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Katie Guinn (34 KP) rated My Husband's Wife in Books

Dec 7, 2018  
My Husband's Wife
My Husband's Wife
Jane Corry | 2017 | Fiction & Poetry, Mystery, Thriller
6
6.0 (4 Ratings)
Book Rating
Lily Macdonald is a young, newly married lawyer, determined to make a fresh start and leave her secrets in the past. But her first murder case, representing a convicted killer named Joe, will threaten her happy future.

*sigh* I’m getting really burned out on “domestic thrillers,” guys. The kind that center around husbands and wives with secrets and strained relationships, that focus on the minutiae of everyday life than on any real action. The kind that likes to tout themselves as “the next Gone Girl.” Give me a good suspenseful serial killer novel, with a twisty plot and an actual likable main character!

That’s one of my biggest problems with these sorts of books, every character is just so hard to like that it’s difficult to connect with anyone or really feel invested in the story. Lily and Ed Macdonald are two people who honestly shouldn’t have married in the first place; they barely knew each other and neither of them knows how to communicate unless it’s in the form of an argument. Their nine-year-old neighbor, Carla, gains some sympathy at first as she copes with bullies and the feeling of being “different,” Unfortunately, when the story picks up more than a dozen years later, Carla hasn’t changed very much. She still thinks and acts like a child, turning out to be, in my opinion, the least likable character in the book. A note to all the thriller authors out there: it’s not a crime to write characters that people like.

I gave this one three stars because while the writing and plotting was decent, it’s ultimately a forgettable novel. Also, it’s no Gone Girl.
  
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Kirk Bage (1775 KP) rated M (Movie) (1931) in Movies

Jan 28, 2021  
M (Movie) (1931)
M (Movie) (1931)
1931 |
8
8.5 (2 Ratings)
Movie Rating
The maestro of dark shadows, Fritz Lang already had 14 feature films under his belt by 1931, including the much loved and much borrowed from Metropolis in 1927. It is said that he was such a slave driver with cast and crew alike that he had very few friends and was detested as a man. His work spoke for itself, however, and was always miles ahead of anything happening at the same time in Hollywood. Take the dark, sinister and serious M as an example. It tackles the subject of child abduction and murder, homelessness, crime in general and the punishment of a mob – subjects American cinema would never have touched in 1931, let alone done with such an exquisite non- melodramatic feel.

Peter Lorre as the killer compelled by his own weakness and madness gives an unfeasably nuanced performance for the era also. He is mesmerically creepy and unforgettable. Images and motifs (such as the whistle that indicates the murderer is lurking) abound, creating a landscape of pure mood and disease. As a morality tale it touches on issues of vigilantism and true justice that still has some relevance today. It also works as an entertaining thriller, and there wasn’t a minute I felt bored or distracted. The only jarring element are the scenes where Lang cuts the sound entirely to create tension and focus – they feel like technical mistakes, not deliberate choices. Otherwise, I could not have been more impressed and pleasantly surprised by this Euro classic for all time. If I were making a list of the best films ever made that disregarded the limitations of the age, then M would definitely make the cut.
  
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Kristy H (1252 KP) rated Sleepless in Books

Nov 11, 2021  
Sleepless
Sleepless
Romy Hausmann | 2021 | Thriller
5
5.0 (1 Ratings)
Book Rating
Nadja had a difficult childhood and spent time in prison after being convicted for a crime. But it's been years since her release and she's wanted nothing more than a normal life since: a quiet flat, a job, and maybe some friends. But when one of those few friends, Lauren--the wife of her boss--asks for help covering up a murder, Nadja cannot help but agree. Even if it means endangering all the peace she's worked for. The women quickly make a plan, but when it all starts to crumble, Nadja begins to question exactly what her role is in this plan.

I really enjoyed Hausmann's book DEAR CHILD, but this one didn't have quite the same flair. There are books with confusing timelines that you enjoy and then there are books with confusing timelines that simply muddle things and make it hard to enjoy the plot. This book was the latter for me. There are a lot of interconnected stories in varying timelines and points of view and, truly, it's a lot to follow.

This read seems rather slow and rather blah until the last bit, where it takes off and gets exciting. You sort of know where it's going, which makes it even harder to keep reading. The characters are not that engaging, making it hard to get attached. It's difficult to root for this gang--especially Lauren and her husband. The plot is crazy and rather violent, spinning toward preposterous. If you can suspend disbelief, you'll enjoy things a lot more.

Overall, this had hints of enjoyment, but wasn't my favorite. 2.5 stars.