Search
Nicole Hadley (380 KP) rated Upon a Spring Breeze (Every Amish Season, #1) in Books
Jun 18, 2018
Upon a Spring Breeze by Kelly Irvin is a beautiful, emotional Amish book. At 20 years old Bess is newly married and pregnant, life couldn't get better. Then, as she's making stew for her husband one evening she get's the news of his death. After her son is born he looks just like her late husband and coupled with her exhaustion and her babies colic she has a very hard time dealing with it. Her hormones are out of whack because she has postpartum depression and doesn't realize it. She feels like a total failure with things. Her mother-in law has dementia and thinks Bess's baby is her son who passed away and tries to care for him which just adds to Bess's stress. Bess takes a job at a Bed and Breakfast Inn close by and the son of the owner falls for her. he is an Englisher. She now has two men that have fallen for her, Dusty the Englisher and Aidan, who was her husbands best friend since childhood. Aidan has been in love with her since childhood but she married his best friend. He still carries the strong feelings for her.
Aidan, Caleb and Bess’ best friend since childhood, does his best to repress his guilt over Caleb’s passing. Try as he might, he blames himself for sending him into town that tragic day. He promises on Caleb’s dying breath to watch over Bess and their unborn child. He tries to make that a reality but his long standing feelings for Bess start to get in the way.
Bess tries to find her way working in a B and B in town. When the rumor mill runs wild with stories of her and the English owner’s son, she has to begin to face reality instead of living in her own world of grief. She soon learns to rely on a group of widows in her community. The guidance and love that they giver her along with Aiden’s unyielding support soon give Bess hope that there might be a future for her and young Joshua after all.
Kelly really has a way with bringing her characters to life. The reader is quickly drawn in as the characters are so easy to identify with and root for in their quest for happiness. I really enjoyed the many strong female voices in the book. The group of supporting widows that reached out to young Bess was easy to connect with and understand their loss and struggle with their own stories. Even though at first I was not a Mattie fan, my heart began to ache for her and the fact that Soloman left his wife’s dementia untreated for so long. The author did an excellent job delicately working Mattie’s tale into the story, although I hoped that in the epilogue she would have found treatment and possibly have recovered.
Kelly Irvin's writing is easy to follow. Intriguing, clean, and charming. The charcaters are believable. Their life situations are realistic. I was able to connect with both characters. Loss, grief, love, and faith are themes commonly found on every page.
I received an ARC from Thomas Nelson and Zondervan via NetGalley in exchange for an honest review.
Aidan, Caleb and Bess’ best friend since childhood, does his best to repress his guilt over Caleb’s passing. Try as he might, he blames himself for sending him into town that tragic day. He promises on Caleb’s dying breath to watch over Bess and their unborn child. He tries to make that a reality but his long standing feelings for Bess start to get in the way.
Bess tries to find her way working in a B and B in town. When the rumor mill runs wild with stories of her and the English owner’s son, she has to begin to face reality instead of living in her own world of grief. She soon learns to rely on a group of widows in her community. The guidance and love that they giver her along with Aiden’s unyielding support soon give Bess hope that there might be a future for her and young Joshua after all.
Kelly really has a way with bringing her characters to life. The reader is quickly drawn in as the characters are so easy to identify with and root for in their quest for happiness. I really enjoyed the many strong female voices in the book. The group of supporting widows that reached out to young Bess was easy to connect with and understand their loss and struggle with their own stories. Even though at first I was not a Mattie fan, my heart began to ache for her and the fact that Soloman left his wife’s dementia untreated for so long. The author did an excellent job delicately working Mattie’s tale into the story, although I hoped that in the epilogue she would have found treatment and possibly have recovered.
Kelly Irvin's writing is easy to follow. Intriguing, clean, and charming. The charcaters are believable. Their life situations are realistic. I was able to connect with both characters. Loss, grief, love, and faith are themes commonly found on every page.
I received an ARC from Thomas Nelson and Zondervan via NetGalley in exchange for an honest review.
Ivana A. | Diary of Difference (1171 KP) rated Moore Field School and the Mystery in Books
Feb 3, 2020
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
#1 <a href="https://www.goodreads.com/review/show/2886460268">Moore Field School and the Mystery</a> - ★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/12/Book-Review-Banner-31.png"/>;
Moore Field School and the Mystery by Liam Moiser is the first book of the Moore Field School series. We follow the main character Samantha, whose parents are teachers at her school, Moore Field School.
When Moore Field School is about to close down, the headmistress, Miss Moore, moves the school to Lakeview to start again. And Samantha and her parents move too.
Before the first term, the students go to a camp, where they hear about a haunted house. Samantha and her best friend, Jessica, somehow end up in the middle of this mystery.
My first thoughts of this book were that I find this little school cute, and the mystery of the haunted house quite interesting.
However, other than that, I am afraid not many things really appealed to me.
First of all, Samantha doesn’t look like or act like a little girl. She has conversations with her parents in a very unusual way. Who talks to their parents in such a way, in a middle grade book for children?
<b><i>“Okay, since you are both insisting, I’ll go and get my musical sheets whilst you settle yourselves down in the living room.” Samantha smiled; she really did want her father and mother to listen to her music. </i></b>
Aside from the characters and their language, there are a lot of scenes and acts in the book that I cannot find the logic of:
Miss Moore, the headmistress, is closing the school down because of the lack of pupils going into the private school. She is then moving the school into another town, which is a few hundred miles away. And she wants the old students to keep going to this school. Why would I want my child to keep going to a school that will now be hundreds of miles away? And yet, parents agree to this…
Both parents and teachers don’t seem to care too much about their pupils. Samatha and Jessica wander off, almost drown, get lost twice, and when they return, they are simply greeted as if nothing major happened. Also, the teacher that was supposed to be guarding them and fell asleep and lost them twice gets out of the whole mess without being in any trouble.
I really wish I enjoyed this book, but it made me cringe and wince all the way through on how pompous and unrealistic it was. Luckily, it is quite short, so I got through it quite fast. Whew.
I don't think I will be reading the rest of the series unfortunately.
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
#1 <a href="https://www.goodreads.com/review/show/2886460268">Moore Field School and the Mystery</a> - ★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/12/Book-Review-Banner-31.png"/>;
Moore Field School and the Mystery by Liam Moiser is the first book of the Moore Field School series. We follow the main character Samantha, whose parents are teachers at her school, Moore Field School.
