Search
Search results
Bong Mines Entertainment (15 KP) rated Progression by Ray J in Music
Jun 21, 2019
Ray J is a is a singer-songwriter, rapper, and actor based in Los Angeles, California. Not too long ago, he released a music video for his “Rewind” single.
“Baby, cancel all your plans tonight. I got the chauffeur waiting right outside. Don’t worry babe you’ll be here soon. So go on take a shot get in the mood. I grab on your waist. You’re making it shake. I swear that you never get tired. Your body is hot, we’re keeping it lit, we’re setting the roof on fire. She moves her hips like Shakira, she got that swag like Rihanna, she holding it down like Beyoncé. She tryna be my baby mama so back it up for me one time. Make it clap for me two times. Roll it back baby three times. Don’t stop baby rewind.” – lyrics
‘Rewind’ features label mates, and UK pioneering artist Ironik, British producer act Designer Doubt, and Ray J’s artist and best friend Truth. The likable tune follows Ray J’s “Right On Time” single featuring Flo Rida, Brandy, and Designer Doubt.
It will be featured on Ray J’s upcoming album, entitled, “Raydemption”. The project already features the likes of Chris Brown, The Game, and Snoop Dogg with more records in the works.
Also, it’s coming in visual album format, not dissimilar to Beyoncé’s “Lemonade”. Basically, a 45-minute mini-movie that’s already exciting Grammy’s buzz.
However, preceding its release is Jay J’s London exclusive EP, entitled, “Progression”, which includes his “Rewind” single.
“Baby, cancel all your plans tonight. I got the chauffeur waiting right outside. Don’t worry babe you’ll be here soon. So go on take a shot get in the mood. I grab on your waist. You’re making it shake. I swear that you never get tired. Your body is hot, we’re keeping it lit, we’re setting the roof on fire. She moves her hips like Shakira, she got that swag like Rihanna, she holding it down like Beyoncé. She tryna be my baby mama so back it up for me one time. Make it clap for me two times. Roll it back baby three times. Don’t stop baby rewind.” – lyrics
‘Rewind’ features label mates, and UK pioneering artist Ironik, British producer act Designer Doubt, and Ray J’s artist and best friend Truth. The likable tune follows Ray J’s “Right On Time” single featuring Flo Rida, Brandy, and Designer Doubt.
It will be featured on Ray J’s upcoming album, entitled, “Raydemption”. The project already features the likes of Chris Brown, The Game, and Snoop Dogg with more records in the works.
Also, it’s coming in visual album format, not dissimilar to Beyoncé’s “Lemonade”. Basically, a 45-minute mini-movie that’s already exciting Grammy’s buzz.
However, preceding its release is Jay J’s London exclusive EP, entitled, “Progression”, which includes his “Rewind” single.
Chris Sawin (602 KP) rated Batman Gotham Knight (2008) in Movies
Jun 18, 2019
Batman: Gotham Knight was originally advertised as an animated feature that bridged the gap between Batman Begins and The Dark Knight, but it’s more of a Batman in his early stages becoming the legendary crime fighting vigilante he’s known as today. There are six segments in total with each segment having a different production studio.
The first segment is entitled, “Have I Got a Story For You,” and it’s written by Josh Olson (A History of Violence) and animated by Studio 4°C (Berserk: Golden Age Arc, Mind Game). The segment follows a boy who is waiting for his friends to arrive. Once they do, each of them tells a different story relating to what incredible Batman incident they witnessed that day. Each retelling is farfetched in its own way as this story capitalizes on teenagers stretching the truth and having overactive imaginations. Their day doesn’t seem to be finished though as the fight they all witnessed makes its way to their local hangout; the skate park.
“Crossfire” is written by Greg Rucka (Gotham, Jessica Jones) and animated by Production I.G. (FLCL, Ghost in the Shell: Stand Alone Complex). This segment focuses on Chris and Anna being a part of Lieutenant Gordon’s MCU (Major Crime Unit). Chris thinks Batman is a vigilante that takes the law into his hands while Anna is still unsure about him and is just thankful that good cops that know how to do their job are actually being respected now that Batman has become part of the picture. After taking a recent Arkham escapee back to the asylum, Chris and Anna soon realize that they’re stuck in the middle of a gang war between Sal Maroni and The Russian.
“Field Test” is written by Jordan Goldberg (Westworld) and animated by Bee Train (.hack//Sign, Blade of the Immortal). Lucius Fox is showing Bruce Wayne some new gadgets. Amongst them is a harness equipped with an electromagnetic pulse strong enough to deflect bullets. Batman decides to test it out with Maroni, The Russian, and his goons. Everything seems to be going well until Batman encounters a glitch.
“In Darkness Dwells” is written by David S. Goyer (the Blade franchise, Man of Steel) and animated by Madhouse (One Punch Man, Death Note). Everyone is hunting Killer Croc. For this story, Croc is a former patient of Jonathan Crane/The Scarecrow and one of the reasons he was admitted to Dr. Crane was for his fear of bats.
“Working Through Pain” is written by Brian Azzarello (Batman: The Killing Joke) and animated by Studio 4°C. Batman is injured on what seems like any other night he puts his mask on. His tenacity takes center stage as you witness how often he struggles with nightly injuries. There are also flashbacks to his past that illustrate the difference between exterior and interior pain. There’s a way to put pain in its place and this is how Bruce Wayne found out how.
“Deadshot” is written by Alan Burnett (Batman: Mask of the Phantasm) and animated by Madhouse. Deadshot has returned to Gotham and has set his sights on Jim Gordon, but he looks to have ulterior motives. You also learn about how Bruce Wayne feels about guns.
