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Beatriz (17 KP) rated Coraline (2009) in Movies
Feb 21, 2019
Coraline
Contains spoilers, click to show
Coraline is a stop-motion film that took almost 4 years to be done. It was released in 2009 and produced by Henry Selick also knows by producing The Nightmare Before Christmas.
Coraline was considered a childrens horror and ,in my opinion, that is the ONLY wrong thing about the film. I watched it as a child and it caused me nightmares for years. Its no children film. Its a genious animated horror film for sure, but not for + 6 years olds (the age that the cinemas said it was okay for people to watch)
Long story short Coraline is the story about a girl that doesnt have a close relationship with her parents that moves into the Pink Palace. Where she finds a door to a world where she has another mother and another father that are absolutely everything she ever wished for......until they are not. Until the Other Mother starts doing everything to sew buttons into Coralines eyes in order to trap her in the Other World with her.
This is by far on my top 3 favourite films and a 10 is unfair.
I loved the film so much I ended up researching for every fact and theories I could find. Here are one of the most interesting ones I've found ...
1 - The Ranft Brothers moving truck shows up at the Pink Palace towards the beginning of the film. A hidden detail appears on their truck in the form of
spray paint, which is a shout-out for stop-motion animation.
The two brothers are also a shout-out, though, specifically to Joe and Jerome Ranft, two brothers who were famous for their animation work, specifically
through Pixar.
2 - Two big reasons Selick pushed for stop-motion animation over live-action was that he felt a talking cat was too much of a gimmick in that context and the
film itself might end up being too scary.
3 - It is never specified in the film whether the real Bobinsky actually has a mouse circus. Selick believes he does not actually have one.
4 - Up to thirty animators worked on the film at any one time.
5 - The hat Coraline wears in several parts of the film is a Japanese school boy’s hat that she finds. While promoting a film in Japan, Selick had picked up one of
these for his son as a souvenir, but the boy never wore it. He figured he could at least make Coraline wear it.
Theories
1 - Wibie says that the well is so deep that some people say they "can see a sky full of stars in it" and The Other World is always night so the well could be another portal as in the end we see the cat disappearing in another portal so there are more portals than the small door.
So ... in the end of the film, did Coraline accidentally just returned the key to Beldam ?
2 - The Taffees that the actresses give Coraline have 3 dates in them that match the years that new people moved in the Pink Palace, which would match the 3 ghost children.
Coraline was considered a childrens horror and ,in my opinion, that is the ONLY wrong thing about the film. I watched it as a child and it caused me nightmares for years. Its no children film. Its a genious animated horror film for sure, but not for + 6 years olds (the age that the cinemas said it was okay for people to watch)
Long story short Coraline is the story about a girl that doesnt have a close relationship with her parents that moves into the Pink Palace. Where she finds a door to a world where she has another mother and another father that are absolutely everything she ever wished for......until they are not. Until the Other Mother starts doing everything to sew buttons into Coralines eyes in order to trap her in the Other World with her.
This is by far on my top 3 favourite films and a 10 is unfair.
I loved the film so much I ended up researching for every fact and theories I could find. Here are one of the most interesting ones I've found ...
1 - The Ranft Brothers moving truck shows up at the Pink Palace towards the beginning of the film. A hidden detail appears on their truck in the form of
spray paint, which is a shout-out for stop-motion animation.
The two brothers are also a shout-out, though, specifically to Joe and Jerome Ranft, two brothers who were famous for their animation work, specifically
through Pixar.
2 - Two big reasons Selick pushed for stop-motion animation over live-action was that he felt a talking cat was too much of a gimmick in that context and the
film itself might end up being too scary.
3 - It is never specified in the film whether the real Bobinsky actually has a mouse circus. Selick believes he does not actually have one.
4 - Up to thirty animators worked on the film at any one time.
5 - The hat Coraline wears in several parts of the film is a Japanese school boy’s hat that she finds. While promoting a film in Japan, Selick had picked up one of
these for his son as a souvenir, but the boy never wore it. He figured he could at least make Coraline wear it.
Theories
1 - Wibie says that the well is so deep that some people say they "can see a sky full of stars in it" and The Other World is always night so the well could be another portal as in the end we see the cat disappearing in another portal so there are more portals than the small door.
So ... in the end of the film, did Coraline accidentally just returned the key to Beldam ?
2 - The Taffees that the actresses give Coraline have 3 dates in them that match the years that new people moved in the Pink Palace, which would match the 3 ghost children.
Lindsay (1700 KP) rated An Amish Family in Books
Jun 14, 2019
Kathleen does herself well with her writing. I do not know if she can out do herself anymore with her stories. Each one that I have read has been good enough for me to want to read more. I have yet to to come across any that is not good.
These stories show the stuggles and faith though out the book. Each story is different and yet endearing to read. You will not know the ending until you get to the last page of that story. Then you will want to know know more about that family and how they are doing.
Building Trust:
In Building Trust, Grace and Joel are eager to marry. Though Grace does not know why her father or anyone else in her family can figure out why her father is acting so angry at Joel King? Joel can not recall why Grace Miller father is upset or recall the reason. Though as you read we find out. Will Joel be able to build trust with Grace father? Grace is told she can not marry Joel King.