When Moore Field School is about to close down, the headmistress, Miss Moore, moves the school to Lakeview to start again. And Samantha and her parents move too.
Before the first term, the students go to a camp, where they hear about a haunted house. Samantha and her best friend, Jessica, somehow end up in the middle of this mystery.
My first thoughts of this book were that I find this little school cute, and the mystery of the haunted house quite interesting.
However, other than that, I am afraid not many things really appealed to me.
First of all, Samantha doesn’t look like or act like a little girl. She has conversations with her parents in a very unusual way. Who talks to their parents in such a way, in a middle grade book for children?
<b><i>“Okay, since you are both insisting, I’ll go and get my musical sheets whilst you settle yourselves down in the living room.” Samantha smiled; she really did want her father and mother to listen to her music. </i></b>
Aside from the characters and their language, there are a lot of scenes and acts in the book that I cannot find the logic of:
Miss Moore, the headmistress, is closing the school down because of the lack of pupils going into the private school. She is then moving the school into another town, which is a few hundred miles away. And she wants the old students to keep going to this school. Why would I want my child to keep going to a school that will now be hundreds of miles away? And yet, parents agree to this…
Both parents and teachers don’t seem to care too much about their pupils. Samatha and Jessica wander off, almost drown, get lost twice, and when they return, they are simply greeted as if nothing major happened. Also, the teacher that was supposed to be guarding them and fell asleep and lost them twice gets out of the whole mess without being in any trouble.
I really wish I enjoyed this book, but it made me cringe and wince all the way through on how pompous and unrealistic it was. Luckily, it is quite short, so I got through it quite fast. Whew.
I don't think I will be reading the rest of the series unfortunately.
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Fiete Hide and Seek
Book and Games
App
Every child loves playing hide and seek. In this kids app sailor Fiete has hidden. Can you find him?...
BookInspector (124 KP) rated The Chestnut Man in Books
Sep 24, 2020
I can’t decide one thing with this book, to put it in the “One of the best thrillers of 2018” because I read it this year, or to say that is “One of the best thrillers of 2019” because it is published next year. One thing for sure, it is an absolute treat!
The first thing that I really loved, was the cover. It looks quite simple, but the way that the chestnut man is portrayed gave me the feeling that it is going to be a great thriller, and it definitely didn’t disappoint me. I think, that in this book there are multiple protagonists- Thulin and Hess. They both play quite equal roles during the investigation, even though it might not feel so. There is a wide variety of characters in this novel, and all of them are very well nurtured and thought through. Their qualities are delivered slowly, and I loved how they opened up throughout the book. I really liked Thulin and Hess, they both are very complex individuals. They are quite different people, and when they work together, all the process feels messy, chaotic, but in the end, it provides results.
I don’t even know from where to begin with the praise for the plot. The whole narrative has multiple layers, and there are several cases combined in this book. We have the disappearance of a Minister’s daughter, which happened a while ago and shook the whole country, and at present, we have these new murders with the chestnut dolls at the crime scenes. These two things entwined with each other created more richness and action for the whole story. I loved that it was told from multiple perspectives, it not only allowed to get to know the characters better but also gave an insight into different minds. The author chose very intriguing topics for this novel, such as foster care; child abuse; social services and their work; politicians and their lives; different family relationships; discrimination at work and many more.
The writing style of this book is impeccable! Sveistrup is a very talented storyteller with a great eye for detail, and after reading this book, I am definitely his fan. I really loved the setting of this novel, it is set mainly in Copenhagen, during the autumn/winter season, which created a very gloomy and mysterious atmosphere to the whole novel. The author is not afraid to show disturbing (to some) killings with amputations or disgusting acts of humankind, so this book is not suitable for sensitive people. It might feel like a big book, but the chapters are really short and the whole plot and characters really absorbed me so, I just couldn’t put it down. I really liked the ending of this thriller, it is unexpected, unusual, but rounded this novel very beautifully!
So, to conclude, this book has everything what a great thriller needs. The characters are complex and intriguing, the mood, suspense and twists are very well developed, it is dark and can be disgusting at times, but overall it is a gripping novel and I can’t wait to read more from this author! I do strongly recommend it, and I hope you will enjoy it as much as I did.
The first thing that I really loved, was the cover. It looks quite simple, but the way that the chestnut man is portrayed gave me the feeling that it is going to be a great thriller, and it definitely didn’t disappoint me. I think, that in this book there are multiple protagonists- Thulin and Hess. They both play quite equal roles during the investigation, even though it might not feel so. There is a wide variety of characters in this novel, and all of them are very well nurtured and thought through. Their qualities are delivered slowly, and I loved how they opened up throughout the book. I really liked Thulin and Hess, they both are very complex individuals. They are quite different people, and when they work together, all the process feels messy, chaotic, but in the end, it provides results.
I don’t even know from where to begin with the praise for the plot. The whole narrative has multiple layers, and there are several cases combined in this book. We have the disappearance of a Minister’s daughter, which happened a while ago and shook the whole country, and at present, we have these new murders with the chestnut dolls at the crime scenes. These two things entwined with each other created more richness and action for the whole story. I loved that it was told from multiple perspectives, it not only allowed to get to know the characters better but also gave an insight into different minds. The author chose very intriguing topics for this novel, such as foster care; child abuse; social services and their work; politicians and their lives; different family relationships; discrimination at work and many more.
The writing style of this book is impeccable! Sveistrup is a very talented storyteller with a great eye for detail, and after reading this book, I am definitely his fan. I really loved the setting of this novel, it is set mainly in Copenhagen, during the autumn/winter season, which created a very gloomy and mysterious atmosphere to the whole novel. The author is not afraid to show disturbing (to some) killings with amputations or disgusting acts of humankind, so this book is not suitable for sensitive people. It might feel like a big book, but the chapters are really short and the whole plot and characters really absorbed me so, I just couldn’t put it down. I really liked the ending of this thriller, it is unexpected, unusual, but rounded this novel very beautifully!
So, to conclude, this book has everything what a great thriller needs. The characters are complex and intriguing, the mood, suspense and twists are very well developed, it is dark and can be disgusting at times, but overall it is a gripping novel and I can’t wait to read more from this author! I do strongly recommend it, and I hope you will enjoy it as much as I did.