Gotham Knight is superbly animated and has an accessible flow to it despite its various stories and alternating casts. The animation is fantastic as everything moves crisply and smoothly. The artistic style may change from story to story, but the voice cast is the same throughout. While each individual story has its own narrative to tell, everything is connected in some way that flows together nicely. This was one of the first times Kevin Conroy returned to voice Batman and his voice has become the iconic Batman voice for anyone who grew up watching Batman: The Animated Series. Hearing Conroy as Batman is like a homecoming in so many ways.
Whether you’re an anime fan, a Batman fan, or you’re looking for something new to catch your eye, Gotham Knight is worthwhile for animation and comic book fans alike. The animation is beautiful and the stories are enticing enough to keep you interested throughout. Kevin Conroy is the real drawing point here, but the rest of the voice cast is solid, as well. The Batman Begins/The Dark Knight connections are mostly hogwash as the animated feature adds nothing to Christopher Nolan’s Batman universe, but is an entertaining way to spend 76-minutes nevertheless.
Batman: Gotham Knight is available to stream on Amazon Prime, YouTube, Vudu, and Google Play for $2.99 and iTunes for $3.99. The Multi-Format Blu-ray is available on Amazon for $7.32 and as a double feature Blu-ray with Batman: Year One for $17.97. The Gotham Knight/Year One Blu-ray is $9.08 on eBay and the Multi-Format Blu-ray is $6.99; both are in brand new condition and both have free shipping.
The first segment is entitled, “Have I Got a Story For You,” and it’s written by Josh Olson (A History of Violence) and animated by Studio 4°C (Berserk: Golden Age Arc, Mind Game). The segment follows a boy who is waiting for his friends to arrive. Once they do, each of them tells a different story relating to what incredible Batman incident they witnessed that day. Each retelling is farfetched in its own way as this story capitalizes on teenagers stretching the truth and having overactive imaginations. Their day doesn’t seem to be finished though as the fight they all witnessed makes its way to their local hangout; the skate park.
“Crossfire” is written by Greg Rucka (Gotham, Jessica Jones) and animated by Production I.G. (FLCL, Ghost in the Shell: Stand Alone Complex). This segment focuses on Chris and Anna being a part of Lieutenant Gordon’s MCU (Major Crime Unit). Chris thinks Batman is a vigilante that takes the law into his hands while Anna is still unsure about him and is just thankful that good cops that know how to do their job are actually being respected now that Batman has become part of the picture. After taking a recent Arkham escapee back to the asylum, Chris and Anna soon realize that they’re stuck in the middle of a gang war between Sal Maroni and The Russian.
“Field Test” is written by Jordan Goldberg (Westworld) and animated by Bee Train (.hack//Sign, Blade of the Immortal). Lucius Fox is showing Bruce Wayne some new gadgets. Amongst them is a harness equipped with an electromagnetic pulse strong enough to deflect bullets. Batman decides to test it out with Maroni, The Russian, and his goons. Everything seems to be going well until Batman encounters a glitch.
“In Darkness Dwells” is written by David S. Goyer (the Blade franchise, Man of Steel) and animated by Madhouse (One Punch Man, Death Note). Everyone is hunting Killer Croc. For this story, Croc is a former patient of Jonathan Crane/The Scarecrow and one of the reasons he was admitted to Dr. Crane was for his fear of bats.
“Working Through Pain” is written by Brian Azzarello (Batman: The Killing Joke) and animated by Studio 4°C. Batman is injured on what seems like any other night he puts his mask on. His tenacity takes center stage as you witness how often he struggles with nightly injuries. There are also flashbacks to his past that illustrate the difference between exterior and interior pain. There’s a way to put pain in its place and this is how Bruce Wayne found out how.
“Deadshot” is written by Alan Burnett (Batman: Mask of the Phantasm) and animated by Madhouse. Deadshot has returned to Gotham and has set his sights on Jim Gordon, but he looks to have ulterior motives. You also learn about how Bruce Wayne feels about guns.
Gotham Knight is superbly animated and has an accessible flow to it despite its various stories and alternating casts. The animation is fantastic as everything moves crisply and smoothly. The artistic style may change from story to story, but the voice cast is the same throughout. While each individual story has its own narrative to tell, everything is connected in some way that flows together nicely. This was one of the first times Kevin Conroy returned to voice Batman and his voice has become the iconic Batman voice for anyone who grew up watching Batman: The Animated Series. Hearing Conroy as Batman is like a homecoming in so many ways.
Whether you’re an anime fan, a Batman fan, or you’re looking for something new to catch your eye, Gotham Knight is worthwhile for animation and comic book fans alike. The animation is beautiful and the stories are enticing enough to keep you interested throughout. Kevin Conroy is the real drawing point here, but the rest of the voice cast is solid, as well. The Batman Begins/The Dark Knight connections are mostly hogwash as the animated feature adds nothing to Christopher Nolan’s Batman universe, but is an entertaining way to spend 76-minutes nevertheless.
Batman: Gotham Knight is available to stream on Amazon Prime, YouTube, Vudu, and Google Play for $2.99 and iTunes for $3.99. The Multi-Format Blu-ray is available on Amazon for $7.32 and as a double feature Blu-ray with Batman: Year One for $17.97. The Gotham Knight/Year One Blu-ray is $9.08 on eBay and the Multi-Format Blu-ray is $6.99; both are in brand new condition and both have free shipping.
