaves the program and thinks he will never have to return. Unfortunately, he is very wrong and after five years he is back and, to cut a long story short, is teamed up with a rookie pilot in the shape of Mako Mori (Rinko Kikuchi) to put an end to the forthcoming invasion.
The film borrows heavily from other similar-minded movies like Cloverfield and Transformers and there’s even a subtle nod to Jurassic Park, see if you can spot it, but yet del Toro always manages to make the film feel new, exciting and exceptionally fresh. Never before have we seen all of these regularly used components together, and it adds an interesting new dynamic to a film which could’ve been run of the mill.
Acting is a mixed bag; Idris Elba is excellent in his role as Pentecost and shows why he is like catnip to directors at the moment. Rinko Kikuchi is understated in her large role but plays the character well; we feel her innocence before her ‘drift virginity’ is taken. There is also one scene involving a younger version of Mori which is by far the most poignant in the entire film. For comic relief, of which there is a surprising amount in a film about the destruction of the globe, we have a del Toro staple, Ron Perlman, who plays a black market dealer roped in to help the cause and locate a Kaiju brain. Rob Kazinsky (True Blood) and Charlie Day (Horrible Bosses) also star, with the latter providing some of the films best lines.
The special effects are truly exceptional, in films this big there can sometimes be a few shoddy scenes to cut costs in the hope that audiences don’t notice but not here; everything is stunning – from the computer generated Jaegers and the computer generated Kaiju, to the CGI recreations of Hong Kong and other destinations across the globe, it truly is beautiful to watch. Couple this with an absolutely mind-blowing soundtrack and each frame has either a tantalising musical score or a piece of eye-popping visual.
However, after an initially exciting opening, we are treated to a first-act lull from which the film takes a good 30 minutes to recover from, this being the most disappointing thing in the entire movie. The lull is used to good effect though, as we learn more about the lead characters and the Jaeger program itself, but 30 minutes in a 2 hour film is a little too long to wait for the action to restart.
Overall, Pacific Rim is everything a big summer blockbuster should be, it has beautiful special effects, excellent performances and a decent story mixed with a superb soundtrack. We’ve seen it all before, but in separate films, so to put everything together was a brave move on behalf of del Toro and it works brilliantly. It’s a little too long and the first-act lull is disappointing, but in the end it all ties together nicely as pure popcorn entertainment.
https://moviemetropolis.net/2013/07/13/pacific-rim-review-2013/
In short, the answer is yes. Director Guillermo del Toro has created a monster movie that utilises themes from many other ‘classic’ films, giving it an old fashioned feel, whilst still making it incredibly fresh and unique.
The story is simple, but don’t let it fool you into thinking it’ll be a one dimensional ride from A to B, Pacific Rim is much more than that, it’s a big blockbuster most definitely, but it also gets the subtleties right; it has a heart. We begin with a Shakespearean narration by Raleigh Becket (Charlie Hunnan) who tells us about a war breaking out between humans and the Kaiju, a race of monsters from deep within the Pacific Ocean, and the only way to beat them is to bring in the heavy metal. Enter the Jaeger program, a series of gigantic robots built across the world to defend Earth against the terrifying creatures.
Whilst piloting a Jaeger, you are connected with a co-pilot who can see memories in a ‘drift’, a kind of telepathy which can be deadly for those around you if you ‘chase the rabbit’ and trap yourself in a memory which has caused distress. After all, you’re piloting a giant robot with laser beams, swords and over 100 diesel engines in some cases.
Hunnan’s character Raleigh is distraught after an incident with a Kaiju, so much so that he leaves the program and thinks he will never have to return. Unfortunately, he is very wrong and after five years he is back and, to cut a long story short, is teamed up with a rookie pilot in the shape of Mako Mori (Rinko Kikuchi) to put an end to the forthcoming invasion.
The film borrows heavily from other similar-minded movies like Cloverfield and Transformers and there’s even a subtle nod to Jurassic Park, see if you can spot it, but yet del Toro always manages to make the film feel new, exciting and exceptionally fresh. Never before have we seen all of these regularly used components together, and it adds an interesting new dynamic to a film which could’ve been run of the mill.