Joel King is determined to find out why he can not marry Grace. Will it he get to marry Grace? Will Vernon be able to forgive Joel?
A Heart Full of Love:l(In An Amish Cradle)
Ellie is expecting her first child with her husband. Though when she gives birth to twins. Her mother decides that will take care of the twins and keep them safe. In doing so, she will not let Ellie bond with her daughters.
What is Ellie's mother dealing with that she won't let Ellie take care of her own daughters. Ellie knows she will need help with her daughters. Ellie wants time with her daughters and takes care of them.
Ellie starts to have questions about what happen with a girl named Rachel. She goes over to her parents house and to find the answers. What a sweet ending his story has.
Surprised by Love
Emily feels the need to be seen with a boy. Out of nowhere she chooses Reuban. Will her ploy work with her mother? Emily finds out that Reuban's mother is pressuring him to marry as well.Reuban play along.
Will it be really a match by god, Both do not know it until the past seeks up on them. Do they even know that love is being created by them both seeing each other. Or will they find that they were surprised by love, that they may have started an everlasting love?
A Gift For Anne Marie: (In An Amish Second Christmas)
In A Gift for Anne Marie, Anne Marie wondering about the changes that are coming. She finds out about her mothers letters. When she does she finds out that her mother is getting re-married and they are moving. Anne Marie does not like it at all. She start to feel the changes between her and Nathaniel. Nathaniel does not like the fact that Annie Marie may be moving. Is there anything either can do about it?
These stories show the stuggles and faith though out the book. Each story is different and yet endearing to read. You will not know the ending until you get to the last page of that story. Then you will want to know know more about that family and how they are doing.
Building Trust:
In Building Trust, Grace and Joel are eager to marry. Though Grace does not know why her father or anyone else in her family can figure out why her father is acting so angry at Joel King? Joel can not recall why Grace Miller father is upset or recall the reason. Though as you read we find out. Will Joel be able to build trust with Grace father? Grace is told she can not marry Joel King.
Joel King is determined to find out why he can not marry Grace. Will it he get to marry Grace? Will Vernon be able to forgive Joel?
A Heart Full of Love:l(In An Amish Cradle)
Ellie is expecting her first child with her husband. Though when she gives birth to twins. Her mother decides that will take care of the twins and keep them safe. In doing so, she will not let Ellie bond with her daughters.
What is Ellie's mother dealing with that she won't let Ellie take care of her own daughters. Ellie knows she will need help with her daughters. Ellie wants time with her daughters and takes care of them.
Ellie starts to have questions about what happen with a girl named Rachel. She goes over to her parents house and to find the answers. What a sweet ending his story has.
Surprised by Love
Emily feels the need to be seen with a boy. Out of nowhere she chooses Reuban. Will her ploy work with her mother? Emily finds out that Reuban's mother is pressuring him to marry as well.Reuban play along.
Will it be really a match by god, Both do not know it until the past seeks up on them. Do they even know that love is being created by them both seeing each other. Or will they find that they were surprised by love, that they may have started an everlasting love?
A Gift For Anne Marie: (In An Amish Second Christmas)
In A Gift for Anne Marie, Anne Marie wondering about the changes that are coming. She finds out about her mothers letters. When she does she finds out that her mother is getting re-married and they are moving. Anne Marie does not like it at all. She start to feel the changes between her and Nathaniel. Nathaniel does not like the fact that Annie Marie may be moving. Is there anything either can do about it?
Jess Winters and her mother, Maud, arrive in the small town of Sycamore, Arizona hoping to start afresh: Maud is recently divorced from Jess' father and both are reeling from the event in different ways. Maud copes by sleeping most of the day away, but a restless teenage Jess wanders the town, searching for peace. Eventually she finds a friendship with Dani Newell, the local "smart kid" at the high school, and her boyfriend, Paul, the son of Jess' employer, Iris. Maybe, just maybe, Jess thinks, she could be happy here.
Flash forward nearly twenty years, when a new resident to town, another restless spirit, stumbles upon some bones in the local dried up lake. Residents immediately fear they belong to Jess, who disappeared shortly before Christmas: a young seventeen-year-old who was never seen again.
<i>Oh, this is a magical book.</I> I felt an immediate attachment to Jess from the first opening chapter. I was connected to her as a child of divorce, as someone who once had that urge to wander, who shared that restlessness as an adolescent. You quickly find that Chancellor has the power to create such real characters, who draw you in from the start.
The book--and the story of Jess--unfolds in snatches and snippets of these characters. Each chapter is told by a different inhabitant of Sycamore, and we get reminiscences and memories of their past, telling more about what happened with Jess, as well as their current life. We also get chapters of Jess' time as a sixteen-and seventeen-year-old in the town. In a way, it is as if we are being caught up backwards sometimes. I was captivated by the oddly suspenseful way they each tell stories from different times and varying viewpoints. It's an interesting (and effective) technique. You are piecing together a mystery, yet also reading a beautiful novel of interwoven characters.
One of the most amazing things about this novel is that for each different point of view, for each character, they have their own voice. Chancellor captures each one in their own unique way: the different way they speak. Some chapters are told in a distinctive sort of format and more. Every one has their own personality. It allows the characters--and the entire town--to really come to life so easily as you read. You can picture this entire small town and its inhabitants so clearly because of her beautiful, clear writing. It's just such a powerful book and so well-written.