Matthew Krueger (10051 KP) rated Child's Play (1988) in Movies
Nov 13, 2019
Good Guy Doll
Childs Play- after the remake that came out early this year, i finally watched this one. Yes the remake was the first chucky movie that i watched, i wasnt really that intresting in the child's play franchise and still really not that intresting in it. But i wanted to watch the oringal one, i wanted to know where it all started from and what a start in a good way. This movie started Brad Drouif's iconic voice as chucky and went on to voice Chucky in the sequels followed. Also Chris Sarandon who started in Fright Night two years before star in this and Tom Holland, no not that one. The one who directed Fright Night directed this one. So lets talk about it...
The Plot: Gunned down by Detective Mike Norris (Chris Sarandon), dying murderer Charles Lee Ray (Brad Dourif) uses black magic to put his soul inside a doll named Chucky -- which Karen Barclay (Catherine Hicks) then buys for her young son, Andy (Alex Vincent). When Chucky kills Andy's baby sitter, the boy realizes the doll is alive and tries to warn people, but he's institutionalized. Now Karen must convince the detective of the murderous doll's intentions, before Andy becomes Chucky's next victim.
Their are so many iconic scenes and iconic lines in this movie, that people remember till this day. Lines like...
"Well John it's been fun, but i gotta go, i have a date with a 6 year-old boy. ..."
"I bled and it hurt like a son of a bitch."
"We're friends 'til the end, remember?"
"This is the end, friend."
"Andy remember, friends stick together till the end".
"Hi, I'm Chucky wanna play?"
"I said talk to me, damn it. Or else I'll throw you in the fire."
"You stupid bitch! You filthy slut! I'll teach you to fuck with me!"
So many iconic lines and scenes, Child's play is a iconic late 80's horror movie that had many sequels afterwards.
If you havent seen child's play, than i highly recordmend watching this film.
The Plot: Gunned down by Detective Mike Norris (Chris Sarandon), dying murderer Charles Lee Ray (Brad Dourif) uses black magic to put his soul inside a doll named Chucky -- which Karen Barclay (Catherine Hicks) then buys for her young son, Andy (Alex Vincent). When Chucky kills Andy's baby sitter, the boy realizes the doll is alive and tries to warn people, but he's institutionalized. Now Karen must convince the detective of the murderous doll's intentions, before Andy becomes Chucky's next victim.
Their are so many iconic scenes and iconic lines in this movie, that people remember till this day. Lines like...
"Well John it's been fun, but i gotta go, i have a date with a 6 year-old boy. ..."
"I bled and it hurt like a son of a bitch."
"We're friends 'til the end, remember?"
"This is the end, friend."
"Andy remember, friends stick together till the end".
"Hi, I'm Chucky wanna play?"
"I said talk to me, damn it. Or else I'll throw you in the fire."
"You stupid bitch! You filthy slut! I'll teach you to fuck with me!"
So many iconic lines and scenes, Child's play is a iconic late 80's horror movie that had many sequels afterwards.
If you havent seen child's play, than i highly recordmend watching this film.
LeftSideCut (3778 KP) rated Thor: Ragnarok (2017) in Movies
Mar 5, 2021
I've got a lot a love for the first Thor movie, but like many others, the second one is probably my least favourite of the whole franchise. So, when one of the mightiest Avengers threatens to become stale, what is the solution? Taika fucking Waititi is the solution.
One of my favourite working directors helming an MCU film is exciting indeed, and manages to deliver a film that injects new life into the Thor series, manages to fit in with other chapters of the franchise without feeling too alien, but still has liberal splashings of Waititi's trademark wit throughout.
The comedy in this entry is thick and fast, but everything lands just right. It's fair to say that it's taken a leaf out the Guardians of the Galaxy playbook, but manages to come across smoother and feel more refined in it's humour than Vol. 2.
Chris Hemsworth, Tom Hiddleston, Anthony Hopkins, Mark Ruffalo and Idris Elba are back and as good as ever with MCU newcomers Cate Blanchett, carving a memorable figure as this movies big bad Hela (who I really hope we see again at somepoint), Tessa Thompson as the badass Valkyrie, a wonderful Jeff Goldblum as secondary villain Grandmaster (another that I hope we see again), and Karl Urban as The Executioner. It's a well put together cast.
It's packed full of comic shit too, with references to Man Thing, Beta Ray Bill, and Bi Beast, a tie in appearance from Doctor Strange, the first appearance of Surtur, and Hulk rampaging through Asgard. It has relentlessly entertaining set pieces and an 80s synth style soundtrack that tops everything wonderfully.
Not much to complain about here - easily the best of the Thor trilogy and a solid entry into the wider MCU.
One of my favourite working directors helming an MCU film is exciting indeed, and manages to deliver a film that injects new life into the Thor series, manages to fit in with other chapters of the franchise without feeling too alien, but still has liberal splashings of Waititi's trademark wit throughout.
The comedy in this entry is thick and fast, but everything lands just right. It's fair to say that it's taken a leaf out the Guardians of the Galaxy playbook, but manages to come across smoother and feel more refined in it's humour than Vol. 2.
Chris Hemsworth, Tom Hiddleston, Anthony Hopkins, Mark Ruffalo and Idris Elba are back and as good as ever with MCU newcomers Cate Blanchett, carving a memorable figure as this movies big bad Hela (who I really hope we see again at somepoint), Tessa Thompson as the badass Valkyrie, a wonderful Jeff Goldblum as secondary villain Grandmaster (another that I hope we see again), and Karl Urban as The Executioner. It's a well put together cast.