Acting is a mixed bag; Idris Elba is excellent in his role as Pentecost and shows why he is like catnip to directors at the moment. Rinko Kikuchi is understated in her large role but plays the character well; we feel her innocence before her ‘drift virginity’ is taken. There is also one scene involving a younger version of Mori which is by far the most poignant in the entire film. For comic relief, of which there is a surprising amount in a film about the destruction of the globe, we have a del Toro staple, Ron Perlman, who plays a black market dealer roped in to help the cause and locate a Kaiju brain. Rob Kazinsky (True Blood) and Charlie Day (Horrible Bosses) also star, with the latter providing some of the films best lines.
The special effects are truly exceptional, in films this big there can sometimes be a few shoddy scenes to cut costs in the hope that audiences don’t notice but not here; everything is stunning – from the computer generated Jaegers and the computer generated Kaiju, to the CGI recreations of Hong Kong and other destinations across the globe, it truly is beautiful to watch. Couple this with an absolutely mind-blowing soundtrack and each frame has either a tantalising musical score or a piece of eye-popping visual.
However, after an initially exciting opening, we are treated to a first-act lull from which the film takes a good 30 minutes to recover from, this being the most disappointing thing in the entire movie. The lull is used to good effect though, as we learn more about the lead characters and the Jaeger program itself, but 30 minutes in a 2 hour film is a little too long to wait for the action to restart.
Overall, Pacific Rim is everything a big summer blockbuster should be, it has beautiful special effects, excellent performances and a decent story mixed with a superb soundtrack. We’ve seen it all before, but in separate films, so to put everything together was a brave move on behalf of del Toro and it works brilliantly. It’s a little too long and the first-act lull is disappointing, but in the end it all ties together nicely as pure popcorn entertainment.
https://moviemetropolis.net/2013/07/13/pacific-rim-review-2013/
Daniel Boyd (1066 KP) rated Black Mirror: Bandersnatch (2018) in Movies
Jan 18, 2019 (Updated Jan 18, 2019)
The Illusion of Choice
Contains spoilers, click to show
I should preface this review by saying a few things. First of all, I don't like Black Mirror. I have watched a handful of episodes from the first season and always felt like it wasn't as clever as it tried to be. I do however like Charlie Brooker, I am a fan of his 'Wipe,' shows and I like his no bullshit personality. Lastly, I am not a fan of games or books where the audience is asked to choose the path they want to take. I believe that the writer of the movie/game/book should be the one to dictate where the story goes, not Joe Bloggs sitting on his couch covered in Doritos powder.
With all of that said, I decided to give Bandersnatch a go last night. I was intrigued by the whole choose-your-own-adventure concept and did go in wanting to like this thing. Unfortunately, following all the hype that surrounded its release a few weeks ago, I came away pretty disappointed.
As for my spoiler free thoughts, I thought that Will Poulter was the best thing about this film and that Fionn Whitehead's performance was okay, but felt forced and cheesy at times. However, in order to discuss why Bandersnatch ultimately left me disappointed, I am going to have to spoil the movie, so if you haven't went through it for yourself yet, you should probably look away now.
3,2,1... SPOILERS!
So, it turns out that the choices that you make while watching the film don't really matter for the most part. After spending 2-3 hours with it, I discovered that there are only really 2 endings. Either Stefan kills his dad or he goes to the therapist and she breaks the fourth wall. Every other ending is not really an ending and forces you back into the last situation until you make the choice that the filmmakers clearly want you to make.
As we are pretty much controlling Stefan during the course of the story, I chose to pick the best decisions for him, rather than choosing the more cruel, sick settings just to see what would happen. However Bandersnatch doesn't want you to do that and as soon as you make one of these more pacifist decisions, it punishes you by giving you an anticlimactic non-ending and sends you back to your last decision. Being forced to make these destructive choices forces you down the narrative path set out by the writers to the two endings that I discussed earlier and that's your lot. That's really all that there is to see here other than a few surplus arbitrary scenes.
