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Duchess of Mine
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Seventeenth century Highlander Michael Cameron should have been prepared for his journey to...
Gone for Good
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Gone For Good is the first in a new mystery series from award-winning author Joanna Schaffhausen,...
Twilight Heist (Outlaws #2)
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Heist rule number two? Never fall for a lone wolf. A blast from Tuck’s circus past draws Tuck...
MM Romantic Suspense
Merissa (12827 KP) rated My Swan Prince in Books
Apr 1, 2025
MY SWAN PRINCE is a retelling of The Six Swans where one of the main characters (Max) is a descendant of the original swans and hates the story. The other MC (Lourde) is part of the witch's line, being brought up to know his destiny is to kill the last swan and rid the world of their influence.
Max is very wealthy but works hard. His only friend is his bodyguard, Fizz. He does a lot of work for charity and ends up getting roped into storytime at a library. That would be okay except he has to read The Six Swans. Lourde goes to Chicago from London, determined to find and kill the last swan shifter. These two have a history and bond that neither are aware of at first. The story unravels a complicated history and motives.
This is a fast-paced story with a lot of backstory/history to understand. I'll be honest, I didn't get it all as I kept having to go back and figure out just who was which name. Although Max and Lourde were protective over each other, I didn't feel much of a connection between them other than what I was told had happened.
It was a good retelling of an underrated Brothers Grimm story.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 1, 2025
Max is very wealthy but works hard. His only friend is his bodyguard, Fizz. He does a lot of work for charity and ends up getting roped into storytime at a library. That would be okay except he has to read The Six Swans. Lourde goes to Chicago from London, determined to find and kill the last swan shifter. These two have a history and bond that neither are aware of at first. The story unravels a complicated history and motives.
This is a fast-paced story with a lot of backstory/history to understand. I'll be honest, I didn't get it all as I kept having to go back and figure out just who was which name. Although Max and Lourde were protective over each other, I didn't feel much of a connection between them other than what I was told had happened.
It was a good retelling of an underrated Brothers Grimm story.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 1, 2025
Gareth von Kallenbach (980 KP) rated Death Wish (2018) in Movies
Jun 19, 2019
For Dr. Paul Kersey (Bruce Willis), life is good but at a crossroads. With his birthday coming up, his daughter Jordan (Camila Morrone) is preparing to leave their affluent Chicago home to start college in New York.
His wife Lucy (Elisabeth Shue) knows this is a good thing for their daughter but also knows that it is a turning point in their lives as they will soon be facing an empty nest.
Sadly their ideal life is turned upside down when a home invasion and robbery turns unexpectedly violent leaving Lucy dead and Jordan in a coma. A distraught Paul finds little solace in therapy or in the support of his brother Frank (Vincent D’Onofrio) who is putting his own life back together.
Frustrated by the inability of the police to find those responsible and bring them to justice; Paul becomes even more and more frustrated as the weeks pass. Paul eventually comes into possession of a gun and begins to practice with it which eventually leads him to taking to the streets in a Hoody. When a chance encounters has him gun down two criminals, Paul finds a sudden rush from his experience, especially when it was captured by an onlooker and posted online. Thanks to his face being hidden, the media dubs him the “Grim Reaper” and Paul begins a campaign of vigilante justice as he tracks down those responsible for his suffering and looks to exact a brutal revenge.
The movie directed by horror icon Eli Roth is a faithful update of the Charles Bronson classic. Paul is now Doctor Vs an Architect and Chicago not New York serves as the setting, but the tone and subject matter of the film is very much the same. Roth does show his horror background with a couple of killings that are a bit gruesome but they are not overly gratuitous as he cuts away from the carnage instead of lingering on it.
What I found most satisfying is how the film moved at a slow and almost deliberate pace. This was not a run and gun action film like many of the past films Willis has done. His Kersey is an everyman who decides to take extraordinary measures when he believes the law has failed him.
He moves at a steady pace and even in the most frantic moments, moves with the speed one would expect of a man of his years who has only recently fired a gun. Although effective he is at times unsteady with his shorts and actions and his inexperience shows.
It was refreshing to see combat on screen by a character that seemed real vs a polished officer or combat vet.
The cast was solid and really worked well with one another and you could see the struggle they faced with the situations presented to them. The audience at my press screening responded well to the film and seemed to get behind Paul as he embarked on his crusade. I am very curious to see in this time of controversy about gun laws how the film will be received.
For me, “Death Wish” is a very entertaining retelling of a well-known story that still holds up and still asks many difficult questions about our society and how to best protect the ones we love.
http://sknr.net/2018/03/01/death-wish/
His wife Lucy (Elisabeth Shue) knows this is a good thing for their daughter but also knows that it is a turning point in their lives as they will soon be facing an empty nest.
Sadly their ideal life is turned upside down when a home invasion and robbery turns unexpectedly violent leaving Lucy dead and Jordan in a coma. A distraught Paul finds little solace in therapy or in the support of his brother Frank (Vincent D’Onofrio) who is putting his own life back together.