It's packed full of comic shit too, with references to Man Thing, Beta Ray Bill, and Bi Beast, a tie in appearance from Doctor Strange, the first appearance of Surtur, and Hulk rampaging through Asgard. It has relentlessly entertaining set pieces and an 80s synth style soundtrack that tops everything wonderfully.
Not much to complain about here - easily the best of the Thor trilogy and a solid entry into the wider MCU.
Gareth von Kallenbach (965 KP) rated Guardians of the Galaxy (2014) in Movies
Aug 6, 2019
Wow. Just wow. It feels like there are no words that could describe how great Guardians of the Galaxy is. This is the first movie in a while where I walked in with high expectations, and yet they still managed to exceed them. OK. Enough gushing. Time to get to the dirt.
Guardians, while a movie about a group of people, follows Peter Quill (Chris Pratt) as he loses his mother and then is suddenly whisked away (kidnapped) by an (at first) unknown space ship. Then we fast forward 26 years later and we see what the young kid who couldn’t handle the death of his mother has become. A quick-witted, sort of goofy, outlaw who likes to refer to himself as Star Lord. He double crosses the same people who have helped raise him to be the man he has become, and so sets off a series of events that brings Star Lord, Rocket Raccoon (Bradley Cooper), Groot (Vin Diesel), Gamora (Zoe Saldana) and Drax (Dave Bautista) together to go an insane adventure in an attempt to save the galaxy. In order to do this, they must stop Ronan, a Lieutenant in Thanos’ army, from obtaining a mysterious orb. The gang comes together through unlikely circumstances, and ultimately work very well together as a team, but do they have what it takes to get the job done?
This movie is all around genius. While I did have high expectations for the film, I was a little reticent about James Gunn directing. He has not had anything on this scale in the past, but man did he knock it out of the park. Every element of this world was working together perfectly… the soundtrack and score helped set the quirky, adventurous tone of the film. The cinematography combined with the visual effects was captivating. The acting was superb, with the standout being Dave Bautista as Drax. Who knew he had it in him? Apparently James Gunn did. But every actor played their part as if it were meant for them specifically. If I have one gripe in the department, it’s that Nebula (Karen Gillan) did not have as much screen time as she should have. You also some surprise supporting cast in their too with the likes of Michael Rooker, Djimon Hounsou, Glenn Close and Benicio Del Toro, the movie is definitely Gunn-ing for gold. (I am so sorry. That was cheesy I know).
We saw this movie in 3D. I am not a big fan of “everything has to be 3D”, and typically space-based movies tend to overdo the 3D effects. However, I think that the 3D in this movie was slightly understated, which is a definite good thing. Sure, there were scenes that you could tell were made specifically because it would be shown in 3D, but they didn’t make you sick of the effect 5 seconds into the scene. It was very artfully done, and not too overwhelming for a space film.
This is definitely the film to see this summer. Great action, good story arch, great setup for the next movie, and a multitude of tie-ins to the other Marvel universe films. I am definitely going to be seeing this in theaters again, especially since we did not get the bonus scene at the press screening, and it will be a definite buy on Blu-Ray. Even in 3D.
I also wanted to address the rumor of Nathan Fillion being in this film. No, he is not Nova. However, he is in the film. But blink… and you will miss it. I am curious to see if anyone else can find him in the film. Please let us know in the comments!
Guardians, while a movie about a group of people, follows Peter Quill (Chris Pratt) as he loses his mother and then is suddenly whisked away (kidnapped) by an (at first) unknown space ship. Then we fast forward 26 years later and we see what the young kid who couldn’t handle the death of his mother has become. A quick-witted, sort of goofy, outlaw who likes to refer to himself as Star Lord. He double crosses the same people who have helped raise him to be the man he has become, and so sets off a series of events that brings Star Lord, Rocket Raccoon (Bradley Cooper), Groot (Vin Diesel), Gamora (Zoe Saldana) and Drax (Dave Bautista) together to go an insane adventure in an attempt to save the galaxy. In order to do this, they must stop Ronan, a Lieutenant in Thanos’ army, from obtaining a mysterious orb. The gang comes together through unlikely circumstances, and ultimately work very well together as a team, but do they have what it takes to get the job done?
This movie is all around genius. While I did have high expectations for the film, I was a little reticent about James Gunn directing. He has not had anything on this scale in the past, but man did he knock it out of the park. Every element of this world was working together perfectly… the soundtrack and score helped set the quirky, adventurous tone of the film. The cinematography combined with the visual effects was captivating. The acting was superb, with the standout being Dave Bautista as Drax. Who knew he had it in him? Apparently James Gunn did. But every actor played their part as if it were meant for them specifically. If I have one gripe in the department, it’s that Nebula (Karen Gillan) did not have as much screen time as she should have. You also some surprise supporting cast in their too with the likes of Michael Rooker, Djimon Hounsou, Glenn Close and Benicio Del Toro, the movie is definitely Gunn-ing for gold. (I am so sorry. That was cheesy I know).
We saw this movie in 3D. I am not a big fan of “everything has to be 3D”, and typically space-based movies tend to overdo the 3D effects. However, I think that the 3D in this movie was slightly understated, which is a definite good thing. Sure, there were scenes that you could tell were made specifically because it would be shown in 3D, but they didn’t make you sick of the effect 5 seconds into the scene. It was very artfully done, and not too overwhelming for a space film.