The only things that you really get to decide on is trivial nonsense that has no impact on the narrative, like what cereal to eat or what record to buy. So, why bother making this a choose-your-own-adventure story in the first place rather than just a regular episode of Black Mirror? Because, if this was just a regular episode of a TV show, it would be extremely fucking boring, monotonous and trite.
The show tries to defend itself in these aspects. It insinuates the idea that just as we are controlling Stefan and forcing him to make certain decisions, Charlie Brooker as the writer is controlling us and forcing us to make certain decisions, hence the absence of any real choice for the viewer. I call bullshit on this idea, it's just down to lazy writing to be honest. When the therapist breaks the fourth wall, she also suggests that if this was a TV show that someone was watching for entertainment, it would have to be more exciting and less bland and dull. Pointing out that your show is bland and dull doesn't save it from being just as fucking bland and dull as it would be if you hadn't highlighted it in your script.
The show puts these elements in so that when it is questioned, it can respond saying that you as an audience member are just not clever enough to get it. Unfortunately the fact is that Bandersnatch, - just like Black Mirror - before it, isn't as clever or as cool as it thinks it is and works far better as an idea than it does in execution.
Overall, that's what this is; it's a cool idea executed poorly. I really wish that they had done more with it. It does seem to be a hit though, so for better or worse we can probably expect to see more and more of these crop up on Netflix. Will Poulter was the one saving grace of this thing and he inexplicably vanishes halfway through the story in most of the threads. It did get a reaction out of me though, which is probably what Brooker and his team wanted, it was just an extremely negative reaction due to the realisation that I had wasted my time going through this thing. If you like Black Mirror, you will probably enjoy this, but I'm afraid that it's just not for me.
With all of that said, I decided to give Bandersnatch a go last night. I was intrigued by the whole choose-your-own-adventure concept and did go in wanting to like this thing. Unfortunately, following all the hype that surrounded its release a few weeks ago, I came away pretty disappointed.
As for my spoiler free thoughts, I thought that Will Poulter was the best thing about this film and that Fionn Whitehead's performance was okay, but felt forced and cheesy at times. However, in order to discuss why Bandersnatch ultimately left me disappointed, I am going to have to spoil the movie, so if you haven't went through it for yourself yet, you should probably look away now.
3,2,1... SPOILERS!
So, it turns out that the choices that you make while watching the film don't really matter for the most part. After spending 2-3 hours with it, I discovered that there are only really 2 endings. Either Stefan kills his dad or he goes to the therapist and she breaks the fourth wall. Every other ending is not really an ending and forces you back into the last situation until you make the choice that the filmmakers clearly want you to make.
As we are pretty much controlling Stefan during the course of the story, I chose to pick the best decisions for him, rather than choosing the more cruel, sick settings just to see what would happen. However Bandersnatch doesn't want you to do that and as soon as you make one of these more pacifist decisions, it punishes you by giving you an anticlimactic non-ending and sends you back to your last decision. Being forced to make these destructive choices forces you down the narrative path set out by the writers to the two endings that I discussed earlier and that's your lot. That's really all that there is to see here other than a few surplus arbitrary scenes.
The only things that you really get to decide on is trivial nonsense that has no impact on the narrative, like what cereal to eat or what record to buy. So, why bother making this a choose-your-own-adventure story in the first place rather than just a regular episode of Black Mirror? Because, if this was just a regular episode of a TV show, it would be extremely fucking boring, monotonous and trite.
The show tries to defend itself in these aspects. It insinuates the idea that just as we are controlling Stefan and forcing him to make certain decisions, Charlie Brooker as the writer is controlling us and forcing us to make certain decisions, hence the absence of any real choice for the viewer. I call bullshit on this idea, it's just down to lazy writing to be honest. When the therapist breaks the fourth wall, she also suggests that if this was a TV show that someone was watching for entertainment, it would have to be more exciting and less bland and dull. Pointing out that your show is bland and dull doesn't save it from being just as fucking bland and dull as it would be if you hadn't highlighted it in your script.
The show puts these elements in so that when it is questioned, it can respond saying that you as an audience member are just not clever enough to get it. Unfortunately the fact is that Bandersnatch, - just like Black Mirror - before it, isn't as clever or as cool as it thinks it is and works far better as an idea than it does in execution.