Frustrated by the inability of the police to find those responsible and bring them to justice; Paul becomes even more and more frustrated as the weeks pass. Paul eventually comes into possession of a gun and begins to practice with it which eventually leads him to taking to the streets in a Hoody. When a chance encounters has him gun down two criminals, Paul finds a sudden rush from his experience, especially when it was captured by an onlooker and posted online. Thanks to his face being hidden, the media dubs him the “Grim Reaper” and Paul begins a campaign of vigilante justice as he tracks down those responsible for his suffering and looks to exact a brutal revenge.
The movie directed by horror icon Eli Roth is a faithful update of the Charles Bronson classic. Paul is now Doctor Vs an Architect and Chicago not New York serves as the setting, but the tone and subject matter of the film is very much the same. Roth does show his horror background with a couple of killings that are a bit gruesome but they are not overly gratuitous as he cuts away from the carnage instead of lingering on it.
What I found most satisfying is how the film moved at a slow and almost deliberate pace. This was not a run and gun action film like many of the past films Willis has done. His Kersey is an everyman who decides to take extraordinary measures when he believes the law has failed him.
He moves at a steady pace and even in the most frantic moments, moves with the speed one would expect of a man of his years who has only recently fired a gun. Although effective he is at times unsteady with his shorts and actions and his inexperience shows.
It was refreshing to see combat on screen by a character that seemed real vs a polished officer or combat vet.
The cast was solid and really worked well with one another and you could see the struggle they faced with the situations presented to them. The audience at my press screening responded well to the film and seemed to get behind Paul as he embarked on his crusade. I am very curious to see in this time of controversy about gun laws how the film will be received.
For me, “Death Wish” is a very entertaining retelling of a well-known story that still holds up and still asks many difficult questions about our society and how to best protect the ones we love.
http://sknr.net/2018/03/01/death-wish/
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Sarah (7800 KP) rated Ma Rainey's Black Bottom (2020) in Movies
Jan 30, 2021
Boseman is amazing
Ma Rainey’s Black Bottom is the latest adaptation of the works of August Wilson brought to us by producer Denzel Washington, following on from the 2016 adaptation of Fences that earned Viola Davis a Best Supporting Actress Oscar. Here Washington hands over the directing reins to Tony award winner George C. Wolfe, while Viola Davis returns as the titular Ma Rainey.
Set in 1920s Chicago, the film follows a tense and fractious recording session with Ma Rainey and her backing band, old hands Toledo (Glynn Turman), Cutler (Colman Domingo) and Slow Drag (Michael Potts) alongside ambitious young horn player Levee (Chadwick Boseman). Tensions rise between Ma, Levee and the recording studio management (Jeremy Shamos as Irvin and Jonny Coyne as Sturdyvant) as each attempts to control the recording session and play songs that fit best with their own motives. Contributing to the frictions are Levee’s flirtation with Ma’s girlfriend Dussie Mae (Taylour Paige) and her Ma’s stuttering nephew Sylvester (Dusan Brown) as he attempts to introduce Ma’s signature song, Black Bottom.
Ma Rainey’s Black Bottom undoubtedly looks and sounds good. The cinematography and costumes are perfect and entirely in keeping with the 20s Chicago setting. And the blues music is captivating and beautifully made. To be quite honest I would’ve been quite happy to watch and listen to an entire film solely following the band and their music. However whilst it does look and sound good, it is so obviously a film adapted from a stage play and I’m afraid this isn’t a good thing. There’s a limited number of sets and virtually the entirety of the 90 minute run time is set within two rooms in the recording studio, which makes such a short film feel ridiculously drawn out. This isn’t helped by the huge reliance on very long scripted dialogue and conversational scenes. I can’t deny that the writing is good and is helped by strong performances from everyone involved, but there’s just too much dialogue. This might work on the stage, but on screen it doesn’t quite translate. There’s that much dialogue that the majority of scenes become too heavy and bogged down and sadly almost entirely forgettable. For me a film needs to balance dialogue with actual events and actions, and I’m afraid aside from the final act, nothing much happens here.
Fortunately this is at least boosted by some stellar performances. Viola Davis is brilliant as the spirited Ma Rainey, even if Ma herself as a character is rather unlikeable with some questionable motives for her actions and manners. The star however is the late Chadwick Boseman. While it’s very off putting to see how obviously thin and ill he was filming this, his performance is outstanding. He brings life and fun and heart to every scene he’s in and gives this film a massive boost. Even the drawn out dialogue heavy scenes become enthralling when he’s talking and the emotions on show are spectacular. Despite Viola Davis being the star as Ma, it’s Boseman that carried this film entirely on his shoulders. If he doesn’t win a posthumous Oscar for this, it’d be criminal.
Ma Rainey’s Black Bottom is a shining example of stellar performances, most notably Chadwick Boseman. It’s just a shame that the rest of the film doesn’t quite meet the high standards set by its stars.