This is definitely the film to see this summer. Great action, good story arch, great setup for the next movie, and a multitude of tie-ins to the other Marvel universe films. I am definitely going to be seeing this in theaters again, especially since we did not get the bonus scene at the press screening, and it will be a definite buy on Blu-Ray. Even in 3D.
I also wanted to address the rumor of Nathan Fillion being in this film. No, he is not Nova. However, he is in the film. But blink… and you will miss it. I am curious to see if anyone else can find him in the film. Please let us know in the comments!
Bob Mann (459 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Sep 29, 2021
Groot Expectations.
James Gunn is back writing and directing the sequel to his surprise 2014 summer hit. And it might be a fresh mix tape slammed into the Walkman, but it’s much of the same again. Not that that’s necessarily a bad thing.
In terms of the story, it’s almost a remake of the worst Star Trek film ever made! However, this time its all done for ‘laffs’ and so works much, much better. We join Quill (Chris Pratt, “Jurassic World“), Gamora (Zoe Saldana, “Star Trek Beyond“), Drax (Dave Bautista, “Spectre“) and Rocket (the voice of Bradley Cooper) ‘ever ready’ (LOL) to save the priceless Anulax batteries of their current employees, the Sovereigns, from the ravages of some multi-dimensional being. ‘Helping’ them is Baby Groot, a twig off the old branch from the first film, again voiced (in what must be the easiest money in Hollywood) by Vin Diesel (“Fast and Furious 8“).
The Sovereign’s High Priestess (Elizabeth Debicki, “The Man From U.N.C.L.E.“) provides payment to Gamora in the form of her chained-up evil sister Nebula (a deliciously sulky Karen Gillen, “Dr Who”, “Oculus”) but is then less than impressed when the mercenary Rocket pockets a knapsack full of the batteries. So starts a chase across the galaxy leading Quill to meet Ego (Kurt Russell, “The Hateful 8“) on the planet Ego (LOL) at the very base of his family tree.
The great thing about these films is that they don’t even TRY to be realistic. Characters get towed behind crashing spaceships and – literally- dragged through a wood backwards; others fall hundreds of feet to certain death… no, sorry, a “superhero landing”; and planets and characters are painted with a garishness never ever to be found in nature. You’ll even believe Kurt Russell is 18 again – oh that these effects were available on the NHS!
But the other saving grace for this film is the soundtrack, put together by Tyler Bates as an ode to the 80’s, with wonderful tracks by ELO, Fleetwood Mac, Cat Stevens and a host of others. The film matches the music with the action superbly.
I won’t bother commenting on the acting… who cares with this sort of film! But everyone seems to have fun with Michael Rooker (“Cliffhanger”) being particularly good in reprising his role of Yondu. There are also a wealth of memorable cameos, some of them being laugh out loud moments. While some of the pop culture references might go over a younger audience’s heads, there are still enough great one-liners and comic moments to provide general appeal. Bad guys silhouetted against the moon, ET style, was particularly memorable.
One criticism I would have though is that it’s just too darn long for an “action comedy”. The original film just about scraped into my good books by coming in under the two hour curfew. The sequel however adds another 15 minutes, which should have found its way either onto the cutting room floor or onto the “Blu Ray collector’s edition”. In particular, the final never-ending showdown of CGI manicness went on too long for my liking.
Looking back at the original 2014 review, I gave it a rather stingy FFF rating, which in retrospect I think was a bit mean given its novelty. This time the novelty has worn off, but if anything this is an even more enjoyable romp that the first outing.
James Gunn be warned though: I am unlikely to be so generous with “Guardians of the Galaxy Vol 3” (as threatened) which in my view might be a trip too far for this franchise. My advice would be to take a leaf out of Peter Kay’s “Car Share” book and quit while you’re ahead.
By the way, for those who are interested, the film had a reported budget of $200 million (an impressive “BvS quotient” of 80%!) and the end titles have four “monkeys“, with a humorous reprise of Stan Lee’s astronaut.
In terms of the story, it’s almost a remake of the worst Star Trek film ever made! However, this time its all done for ‘laffs’ and so works much, much better. We join Quill (Chris Pratt, “Jurassic World“), Gamora (Zoe Saldana, “Star Trek Beyond“), Drax (Dave Bautista, “Spectre“) and Rocket (the voice of Bradley Cooper) ‘ever ready’ (LOL) to save the priceless Anulax batteries of their current employees, the Sovereigns, from the ravages of some multi-dimensional being. ‘Helping’ them is Baby Groot, a twig off the old branch from the first film, again voiced (in what must be the easiest money in Hollywood) by Vin Diesel (“Fast and Furious 8“).
The Sovereign’s High Priestess (Elizabeth Debicki, “The Man From U.N.C.L.E.“) provides payment to Gamora in the form of her chained-up evil sister Nebula (a deliciously sulky Karen Gillen, “Dr Who”, “Oculus”) but is then less than impressed when the mercenary Rocket pockets a knapsack full of the batteries. So starts a chase across the galaxy leading Quill to meet Ego (Kurt Russell, “The Hateful 8“) on the planet Ego (LOL) at the very base of his family tree.
The great thing about these films is that they don’t even TRY to be realistic. Characters get towed behind crashing spaceships and – literally- dragged through a wood backwards; others fall hundreds of feet to certain death… no, sorry, a “superhero landing”; and planets and characters are painted with a garishness never ever to be found in nature. You’ll even believe Kurt Russell is 18 again – oh that these effects were available on the NHS!
But the other saving grace for this film is the soundtrack, put together by Tyler Bates as an ode to the 80’s, with wonderful tracks by ELO, Fleetwood Mac, Cat Stevens and a host of others. The film matches the music with the action superbly.