Overall, that's what this is; it's a cool idea executed poorly. I really wish that they had done more with it. It does seem to be a hit though, so for better or worse we can probably expect to see more and more of these crop up on Netflix. Will Poulter was the one saving grace of this thing and he inexplicably vanishes halfway through the story in most of the threads. It did get a reaction out of me though, which is probably what Brooker and his team wanted, it was just an extremely negative reaction due to the realisation that I had wasted my time going through this thing. If you like Black Mirror, you will probably enjoy this, but I'm afraid that it's just not for me.
Sassy Brit (97 KP) rated Connor's Gambit in Books
Jun 5, 2019
Connor’s Gambit by Z. Gottlieb is the first book I’ve received to review that’s in audible format, so this is quite a new experience for me, just like it’s the lead character Brad Johnson’s first adventure with aliens. And what a trip this is!
After Brad sees an alien spaceship and it seems no one else did, he begins to doubt his sanity. But when his suspicions are confirmed and his wife, Shinny, reveals who and what she really is, his life not only changes forever, but so does everything he thought he knew about his life and the universe which surrounds him — aliens do exist — he should know, he’s married to one! And, boy, does the plot thicken after that.
In Z. Gottlieb’s fun world there were times that the space technology seemed so realistic I was wondering if the author had some sort of NASA experience. From alien creature descriptions, their lifestyles and their amazing high-tech technology, to Brad’s awakening and newfound belief in UFOs, and his acceptance to jump right in and help, whilst learning on the job; this book has a lot to offer any self-respecting science fiction fan and space cadet!
A few of my favourite things? There’s so many to choose from. I loved Brad (obviously!). Then there’s the scary Neslins, the Aneplè, the battle cruiser Zuonopy and all its features and Brad and Shinny’s son, Dane with his talking dragon Yeshawliq. I need a talking dragon, can you make one out of a 3D printer for me please?
The narrator’s voice was different to what I expected at first, however, Charlie Thurston pulled me into the action and kept me hooked right through to the satisfying end, which is slightly left open for more, whilst at the same time it’s also a fully completed standalone story with major plot threads all tied up nicely. I’m so pleased to have discovered Z. Gottleib’s space world and I cannot wait to read or even listen to the next instalment. I’m sure it will definitely be worth the wait!
Z. Gottlieb has captured the essence of space travel, alien life and the rules of their universe spectacularly. I really enjoy my time (all 13 hours of it) listening to this space opera, and the fact that I was listening (instead of reading) really made me feel like I was there, thrown in deep with the characters and their stories, part of their crew!
After Brad sees an alien spaceship and it seems no one else did, he begins to doubt his sanity. But when his suspicions are confirmed and his wife, Shinny, reveals who and what she really is, his life not only changes forever, but so does everything he thought he knew about his life and the universe which surrounds him — aliens do exist — he should know, he’s married to one! And, boy, does the plot thicken after that.
In Z. Gottlieb’s fun world there were times that the space technology seemed so realistic I was wondering if the author had some sort of NASA experience. From alien creature descriptions, their lifestyles and their amazing high-tech technology, to Brad’s awakening and newfound belief in UFOs, and his acceptance to jump right in and help, whilst learning on the job; this book has a lot to offer any self-respecting science fiction fan and space cadet!
A few of my favourite things? There’s so many to choose from. I loved Brad (obviously!). Then there’s the scary Neslins, the Aneplè, the battle cruiser Zuonopy and all its features and Brad and Shinny’s son, Dane with his talking dragon Yeshawliq. I need a talking dragon, can you make one out of a 3D printer for me please?
The narrator’s voice was different to what I expected at first, however, Charlie Thurston pulled me into the action and kept me hooked right through to the satisfying end, which is slightly left open for more, whilst at the same time it’s also a fully completed standalone story with major plot threads all tied up nicely. I’m so pleased to have discovered Z. Gottleib’s space world and I cannot wait to read or even listen to the next instalment. I’m sure it will definitely be worth the wait!