Gareth von Kallenbach (980 KP) rated Why Him? (2016) in Movies
Jul 12, 2019
When an “out of touch” Midwesterner owner of a paper factory (Bryan Cranston) decides to take his family to California to spend Christmas with his college student daughter (Zoey Deutch) and meet her new tech-millionaire, but socially inept boyfriend (James Franco), a typical father vs boyfriend faceoff ensues. For many, Why Him? will be enough to satisfy the comedy itch. Those expecting to find the next gut busting comedy will be disappointed, while those thinking it will be a dull comedy will be pleasantly surprised. This film is somewhere in the middle. A constant stream of chuckles with a few bigger laughs here or there. But ultimately forgettable at the lack of main characters to root for.
The highlights of this film include Cranston who reminds us that he has comedic timing from his years in Malcom in the Middle. His chemistry and timing is played well across Megan Mullally who perfectly delivers a few genuine laughs as a Midwestern suburban wife trying to maintain the niceties. Their son (Griffin Gluck) also adds to the humorous family affair as a teenage brother trying to be taken seriously as an adult but still being treated as a child. Lastly, the always funny Keegan-Michael Key hilariously plays Gustav, the “estate manager” to the tech-millionaire boyfriend and spices up the film every time he seems to appear.
James Franco on the other hand quickly wears out is welcome as the socially inept tech-millionaire boyfriend. At times he is funny, however after the dropping the “f-bomb” so many times you begin to sees him as a basic, depthless “caricature” only going for the low hanging fruit of crude jokes. Still, his crude, repeated, jokes are no longer funny after the first few times we see them. The film tries to give Franco some “mysterious depth” through an eluded troubled childhood and his genuine honesty. Only the film never gives you any payoff, as Franco’s character never actually evolves past his caricature shortcomings. It is a shame, because we actually like the girlfriend character (Zoey Deutch) and want to understand what she sees in Franco’s character, however since he never really evolves, there really is no reason to like or root for them to be together.
I also want to point out that this film acknowledges its biggest flaw. At one point in the film a character points out that there is a war going on between father and boyfriend, only the boyfriend isn’t actually fighting. That’s true, and thus there is no real conflict and no real reason to root for any of the characters. Franco’s boyfriend character never evolves past his caricature. While Cranston’s father character only evolves because the movie devolves into “paint by numbers” territory in the last 10 minutes. Since there is no one to root, we do not really care the outcome as we got our chuckles throughout the film but will forget about it shortly after walking out the theater.
Why Him? Has a solid cast, a few unexpected cameos and delivers constant chuckles throughout, however without giving us a likeable boyfriend or any characters to root for, the lack of memorable gut busting laughs has this film as nothing more than a typical forgettable comedy.
The highlights of this film include Cranston who reminds us that he has comedic timing from his years in Malcom in the Middle. His chemistry and timing is played well across Megan Mullally who perfectly delivers a few genuine laughs as a Midwestern suburban wife trying to maintain the niceties. Their son (Griffin Gluck) also adds to the humorous family affair as a teenage brother trying to be taken seriously as an adult but still being treated as a child. Lastly, the always funny Keegan-Michael Key hilariously plays Gustav, the “estate manager” to the tech-millionaire boyfriend and spices up the film every time he seems to appear.
James Franco on the other hand quickly wears out is welcome as the socially inept tech-millionaire boyfriend. At times he is funny, however after the dropping the “f-bomb” so many times you begin to sees him as a basic, depthless “caricature” only going for the low hanging fruit of crude jokes. Still, his crude, repeated, jokes are no longer funny after the first few times we see them. The film tries to give Franco some “mysterious depth” through an eluded troubled childhood and his genuine honesty. Only the film never gives you any payoff, as Franco’s character never actually evolves past his caricature shortcomings. It is a shame, because we actually like the girlfriend character (Zoey Deutch) and want to understand what she sees in Franco’s character, however since he never really evolves, there really is no reason to like or root for them to be together.
I also want to point out that this film acknowledges its biggest flaw. At one point in the film a character points out that there is a war going on between father and boyfriend, only the boyfriend isn’t actually fighting. That’s true, and thus there is no real conflict and no real reason to root for any of the characters. Franco’s boyfriend character never evolves past his caricature. While Cranston’s father character only evolves because the movie devolves into “paint by numbers” territory in the last 10 minutes. Since there is no one to root, we do not really care the outcome as we got our chuckles throughout the film but will forget about it shortly after walking out the theater.
Why Him? Has a solid cast, a few unexpected cameos and delivers constant chuckles throughout, however without giving us a likeable boyfriend or any characters to root for, the lack of memorable gut busting laughs has this film as nothing more than a typical forgettable comedy.
BankofMarquis (1832 KP) rated Barbie (2023) in Movies
Jul 21, 2023
More Than Meets The Eye
The Margot Robbie/Ryan Gosling curiosity BARBIE is a subversive film. This Greta Gerwig directed move lures you in by presenting a farcical/satirical look at the pastel colored “Barbieland” and the myriad of outfits and “golly-gosh” goodness of the world of this iconic Mattel doll (and her boyfriend, Ken). Once you are comfortably settled into this world, you are transformed to the “real world” and the much deeper themes of a women’s place in a patriarchal world.
As another toy’s slogan puts it, “there’s more than meets the eye” to this film.
And one should have expected something more than just a “surfacey-fun” film from the Writer/Director of such fare as LADYBIRD and FRANCES HA. Gerwing uses the stereotypes of Barbie and Ken to take a look at our society and the inherent hierarchy of the sexes while peeling back the layers of the key players to make them more than the plastic dolls they portray.
And…it works surprisingly well for adults - not so much for kids.
Margot Robbie, of course, is perfectly cast as the titular Barbie. She has the looks and the vacuous devil-may-care attitude of “Stereotype Barbie” and is a comfortable, pleasing entity to share this adventure with. But, with Gerwig’s direction, Robbie’s performance reveals, subtly, layer after layer until - at the end - we end up with a full fledged character and not just a living doll.
Ryan Gosling is just as strong as Barbie’s counterpart, Ken. He morphs from a Barbie worshipping boyfriend to something else once he encounters the real, male-dominated world. The BankofMarquis wondered why Gosling would agree to do a film that, on it’s surface, appears to be a one-note joke-fest, but once the film really drives to it’s point, one can see why Gosling agreed to be in this.
