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Bei Weiwei is the computer department goddess, who excels in her studies. She aspires to be an...
asian drama romance c-drama chinese love o2o a smile is beautiful
Johnnie To recommended The Last Emperor (1987) in Movies (curated)
James Koppert (2698 KP) rated Ash Is Purest White (2018) in Movies
Sep 26, 2020
Merissa (11600 KP) rated Trancing the Tiger (Chinese Zodiac Romance, #1) in Books
Apr 11, 2023
As someone who has always been interested in the Chinese Zodiac, I was intrigued when given the synopsis of this story. The Rabbit has always been one of the more 'mild-mannered' of the Zodiac so I was interested to see where this would go when partnered with the Tiger. Trust me though, you don't have to know anything about the Chinese Zodiac for this story to a) make sense and b) be absolutely fantastic. The storyline itself is gripping and you will find out more about the plague itself plus how the characters handle things as you go along.
All of the characters are interesting and amazing in their own right. For me personally, I was interested whenever Fang made an appearance (he's a rat) because that's what I am. The whole aspect of the Chinese Zodiac is one that I haven't seen before in Fantasy or Paranormal books and I am thrilled that Rachael Slate has made her stand in this way. It works, it really does.
The pace is steady throughout and very well written. The plot has depth and drama and will definitely leave you wanting more. I can't wait for By The Horns, which is book 2 in this series and is due out sometime this year. Definitely, absolutely recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
September 9, 2016
All of the characters are interesting and amazing in their own right. For me personally, I was interested whenever Fang made an appearance (he's a rat) because that's what I am. The whole aspect of the Chinese Zodiac is one that I haven't seen before in Fantasy or Paranormal books and I am thrilled that Rachael Slate has made her stand in this way. It works, it really does.
The pace is steady throughout and very well written. The plot has depth and drama and will definitely leave you wanting more. I can't wait for By The Horns, which is book 2 in this series and is due out sometime this year. Definitely, absolutely recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
September 9, 2016
Awix (3310 KP) rated Hummingbird (aka Redemption, Crazy Joe) (2013) in Movies
May 16, 2019
Well, if anyone was going to play an ex-special forces homeless man who interferes romantically with a nun and turns up to a knife fight carrying a spoon, it was going to be Jason Statham. The plot of this one honestly feels a bit like a mix-tape of the best bits from the great man's back catalogue (Chinese gangsters, people trafficking, mob enforcement, improbable threats) but it's put together with skill and conviction.
It does have that slightly crazy quality you often get in J-Stat films, but for me this is the source of much of their charm, and this one also manages to address some slightly deeper topics than usual and even ends up with a bit of gravitas and emotional depth. It almost feels like a drama as much as an action film, and you genuinely do care for the characters by the end of it. Definitely one of the better Statham vehicles, although one has to wonder about the film's fairly blatant attempts to position him as a gay icon - is J-Stat on board with this? Has anyone even thought to tell him? Good fun either way.
It does have that slightly crazy quality you often get in J-Stat films, but for me this is the source of much of their charm, and this one also manages to address some slightly deeper topics than usual and even ends up with a bit of gravitas and emotional depth. It almost feels like a drama as much as an action film, and you genuinely do care for the characters by the end of it. Definitely one of the better Statham vehicles, although one has to wonder about the film's fairly blatant attempts to position him as a gay icon - is J-Stat on board with this? Has anyone even thought to tell him? Good fun either way.
Awix (3310 KP) rated The Farewell (2019) in Movies
Oct 2, 2019
Faintly oddball comedy-drama successfully pulls off that trick of looking like being about one thing but actually covering lots of ground. Chinese matriarch is found to have terminal cancer; in accordance with local tradition the family keep her in the dark about this but organise a fake wedding as an excuse to get together one last time. New York-based scion of the family Awkwafina, grand-daughter of the dying woman, is very doubtful of the ethicality of this.
You expect a film about grief, and to some extent this is one, although it's really a chronicle of grief foretold, as the characters anticipate a loss to come. It's also about cultural differences, family life, and the way in which people routinely tell lies to each other every single day simply in order to keep life livable. The film skates along over the top of all this and treats it all with a light and delicate touch. Not an absolute tear-jerker, I thought, but there are some very touching moments (then again, I may be emotionally atrophied, who knows). Not a huge amount actually happens but the film has clearly been made with intelligence and skill.