Z. Gottlieb has captured the essence of space travel, alien life and the rules of their universe spectacularly. I really enjoy my time (all 13 hours of it) listening to this space opera, and the fact that I was listening (instead of reading) really made me feel like I was there, thrown in deep with the characters and their stories, part of their crew!
Bong Mines Entertainment (15 KP) rated Suicidal Since 1995 by Ängie in Music
Jun 7, 2019
Ängie is an electric-pop singer from Stockholm, Sweden. Not too long ago, she released an explosive debut EP, entitled, “Suicidal Since 1995”.
Ängie – “Dope”
The 7-track project begins with the boomin’ lead single, “Dope”, produced by Canto. Everything about this song is dope, down to the title. Also, it’s hypnotizing frequency is so addictive that it has clocked well over a quarter of a million views on YouTube, and that’s within a month of its release.
The artist described “Dope” as a love song where she confuses love with the rush for music and drugs. In the music video, she performs among various vices including drugs, vehicles, and animals.
The second song, “Boss”, is a flirtatious ditty about foreplay in the back of a vehicle. It’s straight to the point, hot, and steamy. Also, it’s a remake of Lana Del Rey’s “You Can Be the Boss”, from the singer’s “Unreleased” album.
Not too long ago, we covered the third track, “Here For My Habits”, which is also the second single from Suicidal Since 1995.
“Here For My Habits”
On the song, Ängie talks about her sexual-invitation experiences with dealers from her past. She explains how some of them tried to hit on her, some even falling in love with her.
The fourth track, “We Run”, is a song about a drug-induced nighttime romance, perpetrated in the dark or secrecy. But when the sun comes up, the hypnotic-tranced lovers run for cover.
The fifth track, “2013”, speaks about living young, wild, and free. Also, lyrics of hiding from cops and papa indicates a certain level of paranoia due to probably smoking too much bomb weed and drinking alcoholic beverages. Then a deep thought sinks in, “18, I can’t believe where the time’s gone?”
The sixth track, “Coke Ain’t Brain”, takes the volume up another notch. The song speaks of someone being addicted to Mary Jane (marijuana) and now they’re trapped to a ball and chain with Charlie (cocaine) stuffed in their nose.
The seventh song, “Venus in Fur”, is laidback, trancey, with a backdrop made of fluffy pillows. When the singer sings, “I am tired, I am weary. I could sleep for a thousand years,” listeners might find themselves under her spell.
Overall, “Suicidal Since 1995” is a solid debut project worth listening to. It has replay value and we highly recommend adding it to your music library.
https://www.bongminesentertainment.com/angie-suicidal-since-1995/
Ängie – “Dope”
The 7-track project begins with the boomin’ lead single, “Dope”, produced by Canto. Everything about this song is dope, down to the title. Also, it’s hypnotizing frequency is so addictive that it has clocked well over a quarter of a million views on YouTube, and that’s within a month of its release.
The artist described “Dope” as a love song where she confuses love with the rush for music and drugs. In the music video, she performs among various vices including drugs, vehicles, and animals.
The second song, “Boss”, is a flirtatious ditty about foreplay in the back of a vehicle. It’s straight to the point, hot, and steamy. Also, it’s a remake of Lana Del Rey’s “You Can Be the Boss”, from the singer’s “Unreleased” album.
Not too long ago, we covered the third track, “Here For My Habits”, which is also the second single from Suicidal Since 1995.
“Here For My Habits”
On the song, Ängie talks about her sexual-invitation experiences with dealers from her past. She explains how some of them tried to hit on her, some even falling in love with her.
The fourth track, “We Run”, is a song about a drug-induced nighttime romance, perpetrated in the dark or secrecy. But when the sun comes up, the hypnotic-tranced lovers run for cover.
The fifth track, “2013”, speaks about living young, wild, and free. Also, lyrics of hiding from cops and papa indicates a certain level of paranoia due to probably smoking too much bomb weed and drinking alcoholic beverages. Then a deep thought sinks in, “18, I can’t believe where the time’s gone?”