There's a sweet tenderness to this book that I cannot truly describe. It really touched me. It's not always an easy read, or a happy one, but it's a lovely book in many ways. It's wonderfully written, surprisingly suspenseful, and a heartbreaking but amazing journey. I highly recommend it. 4.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 05/09/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Flash forward nearly twenty years, when a new resident to town, another restless spirit, stumbles upon some bones in the local dried up lake. Residents immediately fear they belong to Jess, who disappeared shortly before Christmas: a young seventeen-year-old who was never seen again.
<i>Oh, this is a magical book.</I> I felt an immediate attachment to Jess from the first opening chapter. I was connected to her as a child of divorce, as someone who once had that urge to wander, who shared that restlessness as an adolescent. You quickly find that Chancellor has the power to create such real characters, who draw you in from the start.
The book--and the story of Jess--unfolds in snatches and snippets of these characters. Each chapter is told by a different inhabitant of Sycamore, and we get reminiscences and memories of their past, telling more about what happened with Jess, as well as their current life. We also get chapters of Jess' time as a sixteen-and seventeen-year-old in the town. In a way, it is as if we are being caught up backwards sometimes. I was captivated by the oddly suspenseful way they each tell stories from different times and varying viewpoints. It's an interesting (and effective) technique. You are piecing together a mystery, yet also reading a beautiful novel of interwoven characters.
One of the most amazing things about this novel is that for each different point of view, for each character, they have their own voice. Chancellor captures each one in their own unique way: the different way they speak. Some chapters are told in a distinctive sort of format and more. Every one has their own personality. It allows the characters--and the entire town--to really come to life so easily as you read. You can picture this entire small town and its inhabitants so clearly because of her beautiful, clear writing. It's just such a powerful book and so well-written.
There's a sweet tenderness to this book that I cannot truly describe. It really touched me. It's not always an easy read, or a happy one, but it's a lovely book in many ways. It's wonderfully written, surprisingly suspenseful, and a heartbreaking but amazing journey. I highly recommend it. 4.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 05/09/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Darren (1599 KP) rated A Very Harold & Kumar Christmas (2011) in Movies
Jun 20, 2019
Story: The hijinks of this duo is always hilarious and this time is no different, getting themselves in all sorts of trouble as well as finding funny ways to get out of them. They always find colourful characters some seen before some new ones. It is all fun but not too serious and the story offers not too much more original than the first two. (7/10)
Actor Review: Kal Penn – The stoner friend who needs to learn to grow up and throughout the film he finally learns to. Continues to do a good job in the role showing he has some very good comic timing. (8/10)
kumar
Actor Review: John Cho – Has always been the more serious of the pairing and now has taken that too the next level. Just like Kal he is good again working to be more serious to his more laid back what will be role. Lesley’s Stud Muffin Award (8/10)
harold
Actor Review: Neil Patrick Harris – Always turns up as himself in these films and always steals the scene. This is no different making his character even funnier. Scene Stealer Award (9/10)
HPH
Actor Review: Danny Trejo – The disapproving father of Harold who starts out being very against Harold, but letting Harold prove he has what it takes to look after his daughter. Very much written for Trejo letting him poke fun at the characters he has created through the years. (8/10)
Actor Review: Amir Blumenfeld – Kumar’s friend who ends up taking everyone to a party helping leading to the mess the guys end up in. Good addition to the cast has some of the funnier scenes. (8/10)
Actor Review: Thomas Lennon – Has to look after his baby daughter and ends up in situations where the baby gets stoned by accident. They panic stricken character adds some many funny moments in this film. They Have the Laughs Award, Funniest Character Award (9/10)
Todd & Adrian with the stoned baby
Todd & Adrian with the stoned baby
Director Review: Todd Strauss-Schulson – This small time director steps up to create a good comedy. (8/10)
Comedy: Good comedy, very funny scenarios created. (8/10)
Special Effects: Pokes fun at the 3D era in the cinema with some funny special effects. (9/10)
Chemistry: Harold & Kumar have great chemistry throughout the film. (9/10)
Believability: I am sure some stoner have had some wild adventures not as wild as these guys but still similar. (6/10)
Chances of Tears: None (0/10)
Oscar Chances: NONE
Chances of Sequel: I am sure they have enough to make a sequel.
Suggestion: A comedy that should be enjoyed by all fans of the mature audience. If you like the first two you will like this one. If you want serious you are looking in the wrong place. (Enjoy The Trip)
Best Part: Clay doe scene.
clay
Kill Of The Film: By the waffle machine.
Funniest Scene: The stoned baby
Similar Too: Harold & Kumar’s previous adventures.