You expect a film about grief, and to some extent this is one, although it's really a chronicle of grief foretold, as the characters anticipate a loss to come. It's also about cultural differences, family life, and the way in which people routinely tell lies to each other every single day simply in order to keep life livable. The film skates along over the top of all this and treats it all with a light and delicate touch. Not an absolute tear-jerker, I thought, but there are some very touching moments (then again, I may be emotionally atrophied, who knows). Not a huge amount actually happens but the film has clearly been made with intelligence and skill.
Charlie Cobra Reviews (1840 KP) rated Pride and Prejudice and Zombies (2016) in Movies
Jul 7, 2020 (Updated Oct 29, 2020)
Unexpected and Inventive Mix of Drama and Zombie
Contains spoilers, click to show
This movie was surprisingly decent even with all the cheesy love drama and relationship plot mixed in from Pride and Prejudice. I liked the background for the alternate 19th century London and how it came to be full of zombies. I also really liked how the father of this family had his daughters train in Chinese martial arts and was more concerned with their immediate safety and how the mother was more concerned with them marrying. I was a little disappointed in how not all the sisters where featured prominently enough into the plot/story. I liked Lena Headey's character too but felt she was underutilized as well. The zombies in this movie were pretty unique. It said that they were zombies but they could still talk quite intelligently and also craved human brains and if they didn't eat brains then they wouldn't turn into full zombies. The full zombies were far more aggressive and faster. I also liked how the character Darcy was in charge of investigating possible zombie cases and wish they could have delved more into that part of the characters story. The action also surprised me for being a PG-13 movie there was quite a bit of blood and violence. There were some nice headshot scenes where the zombies heads were blown clean off their bodies. The fight scenes were pretty well choreographed and the girls kicked a lot more butt than most of the guys. Even the plot with the cheesy love triangle had me trying to guess which guy was going to get with which girl and kept the plot interesting enough inbetween the action. I give this movie a 6/10 and say it's an above average zombie movie.
Chris Sawin (602 KP) rated Biutiful (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
At times, it's difficult to summarize your thoughts about a specific film. It isn't because the film is necessarily so good or bad that it's beyond words, but because you're unsure how to feel about said film until the credits finally roll. Biutiful is such a film.
The film revolves around Uxbal, portrayed by Javier Bardem (No Country For Old Men) sporting a mullet, so expectations are already high. Uxbal has just been diagnosed with terminal prostate cancer, but isn't ready to leave this world. His two children are still young and Uxbal feels that their mother, who's more interested in partaking in promiscuous behavior while dealing with a bipolar disorder, isn't fit to take care of their children. Meanwhile Uxbal supports his family by partnering with both the Chinese and African street merchants that are in the country illegally. Together they sell pirated movies and cheap knockoffs of clothing and accessories made by Chinese men, women, and children that live in a warehouse used as a sweatshop. To top it off, Uxbal has the ability to communicate with the dead and is called upon to help people who have recently passed to let go and move on to the other side. Although hesitant at first, Uxbal has every intention of getting his affairs in order, reconciling his marriage, and making sure his children have someone to take care of them after he's gone. Unfortunately, things don't always go as planned.
Biutiful, its spelling having a simple yet somewhat brilliant explanation, features a lot of symbolism that will go over viewers heads. It also is incredibly similar to Iñárritu's previous works such as 21 Grams and Babel in both style and tone, but is the director's first film to be presented in Spanish. The drama is beyond bleak and practically hopeless. The out of tune soundtrack, the rocks Uxbal gives to his children, and people clutching to the ceiling will leave many scratching their heads. Many ideas seem to be hinted at, but are never fully fleshed out like reflections and shadows moving out of sync from their source. However, the film is driven by Bardem's emotionally draining, physical, and all around powerful performance.
The scene that really makes the entire film worthwhile is the scene in the Chinese warehouse right before Uxbal visits his brother's strip club. It's the most effective, long-lasting, and memorable scene in the film. In the same breath though, what was up with the sound? It was like it was purposely terrible at certain points in the film. At times, it seemed significant to showcase the sound of the characters' heartbeats, but just felt sloppy the one or two other times it occurred. There were also quite a few memorable quotes in the film including, "It's dangerous to trust a man who's hungry."
Biutiful is an unusual drama that is both confusing at times and ridiculously intriguing at others. A vigorously passionate performance by Javier Bardem may not be enough to save what is otherwise a sometimes mindboggling and hellacious journey through the eyes of what seems like the most unlucky man in the world. Even in comparison to his other works, Biutiful seems even more bleak and dreary than Iñárritu's other works. What's bizarre is that the film does give you a strange sense of hope. No matter how bad you think your life currently is or was, this film proves that it can always be worse even if the presentation is more than a little mentally and emotionally exhausting. It's also interesting to note that even though the film leans more to the bizarre side while being downright depressing, it does make a long-lasting impression and sticks with you as you contemplate scenes and occurrences in the film days after you've seen it.
