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Rock of Ages (2012)
Rock of Ages (2012)
2012 | Drama, Musical
7
6.8 (25 Ratings)
Movie Rating
Rock of Ages is a film adaptation of the 2006 Chris D’Arienzo comedy rock/jukebox Broadway musical.
It is lightly satirical, a parody at times, that seems to mock our beloved 80’s rock era, while honoring its eccentricities, its tight leopard print pants, big hair, shoulder pads and over the top MTV music videos.

I like to judge a movie not only by how it makes me feel but also by how the audience reacts. This wasn’t an in-your-face-slapstick comedy, yet the whole theater roared with laughter throughout the film. To sum up the experience of Rock of Ages, it’s like watching a string of 80’s music videos mashed into a weak plot, with well-timed laughing points. Some of us laughed because we remember being the ones with those crazy hair-dos and out-of-control fashion sense and some were just laughing because this movie was so well done. It walked the fine line between super over-the-top corny and truly honoring our rock heritage. This movie does play to a specific demographic of ages 30 to 50, those who, with great nostalgia, remember how the 80’s rock and fashion revolution shaped their lives.

As the song goes, just a small town girl, Sherrie Christian played by Julianne Hough, travels to the big city in search of her dreams of becoming a singer, where she meets her city boy, Drew Boley played by Diego Boneta. Together they embark on a musical romance while working at a rock club named The Bourbon Room. Alec Baldwin plays an old rocker named Dennis Dupree struggling to keep his legend of a night club/concert hall open. Russell Brand, as always, steps in as the comic relief while playing the club owner;s assistant named Lonny. Together they work to keep The Bourbon Room afloat while dealing with a vengeful Patricia Whitmore, played by Catherine Zeta-Jones, who wishes nothing more then to see The Bourbon Room burned to the ground.

There are points in this movie when the acting, the singing and yes, even the plot, grabs you and holds your attention, much like watching the train wreck we call 80’s fashion. Its painful but you can’t look away! There were other times in this movie when the singing felt like it would go on forever. I noticed that the low points would be immediately succeeded by a very entertaining turn of events, so my attention was not lost for long. There came a point, at about the third Glee style 80’s rock mash-up, where I felt like slapping the director, Adam Shankman. Even too much of a good thing can get boring and I felt Shankman reached that point several times in the film. Luckily, he redeemed himself by bringing in Tom Cruise to play the Satan worshiping, alcoholic, megalomaniacal rock god Stacee Jaxx who went above and beyond in perfecting his role.

This movie’s soundtrack features songs and power ballads from Guns N’ Roses, Def Leppard, Bon Jovi, Journey, Twisted Sister, Pat Benetar, Scorpions, Whitesnake, Poison, REO Speedwagon, Foreigner among other epic bands giving Rock of Ages it’s 80’s jukebox musical foundation.

Mary J. Blige, Cruise, Ale Baldwin, Boneta, Hough and the whole cast of mega stars went above and beyond in selling their characters and performing stunning and accurate vocals that really pulled this movie together. The corny 80’s fashion and authentic dance numbers were the real icing on the cake. If you can sit through two hours of 80’s rock and pop nostalgia and know you will enjoy it, then definitely check this movie out.
  
Never Mind The Bollocks, Here's The Sex Pistols by The Sex Pistols
Never Mind The Bollocks, Here's The Sex Pistols by The Sex Pistols
1977 | Punk
8.9 (15 Ratings)
Album Favorite

"In my book this isn't a punk record - it's a fantastic rock album. I mean, it's produced by Chris Thomas for goodness sake. Cookie (Paul Cook) is a fantastic drummer: I know him because he plays in Phil Collen's other band, The Manraze Then you have Steve Jones - fucking amazing guitarist. Matlock had gone by this point, I think he was on 'Anarchy…' and Sid was on 'Bodies' but apart from that Jones did all of the guitar and all of the bass parts as well. And he probably did more overdubs on that than we did on bloody Pyromania - it took nine months to record. It's a real album: it represents punk, but in many ways it doesn't. The Pistols record is as planned out as a Genesis album. And that's why it works: it's fucking brilliant. Nobody snarls like Rotten: his 'we mean it, man' on 'God Save the Queen', it puts the hairs on my arm up to this day."

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Never Mind The Bollocks, Here's The Sex Pistols by The Sex Pistols
Never Mind The Bollocks, Here's The Sex Pistols by The Sex Pistols
1977 | Punk
8.9 (15 Ratings)
Album Favorite

"I have an argument with people who say that the punk scene changed their lives. Nearly everyone I speak to says that the Clash were the most exciting and the most important group of the era. But without the Sex Pistols there wouldn't have been any Clash: end of story. And people claim that Chris Spedding played on the album [as uncredited session musician], but really it was Steve Jones, and he is one of the great rock & roll guitarists. And Lydon was streets ahead of everyone else. The Clash made great pop records and the Sex Pistols were a great punk group. And for me this is year zero, you can go back to the Stooges if you like but if you were a kid waiting for someone to kick against bands that I have listed like Genesis, then the Sex Pistols were it. They lit the touch paper. It's a cliché but it's true."

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