The sixth track, “Coke Ain’t Brain”, takes the volume up another notch. The song speaks of someone being addicted to Mary Jane (marijuana) and now they’re trapped to a ball and chain with Charlie (cocaine) stuffed in their nose.
The seventh song, “Venus in Fur”, is laidback, trancey, with a backdrop made of fluffy pillows. When the singer sings, “I am tired, I am weary. I could sleep for a thousand years,” listeners might find themselves under her spell.
Overall, “Suicidal Since 1995” is a solid debut project worth listening to. It has replay value and we highly recommend adding it to your music library.
https://www.bongminesentertainment.com/angie-suicidal-since-1995/
Debbiereadsbook (1449 KP) rated To Touch You (Mates #4) in Books
Jan 21, 2018
a fitting end
I purchased both the ebook, AND audio copy of this book (November 2017)
This is book 4 in The Mates Series, and the last one. You don't need to have read the other three, but there is some overlap with books one, Wake Me Up Inside and book 3, In Your Eyes, so there may be spoilers, sorta, kinda.
Yoram Smith is 7 years old when he first meets Salvatore Rossi, and he knows nothing but the pull of his scent. Sal is, in Yoram's eyes, his friend. It takes a turning of Sal to vampire and over 20 years before Sal finally admits that Yoram is his mate.
I LOVED this final installment in the Mates series! I really did. But I can't split the narration from the book, so the lines might be a bit blurred on this one.
I read this book, in December 2017, and I was going through a rough patch, so didn't actually write a review for it, then the audio came through the blog for review, and I had credits available, so I grabbed it. SO glad I did!
I loved Charlie David's narration, his voices especially. Yoram is 7 when we first meet him, and I was curious how David would change his voice as he grew. Nailed that one, I tell ya! At7, at 14 and as a full groan Yoram, his voice is the same but different, if that makes any sense? I could tell it was Yoram at every step of the way.
And trust me, it's a very long way these two took to finally get together! Sal doesn't fully understand the workings of being a vampire, he finds no joy in feeding and certainly not socialising with them, but he HAS to feed. Until the blood turns up on his doorstep, and THAT blood is different. Takes him a while to figure out where it's coming from!
I loved that Zev and Jonah ( book 1) and Samuel and Korban (book 3) play a part here, but I especially loved that Ethan and Miguel are a HUGE part of this book. When I read this, I could hear the voices of these guys but they weren't right, not at all. So it was great to be able to catch up with them here.
I loved that, once Sal finally dug his head out the sand and returned to Yoram, he was all in, totally and utterly.
Like I said, I can't really split the narration from the book, so
5 stars all round!
**same worded review will appear elsewhere**
This is book 4 in The Mates Series, and the last one. You don't need to have read the other three, but there is some overlap with books one, Wake Me Up Inside and book 3, In Your Eyes, so there may be spoilers, sorta, kinda.
Yoram Smith is 7 years old when he first meets Salvatore Rossi, and he knows nothing but the pull of his scent. Sal is, in Yoram's eyes, his friend. It takes a turning of Sal to vampire and over 20 years before Sal finally admits that Yoram is his mate.
I LOVED this final installment in the Mates series! I really did. But I can't split the narration from the book, so the lines might be a bit blurred on this one.
I read this book, in December 2017, and I was going through a rough patch, so didn't actually write a review for it, then the audio came through the blog for review, and I had credits available, so I grabbed it. SO glad I did!
I loved Charlie David's narration, his voices especially. Yoram is 7 when we first meet him, and I was curious how David would change his voice as he grew. Nailed that one, I tell ya! At7, at 14 and as a full groan Yoram, his voice is the same but different, if that makes any sense? I could tell it was Yoram at every step of the way.
And trust me, it's a very long way these two took to finally get together! Sal doesn't fully understand the workings of being a vampire, he finds no joy in feeding and certainly not socialising with them, but he HAS to feed. Until the blood turns up on his doorstep, and THAT blood is different. Takes him a while to figure out where it's coming from!
I loved that Zev and Jonah ( book 1) and Samuel and Korban (book 3) play a part here, but I especially loved that Ethan and Miguel are a HUGE part of this book. When I read this, I could hear the voices of these guys but they weren't right, not at all. So it was great to be able to catch up with them here.