Overall: Outrageous comedy with plenty of laughs
Lesley’s Rating 60%
https://moviesreview101.com/2013/12/21/a-very-harold-kumar-3d-christmas-2011/
Actor Review: Kal Penn – The stoner friend who needs to learn to grow up and throughout the film he finally learns to. Continues to do a good job in the role showing he has some very good comic timing. (8/10)
kumar
Actor Review: John Cho – Has always been the more serious of the pairing and now has taken that too the next level. Just like Kal he is good again working to be more serious to his more laid back what will be role. Lesley’s Stud Muffin Award (8/10)
harold
Actor Review: Neil Patrick Harris – Always turns up as himself in these films and always steals the scene. This is no different making his character even funnier. Scene Stealer Award (9/10)
HPH
Actor Review: Danny Trejo – The disapproving father of Harold who starts out being very against Harold, but letting Harold prove he has what it takes to look after his daughter. Very much written for Trejo letting him poke fun at the characters he has created through the years. (8/10)
Actor Review: Amir Blumenfeld – Kumar’s friend who ends up taking everyone to a party helping leading to the mess the guys end up in. Good addition to the cast has some of the funnier scenes. (8/10)
Actor Review: Thomas Lennon – Has to look after his baby daughter and ends up in situations where the baby gets stoned by accident. They panic stricken character adds some many funny moments in this film. They Have the Laughs Award, Funniest Character Award (9/10)
Todd & Adrian with the stoned baby
Todd & Adrian with the stoned baby
Director Review: Todd Strauss-Schulson – This small time director steps up to create a good comedy. (8/10)
Comedy: Good comedy, very funny scenarios created. (8/10)
Special Effects: Pokes fun at the 3D era in the cinema with some funny special effects. (9/10)
Chemistry: Harold & Kumar have great chemistry throughout the film. (9/10)
Believability: I am sure some stoner have had some wild adventures not as wild as these guys but still similar. (6/10)
Chances of Tears: None (0/10)
Oscar Chances: NONE
Chances of Sequel: I am sure they have enough to make a sequel.
Suggestion: A comedy that should be enjoyed by all fans of the mature audience. If you like the first two you will like this one. If you want serious you are looking in the wrong place. (Enjoy The Trip)
Best Part: Clay doe scene.
clay
Kill Of The Film: By the waffle machine.
Funniest Scene: The stoned baby
Similar Too: Harold & Kumar’s previous adventures.
Overall: Outrageous comedy with plenty of laughs
Lesley’s Rating 60%
https://moviesreview101.com/2013/12/21/a-very-harold-kumar-3d-christmas-2011/
Gareth von Kallenbach (971 KP) rated Mars Needs Moms (2011) in Movies
Aug 7, 2019
Milo is your typical 9-year-old boy who doesn’t like doing chores, eating his vegetables or getting disciplined by his mother. But because his mother makes him do his chores and eat his vegetables and scolds him when he doesn’t, she’s made herself the prime target for Martians who need her great mothering skills. Apparently, Martians are “hatched” and raised by “nanny-bots” that are programmed with an Earthling mother’s caregiving and disciplinary abilities. Of course, not any Earthling mother will do. Bypassed are those who spoil their child or fail to care for their child’s safety and wellbeing. So when Milo is spied dutifully, albeit grudgingly, doing as he’s told by his mother, she becomes Mars’ candidate for abduction, because, as the movie title states, Mars needs moms.
On the night Milo’s mom is abducted, Milo (enacted by Seth Green, voiced by Seth Dusky) wakes up in time to witness her being loaded onto a spaceship and he quickly becomes a stowaway. On the red planet, he’s rescued by Gribbler, a chubby, fast-talking, tech-savvy human (voiced by Dan Fogler) who helps him devise a plan to save Milo’s mom, a recognizable Joan Cusack, in voice and, somewhat creepily, in CGI’d face. The two are up against an army of female Martians lead by The Supervisor (voiced by Mindy Sterling) a mean, old Martian. Think Frau Farbissina as a mean E.T. Luckily, Milo and Gribbler find an ally in a rebel Martian named Ki (voiced by Elisabeth Harnois). Milo has less than 6 hours to get to his mom before she’s programmed into the nanny-bots and destroyed by the process. Soon, it’s a race against time for Milo, Gribbler and Ki as they run around endless corridors, hurtle through chutes, tumble down trash mountains, splash into other-worldly caves and fall off cliffs.
Based on a children’s novel by cartoonist Berkeley Breathed, the film is produced by Robert Zemeckis and directed by Simon Wells in performance-capture 3D, a technique pioneered by Zemeckis in Polar Express and used again in A Christmas Carol. In performance-capture filming, actors are covered in sensors that capture their actions and expressions to animate their digital characters. During the end credits, a sampling of outtakes show the actors in their sensor suits physically acting out various scenes. I have to admit, the most entertaining part of the movie for me was watching Seth Green and Dan Fogler literally throw themselves into their characters.
Even with a run time of 88 minutes, kids around Milo’s age and younger may remain enthralled to the end simply from the countdown suspense. Older kids, maybe not. Yes, the high-point of the tale is Milo’s realization of how truly important his mom is to him. But even with all the running and tumbling around, the story takes a long, meandering walk to get to that point. While the technological achievements of 3D animation get more and more impressive, if the story doesn’t captivate or inspire, it’s practically a wasted effort, especially when watching in 2D would not take much away from the effects.