Set in 1920s Chicago, the film follows a tense and fractious recording session with Ma Rainey and her backing band, old hands Toledo (Glynn Turman), Cutler (Colman Domingo) and Slow Drag (Michael Potts) alongside ambitious young horn player Levee (Chadwick Boseman). Tensions rise between Ma, Levee and the recording studio management (Jeremy Shamos as Irvin and Jonny Coyne as Sturdyvant) as each attempts to control the recording session and play songs that fit best with their own motives. Contributing to the frictions are Levee’s flirtation with Ma’s girlfriend Dussie Mae (Taylour Paige) and her Ma’s stuttering nephew Sylvester (Dusan Brown) as he attempts to introduce Ma’s signature song, Black Bottom.
Ma Rainey’s Black Bottom undoubtedly looks and sounds good. The cinematography and costumes are perfect and entirely in keeping with the 20s Chicago setting. And the blues music is captivating and beautifully made. To be quite honest I would’ve been quite happy to watch and listen to an entire film solely following the band and their music. However whilst it does look and sound good, it is so obviously a film adapted from a stage play and I’m afraid this isn’t a good thing. There’s a limited number of sets and virtually the entirety of the 90 minute run time is set within two rooms in the recording studio, which makes such a short film feel ridiculously drawn out. This isn’t helped by the huge reliance on very long scripted dialogue and conversational scenes. I can’t deny that the writing is good and is helped by strong performances from everyone involved, but there’s just too much dialogue. This might work on the stage, but on screen it doesn’t quite translate. There’s that much dialogue that the majority of scenes become too heavy and bogged down and sadly almost entirely forgettable. For me a film needs to balance dialogue with actual events and actions, and I’m afraid aside from the final act, nothing much happens here.
Fortunately this is at least boosted by some stellar performances. Viola Davis is brilliant as the spirited Ma Rainey, even if Ma herself as a character is rather unlikeable with some questionable motives for her actions and manners. The star however is the late Chadwick Boseman. While it’s very off putting to see how obviously thin and ill he was filming this, his performance is outstanding. He brings life and fun and heart to every scene he’s in and gives this film a massive boost. Even the drawn out dialogue heavy scenes become enthralling when he’s talking and the emotions on show are spectacular. Despite Viola Davis being the star as Ma, it’s Boseman that carried this film entirely on his shoulders. If he doesn’t win a posthumous Oscar for this, it’d be criminal.
Ma Rainey’s Black Bottom is a shining example of stellar performances, most notably Chadwick Boseman. It’s just a shame that the rest of the film doesn’t quite meet the high standards set by its stars.
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Bong Mines Entertainment (15 KP) rated Go Slow - Single by Wild B in Music
Jun 17, 2019
Wild B (Krystal Parks) is a singer-songwriter from Chicago, Illinois. Not too long ago, she released a lovely tropical R&B tune, entitled, “Go Slow”.
“Sipping champagne while he whispers my name. I never been scared, we can go, we can play. Dripped in Balmain, don’t care what they say. Rock the boat, roll the boat, rock my body. You’re my type of speed. I think you should take the lead. Can you be all I need or more? I can throw it back when you throw it down. I can be the jewel on your tilted crown. Now tell me how you want to end the night.” – lyrics
‘Go Slow’ tells an interesting tale of a young woman who shares a special moment in time on the dancefloor with a guy who she desires to be with.
Apparently, what he possesses she likes, therefore, she wants him all to herself for the remainder of the night.
‘Go Slow’ contains a dreamy storyline, pleasing vocals, and rhythmic instrumentation scented with a tropical R&B fragrance.
“‘Go Slow’ was birthed on the night of a spontaneous encounter with a beautiful stranger. In the midst of a fast life in an even faster world, we caught a moment that we unintentionally made last forever. Now when I close my eyes, I remember it in slow motion, as if the universe slowed especially for us to cherish. Not only is it a memory but a reminder of the fulfillment I/we can all receive but just slowing down and enjoying the beauty of NOW.” – Wild B
https://www.bongminesentertainment.com/wild-b-go-slow/
“Sipping champagne while he whispers my name. I never been scared, we can go, we can play. Dripped in Balmain, don’t care what they say. Rock the boat, roll the boat, rock my body. You’re my type of speed. I think you should take the lead. Can you be all I need or more? I can throw it back when you throw it down. I can be the jewel on your tilted crown. Now tell me how you want to end the night.” – lyrics
‘Go Slow’ tells an interesting tale of a young woman who shares a special moment in time on the dancefloor with a guy who she desires to be with.
Apparently, what he possesses she likes, therefore, she wants him all to herself for the remainder of the night.
‘Go Slow’ contains a dreamy storyline, pleasing vocals, and rhythmic instrumentation scented with a tropical R&B fragrance.
“‘Go Slow’ was birthed on the night of a spontaneous encounter with a beautiful stranger. In the midst of a fast life in an even faster world, we caught a moment that we unintentionally made last forever. Now when I close my eyes, I remember it in slow motion, as if the universe slowed especially for us to cherish. Not only is it a memory but a reminder of the fulfillment I/we can all receive but just slowing down and enjoying the beauty of NOW.” – Wild B
https://www.bongminesentertainment.com/wild-b-go-slow/