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Lee (2222 KP) rated The Christmas Chronicles (2018) in Movies
Nov 25, 2018
Kurt Russell is Santa Claus!!!
My wife and daughter started watching Christmas movies a few weeks back now, far too early in my opinion. But when the trailer first came out for The Christmas Chronicles on Netflix, it definitely got me in the Christmas spirit and I just couldn't wait to see it. So, on a lazy Sunday morning, cold and wet outside, all snuggled up in bed and with a cat and a dog spread out on top of us, we decided to watch it. Perfect.
Teddy and Kate Pierce have had a tough year. We see home movies of most of their Christmas's growing up, showing the good fun times with their parents. And then we see this Christmas. They've lost their dad, mum going out to work while Kate helps around the house and Teddy going out with friends, stealing cars and getting into trouble. When mum has to work on Christmas Eve night, the kids are left home alone and Christmas looks like being very different from previous years. While Kate watches those old Christmas movies, she notices a mysterious arm briefly appearing in the corner of the screen and is convinced they'd captured Santa Claus on camera. Enlisting the help of brother Teddy, they decide to try and catch Santa on camera once more. Things don't end up going quite according to plan though and they end up crash landing with Santa somewhere in Chicago. The reindeer came loose during their descent and are lost in the city. Santa's hat, which helps him zip around and teleport down chimneys, also blew off during the fall. Christmas is in jeopardy and Santa and his two new helpers need to fix it. We get car chases, badass little elves and Santa in jail wearing shades while playing the piano and belting out Christmas tunes, accompanied by backing singers!
As with any Christmas film that's introducing us to a new Santa and a new vision of the world he lives in, it takes a little while to get used to. Luckily, this one doesn't take long, and Kurt Russell is a very believable and enjoyable Santa who doesn't do ho-ho-ho's. The one thing that worried me from the trailer were the elves, who looked like they were going to be annoying little CGI characters. Luckily, they're used sparingly but effectively and were a lot of fun.
The whole Christmas in jeopardy plot is a fairly familiar one, having been done time and again over the years. But I actually really enjoyed this latest spin. Good fun, a bit of emotional stuff at the end and a nice surprise cameo to finish things off. Definitely got me in the Christmas spirit
Teddy and Kate Pierce have had a tough year. We see home movies of most of their Christmas's growing up, showing the good fun times with their parents. And then we see this Christmas. They've lost their dad, mum going out to work while Kate helps around the house and Teddy going out with friends, stealing cars and getting into trouble. When mum has to work on Christmas Eve night, the kids are left home alone and Christmas looks like being very different from previous years. While Kate watches those old Christmas movies, she notices a mysterious arm briefly appearing in the corner of the screen and is convinced they'd captured Santa Claus on camera. Enlisting the help of brother Teddy, they decide to try and catch Santa on camera once more. Things don't end up going quite according to plan though and they end up crash landing with Santa somewhere in Chicago. The reindeer came loose during their descent and are lost in the city. Santa's hat, which helps him zip around and teleport down chimneys, also blew off during the fall. Christmas is in jeopardy and Santa and his two new helpers need to fix it. We get car chases, badass little elves and Santa in jail wearing shades while playing the piano and belting out Christmas tunes, accompanied by backing singers!
As with any Christmas film that's introducing us to a new Santa and a new vision of the world he lives in, it takes a little while to get used to. Luckily, this one doesn't take long, and Kurt Russell is a very believable and enjoyable Santa who doesn't do ho-ho-ho's. The one thing that worried me from the trailer were the elves, who looked like they were going to be annoying little CGI characters. Luckily, they're used sparingly but effectively and were a lot of fun.
The whole Christmas in jeopardy plot is a fairly familiar one, having been done time and again over the years. But I actually really enjoyed this latest spin. Good fun, a bit of emotional stuff at the end and a nice surprise cameo to finish things off. Definitely got me in the Christmas spirit
The Bandersnatch (199 KP) rated The Wonderful Wizard of Oz in Books
Nov 7, 2019
The Book was Published by George M. Hill Company with an advanced publication date of September 1900. The public heard of it at a book fair in Chicago around July 5th to 20th with its copyright registered by August 1st. The books sold out quickly and the second editions went just as quickly as the first. When Hills company became bankrupt in 1901, Bobbs-Merrill Company resumed publishing the book. By 1933 there were more than a million copies printed and by 1956 the sales had grown to three million printed. Because The Wizard of Oz was so popular it became the first in a thirteen book series.