I won’t bother commenting on the acting… who cares with this sort of film! But everyone seems to have fun with Michael Rooker (“Cliffhanger”) being particularly good in reprising his role of Yondu. There are also a wealth of memorable cameos, some of them being laugh out loud moments. While some of the pop culture references might go over a younger audience’s heads, there are still enough great one-liners and comic moments to provide general appeal. Bad guys silhouetted against the moon, ET style, was particularly memorable.
One criticism I would have though is that it’s just too darn long for an “action comedy”. The original film just about scraped into my good books by coming in under the two hour curfew. The sequel however adds another 15 minutes, which should have found its way either onto the cutting room floor or onto the “Blu Ray collector’s edition”. In particular, the final never-ending showdown of CGI manicness went on too long for my liking.
Looking back at the original 2014 review, I gave it a rather stingy FFF rating, which in retrospect I think was a bit mean given its novelty. This time the novelty has worn off, but if anything this is an even more enjoyable romp that the first outing.
James Gunn be warned though: I am unlikely to be so generous with “Guardians of the Galaxy Vol 3” (as threatened) which in my view might be a trip too far for this franchise. My advice would be to take a leaf out of Peter Kay’s “Car Share” book and quit while you’re ahead.
By the way, for those who are interested, the film had a reported budget of $200 million (an impressive “BvS quotient” of 80%!) and the end titles have four “monkeys“, with a humorous reprise of Stan Lee’s astronaut.
Bob Mann (459 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 15, 2020
A lot of squawking birds
Although not saying much, Margot Robbie’s Harley Quinn was one of the best thing in the lacklustre D.C. outing “Suicide Squad” of 2016. Now, she returns in her own vehicle. Jared Leto’s Joker is a thing of the past (clearly he wasn’t keen on dredging up the past for even a cameo in this one).
Harley had spent years building up a catalog of enemies in Gotham, with no-one daring to lift a finger for fear of “the big J’s” retribution. With that now a thing of the past, the streets are no longer safe for Harley. Whereas most characters have a reason to want to kill Harley, mid-level gangster Roman Sionis (Ewan McGregor) has a list as long as his arm (a blurred list that will probably make freeze-framing of the blu-ray entertaining!). Roman, who has a penchant for having his right-hand man Victor (Chris Messina) de-glove his victim’s faces, has his heart set on obtaining a missing diamond that (McGuffin-alert) is engraved with account details to $billions.
Through a convoluted and messy plot, Harley meets various ‘birds of prey’ who are either friend or foe: notably young pickpocket Cassandra (Ella Jay Basco); cop Renée Montoya (Rosie Perez); the “Crossbow Killer” (Mary Elizabeth Winstead); and the “Black Canary” (Jurnee Smollett-Bell), who you don’t want to let near your best glasses.
As you might expect from your knowledge of Harley Quinn’s character, the movie is bat-shit crazy, with periodic breaking of the 4th wall; much acrobatic kick-boxing; and some random dream sequences….. Robbie as Marilyn is particularly entertaining, although at times (the ‘egg sandwich’ sequence in particular) the gurning made me muse to myself about just what a good film “I, Tonya” was.
It all comes across as something of a “Deadpool” sequel. Actually, I’d more describe it as “Deadpool-lite” since it’s not powered here by the charisma of Ryan Reynolds. However, I did find myself quite enjoying the first reel of the movie.
Unfortunately, it didn’t last.
It all just becomes incredibly tiresome. Although Margot Robbie is very good in the role, Harley’s incessant squawking just gets annoying.
Also in this battle of men vs women, the women always win and are (mostly) completely unscathed. In one particular scene there are 5 or 6 burly men taking on Harley: clearly she whips their sorry asses in improbable fashion. What? Only one at a time guys?
If you were confused by the timeline of “Little Women“, this will blow your mind! It makes Greta Gerwig‘s masterpiece look as linear as “News at Ten”! It’s really difficult to follow at times as the timeline flashes forwards and backwards and sideways at random!
Also confusing (for me anyway… did I have a nap?) was the finale. There’s something to do with a ring which made NO SENSE to me at all? Am I alone in that?
Ewan MacGregor has fun with his role as the gay (I assume?) gangster, but it all turns cartoonish at times. But perhaps, that’s the point? However while the violence in “Deadpool” was cartoonishly funny (as in Tom and Jerry) the violence here is decidedly of the vicious and unpleasant variety, with a vindictive edge. It makes you not particularly like any of the movie’s characters.
The movie is written by Christina Hodson, who is slated to write too more upcoming superhero films: “The Flash” and “Batgirl”. The director is Chinese director Cathy Yan in only her second directorial feature.
Summary: It’s loud and brash and at 109 minutes it overstays its welcome by about 20 minutes. Less would have been more. It’s somewhat better than “Suicide Squad” (which I unfathomably seem to have given 2.5 stars to), but it’s still a movie that I will struggle to remember in a month’s time.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/02/15/one-manns-movies-film-review-birds-of-prey-and-the-fantabulous-emancipation-of-one-harley-quinn-2020/
Harley had spent years building up a catalog of enemies in Gotham, with no-one daring to lift a finger for fear of “the big J’s” retribution. With that now a thing of the past, the streets are no longer safe for Harley. Whereas most characters have a reason to want to kill Harley, mid-level gangster Roman Sionis (Ewan McGregor) has a list as long as his arm (a blurred list that will probably make freeze-framing of the blu-ray entertaining!). Roman, who has a penchant for having his right-hand man Victor (Chris Messina) de-glove his victim’s faces, has his heart set on obtaining a missing diamond that (McGuffin-alert) is engraved with account details to $billions.