On the night Milo’s mom is abducted, Milo (enacted by Seth Green, voiced by Seth Dusky) wakes up in time to witness her being loaded onto a spaceship and he quickly becomes a stowaway. On the red planet, he’s rescued by Gribbler, a chubby, fast-talking, tech-savvy human (voiced by Dan Fogler) who helps him devise a plan to save Milo’s mom, a recognizable Joan Cusack, in voice and, somewhat creepily, in CGI’d face. The two are up against an army of female Martians lead by The Supervisor (voiced by Mindy Sterling) a mean, old Martian. Think Frau Farbissina as a mean E.T. Luckily, Milo and Gribbler find an ally in a rebel Martian named Ki (voiced by Elisabeth Harnois). Milo has less than 6 hours to get to his mom before she’s programmed into the nanny-bots and destroyed by the process. Soon, it’s a race against time for Milo, Gribbler and Ki as they run around endless corridors, hurtle through chutes, tumble down trash mountains, splash into other-worldly caves and fall off cliffs.
Based on a children’s novel by cartoonist Berkeley Breathed, the film is produced by Robert Zemeckis and directed by Simon Wells in performance-capture 3D, a technique pioneered by Zemeckis in Polar Express and used again in A Christmas Carol. In performance-capture filming, actors are covered in sensors that capture their actions and expressions to animate their digital characters. During the end credits, a sampling of outtakes show the actors in their sensor suits physically acting out various scenes. I have to admit, the most entertaining part of the movie for me was watching Seth Green and Dan Fogler literally throw themselves into their characters.
Even with a run time of 88 minutes, kids around Milo’s age and younger may remain enthralled to the end simply from the countdown suspense. Older kids, maybe not. Yes, the high-point of the tale is Milo’s realization of how truly important his mom is to him. But even with all the running and tumbling around, the story takes a long, meandering walk to get to that point. While the technological achievements of 3D animation get more and more impressive, if the story doesn’t captivate or inspire, it’s practically a wasted effort, especially when watching in 2D would not take much away from the effects.
BankofMarquis (1832 KP) rated The Holdovers (2023) in Movies
Dec 31, 2023
Emotional Rich...and Real
The last time Paul Giamatti starred in an Alexander Payne film (2004’s SIDEWAYS), Payne won the Oscar for Best Adapted Screenplay.
Reunited for THE HOLDOVERS, it might be time for Giamatti to win the Oscar.
THE HOLDOVERS tells a well-worn story of a cranky older guy, all-Male Prep School teacher Paul Hunham (Giamatti) who is forced to spend the Christmas holidays sometime in the early 1970’s with arrogant, intelligent, student, Angus Tully (Dominic Sessa). Will they learn to tolerate - and then respect - each other by the time school is back in session? Of course they are.
But it is the journey and not the destination that this film is about - and, boy, what a journey.
Director Payne (working off a screenplay by David Hemingson - WHISKEY CAVALIER) infuses his usual human style into the HOLDOVERS focusing on the characters and driving strong, emotional performances. Sometimes this works (SIDEWAYS, NEBRASKA), sometimes it doesn’t (DOWNSIZING) but in a Payne film it all depends on the strength of the script - and performances - in the film.
Payne was wise to turn over the central character of Paul “Walleye” Hunham to Giamatti who rides the line of curmudgeonly without becoming evil. From the start you can see some sort of humanity under the cranky surface of Paul and when the facade starts to fade away you see a real human being under there. It is, perhaps, the finest performance of Giamatti’s career and expect to see Giamatti’s name called come Oscar Nomination time.
Of course, Giamatti’s performance is only as good as the other actors that he is working against and in newcomer Sessa, Payne has given Giamatti a very good counterpoint indeed - especially since this is Sessa’s Major Motion Picture screen debut. He imbues Tulley with the requisite youthful arrogance but you can sense the vulnerability underneath from a young man who just wants to be accepted - and loved - for who he is.
A joyful surprise of this film is the work of Da’Vine Joy Randolph (ONLY MURDERS IN THE BUILDING) as the cafeteria worker (with a secret tragedy of her own) who volunteers to stay behind to cook for these two. She provides a welcome 3rd leg to this stool and counterbalances both Giamatti’s and Sessa’s performance in a strong - and real - way.
All of this, of course, is due to the fine direction of Payne and the smart, funny and emotionally rich script by Hemingson. They wisely set this piece in the early 1970’s - so there are no cell phones or Internet to draw these people away from each other. They are trapped with one another and must deal with each other in an emotionally satisfying manner.
One of the best films of 2023 (expect to see it in my Top 5 of the year), THE HOLDOVERS is the type of film that the Academy loves - so expect more than 1 Oscar nomination and, just maybe, an Oscar win for Giamatti.
All would be well deserved.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Reunited for THE HOLDOVERS, it might be time for Giamatti to win the Oscar.
THE HOLDOVERS tells a well-worn story of a cranky older guy, all-Male Prep School teacher Paul Hunham (Giamatti) who is forced to spend the Christmas holidays sometime in the early 1970’s with arrogant, intelligent, student, Angus Tully (Dominic Sessa). Will they learn to tolerate - and then respect - each other by the time school is back in session? Of course they are.
But it is the journey and not the destination that this film is about - and, boy, what a journey.
Director Payne (working off a screenplay by David Hemingson - WHISKEY CAVALIER) infuses his usual human style into the HOLDOVERS focusing on the characters and driving strong, emotional performances. Sometimes this works (SIDEWAYS, NEBRASKA), sometimes it doesn’t (DOWNSIZING) but in a Payne film it all depends on the strength of the script - and performances - in the film.