I had known about the wizard of oz ever since I was a child but this was due to the 1939 Movie by MGM of the same name starring Judy Garland. As such I didn't read the book until I was nearly an adult. The book is highly different to the movie with Dorothy having to do more to get home and for both the Wizard and Oz as a whole. The major differences between book and movie is the fact that the Ruby slippers from the movie are silver in the book and the flying monkeys are controlled by a magical cap and Dorothy having protection from Glinda the good witch of the north. I have to admit I am a stickler for details and I prefer the book rather than the movie, despite the movie being good. I recommend this book to everyone and give the book a 9/10
Lyman Frank Baum was born May 15th 1856 in Chittenango, New York to a devout Methodist family the seventh of nine children of Cynthia and Benjamin Baum. Only Baum and five of his siblings survived to adulthood. Lyman hated his first name despite being named for an uncle and liked his middle name better, he was known as Frank for most of his life. Baum married his wife Maud Gage on November 9th 1882 and by 1888 had moved to Aberdeen, Dakota Territory where he operated his own store for a while before turning to writing full time which he loved to do since he was a child. By the time of his death on May 6th 1919 Baum had written the thirteen book Oz series, a plethora of other books and several musicals and radio plays. Baum had died of a stroke and passed away in his sleep, he's buried in Glendale's Forest Lawn Memorial Park Cemetery. L. Frank Baum certainly has my respect for both his writing of the Oz series and the craziness that his life had been.
I had known about the wizard of oz ever since I was a child but this was due to the 1939 Movie by MGM of the same name starring Judy Garland. As such I didn't read the book until I was nearly an adult. The book is highly different to the movie with Dorothy having to do more to get home and for both the Wizard and Oz as a whole. The major differences between book and movie is the fact that the Ruby slippers from the movie are silver in the book and the flying monkeys are controlled by a magical cap and Dorothy having protection from Glinda the good witch of the north. I have to admit I am a stickler for details and I prefer the book rather than the movie, despite the movie being good. I recommend this book to everyone and give the book a 9/10
Lyman Frank Baum was born May 15th 1856 in Chittenango, New York to a devout Methodist family the seventh of nine children of Cynthia and Benjamin Baum. Only Baum and five of his siblings survived to adulthood. Lyman hated his first name despite being named for an uncle and liked his middle name better, he was known as Frank for most of his life. Baum married his wife Maud Gage on November 9th 1882 and by 1888 had moved to Aberdeen, Dakota Territory where he operated his own store for a while before turning to writing full time which he loved to do since he was a child. By the time of his death on May 6th 1919 Baum had written the thirteen book Oz series, a plethora of other books and several musicals and radio plays. Baum had died of a stroke and passed away in his sleep, he's buried in Glendale's Forest Lawn Memorial Park Cemetery. L. Frank Baum certainly has my respect for both his writing of the Oz series and the craziness that his life had been.
Lonely Planet Best of USA
Lonely Planet, Amy C. Balfour, Sandra Bao and Karla Zimmerman
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Lonely Planet: The world's leading travel guide publisher Lonely Planet's Best of USA is your...
Echoes of Steam and Vintage Voltage: Diary of a Railway Recordist, Photographer and Journalist
7.0
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This is a vivid, contemporary account of the sights and sounds of the last two years of commercial...
Matthew Krueger (10051 KP) rated Re-Animator (1985) in Movies
Oct 30, 2020
Jeffrey Combs (2 more)
Bruce Abbott
Stuart Gordan
Mad Man
Re-Animator- is frankenstien. But alot more gorer. So much gory, so much viloence, so much horror. Its different than frankenstein, but has a lot in common.
The plot: Loosely based on H P Lovecraft's classic horror tale, Herbert West is a young scientist who has a good head on his shoulders and another on the lab table in front of him.
