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Sarah (7798 KP) rated Ma Rainey's Black Bottom (2020) in Movies
Jan 30, 2021
Boseman is amazing
Ma Rainey’s Black Bottom is the latest adaptation of the works of August Wilson brought to us by producer Denzel Washington, following on from the 2016 adaptation of Fences that earned Viola Davis a Best Supporting Actress Oscar. Here Washington hands over the directing reins to Tony award winner George C. Wolfe, while Viola Davis returns as the titular Ma Rainey.
Set in 1920s Chicago, the film follows a tense and fractious recording session with Ma Rainey and her backing band, old hands Toledo (Glynn Turman), Cutler (Colman Domingo) and Slow Drag (Michael Potts) alongside ambitious young horn player Levee (Chadwick Boseman). Tensions rise between Ma, Levee and the recording studio management (Jeremy Shamos as Irvin and Jonny Coyne as Sturdyvant) as each attempts to control the recording session and play songs that fit best with their own motives. Contributing to the frictions are Levee’s flirtation with Ma’s girlfriend Dussie Mae (Taylour Paige) and her Ma’s stuttering nephew Sylvester (Dusan Brown) as he attempts to introduce Ma’s signature song, Black Bottom.
Ma Rainey’s Black Bottom undoubtedly looks and sounds good. The cinematography and costumes are perfect and entirely in keeping with the 20s Chicago setting. And the blues music is captivating and beautifully made. To be quite honest I would’ve been quite happy to watch and listen to an entire film solely following the band and their music. However whilst it does look and sound good, it is so obviously a film adapted from a stage play and I’m afraid this isn’t a good thing. There’s a limited number of sets and virtually the entirety of the 90 minute run time is set within two rooms in the recording studio, which makes such a short film feel ridiculously drawn out. This isn’t helped by the huge reliance on very long scripted dialogue and conversational scenes. I can’t deny that the writing is good and is helped by strong performances from everyone involved, but there’s just too much dialogue. This might work on the stage, but on screen it doesn’t quite translate. There’s that much dialogue that the majority of scenes become too heavy and bogged down and sadly almost entirely forgettable. For me a film needs to balance dialogue with actual events and actions, and I’m afraid aside from the final act, nothing much happens here.
Fortunately this is at least boosted by some stellar performances. Viola Davis is brilliant as the spirited Ma Rainey, even if Ma herself as a character is rather unlikeable with some questionable motives for her actions and manners. The star however is the late Chadwick Boseman. While it’s very off putting to see how obviously thin and ill he was filming this, his performance is outstanding. He brings life and fun and heart to every scene he’s in and gives this film a massive boost. Even the drawn out dialogue heavy scenes become enthralling when he’s talking and the emotions on show are spectacular. Despite Viola Davis being the star as Ma, it’s Boseman that carried this film entirely on his shoulders. If he doesn’t win a posthumous Oscar for this, it’d be criminal.
Ma Rainey’s Black Bottom is a shining example of stellar performances, most notably Chadwick Boseman. It’s just a shame that the rest of the film doesn’t quite meet the high standards set by its stars.
Set in 1920s Chicago, the film follows a tense and fractious recording session with Ma Rainey and her backing band, old hands Toledo (Glynn Turman), Cutler (Colman Domingo) and Slow Drag (Michael Potts) alongside ambitious young horn player Levee (Chadwick Boseman). Tensions rise between Ma, Levee and the recording studio management (Jeremy Shamos as Irvin and Jonny Coyne as Sturdyvant) as each attempts to control the recording session and play songs that fit best with their own motives. Contributing to the frictions are Levee’s flirtation with Ma’s girlfriend Dussie Mae (Taylour Paige) and her Ma’s stuttering nephew Sylvester (Dusan Brown) as he attempts to introduce Ma’s signature song, Black Bottom.
Ma Rainey’s Black Bottom undoubtedly looks and sounds good. The cinematography and costumes are perfect and entirely in keeping with the 20s Chicago setting. And the blues music is captivating and beautifully made. To be quite honest I would’ve been quite happy to watch and listen to an entire film solely following the band and their music. However whilst it does look and sound good, it is so obviously a film adapted from a stage play and I’m afraid this isn’t a good thing. There’s a limited number of sets and virtually the entirety of the 90 minute run time is set within two rooms in the recording studio, which makes such a short film feel ridiculously drawn out. This isn’t helped by the huge reliance on very long scripted dialogue and conversational scenes. I can’t deny that the writing is good and is helped by strong performances from everyone involved, but there’s just too much dialogue. This might work on the stage, but on screen it doesn’t quite translate. There’s that much dialogue that the majority of scenes become too heavy and bogged down and sadly almost entirely forgettable. For me a film needs to balance dialogue with actual events and actions, and I’m afraid aside from the final act, nothing much happens here.
Fortunately this is at least boosted by some stellar performances. Viola Davis is brilliant as the spirited Ma Rainey, even if Ma herself as a character is rather unlikeable with some questionable motives for her actions and manners. The star however is the late Chadwick Boseman. While it’s very off putting to see how obviously thin and ill he was filming this, his performance is outstanding. He brings life and fun and heart to every scene he’s in and gives this film a massive boost. Even the drawn out dialogue heavy scenes become enthralling when he’s talking and the emotions on show are spectacular. Despite Viola Davis being the star as Ma, it’s Boseman that carried this film entirely on his shoulders. If he doesn’t win a posthumous Oscar for this, it’d be criminal.