Issa Rae, Kate McKinnon, Simu Liu, Michael Cerra, Helen Mirren (as the narrator) and America Ferrara all spark - at times - during this film while it was good to see Rhea Perlman (Carla on CHEERS) have a role that she could sink her teeth into.
Only Will Ferrell - as the money hungry CEO of Mattel - falls short of interesting. His character - one of the only “real world” characters in this film - stays stereotypical throughout the movie. He is the only complete caricature in this film…and perhaps that is on purpose.
Credit for the surprising depth of this film goes to Gerwig who brings her sensibilities to this film to make a comment on our society. It’s a bold move by Gerwig and works well…unless you are a Mom that is bringing your 5 or 6 year old child to this film.
And, that is the caution to this movie. It’s not, necessarily, made for the youngsters that play with Barbies. The kids will love the early going of this film, but the more adult themes in the middle of the movie will probably make a good deal of them squirm in their seats, since these moments of depth will go over their heads.
A surprisingly fun…and deeper than it appears to be….film, this Barbie is a multi-level dreamhouse.
Letter Grade: A-
8 stars (out of 10) and you can take that to the BankofMarquis
As another toy’s slogan puts it, “there’s more than meets the eye” to this film.
And one should have expected something more than just a “surfacey-fun” film from the Writer/Director of such fare as LADYBIRD and FRANCES HA. Gerwing uses the stereotypes of Barbie and Ken to take a look at our society and the inherent hierarchy of the sexes while peeling back the layers of the key players to make them more than the plastic dolls they portray.
And…it works surprisingly well for adults - not so much for kids.
Margot Robbie, of course, is perfectly cast as the titular Barbie. She has the looks and the vacuous devil-may-care attitude of “Stereotype Barbie” and is a comfortable, pleasing entity to share this adventure with. But, with Gerwig’s direction, Robbie’s performance reveals, subtly, layer after layer until - at the end - we end up with a full fledged character and not just a living doll.
Ryan Gosling is just as strong as Barbie’s counterpart, Ken. He morphs from a Barbie worshipping boyfriend to something else once he encounters the real, male-dominated world. The BankofMarquis wondered why Gosling would agree to do a film that, on it’s surface, appears to be a one-note joke-fest, but once the film really drives to it’s point, one can see why Gosling agreed to be in this.
Issa Rae, Kate McKinnon, Simu Liu, Michael Cerra, Helen Mirren (as the narrator) and America Ferrara all spark - at times - during this film while it was good to see Rhea Perlman (Carla on CHEERS) have a role that she could sink her teeth into.
Only Will Ferrell - as the money hungry CEO of Mattel - falls short of interesting. His character - one of the only “real world” characters in this film - stays stereotypical throughout the movie. He is the only complete caricature in this film…and perhaps that is on purpose.
Credit for the surprising depth of this film goes to Gerwig who brings her sensibilities to this film to make a comment on our society. It’s a bold move by Gerwig and works well…unless you are a Mom that is bringing your 5 or 6 year old child to this film.
And, that is the caution to this movie. It’s not, necessarily, made for the youngsters that play with Barbies. The kids will love the early going of this film, but the more adult themes in the middle of the movie will probably make a good deal of them squirm in their seats, since these moments of depth will go over their heads.
A surprisingly fun…and deeper than it appears to be….film, this Barbie is a multi-level dreamhouse.
Letter Grade: A-
8 stars (out of 10) and you can take that to the BankofMarquis
Writing (3 more)
No character development
Too many inconsistencies
Too many chapters
Errin Stowell's new novel series starts with Covet Not which is about a middle-aged lawyer named Sam Sparks - - - who is referred to as Sparks nearly the entire story - - - whose fiancee goes missing and he then becomes the prime suspect. Before everything happens though, readers see that Sparks spends his time trying to defend the elderly from home foreclosures as a small-time lawyer.
If this sounds like a synopsis for a John Grisham novel, you wouldn't be far off because Stowell has the potential to be the next one. This is only the first novel I've read by Stowell, but the one thing I noticed mostly in this story was the amount of inconsistencies and amateur writing mistakes; with better editing and consistency, his books could very well hit mainstream.
Also, Covet Not had so many chapters, so much so that scenes were chopped in half and made into entirely new chapters. The book ended up having 48 chapters within 158 pages. This amount could have easily been shortened and helped with the flow of the story if Stowell had just continued onwards with scenes rather then cutting them short or just skipping parts completely.
The novel starts with a man called Skinny who is enjoying his growing infamy on the dark web (he records himself murdering women then uploads it for his audience to enjoy). Here is how Stowell describes Skinny's thought process:
" Skinny took a black ski mask from the duffel bag and put it on before carrying the bag into the camera's frame and placing it near the woman. He began unpacking other items from the bag. It was slow work, deliberately slow for the camera. Skinny intended to have a before and after view for each tool. It was important to show the proper use of tools. The viewers always appreciated that. "
When we switch over to Sparks, we find him after a long day of work, speaking with a journalist named Gina, his fiancee, who is telling him one of her co-workers stole her story, but no one has heard from her in two days. Yet, they both agree that she's probably holed up with one of the producers, and instead, get into a small argument about Sparks never supporting Gina - - - a constant habit of arguing is almost every interaction between the two throughout the entire novel.
Soon after, Sparks introduces us to his uncle Jimmy, who is being housed at a retirement home: " The old man was seated in a wheelchair; his left leg had been amputated just below the knee a few years before, the result of allowing an ingrown toenail to fester to gangrene. Jimmy's barrel chest and solid upper body contrasted with his wasting legs. "
As Sparks continues to visit his uncle in the retirement home, he keeps running into a cute nurse named Darlene, who quickly sets her sights on him. She goes so far out of her way to get Sparks and Gina to separate that she sends him nude photos of herself from a burner phone. Fortunately, Sparks has bigger fish to fry when he hears over his car radio that Gina's co-worker was now being treated as a missing person case, causing Sparks to quickly jump to the conclusion that Gina possibly was responsible for it.
However, Stowell throws in an expected curveball by making our villain, Skinny, work at the retirement home. When he comes in to take care of a patient while Sparks is present, it's too easy to guess that this patient was going to end up dead soon. Sparks, expectedly, has a bad feeling about this male nurse, but dismisses it and believes that the patient died by natural causes. Life goes on.