Payne was wise to turn over the central character of Paul “Walleye” Hunham to Giamatti who rides the line of curmudgeonly without becoming evil. From the start you can see some sort of humanity under the cranky surface of Paul and when the facade starts to fade away you see a real human being under there. It is, perhaps, the finest performance of Giamatti’s career and expect to see Giamatti’s name called come Oscar Nomination time.
Of course, Giamatti’s performance is only as good as the other actors that he is working against and in newcomer Sessa, Payne has given Giamatti a very good counterpoint indeed - especially since this is Sessa’s Major Motion Picture screen debut. He imbues Tulley with the requisite youthful arrogance but you can sense the vulnerability underneath from a young man who just wants to be accepted - and loved - for who he is.
A joyful surprise of this film is the work of Da’Vine Joy Randolph (ONLY MURDERS IN THE BUILDING) as the cafeteria worker (with a secret tragedy of her own) who volunteers to stay behind to cook for these two. She provides a welcome 3rd leg to this stool and counterbalances both Giamatti’s and Sessa’s performance in a strong - and real - way.
All of this, of course, is due to the fine direction of Payne and the smart, funny and emotionally rich script by Hemingson. They wisely set this piece in the early 1970’s - so there are no cell phones or Internet to draw these people away from each other. They are trapped with one another and must deal with each other in an emotionally satisfying manner.
One of the best films of 2023 (expect to see it in my Top 5 of the year), THE HOLDOVERS is the type of film that the Academy loves - so expect more than 1 Oscar nomination and, just maybe, an Oscar win for Giamatti.
All would be well deserved.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Lee (2222 KP) rated Welcome to Marwen (2018) in Movies
Jan 11, 2019
Steve Carell (1 more)
Leslie Mann
This year, I made a resolution to try not to let critic reviews heavily influence my decision to go see a movie or not. In the period between Christmas and New year, I'd booked to go see Holmes and Watson, but when the very bad reviews for it started coming it, I decided to cancel, opting to continue lazing on the sofa with food, drink and Netflix instead. That particular choice I don't regret, but I feel there have been many occasions over the last year where I've either hated a movie the critics loved, or loved a movie the critics were negative about. Time to try and change that.
I almost did miss out on seeing Welcome to Marwen though, due to the large number of mediocre reviews I read. In fact, it doesn't seem to have appealed to the general public enough to keep it in the cinemas for very long at all. Having only opened here in the UK on New year's Day, the screening I went to last night was actually the last screening being shown at that particular cinema, and I was one of only a handful of people there watching it. What prompted me earlier this week to give it a go though was after listening to director Robert Zemeckis talk passionately about it, along with his other movies. It was a gentle reminder that this guy is responsible for so many of my favourite movies, and I decided to give it a shot. While I'm glad I did, and overall I enjoyed it a lot, I can certainly appreciate where some of the criticism is coming from.
Welcome to Marwen is based on the true story of Mark Hogancamp, and the 2010 documentary on his life title 'Marwencol'. Mark (played in the movie by Steve Carell) suffered a severe beating at the hands of a bunch of thugs following an altercation in a bar regarding his lifestyle choice of being a cross dresser. After nine days in a coma, the beating understandably left him traumatised, but it also left him without any memory his life prior to the attack - once a talented war illustrator, he now can't even write his own name. But Mark remained an artist, building a miniature World War II Belgian town called Marwen outside his home and populating it with dolls. Using them he creates scenes and a story which he then photographs, helping him to express and deal with his lack of memory, the pain and trauma he now experiences, and the relationships with the people around him. Captain Hogie is a fighter pilot, an Action Man/GI Joe figure representing Mark. The residents of Marwen are all women, alter egos of various people who have helped him in the past or continue to help him. The toyshop worker who supplies him with the dolls, a friend he met during rehab, a co-worker, his carer and the woman who came to his aid following his beating. The town is also terrorised regularly by a bunch of Nazis, representing the men responsible for attacking him. And whenever the Nazis are beaten and killed, they are brought back to life by a Belgian witch! When a woman called Nicol (Leslie Mann) moves in across the street, she strikes up a wonderful friendship with Mark, earning her own doll in the town of Marwen where she strikes up a relationship with Captain Hogie. As the movie progresses, Mark has to deal with the pending sentencing of his attackers and the anxiety surrounding an upcoming exhibition showcasing his photographs. Marwen, and its inhabitants, help him to work through all of this.
The scenes and stories in Marwen that Mark is creating and imagining are brought to life in the movie using impressive motion capture CGI which, if you've seen the trailer or any clips of the movie, will know looks incredible. When you think about the animation Zemeckis and his team were producing for The Polar Express back in 2004, through Beowulf and Disney's The Christmas Carol to where we are now with this movie, it's simply amazing how far we've come. Perfect recreations of the movie characters in doll form, moving and interacting with the real surroundings and the CGI is just faultless. But for the earlier parts of the movie, this aspect of the movie for me was for a while the most frustrating and dull. The movie opens with a big scene as Captain Hogie crashes his plane, comes across a group of Nazis before being rescued by the girls of Marwen and we get a few more of these lengthy sequences early on, with only short glimpses of Mark and his life inbetween. I found myself become interested and engrossed in the life of Mark, wanting to learn more, only to be snapped out of it by a not so interesting scene involving some dolls. Thankfully, the length of those scenes reduces over time, and as you begin to empathise more with Mark and his life, you start to appreciate more the reasons why a certain scene is playing out the way it is. At that point, I began to really appreciate and enjoy them a lot more.