Ma Rainey’s Black Bottom is a shining example of stellar performances, most notably Chadwick Boseman. It’s just a shame that the rest of the film doesn’t quite meet the high standards set by its stars.
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Bong Mines Entertainment (15 KP) rated Go Slow - Single by Wild B in Music
Jun 17, 2019
Wild B (Krystal Parks) is a singer-songwriter from Chicago, Illinois. Not too long ago, she released a lovely tropical R&B tune, entitled, “Go Slow”.
“Sipping champagne while he whispers my name. I never been scared, we can go, we can play. Dripped in Balmain, don’t care what they say. Rock the boat, roll the boat, rock my body. You’re my type of speed. I think you should take the lead. Can you be all I need or more? I can throw it back when you throw it down. I can be the jewel on your tilted crown. Now tell me how you want to end the night.” – lyrics
‘Go Slow’ tells an interesting tale of a young woman who shares a special moment in time on the dancefloor with a guy who she desires to be with.
Apparently, what he possesses she likes, therefore, she wants him all to herself for the remainder of the night.
‘Go Slow’ contains a dreamy storyline, pleasing vocals, and rhythmic instrumentation scented with a tropical R&B fragrance.
“‘Go Slow’ was birthed on the night of a spontaneous encounter with a beautiful stranger. In the midst of a fast life in an even faster world, we caught a moment that we unintentionally made last forever. Now when I close my eyes, I remember it in slow motion, as if the universe slowed especially for us to cherish. Not only is it a memory but a reminder of the fulfillment I/we can all receive but just slowing down and enjoying the beauty of NOW.” – Wild B
https://www.bongminesentertainment.com/wild-b-go-slow/
“Sipping champagne while he whispers my name. I never been scared, we can go, we can play. Dripped in Balmain, don’t care what they say. Rock the boat, roll the boat, rock my body. You’re my type of speed. I think you should take the lead. Can you be all I need or more? I can throw it back when you throw it down. I can be the jewel on your tilted crown. Now tell me how you want to end the night.” – lyrics
‘Go Slow’ tells an interesting tale of a young woman who shares a special moment in time on the dancefloor with a guy who she desires to be with.
Apparently, what he possesses she likes, therefore, she wants him all to herself for the remainder of the night.
‘Go Slow’ contains a dreamy storyline, pleasing vocals, and rhythmic instrumentation scented with a tropical R&B fragrance.
“‘Go Slow’ was birthed on the night of a spontaneous encounter with a beautiful stranger. In the midst of a fast life in an even faster world, we caught a moment that we unintentionally made last forever. Now when I close my eyes, I remember it in slow motion, as if the universe slowed especially for us to cherish. Not only is it a memory but a reminder of the fulfillment I/we can all receive but just slowing down and enjoying the beauty of NOW.” – Wild B
https://www.bongminesentertainment.com/wild-b-go-slow/
Matthew Krueger (10051 KP) rated Night of the Living Dead (1968) in Movies
Apr 1, 2020 (Updated Apr 1, 2020)
They're Coming To Get You Barbra
Night of the Living Dead- i love this film, such a classic. Its a fantasic phenomenal movie, about survival, surving, the living dead and survival of the finest. Plus you have George A. Ramero directing it. He is missed, he was such a phenomenal and excellent director.
The plot: The story follows seven people who are trapped in a rural farmhouse in western Pennsylvania, which is under assault by an enlargening group of cannibalistic, undead corpses.
The film is regarded as one of the launching pads for the modern zombie movie, and thanks to George we have all of these zombie tv shows and movies today, if it wasnt for him, we wouldn't have all of these zombies tv shows and movies today.
In 2001, the film was ranked No. 93 by the American Film Institute on their AFI's 100 Years ... 100 Thrills list, a list of America's most heart-pounding movies. The zombies in the picture were also a candidate for AFI's AFI's 100 Years ... 100 Heroes & Villains, in the villains category, but failed to make the official list. The Chicago Film Critics Association named it the 5th scariest film ever made. The film also ranked No. 9 on Bravo's The 100 Scariest Movie Moments.
Many critics of this movie find this movie very groundbreaking for its time due to its having a black protagonist.
Night of the Living Dead entered the public domain in the United States because the original theatrical distributor, the Walter Reade Organization, neglected to place a copyright indication on the prints.
Like I said before its a excellent and phenomenal movie.
The plot: The story follows seven people who are trapped in a rural farmhouse in western Pennsylvania, which is under assault by an enlargening group of cannibalistic, undead corpses.
The film is regarded as one of the launching pads for the modern zombie movie, and thanks to George we have all of these zombie tv shows and movies today, if it wasnt for him, we wouldn't have all of these zombies tv shows and movies today.
In 2001, the film was ranked No. 93 by the American Film Institute on their AFI's 100 Years ... 100 Thrills list, a list of America's most heart-pounding movies. The zombies in the picture were also a candidate for AFI's AFI's 100 Years ... 100 Heroes & Villains, in the villains category, but failed to make the official list. The Chicago Film Critics Association named it the 5th scariest film ever made. The film also ranked No. 9 on Bravo's The 100 Scariest Movie Moments.
Many critics of this movie find this movie very groundbreaking for its time due to its having a black protagonist.
Night of the Living Dead entered the public domain in the United States because the original theatrical distributor, the Walter Reade Organization, neglected to place a copyright indication on the prints.
Like I said before its a excellent and phenomenal movie.
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