Stowell's novel, with a great plot, was just too focused on ending the story, that after page 50, it seemed as if Stowell didn't care what happened to these characters, just as long as he finished the book. At one point, readers are told that Sparks doesn't drink alcohol, but it's never explained why he doesn't which would have given a bite of character development; another scene, Sparks finds a phone, but doesn't want to give it to police, instead he states that he has a 'friend' in the police department who can go through it as a favor, but this 'friend' is completely forgotten, as if Sparks never mentioned him, and the former is left dumbfounded as to how to get into the phone.
There's a story here and characters that could be more well-rounded, but I honestly found myself not caring the least bit about any of the characters' well-being, especially Sparks - - - someone who comes off as inept, someone who has to be told what to do in order for anything to get done - - - he's like a lost child running blindly throughout the book. The story needs to be longer with more emphasis given to mundane scenes that will allow readers to chew on a piece of Sparks' daily life because, by the end of the book, we needed a full picture of every major character, not a Jackson Pollock.
If this sounds like a synopsis for a John Grisham novel, you wouldn't be far off because Stowell has the potential to be the next one. This is only the first novel I've read by Stowell, but the one thing I noticed mostly in this story was the amount of inconsistencies and amateur writing mistakes; with better editing and consistency, his books could very well hit mainstream.
Also, Covet Not had so many chapters, so much so that scenes were chopped in half and made into entirely new chapters. The book ended up having 48 chapters within 158 pages. This amount could have easily been shortened and helped with the flow of the story if Stowell had just continued onwards with scenes rather then cutting them short or just skipping parts completely.
The novel starts with a man called Skinny who is enjoying his growing infamy on the dark web (he records himself murdering women then uploads it for his audience to enjoy). Here is how Stowell describes Skinny's thought process:
" Skinny took a black ski mask from the duffel bag and put it on before carrying the bag into the camera's frame and placing it near the woman. He began unpacking other items from the bag. It was slow work, deliberately slow for the camera. Skinny intended to have a before and after view for each tool. It was important to show the proper use of tools. The viewers always appreciated that. "
When we switch over to Sparks, we find him after a long day of work, speaking with a journalist named Gina, his fiancee, who is telling him one of her co-workers stole her story, but no one has heard from her in two days. Yet, they both agree that she's probably holed up with one of the producers, and instead, get into a small argument about Sparks never supporting Gina - - - a constant habit of arguing is almost every interaction between the two throughout the entire novel.
Soon after, Sparks introduces us to his uncle Jimmy, who is being housed at a retirement home: " The old man was seated in a wheelchair; his left leg had been amputated just below the knee a few years before, the result of allowing an ingrown toenail to fester to gangrene. Jimmy's barrel chest and solid upper body contrasted with his wasting legs. "
As Sparks continues to visit his uncle in the retirement home, he keeps running into a cute nurse named Darlene, who quickly sets her sights on him. She goes so far out of her way to get Sparks and Gina to separate that she sends him nude photos of herself from a burner phone. Fortunately, Sparks has bigger fish to fry when he hears over his car radio that Gina's co-worker was now being treated as a missing person case, causing Sparks to quickly jump to the conclusion that Gina possibly was responsible for it.
However, Stowell throws in an expected curveball by making our villain, Skinny, work at the retirement home. When he comes in to take care of a patient while Sparks is present, it's too easy to guess that this patient was going to end up dead soon. Sparks, expectedly, has a bad feeling about this male nurse, but dismisses it and believes that the patient died by natural causes. Life goes on.
Stowell's novel, with a great plot, was just too focused on ending the story, that after page 50, it seemed as if Stowell didn't care what happened to these characters, just as long as he finished the book. At one point, readers are told that Sparks doesn't drink alcohol, but it's never explained why he doesn't which would have given a bite of character development; another scene, Sparks finds a phone, but doesn't want to give it to police, instead he states that he has a 'friend' in the police department who can go through it as a favor, but this 'friend' is completely forgotten, as if Sparks never mentioned him, and the former is left dumbfounded as to how to get into the phone.
There's a story here and characters that could be more well-rounded, but I honestly found myself not caring the least bit about any of the characters' well-being, especially Sparks - - - someone who comes off as inept, someone who has to be told what to do in order for anything to get done - - - he's like a lost child running blindly throughout the book. The story needs to be longer with more emphasis given to mundane scenes that will allow readers to chew on a piece of Sparks' daily life because, by the end of the book, we needed a full picture of every major character, not a Jackson Pollock.
Hazel (1853 KP) rated Small Great Things in Books
May 24, 2017
Small is an Understatement
Jodi Picoult has been my favourite author since I first came across her novels in 2008. With twenty-three novels under her belt, she continues to delight readers with her page-turning stories. Most of Picoult’s books contain a moral issue, often, but not always, in the form of medical ethics, as well as a hefty court case. Although following along similar lines, Small Great Things is a radical, revolutionary book, which, with great courage, Picoult has written with the intent to expose the reader to truths that most of us, as a society, are intentionally oblivious to.
The gist of the storyline is that a baby dies whilst under the care of a nurse, prompting the grieving parents to take her to court with the accusation of murder. Although that sounds like an interesting story, it barely begins to describe what the book is about. The character on trial, Ruth, is an African American labour and delivery nurse – something that in this day and age need not by an issue. On the other hand, the parents of the baby are White Supremacists: seriously racist with the belief that white people are the master race. The father, Turk, refuses to let his wife and child be treated by Ruth, however circumstances result in her being the only nurse available to watch Davis, when, unfortunately, he so happens to go into cardiac arrest. Although the reader knows that Ruth is not at fault, Turk insists she murdered his child – but is he accusing her of medical negligence, or punishing her for being black?
Three characters, all with different views and experience when it comes to racism, alternately narrate Small Great Things. Ruth and Turk represent the extremes at either side of the scale. Ruth experiences first hand the negative impact of prejudice in the American system and society, not only through this court case, but in everyday life as well. She also reveals the difficulties growing up in a predominately white environment, never feeling like she fitted in with her peers. Alternatively, Turk spent his teenage years attending KKK rallies, participating in a white power movement, and beating up anyone who was different: black, foreign, gay, Jewish and so forth.