Originally devised by Gordon as a theatrical stage production and later a half-hour television pilot, the television script was revised to become a feature film.
The film originally received an X rating, and was later edited to obtain an R rating for video rental stores.
The idea to make Re-Animator came from a discussion Stuart Gordon had with friends one night about vampire films. He felt that there were too many Dracula films and expressed a desire to see a Frankenstein film. Someone asked if he had read "Herbert West–Reanimator" by H. P. Lovecraft.
Originally, Gordon was going to adapt Lovecraft's story for the stage, but eventually decided along with writers Dennis Paoli and William Norris to make it as a half-hour television pilot. The story was set around the turn of the century, and they soon realized that it would be too expensive to recreate. They updated it to the present day in Chicago with the intention of using actors from the Organic Theater company. They were told that the half hour format was not salable and so they made it an hour, writing 13 episodes. Special effects technician Bob Greenberg, who had worked on John Carpenter's Dark Star, repeatedly told Gordon that the only market for horror was in feature films, and introduced him to producer Brian Yuzna. Gordon showed Yuzna the script for the pilot and the 12 additional episodes.
Yuzna described the film as having the "sort of shock sensibility of an Evil Dead with the production values of, hopefully, The Howling."
Naulin said that Re-Animator was the bloodiest film he had ever worked on. In the past, he had never used more than two gallons of blood on a film; on Re-Animator, he used 24 gallons.
The biggest makeup challenge in the film was the headless Dr. Hill zombie. Tony Doublin designed the mechanical effects and was faced with the problem of proportion once the 9–10 inches of the head were removed from the body. Each scene forced him to use a different technique. For example, one technique involved building an upper torso that actor David Gale could bend over and stick his head through so that it appeared to be the one that the walking corpse was carrying around.
Its excellent gory film
The plot: Loosely based on H P Lovecraft's classic horror tale, Herbert West is a young scientist who has a good head on his shoulders and another on the lab table in front of him.
Originally devised by Gordon as a theatrical stage production and later a half-hour television pilot, the television script was revised to become a feature film.
The film originally received an X rating, and was later edited to obtain an R rating for video rental stores.
The idea to make Re-Animator came from a discussion Stuart Gordon had with friends one night about vampire films. He felt that there were too many Dracula films and expressed a desire to see a Frankenstein film. Someone asked if he had read "Herbert West–Reanimator" by H. P. Lovecraft.
Originally, Gordon was going to adapt Lovecraft's story for the stage, but eventually decided along with writers Dennis Paoli and William Norris to make it as a half-hour television pilot. The story was set around the turn of the century, and they soon realized that it would be too expensive to recreate. They updated it to the present day in Chicago with the intention of using actors from the Organic Theater company. They were told that the half hour format was not salable and so they made it an hour, writing 13 episodes. Special effects technician Bob Greenberg, who had worked on John Carpenter's Dark Star, repeatedly told Gordon that the only market for horror was in feature films, and introduced him to producer Brian Yuzna. Gordon showed Yuzna the script for the pilot and the 12 additional episodes.
Yuzna described the film as having the "sort of shock sensibility of an Evil Dead with the production values of, hopefully, The Howling."
Naulin said that Re-Animator was the bloodiest film he had ever worked on. In the past, he had never used more than two gallons of blood on a film; on Re-Animator, he used 24 gallons.
The biggest makeup challenge in the film was the headless Dr. Hill zombie. Tony Doublin designed the mechanical effects and was faced with the problem of proportion once the 9–10 inches of the head were removed from the body. Each scene forced him to use a different technique. For example, one technique involved building an upper torso that actor David Gale could bend over and stick his head through so that it appeared to be the one that the walking corpse was carrying around.
Its excellent gory film
Storm Radar with NOAA Weather
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Furthermore (Furthermore, #1)
7.3
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This captivating and colorful adventure that reads like a modern day fairy tale, from the...