I loved that, once Sal finally dug his head out the sand and returned to Yoram, he was all in, totally and utterly.
Like I said, I can't really split the narration from the book, so
5 stars all round!
**same worded review will appear elsewhere**
BookwormMama14 (18 KP) rated The Apothecary's Daughter in Books
Jan 2, 2019
Although it has been a couple years since I read this one, I am still very fond of it and have determined that I need to reread it SOON! Hopefully I can find the time before too long.
(Original review published on Bookworm Mama 11/2014.)
The Apothecary’s Daughter is a wonderful story beginning in 1810, England. Within the pages you will find heartbreak and romance, hope and despair, sorrow and joy. But above all...Faith.
Lillian (Lilly) Haswell is the daughter of the village apothecary in Wiltshire, England. She longs for adventure and a life outside of her father’s shop. Her mother left when she was younger and Lilly dreams of the adventures she might be having and longs to follow after her. Yet she is devoted to her father and her brother, Charlie. When Lilly is whisked away to London by her Aunt and Uncle Elliot, she believes all of her dreams are about to come true. Balls, admirers, the chance to marry a wealthy man and settle in London, but also the chance to look for her mother. Following a sad series of events, she has to return home to help her father run his shop, or risk having it closed. One of her admirers follows her home, but finds that he is not the only one interested in Miss Haswell.
While women were allowed to assist and work in apothecary shops, they were forbidden from diagnosing and prescribing treatments. It is not long before she has to cross the line of the law. Will grace and mercy be shown? Or will this be the end of Haswell’s once and for all? Along her journey Lilly loses herself, but in the end finds who she is and what she truly longs for in life. Throughout her trials and struggles she learns how to depend on the Lord for strength and wisdom.
Julie Klassen's novels are long and full of detail and she draws me in until I am completely obsessed with the story! I really enjoyed learning about the different herbs and their uses, apothecary. I found it all quite fascinating. I adore historical fiction, especially set in England. I was able to truly taste life in the early 1800s through this book. In a lot of ways I could relate to Lilly as well. I have left “home” twice in my life, living adventurously. But my heart was never at peace until I returned.
I borrowed The Apothecary's Daughter from my local library. I was not required to write a review. All opinions expressed are mine alone.
(Original review published on Bookworm Mama 11/2014.)
The Apothecary’s Daughter is a wonderful story beginning in 1810, England. Within the pages you will find heartbreak and romance, hope and despair, sorrow and joy. But above all...Faith.
Lillian (Lilly) Haswell is the daughter of the village apothecary in Wiltshire, England. She longs for adventure and a life outside of her father’s shop. Her mother left when she was younger and Lilly dreams of the adventures she might be having and longs to follow after her. Yet she is devoted to her father and her brother, Charlie. When Lilly is whisked away to London by her Aunt and Uncle Elliot, she believes all of her dreams are about to come true. Balls, admirers, the chance to marry a wealthy man and settle in London, but also the chance to look for her mother. Following a sad series of events, she has to return home to help her father run his shop, or risk having it closed. One of her admirers follows her home, but finds that he is not the only one interested in Miss Haswell.
While women were allowed to assist and work in apothecary shops, they were forbidden from diagnosing and prescribing treatments. It is not long before she has to cross the line of the law. Will grace and mercy be shown? Or will this be the end of Haswell’s once and for all? Along her journey Lilly loses herself, but in the end finds who she is and what she truly longs for in life. Throughout her trials and struggles she learns how to depend on the Lord for strength and wisdom.
Julie Klassen's novels are long and full of detail and she draws me in until I am completely obsessed with the story! I really enjoyed learning about the different herbs and their uses, apothecary. I found it all quite fascinating. I adore historical fiction, especially set in England. I was able to truly taste life in the early 1800s through this book. In a lot of ways I could relate to Lilly as well. I have left “home” twice in my life, living adventurously. But my heart was never at peace until I returned.
I borrowed The Apothecary's Daughter from my local library. I was not required to write a review. All opinions expressed are mine alone.