The third character represents the majority of white people living in America. Kennedy is a public defender and the lawyer assigned to Ruth’s case. Like most of the population, she believes that she is not racist, and persuades Ruth to leave the colour of her skin out of the argument. However, as she gets to know her client, she begins to realize that it is nigh on impossible to ignore racial prejudice.
Picoult shocks the reader on two accounts: one, the way that people of colour have been, and still are, treated; and two, the revelation that an invisible empire of White Supremacists are living amongst us. Yet there is a third way in which Picoult provokes outrage – she indirectly accuses the reader of being racist, too.
There is always something to learn in a Jodi Picoult novel, for instance medical terminology, or the way in which a court trial is conducted. Small Great Things provides a lot more eye opening information than any of her previous books, unveiling facts about such a controversial subject.
Through Kennedy, the reader’s eyes are opened to the racial discrimination that we all turn a blind eye to. Ignored are the difficulties African Americans suffer when going shopping, applying for jobs, attending school, walking down the street, sitting on a bus, and so forth. Picoult asks me as a reader to think about how my life has been affected by racial discrimination: being served politely in shops because I am white, not having my ethnicity questioned when applying for college etc. Living in Britain I have not experienced openly hateful comments or behaviours towards people with a different skin tone – I used to believe this was primarily an American problem. Yet, Small Great Things has really made me think about the hierarchy of power within society, particularly in regards to the ethnicity of those at the top, compared with those at the bottom.
Jodi Picoult sat on the idea of writing a book about racism for well over a decade, yet it is particularly apt that it is published now, with the current predicaments America is facing. Although we have come a long way in attempts to achieve equality for all – compare the trial in To Kill A Mockingbird to Picoult’s version – recent events have revealed that we are no where near.
Small Great Things will shock everyone who reads it regardless of their ethnicity and so forth. Many may find it uncomfortable to read, become upset or outraged, and even feel like they are being directly targeted. If this is the case, then good – it should do that. Everyone needs to read this book. On the one hand it is a brilliant, well told story with a beautiful, almost poetic narrative, and on the other, it causes us to face up to the issues we are forever making light of or overlooking entirely. We have grown up believing that racism is a form of hatred when, actually, it is about power. However Small Great Things makes you feel, it is definitely worth reading, especially for the satisfying ending – one that you do not see coming.
The gist of the storyline is that a baby dies whilst under the care of a nurse, prompting the grieving parents to take her to court with the accusation of murder. Although that sounds like an interesting story, it barely begins to describe what the book is about. The character on trial, Ruth, is an African American labour and delivery nurse – something that in this day and age need not by an issue. On the other hand, the parents of the baby are White Supremacists: seriously racist with the belief that white people are the master race. The father, Turk, refuses to let his wife and child be treated by Ruth, however circumstances result in her being the only nurse available to watch Davis, when, unfortunately, he so happens to go into cardiac arrest. Although the reader knows that Ruth is not at fault, Turk insists she murdered his child – but is he accusing her of medical negligence, or punishing her for being black?
Three characters, all with different views and experience when it comes to racism, alternately narrate Small Great Things. Ruth and Turk represent the extremes at either side of the scale. Ruth experiences first hand the negative impact of prejudice in the American system and society, not only through this court case, but in everyday life as well. She also reveals the difficulties growing up in a predominately white environment, never feeling like she fitted in with her peers. Alternatively, Turk spent his teenage years attending KKK rallies, participating in a white power movement, and beating up anyone who was different: black, foreign, gay, Jewish and so forth.
The third character represents the majority of white people living in America. Kennedy is a public defender and the lawyer assigned to Ruth’s case. Like most of the population, she believes that she is not racist, and persuades Ruth to leave the colour of her skin out of the argument. However, as she gets to know her client, she begins to realize that it is nigh on impossible to ignore racial prejudice.
Picoult shocks the reader on two accounts: one, the way that people of colour have been, and still are, treated; and two, the revelation that an invisible empire of White Supremacists are living amongst us. Yet there is a third way in which Picoult provokes outrage – she indirectly accuses the reader of being racist, too.
There is always something to learn in a Jodi Picoult novel, for instance medical terminology, or the way in which a court trial is conducted. Small Great Things provides a lot more eye opening information than any of her previous books, unveiling facts about such a controversial subject.
Through Kennedy, the reader’s eyes are opened to the racial discrimination that we all turn a blind eye to. Ignored are the difficulties African Americans suffer when going shopping, applying for jobs, attending school, walking down the street, sitting on a bus, and so forth. Picoult asks me as a reader to think about how my life has been affected by racial discrimination: being served politely in shops because I am white, not having my ethnicity questioned when applying for college etc. Living in Britain I have not experienced openly hateful comments or behaviours towards people with a different skin tone – I used to believe this was primarily an American problem. Yet, Small Great Things has really made me think about the hierarchy of power within society, particularly in regards to the ethnicity of those at the top, compared with those at the bottom.
Jodi Picoult sat on the idea of writing a book about racism for well over a decade, yet it is particularly apt that it is published now, with the current predicaments America is facing. Although we have come a long way in attempts to achieve equality for all – compare the trial in To Kill A Mockingbird to Picoult’s version – recent events have revealed that we are no where near.
Small Great Things will shock everyone who reads it regardless of their ethnicity and so forth. Many may find it uncomfortable to read, become upset or outraged, and even feel like they are being directly targeted. If this is the case, then good – it should do that. Everyone needs to read this book. On the one hand it is a brilliant, well told story with a beautiful, almost poetic narrative, and on the other, it causes us to face up to the issues we are forever making light of or overlooking entirely. We have grown up believing that racism is a form of hatred when, actually, it is about power. However Small Great Things makes you feel, it is definitely worth reading, especially for the satisfying ending – one that you do not see coming.
Hazel (1853 KP) rated Small Great Things in Books
Dec 7, 2018
Jodi Picoult has been my favourite author since I first came across her novels in 2008. With twenty-three novels under her belt, she continues to delight readers with her page-turning stories. Most of Picoult’s books contain a moral issue, often, but not always, in the form of medical ethics, as well as a hefty court case. Although following along similar lines, <i>Small Great Thing</i>s is a radical, revolutionary book, which, with great courage, Picoult has written with the intent to expose the reader to truths that most of us, as a society, are <s>intentionally</s> oblivious to.