My only issue overall with this movie is that I wouldn't really know the age range to pitch it at, and that's possibly why it doesn't appear to have done so well with audiences. You've got the fun elements involving the dolls and the CGI, but then some of these scenes do involve a fair bit of violence which actually appears quite realistic at times. Then you've got the trauma and the flashbacks involving the beating - the movie doesn't go as dark as it could, or maybe should have done with that subject matter, but I certainly wouldn't say this is a fun movie for all the family to enjoy. Which is a shame really because I did enjoy this a lot. Steve Carell does an outstanding job, and Leslie Mann is just wonderful as always. It's opened my eyes to some of the consequences of brain injury and made me want to learn more about Mark Hogancamp, which parts of the movie are true and which parts were added for entertainment. I'll be sure to try and watch the documentary at some point.
I almost did miss out on seeing Welcome to Marwen though, due to the large number of mediocre reviews I read. In fact, it doesn't seem to have appealed to the general public enough to keep it in the cinemas for very long at all. Having only opened here in the UK on New year's Day, the screening I went to last night was actually the last screening being shown at that particular cinema, and I was one of only a handful of people there watching it. What prompted me earlier this week to give it a go though was after listening to director Robert Zemeckis talk passionately about it, along with his other movies. It was a gentle reminder that this guy is responsible for so many of my favourite movies, and I decided to give it a shot. While I'm glad I did, and overall I enjoyed it a lot, I can certainly appreciate where some of the criticism is coming from.
Welcome to Marwen is based on the true story of Mark Hogancamp, and the 2010 documentary on his life title 'Marwencol'. Mark (played in the movie by Steve Carell) suffered a severe beating at the hands of a bunch of thugs following an altercation in a bar regarding his lifestyle choice of being a cross dresser. After nine days in a coma, the beating understandably left him traumatised, but it also left him without any memory his life prior to the attack - once a talented war illustrator, he now can't even write his own name. But Mark remained an artist, building a miniature World War II Belgian town called Marwen outside his home and populating it with dolls. Using them he creates scenes and a story which he then photographs, helping him to express and deal with his lack of memory, the pain and trauma he now experiences, and the relationships with the people around him. Captain Hogie is a fighter pilot, an Action Man/GI Joe figure representing Mark. The residents of Marwen are all women, alter egos of various people who have helped him in the past or continue to help him. The toyshop worker who supplies him with the dolls, a friend he met during rehab, a co-worker, his carer and the woman who came to his aid following his beating. The town is also terrorised regularly by a bunch of Nazis, representing the men responsible for attacking him. And whenever the Nazis are beaten and killed, they are brought back to life by a Belgian witch! When a woman called Nicol (Leslie Mann) moves in across the street, she strikes up a wonderful friendship with Mark, earning her own doll in the town of Marwen where she strikes up a relationship with Captain Hogie. As the movie progresses, Mark has to deal with the pending sentencing of his attackers and the anxiety surrounding an upcoming exhibition showcasing his photographs. Marwen, and its inhabitants, help him to work through all of this.
The scenes and stories in Marwen that Mark is creating and imagining are brought to life in the movie using impressive motion capture CGI which, if you've seen the trailer or any clips of the movie, will know looks incredible. When you think about the animation Zemeckis and his team were producing for The Polar Express back in 2004, through Beowulf and Disney's The Christmas Carol to where we are now with this movie, it's simply amazing how far we've come. Perfect recreations of the movie characters in doll form, moving and interacting with the real surroundings and the CGI is just faultless. But for the earlier parts of the movie, this aspect of the movie for me was for a while the most frustrating and dull. The movie opens with a big scene as Captain Hogie crashes his plane, comes across a group of Nazis before being rescued by the girls of Marwen and we get a few more of these lengthy sequences early on, with only short glimpses of Mark and his life inbetween. I found myself become interested and engrossed in the life of Mark, wanting to learn more, only to be snapped out of it by a not so interesting scene involving some dolls. Thankfully, the length of those scenes reduces over time, and as you begin to empathise more with Mark and his life, you start to appreciate more the reasons why a certain scene is playing out the way it is. At that point, I began to really appreciate and enjoy them a lot more.
My only issue overall with this movie is that I wouldn't really know the age range to pitch it at, and that's possibly why it doesn't appear to have done so well with audiences. You've got the fun elements involving the dolls and the CGI, but then some of these scenes do involve a fair bit of violence which actually appears quite realistic at times. Then you've got the trauma and the flashbacks involving the beating - the movie doesn't go as dark as it could, or maybe should have done with that subject matter, but I certainly wouldn't say this is a fun movie for all the family to enjoy. Which is a shame really because I did enjoy this a lot. Steve Carell does an outstanding job, and Leslie Mann is just wonderful as always. It's opened my eyes to some of the consequences of brain injury and made me want to learn more about Mark Hogancamp, which parts of the movie are true and which parts were added for entertainment. I'll be sure to try and watch the documentary at some point.