Through a convoluted and messy plot, Harley meets various ‘birds of prey’ who are either friend or foe: notably young pickpocket Cassandra (Ella Jay Basco); cop Renée Montoya (Rosie Perez); the “Crossbow Killer” (Mary Elizabeth Winstead); and the “Black Canary” (Jurnee Smollett-Bell), who you don’t want to let near your best glasses.
As you might expect from your knowledge of Harley Quinn’s character, the movie is bat-shit crazy, with periodic breaking of the 4th wall; much acrobatic kick-boxing; and some random dream sequences….. Robbie as Marilyn is particularly entertaining, although at times (the ‘egg sandwich’ sequence in particular) the gurning made me muse to myself about just what a good film “I, Tonya” was.
It all comes across as something of a “Deadpool” sequel. Actually, I’d more describe it as “Deadpool-lite” since it’s not powered here by the charisma of Ryan Reynolds. However, I did find myself quite enjoying the first reel of the movie.
Unfortunately, it didn’t last.
It all just becomes incredibly tiresome. Although Margot Robbie is very good in the role, Harley’s incessant squawking just gets annoying.
Also in this battle of men vs women, the women always win and are (mostly) completely unscathed. In one particular scene there are 5 or 6 burly men taking on Harley: clearly she whips their sorry asses in improbable fashion. What? Only one at a time guys?
If you were confused by the timeline of “Little Women“, this will blow your mind! It makes Greta Gerwig‘s masterpiece look as linear as “News at Ten”! It’s really difficult to follow at times as the timeline flashes forwards and backwards and sideways at random!
Also confusing (for me anyway… did I have a nap?) was the finale. There’s something to do with a ring which made NO SENSE to me at all? Am I alone in that?
Ewan MacGregor has fun with his role as the gay (I assume?) gangster, but it all turns cartoonish at times. But perhaps, that’s the point? However while the violence in “Deadpool” was cartoonishly funny (as in Tom and Jerry) the violence here is decidedly of the vicious and unpleasant variety, with a vindictive edge. It makes you not particularly like any of the movie’s characters.
The movie is written by Christina Hodson, who is slated to write too more upcoming superhero films: “The Flash” and “Batgirl”. The director is Chinese director Cathy Yan in only her second directorial feature.
Summary: It’s loud and brash and at 109 minutes it overstays its welcome by about 20 minutes. Less would have been more. It’s somewhat better than “Suicide Squad” (which I unfathomably seem to have given 2.5 stars to), but it’s still a movie that I will struggle to remember in a month’s time.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/02/15/one-manns-movies-film-review-birds-of-prey-and-the-fantabulous-emancipation-of-one-harley-quinn-2020/
Bob Mann (459 KP) rated Life (2017) in Movies
Sep 29, 2021
Life after Gravity.
Mankind is on the verge of a major milestone. The “Pilgrim” probe is returning from Mars containing soil samples that might spell the discovery of the first palpable evidence of life beyond earth. Proving that earth scientists are not completely incompetent, the probe is being returned not to earth but to a lab on the International Space Station where strict quarantine can be maintained. This key mission requirement is the responsibility of Miranda North (Rebecca Ferguson, “Mission Impossible: Rogue Nation”). Supporting her is an international crew including fellow doctor David Harris (Jake Gyllenhaal, “Source Code”), professional astronaut Rory Adams (Ryan Reynolds, “Deadpool”) and Hugh Derry (Ariyon Bakare), the lead scientist studying the samples. Needless to say, the soil samples yield more promise than Derry could have ever hoped for (or North could have feared). A crisis of growth and death ensues in a manner that fans of “Alien” will be suitably familiar with. Can the crew survive against all the odds?
Jake Gyllenhaal is one of my favourite actors with a raft of quality films in his CV such as “Nightcrawler” and last year’s hugely underrated (and almost Oscar-ignored) “Nocturnal Animals”. Rebecca Ferguson is also a class act and one of my favourite actresses of the moment. Here they are starring together for the first time and they don’t disappoint. Whilst neither gets enough quality screentime to really hammer their roles home, both connect to the audience in different ways: Harris is heading for an ISS endurance record, and starting to mentally disconnect from earthly connections as his body also starts to atrophy. North, with a clear attraction to him, tries to hold both him and everything together with steely determination, while carrying more knowledge of the mission directives than anyone else has.
The supporting ensemble cast also work well, portraying a real mixture of nationalities from the cock-sure American played by Reynolds to the sultry Russian commander Golovkina, played by the lovely Olga Dihovichnaya. A special note should also be added in the margin for one of the most surprising portrayals of a disabled character in a recent film.
Unfortunately the material the actors get to deliver, by Rhett Reese and Paul Wernick (co-writers of “Deadpool” and “Zombieland”) doesn’t match their ability. The first 30 minutes or so of the film I found to be totally gripping, but even here some of the dialogue is sufficiently clunky to distract you from the ongoing narrative. Some of the rest of the dialogue becomes head-in-the-hands awful in places: a scene during a de-pressurization episode being particularly painful.
Some dodgy dialogue might be forgivable in an action movie if supported by a strong story. Unfortunately, while the premise of the film is sound (if not original), the story leaps from inconsistency to inconsistency from beginning to end. The writers never seem to settle on whether the ‘being’ needs oxygen, likes oxygen, likes hot, likes cold, etc. and this lack of credibility distracts from the whole film. While the screenplay delivers some seriously suspenseful moments, and some decent jump scares, this is not satisfactory enough to serve up a cohesive movie meal.