The gist of the storyline is that a baby dies whilst under the care of a nurse, prompting the grieving parents to take her to court with the accusation of murder. Although that sounds like an interesting story, it barely begins to describe what the book is about. The character on trial, Ruth, is an African American labour and delivery nurse – something that in this day and age need not by an issue. On the other hand, the parents of the baby are White Supremacists: seriously racist with the belief that white people are the master race. The father, Turk, refuses to let his wife and child be treated by Ruth, however circumstances result in her being the only nurse available to watch Davis, when, unfortunately, he so happens to go into cardiac arrest. Although the reader knows that Ruth is not at fault, Turk insists she murdered his child – but is he accusing her of medical negligence, or punishing her for being black?
Three characters, all with different views and experience when it comes to racism, alternately narrate<i> Small Great Things</i>. Ruth and Turk represent the extremes at either side of the scale. Ruth experiences first hand the negative impact of prejudice in the American system and society, not only through this court case, but in everyday life as well. She also reveals the difficulties growing up in a predominately white environment, never feeling like she fitted in with her peers. Alternatively, Turk spent his teenage years attending KKK rallies, participating in a white power movement, and beating up anyone who was different: black, foreign, gay, Jewish and so forth.
The third character represents the majority of white people living in America. Kennedy is a public defender and the lawyer assigned to Ruth’s case. Like most of the population, she believes that she is not racist, and persuades Ruth to leave the colour of her skin out of the argument. However, as she gets to know her client, she begins to realize that it is nigh on impossible to ignore racial prejudice.
Picoult shocks the reader on two accounts: one, the way that people of colour have been, and still are, treated; and two, the revelation that an invisible empire of White Supremacists are living amongst us. Yet there is a third way in which Picoult provokes outrage – she indirectly accuses the reader of being racist, too.
There is always something to learn in a Jodi Picoult novel, for instance medical terminology, or the way in which a court trial is conducted. <i>Small Great Things</i> provides a lot more eye opening information than any of her previous books, unveiling facts about such a controversial subject.
Through Kennedy, the reader’s eyes are opened to the racial discrimination that we all turn a blind eye to. Ignored are the difficulties African Americans suffer when going shopping, applying for jobs, attending school, walking down the street, sitting on a bus, and so forth. Picoult asks me as a reader to think about how my life has been affected by racial discrimination: being served politely in shops because I am white, not having my ethnicity questioned when applying for college etc. Living in Britain I have not experienced openly hateful comments or behaviours towards people with a different skin tone – I used to believe this was primarily an American problem. Yet, <i>Small Great Things</i> has really made me think about the hierarchy of power within society, particularly in regards to the ethnicity of those at the top, compared with those at the bottom.
Jodi Picoult sat on the idea of writing a book about racism for well over a decade, yet it is particularly apt that it is published now, with the current predicaments America is facing. Although we have come a long way in attempts to achieve equality for all – compare the trial in <i>To Kill A Mockingbird</i> to Picoult’s version – recent events have revealed that we are no where near.
<i>Small Great Things</i> will shock everyone who reads it regardless of their ethnicity and so forth. Many may find it uncomfortable to read, become upset or outraged, and even feel like they are being directly targeted. If this is the case, then good – it should do that. Everyone needs to read this book. On the one hand it is a brilliant, well told story with a beautiful, almost poetic narrative, and on the other, it causes us to face up to the issues we are forever making light of or overlooking entirely. We have grown up believing that racism is a form of hatred when, actually, it is about power. However <i>Small Great Things </i>makes you feel, it is definitely worth reading, especially for the satisfying ending – one that you do not see coming.
The gist of the storyline is that a baby dies whilst under the care of a nurse, prompting the grieving parents to take her to court with the accusation of murder. Although that sounds like an interesting story, it barely begins to describe what the book is about. The character on trial, Ruth, is an African American labour and delivery nurse – something that in this day and age need not by an issue. On the other hand, the parents of the baby are White Supremacists: seriously racist with the belief that white people are the master race. The father, Turk, refuses to let his wife and child be treated by Ruth, however circumstances result in her being the only nurse available to watch Davis, when, unfortunately, he so happens to go into cardiac arrest. Although the reader knows that Ruth is not at fault, Turk insists she murdered his child – but is he accusing her of medical negligence, or punishing her for being black?
Three characters, all with different views and experience when it comes to racism, alternately narrate<i> Small Great Things</i>. Ruth and Turk represent the extremes at either side of the scale. Ruth experiences first hand the negative impact of prejudice in the American system and society, not only through this court case, but in everyday life as well. She also reveals the difficulties growing up in a predominately white environment, never feeling like she fitted in with her peers. Alternatively, Turk spent his teenage years attending KKK rallies, participating in a white power movement, and beating up anyone who was different: black, foreign, gay, Jewish and so forth.
The third character represents the majority of white people living in America. Kennedy is a public defender and the lawyer assigned to Ruth’s case. Like most of the population, she believes that she is not racist, and persuades Ruth to leave the colour of her skin out of the argument. However, as she gets to know her client, she begins to realize that it is nigh on impossible to ignore racial prejudice.
Picoult shocks the reader on two accounts: one, the way that people of colour have been, and still are, treated; and two, the revelation that an invisible empire of White Supremacists are living amongst us. Yet there is a third way in which Picoult provokes outrage – she indirectly accuses the reader of being racist, too.
There is always something to learn in a Jodi Picoult novel, for instance medical terminology, or the way in which a court trial is conducted. <i>Small Great Things</i> provides a lot more eye opening information than any of her previous books, unveiling facts about such a controversial subject.
Through Kennedy, the reader’s eyes are opened to the racial discrimination that we all turn a blind eye to. Ignored are the difficulties African Americans suffer when going shopping, applying for jobs, attending school, walking down the street, sitting on a bus, and so forth. Picoult asks me as a reader to think about how my life has been affected by racial discrimination: being served politely in shops because I am white, not having my ethnicity questioned when applying for college etc. Living in Britain I have not experienced openly hateful comments or behaviours towards people with a different skin tone – I used to believe this was primarily an American problem. Yet, <i>Small Great Things</i> has really made me think about the hierarchy of power within society, particularly in regards to the ethnicity of those at the top, compared with those at the bottom.