The film revolves around Uxbal, portrayed by Javier Bardem (No Country For Old Men) sporting a mullet, so expectations are already high. Uxbal has just been diagnosed with terminal prostate cancer, but isn't ready to leave this world. His two children are still young and Uxbal feels that their mother, who's more interested in partaking in promiscuous behavior while dealing with a bipolar disorder, isn't fit to take care of their children. Meanwhile Uxbal supports his family by partnering with both the Chinese and African street merchants that are in the country illegally. Together they sell pirated movies and cheap knockoffs of clothing and accessories made by Chinese men, women, and children that live in a warehouse used as a sweatshop. To top it off, Uxbal has the ability to communicate with the dead and is called upon to help people who have recently passed to let go and move on to the other side. Although hesitant at first, Uxbal has every intention of getting his affairs in order, reconciling his marriage, and making sure his children have someone to take care of them after he's gone. Unfortunately, things don't always go as planned.
Biutiful, its spelling having a simple yet somewhat brilliant explanation, features a lot of symbolism that will go over viewers heads. It also is incredibly similar to Iñárritu's previous works such as 21 Grams and Babel in both style and tone, but is the director's first film to be presented in Spanish. The drama is beyond bleak and practically hopeless. The out of tune soundtrack, the rocks Uxbal gives to his children, and people clutching to the ceiling will leave many scratching their heads. Many ideas seem to be hinted at, but are never fully fleshed out like reflections and shadows moving out of sync from their source. However, the film is driven by Bardem's emotionally draining, physical, and all around powerful performance.
The scene that really makes the entire film worthwhile is the scene in the Chinese warehouse right before Uxbal visits his brother's strip club. It's the most effective, long-lasting, and memorable scene in the film. In the same breath though, what was up with the sound? It was like it was purposely terrible at certain points in the film. At times, it seemed significant to showcase the sound of the characters' heartbeats, but just felt sloppy the one or two other times it occurred. There were also quite a few memorable quotes in the film including, "It's dangerous to trust a man who's hungry."
Biutiful is an unusual drama that is both confusing at times and ridiculously intriguing at others. A vigorously passionate performance by Javier Bardem may not be enough to save what is otherwise a sometimes mindboggling and hellacious journey through the eyes of what seems like the most unlucky man in the world. Even in comparison to his other works, Biutiful seems even more bleak and dreary than Iñárritu's other works. What's bizarre is that the film does give you a strange sense of hope. No matter how bad you think your life currently is or was, this film proves that it can always be worse even if the presentation is more than a little mentally and emotionally exhausting. It's also interesting to note that even though the film leans more to the bizarre side while being downright depressing, it does make a long-lasting impression and sticks with you as you contemplate scenes and occurrences in the film days after you've seen it.
Mark @ Carstairs Considers (2051 KP) rated Murder in Chinatown in Books
Aug 18, 2019
Missing Girl Leads to Murder
After a recent close call, midwife Sarah Brandt has vowed to stay away from solving crimes and getting involved in anything dangerous. However, she is in Chinatown with the Lee family since Cora Lee is about to give birth and gets a front row to the family drama unfolding. Cora’s niece, Angel, is upset that her father has arranged a marriage for her to an older man and runs away. The family is frantic to find her because the city is no place for a fifteen-year-old to be alone. While the family does find her, she turns up dead a few days later. Sarah manages to get NYPD Detective Sergeant Frank Malloy involved in the case because she fears other police won’t care to fully investigate given who the victim was. But can Malloy figure it out? Will Sarah get involved despite her promise to stay away from murder?
Once again, we are expertly transported back to 1890’s New York City. Along with our normal glimpses of life during the time period, we get to see a bit of how the Chinese were treated during the time; unfortunately, it isn’t pretty. However, the book never stops to preach at us, instead working this in during the mystery. The case itself is strong with plenty of twists to keep us entertained until the end. I thought I had a few things figured out, but I discovered I was wrong when I reached the logical ending. Sarah, in her efforts to stay out of the case, isn’t quite as involved as Frank, but she still has plenty to contribute. Both are great lead characters, and I enjoyed spending time with the regular supporting players as well as meeting the new characters introduced here. We get some advancement on a couple of on-going storylines, and it looks like one of them will be the main focus of the next in the series. I’m definitely looking forward to seeing where that leads.