This is not helped by ‘bad science’. As I have commented upon before, I’m a physicist by training and unscientific scenes annoy me to distraction. I’ve had to learn to live with the basics of explosions and other ‘noise’ in space (something “Star Wars” started 40 years ago, damn those TIE fighters). But there is a scene in “Life” involving an airlock breach that just completely beggers belief, acted out as if it’s a stiff breeze on the front at Skegness! It’s almost – (almost) – as bonkers as the ‘reactor venting’ scene with Chris Pratt in “Passengers“.
However, the film has its strong points too. Like “Gravity”, this is another special effects triumph with the scenes outside the ISS being gorgeously rendered. “Gravity” was a clear 10/10; this is probably at least a 7, and a reason for seeing the film on the big screen. A key question though is why there wasn’t a 3D version of the film released? Heaven knows I’m no fan of 3D, but “Gravity” was one of the few films that was genuinely enhanced by the format: in fact it is currently the only 3D Blu-ray that I own!
In general, the whole film seems a little half-cocked and lacking in its own conviction. You wonder whether the production company (Skydance) got rather cold-feet about the film in releasing it when it did. Yes, “Deadpool” did very well with its February release, but this is a much more suitable film for a summer audience than a release in this post-Oscars doldrums.
In summary, its a moderately entertaining watch, but at heart just another retelling of the old ‘something nasty in the woodshed’ yarn that we’ve seen played out countless times before. Here though the swanky setting and special effects are diminished by a lack of credibility and consistency in the storytelling. Redemption was on hand though, for while it was heading for a middling 3-Fad rating, it managed to salvage another half Fad in the final 60 seconds: a memorable movie ending that might prove hard to beat during 2017.
Jake Gyllenhaal is one of my favourite actors with a raft of quality films in his CV such as “Nightcrawler” and last year’s hugely underrated (and almost Oscar-ignored) “Nocturnal Animals”. Rebecca Ferguson is also a class act and one of my favourite actresses of the moment. Here they are starring together for the first time and they don’t disappoint. Whilst neither gets enough quality screentime to really hammer their roles home, both connect to the audience in different ways: Harris is heading for an ISS endurance record, and starting to mentally disconnect from earthly connections as his body also starts to atrophy. North, with a clear attraction to him, tries to hold both him and everything together with steely determination, while carrying more knowledge of the mission directives than anyone else has.
The supporting ensemble cast also work well, portraying a real mixture of nationalities from the cock-sure American played by Reynolds to the sultry Russian commander Golovkina, played by the lovely Olga Dihovichnaya. A special note should also be added in the margin for one of the most surprising portrayals of a disabled character in a recent film.
Unfortunately the material the actors get to deliver, by Rhett Reese and Paul Wernick (co-writers of “Deadpool” and “Zombieland”) doesn’t match their ability. The first 30 minutes or so of the film I found to be totally gripping, but even here some of the dialogue is sufficiently clunky to distract you from the ongoing narrative. Some of the rest of the dialogue becomes head-in-the-hands awful in places: a scene during a de-pressurization episode being particularly painful.
Some dodgy dialogue might be forgivable in an action movie if supported by a strong story. Unfortunately, while the premise of the film is sound (if not original), the story leaps from inconsistency to inconsistency from beginning to end. The writers never seem to settle on whether the ‘being’ needs oxygen, likes oxygen, likes hot, likes cold, etc. and this lack of credibility distracts from the whole film. While the screenplay delivers some seriously suspenseful moments, and some decent jump scares, this is not satisfactory enough to serve up a cohesive movie meal.
This is not helped by ‘bad science’. As I have commented upon before, I’m a physicist by training and unscientific scenes annoy me to distraction. I’ve had to learn to live with the basics of explosions and other ‘noise’ in space (something “Star Wars” started 40 years ago, damn those TIE fighters). But there is a scene in “Life” involving an airlock breach that just completely beggers belief, acted out as if it’s a stiff breeze on the front at Skegness! It’s almost – (almost) – as bonkers as the ‘reactor venting’ scene with Chris Pratt in “Passengers“.
However, the film has its strong points too. Like “Gravity”, this is another special effects triumph with the scenes outside the ISS being gorgeously rendered. “Gravity” was a clear 10/10; this is probably at least a 7, and a reason for seeing the film on the big screen. A key question though is why there wasn’t a 3D version of the film released? Heaven knows I’m no fan of 3D, but “Gravity” was one of the few films that was genuinely enhanced by the format: in fact it is currently the only 3D Blu-ray that I own!
In general, the whole film seems a little half-cocked and lacking in its own conviction. You wonder whether the production company (Skydance) got rather cold-feet about the film in releasing it when it did. Yes, “Deadpool” did very well with its February release, but this is a much more suitable film for a summer audience than a release in this post-Oscars doldrums.
In summary, its a moderately entertaining watch, but at heart just another retelling of the old ‘something nasty in the woodshed’ yarn that we’ve seen played out countless times before. Here though the swanky setting and special effects are diminished by a lack of credibility and consistency in the storytelling. Redemption was on hand though, for while it was heading for a middling 3-Fad rating, it managed to salvage another half Fad in the final 60 seconds: a memorable movie ending that might prove hard to beat during 2017.
Ivana A. | Diary of Difference (1171 KP) rated Wonder Woman: Her Greatest Battles in Books
Aug 21, 2018
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;