Jodi Picoult sat on the idea of writing a book about racism for well over a decade, yet it is particularly apt that it is published now, with the current predicaments America is facing. Although we have come a long way in attempts to achieve equality for all – compare the trial in <i>To Kill A Mockingbird</i> to Picoult’s version – recent events have revealed that we are no where near.
<i>Small Great Things</i> will shock everyone who reads it regardless of their ethnicity and so forth. Many may find it uncomfortable to read, become upset or outraged, and even feel like they are being directly targeted. If this is the case, then good – it should do that. Everyone needs to read this book. On the one hand it is a brilliant, well told story with a beautiful, almost poetic narrative, and on the other, it causes us to face up to the issues we are forever making light of or overlooking entirely. We have grown up believing that racism is a form of hatred when, actually, it is about power. However <i>Small Great Things </i>makes you feel, it is definitely worth reading, especially for the satisfying ending – one that you do not see coming.
Haley Mathiot (9 KP) rated Just One of the Guys in Books
Apr 27, 2018
Okay, I'm going to tell you why Just One of the Guys is not only one of my new favorite Higgins books, but one of my new favorite romances period.
1. The heroine is different. She's not super feminine in her character, but she's definitely feminine in her desires and her passion and her attitude. Growing up with four older brothers, Chastity Virginia (yeah, that's her name. I know, right?) yells when she's mad, throws punches with intent, and won trophies in college for rowing. She's a quarter inch away from being six feet tall, and she's got man-shoulders. She runs 10-mile races up hills for kicks. But she's thirty, she wants her passion to be returned, and her body is telling her that she should have already made at least three babies by now. I mean, how many romance novels do you read with female protagonists like that? most of the time they're young, innocent, unable to take care of themselves, and feminine. Chastity is not the typical female protagonist ... and that's one of the reasons I like her so much.
2. Like any good novel, there are a few sub-plots running through this novel; one is the failing marriage of one of Chastity's brothers, named Mark. He and his wife are going through hell (and possibly divorce and child custody problems) but they still love each other. There is this chapter (chapter 22--it's seared into my head) that made me cry because it was so amazing. See, Chastity babysat for Mark's soon-to-be-ex-wife, and she didn't tell him. When he found out, he blew up at her. Then later when he apologized they started talking, and he opened up to her about how badly he wants to make things right. she gave him a little advice and they had a sob-fest and in the end it worked out so perfectly. But the thing that got me was that so many stories I've read with failing relationships are about trying to get over the person, instead of reconciling. It was beautiful and inspiring and I read the chapter 3 times because I loved it so much.
3. Another one of those sub-plots was the relationship between Chastity’s parents. They’re officially divorced, but they still hang out all the time for dinner, they still love each other, and her dad just assumes her mom will wait around for him to retire. But that isn’t the case. Her mom starts dating again and throws everyone for a loop. Then when she gets into a serious relationship, shit really hits the fan. I was surprised by the outcome. I won’t say what it was for the sake of keeping this review spoiler-free. But I will say that it was different. It wasn’t the same-old same-old over again. Suffice to say, this book was the opposite of Happyland-syndrome.
4. The romance between Chastity and Trevor was so epic. I’m not going to say anything else about it because I don’t want to risk spoiling it. It has to be read in order. You can’t know anything out of order. But trust me, it was epic and wonderful and powerful and perfect and beautiful.
Like all of Higgins's books, the writing is fun, easy to read, relaxed, and a little snarky. This one was a little awkward because some of it was written in a different tense than what she does now, but it's one of her earlier books, and I can't hold that against her.
Anyway, you should go get this book. Amazon, B&N, Paperbackswap, your local book store, etc. Trust me, it’s worth it.
Content/recommendation: Some language, mention of sex (but nothing explicit) Ages 17+
1. The heroine is different. She's not super feminine in her character, but she's definitely feminine in her desires and her passion and her attitude. Growing up with four older brothers, Chastity Virginia (yeah, that's her name. I know, right?) yells when she's mad, throws punches with intent, and won trophies in college for rowing. She's a quarter inch away from being six feet tall, and she's got man-shoulders. She runs 10-mile races up hills for kicks. But she's thirty, she wants her passion to be returned, and her body is telling her that she should have already made at least three babies by now. I mean, how many romance novels do you read with female protagonists like that? most of the time they're young, innocent, unable to take care of themselves, and feminine. Chastity is not the typical female protagonist ... and that's one of the reasons I like her so much.
2. Like any good novel, there are a few sub-plots running through this novel; one is the failing marriage of one of Chastity's brothers, named Mark. He and his wife are going through hell (and possibly divorce and child custody problems) but they still love each other. There is this chapter (chapter 22--it's seared into my head) that made me cry because it was so amazing. See, Chastity babysat for Mark's soon-to-be-ex-wife, and she didn't tell him. When he found out, he blew up at her. Then later when he apologized they started talking, and he opened up to her about how badly he wants to make things right. she gave him a little advice and they had a sob-fest and in the end it worked out so perfectly. But the thing that got me was that so many stories I've read with failing relationships are about trying to get over the person, instead of reconciling. It was beautiful and inspiring and I read the chapter 3 times because I loved it so much.
3. Another one of those sub-plots was the relationship between Chastity’s parents. They’re officially divorced, but they still hang out all the time for dinner, they still love each other, and her dad just assumes her mom will wait around for him to retire. But that isn’t the case. Her mom starts dating again and throws everyone for a loop. Then when she gets into a serious relationship, shit really hits the fan. I was surprised by the outcome. I won’t say what it was for the sake of keeping this review spoiler-free. But I will say that it was different. It wasn’t the same-old same-old over again. Suffice to say, this book was the opposite of Happyland-syndrome.
4. The romance between Chastity and Trevor was so epic. I’m not going to say anything else about it because I don’t want to risk spoiling it. It has to be read in order. You can’t know anything out of order. But trust me, it was epic and wonderful and powerful and perfect and beautiful.
Like all of Higgins's books, the writing is fun, easy to read, relaxed, and a little snarky. This one was a little awkward because some of it was written in a different tense than what she does now, but it's one of her earlier books, and I can't hold that against her.
Anyway, you should go get this book. Amazon, B&N, Paperbackswap, your local book store, etc. Trust me, it’s worth it.
Content/recommendation: Some language, mention of sex (but nothing explicit) Ages 17+