Kristy H (1252 KP) rated Heartbreak for Hire in Books
Aug 19, 2021
A wreck of a romance
Brinkley Saunders tells everyone she works as an administrative assistant. But she really works at
Heartbreak for Hire, an undercover operation that specializes in a variety of revenge schemes for jilted lovers, annoyed coworkers, and more. She dropped out of grad school in the aftermath of a disastrous relationship--much to the despair of her mother--but the job helps Brinkley save for her dream of opening her own art gallery. However, when her boss Margo announces she's hiring male Heartbreakers for the first time, Brinkley starts questioning her purpose, especially when one of the new hires is a target she was paid to take down. Markus Cavanaugh is an adjunct anthropology professor at University of Chicago. He doesn't seem like the backstabbing academic she was told to go after... and as she gets to know Markus more and continues to question her role as a Heartbreaker, Brinkley realizes a lot of things aren't what they seem.
"I had my career, my cat, control. The Three C's of avoiding that hopeless cycle of loving someone who didn't love me back."
I feel awful, but this book just did not work for me at all. I almost didn't finish it, but I really try to complete all my ARCs. Ironically I hated most of it except the end, which was actually pretty good. But most of this one had me cringing. Brinkley's job is terrible and makes no sense--I couldn't even see how Heartbreakers and the division of "Egos, Players, Cheaters, and Grifters" would even possibly translate to the real world. Her boss is absolutely awful.
"If we trained men to break women's hearts, what did that say about our mission? What did that say about us?"
The book is filled with ridiculous contrived fights and plot-lines, and I didn't buy the relationship between her and Markus at all. They like each other, hate each other, rinse and repeat, with a bunch of silly "twists" thrown in over and over to keep them apart. Do something and stop whining (this applies equally to them both). It was just boring and stupid, and I couldn't handle all the bad decisions. If there's going to be conflict, I want it to be realistic, and if there's going to be romance, I want to buy into the couple and feel a genuine affection toward them. But with everyone being so hateful to each other, an entire profession created toward tearing people down, and a bunch of random contrived obstacles thrown up to keep Markus and Brinkley apart... I just couldn't handle it.
A lot of other people enjoyed this one far more than me, so hopefully you will too.
I received a copy of this book from Gallery Books and Netgalley in return for an unbiased review.
Heartbreak for Hire, an undercover operation that specializes in a variety of revenge schemes for jilted lovers, annoyed coworkers, and more. She dropped out of grad school in the aftermath of a disastrous relationship--much to the despair of her mother--but the job helps Brinkley save for her dream of opening her own art gallery. However, when her boss Margo announces she's hiring male Heartbreakers for the first time, Brinkley starts questioning her purpose, especially when one of the new hires is a target she was paid to take down. Markus Cavanaugh is an adjunct anthropology professor at University of Chicago. He doesn't seem like the backstabbing academic she was told to go after... and as she gets to know Markus more and continues to question her role as a Heartbreaker, Brinkley realizes a lot of things aren't what they seem.
"I had my career, my cat, control. The Three C's of avoiding that hopeless cycle of loving someone who didn't love me back."
I feel awful, but this book just did not work for me at all. I almost didn't finish it, but I really try to complete all my ARCs. Ironically I hated most of it except the end, which was actually pretty good. But most of this one had me cringing. Brinkley's job is terrible and makes no sense--I couldn't even see how Heartbreakers and the division of "Egos, Players, Cheaters, and Grifters" would even possibly translate to the real world. Her boss is absolutely awful.
"If we trained men to break women's hearts, what did that say about our mission? What did that say about us?"
The book is filled with ridiculous contrived fights and plot-lines, and I didn't buy the relationship between her and Markus at all. They like each other, hate each other, rinse and repeat, with a bunch of silly "twists" thrown in over and over to keep them apart. Do something and stop whining (this applies equally to them both). It was just boring and stupid, and I couldn't handle all the bad decisions. If there's going to be conflict, I want it to be realistic, and if there's going to be romance, I want to buy into the couple and feel a genuine affection toward them. But with everyone being so hateful to each other, an entire profession created toward tearing people down, and a bunch of random contrived obstacles thrown up to keep Markus and Brinkley apart... I just couldn't handle it.
A lot of other people enjoyed this one far more than me, so hopefully you will too.
I received a copy of this book from Gallery Books and Netgalley in return for an unbiased review.