Once again, we are expertly transported back to 1890’s New York City. Along with our normal glimpses of life during the time period, we get to see a bit of how the Chinese were treated during the time; unfortunately, it isn’t pretty. However, the book never stops to preach at us, instead working this in during the mystery. The case itself is strong with plenty of twists to keep us entertained until the end. I thought I had a few things figured out, but I discovered I was wrong when I reached the logical ending. Sarah, in her efforts to stay out of the case, isn’t quite as involved as Frank, but she still has plenty to contribute. Both are great lead characters, and I enjoyed spending time with the regular supporting players as well as meeting the new characters introduced here. We get some advancement on a couple of on-going storylines, and it looks like one of them will be the main focus of the next in the series. I’m definitely looking forward to seeing where that leads.
LeftSideCut (3778 KP) rated Love, Death & Robots - Season 1 in TV
Apr 9, 2020
The beauty of Love, Death and Robots is it's format. An eclectic collection of animated short films, some genuinely brilliant, with a handful of duds, truly gives something for everyone.
There are 18 films on show here, all with something different to offer.
Firstly there were 3 that failed to really resonate with me - Sucker of Souls, When the Yoghurt Took Over, and Alternate Histories. I found these three either slightly boring, or silly for the sake of being silly. There were 2 that sort of floated in the middle - The Dump, and Blind Spot, not bad by any means (none of the shorts are truly bad) but just were sort of there.
Leaving a grand total of 13 shorts that I thought were really really great.
A handful of these realistic CGI entries - namely, Sonnie's Edge, Three Robots, Beyond the Aquila Rift, Shape Shifters (one of the highlights for me), Helping Hand (reminded me of Gravity, in a great way), Lucky 13, and The Secret War.
These lot are lengthier offerings, and boast some good looking CGI animation, bordering on photo realism at times. The run time gives an opportunity for some decent fleshed out stories.
The Secret War in particular is nothing short of breath taking, and may well be my top pick of the whole season.
Elsewhere, we have more cartoony offerings - Suits, a loud animation that features farmers in mech suits fighting aliens. Zima Blue, a beautifully touching story of how a simple robot transcends existence itself - another highlight of the season. Fish Night, a short desert based drama bursting with colour. The animation of this one reminded me of A Scanner Darkly. Good Hunting, a collision of Ancient Chinese stories and a Bioshock style steampunk future. Hard to watch at times, but stunning also - easily would have been my top pick if The Secret War wasn't included.
Rounding it off we have The Witness, and animation that looks like a moving oil painting and reminded me of Mirror's Edge, and Ice Age, a fun short that's the only live action inclusion with CGI flourishes about a civilisation growing in a couple freezer.
It's an ambitious collection of shorts for sure, but like I said, there's something here for everyone. Even the ones that I liked the least are a 6/10 at worst. If you like sci-fi or animation in any shape or form, then check this series out.
There are 18 films on show here, all with something different to offer.
Firstly there were 3 that failed to really resonate with me - Sucker of Souls, When the Yoghurt Took Over, and Alternate Histories. I found these three either slightly boring, or silly for the sake of being silly. There were 2 that sort of floated in the middle - The Dump, and Blind Spot, not bad by any means (none of the shorts are truly bad) but just were sort of there.
Leaving a grand total of 13 shorts that I thought were really really great.
A handful of these realistic CGI entries - namely, Sonnie's Edge, Three Robots, Beyond the Aquila Rift, Shape Shifters (one of the highlights for me), Helping Hand (reminded me of Gravity, in a great way), Lucky 13, and The Secret War.
These lot are lengthier offerings, and boast some good looking CGI animation, bordering on photo realism at times. The run time gives an opportunity for some decent fleshed out stories.
The Secret War in particular is nothing short of breath taking, and may well be my top pick of the whole season.
Elsewhere, we have more cartoony offerings - Suits, a loud animation that features farmers in mech suits fighting aliens. Zima Blue, a beautifully touching story of how a simple robot transcends existence itself - another highlight of the season. Fish Night, a short desert based drama bursting with colour. The animation of this one reminded me of A Scanner Darkly. Good Hunting, a collision of Ancient Chinese stories and a Bioshock style steampunk future. Hard to watch at times, but stunning also - easily would have been my top pick if The Secret War wasn't included.
Rounding it off we have The Witness, and animation that looks like a moving oil painting and reminded me of Mirror's Edge, and Ice Age, a fun short that's the only live action inclusion with CGI flourishes about a civilisation growing in a couple freezer.
It's an ambitious collection of shorts for sure, but like I said, there's something here for everyone. Even the ones that I liked the least are a 6/10 at worst. If you like sci-fi or animation in any shape or form, then check this series out.