Kristy H (1252 KP) rated Left to Chance in Books
Jan 10, 2018
Great characters (3 more)
Strong portrayal of a small town
Some great funny moments
Lovely and powerful moments
Sweet, touching tale
After six years, Teddi Learner returns to her small hometown of Chance, Ohio to photograph the wedding of her best friend's husband, Miles. Miles is getting remarried after the death of his first wife, Celia. Celia and Miles and had one daughter together, Shayna, who is now twelve. Teddi and Shay had a somewhat superficial relationship after Celia's death--a yearly visit in Chicago, Skype calls, etc. But Shay's now nearly a teenager and she's personally asked Teddi to come to town--a place she's never set foot in since her beloved best friend passed away. When she arrives, she finds Chance has grown, and so has Shay, who is struggling with her father's remarriage and fitting in within her teen friend circle. Further, Teddi's memories of Celia are as strong as ever, and so are her feelings for Celia's brother, Beck, whom she was seeing when she fled town after (okay, pretty much during) Celia's funeral. Teddi has a new life now, photographing weddings all over the country for Hester Hotels. She left Chance behind and never looked back. But now that she's here, she can't help but notice all (and who) she left.
I enjoy picking up novels like this sometime because they let me indulge in my Lifetime / Hallmark movie side (I'm a sucker for those, especially at Christmas time). This book was an excellent diversion and while I certainly could predict some areas, it surprised me in others.
Nathan gives us some great characters, particularly Teddi and Shay. Teddi is complicated and a little annoying, at times, but she comes across as realistically human and flawed. Her love for Celia is incredibly strong and you can feel her loss and heartache come across the pages. The novel is a real testament to female friendship. At times you want to push or prod her a bit, but she's also stronger than she thinks. As for Shay, my heart often broke for the poor girl, struggling at the age of being between a girl and a teenager, with the added difficulty of having lost her mom.
Nathan also does a good job of portraying the eclectic cast of characters in small town Chance, with some good foils popping up for Teddi. Some of my particular favorite appearances included Teddi's cousin, Maggie, and childhood friend, Josie. Because it's a small place, Miles' wedding is the talk of the town, and we see how it brings up some bitterness and long held issues among some, including the immediate family.
Overall, I enjoyed this one. The hardest part was some melodrama in the plot and theme, which got to be a little too much at times. Some things seemed to be blown a bit out of proportion and there can be a lot of different plot threads going on at times. However, there are some really lovely and powerful moments and some incredibly funny ones--much of which stem from the strength of the characters. There's a bit of a picture perfect ending, but not the one I expected. This was a sweet, touching tale in many ways and exactly the read I needed at this point in time. 3.5+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
I enjoy picking up novels like this sometime because they let me indulge in my Lifetime / Hallmark movie side (I'm a sucker for those, especially at Christmas time). This book was an excellent diversion and while I certainly could predict some areas, it surprised me in others.
Nathan gives us some great characters, particularly Teddi and Shay. Teddi is complicated and a little annoying, at times, but she comes across as realistically human and flawed. Her love for Celia is incredibly strong and you can feel her loss and heartache come across the pages. The novel is a real testament to female friendship. At times you want to push or prod her a bit, but she's also stronger than she thinks. As for Shay, my heart often broke for the poor girl, struggling at the age of being between a girl and a teenager, with the added difficulty of having lost her mom.
Nathan also does a good job of portraying the eclectic cast of characters in small town Chance, with some good foils popping up for Teddi. Some of my particular favorite appearances included Teddi's cousin, Maggie, and childhood friend, Josie. Because it's a small place, Miles' wedding is the talk of the town, and we see how it brings up some bitterness and long held issues among some, including the immediate family.
Overall, I enjoyed this one. The hardest part was some melodrama in the plot and theme, which got to be a little too much at times. Some things seemed to be blown a bit out of proportion and there can be a lot of different plot threads going on at times. However, there are some really lovely and powerful moments and some incredibly funny ones--much of which stem from the strength of the characters. There's a bit of a picture perfect ending, but not the one I expected. This was a sweet, touching tale in many ways and exactly the read I needed at this point in time. 3.5+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Hazel (1853 KP) rated Movies Are Prayers in Books
Jun 18, 2017
An Interesting Perspective
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Subtitled How Films Voice Our Deepest Longings, film critic and committed Christian, Josh Larsen, writes Movies Are Prayers to explain his perspective that films are one of our ways of communicating with God. Films, or movies as they are oftentimes referred to in this book, can be many things from a form of escapism to historical information and artistic expression, but as Larsen maintains, they can also be prayers.
“Movies are our way of telling God what we think about this world and our place in it.” Apart from those based on Biblical characters or Christian messages, films are not usually a deliberate attempt at speaking to God. What Larsen is suggesting is that God can be found in places you would not expect – the cinema, for instance. Prayer is a human instinct, even for those who have no religious ties. We are forever asking “why am I here?” or “why me?” alongside feelings of gratitude and love for our positive experiences in life.
Josh Larsen explores several expressions of prayer, including the tenets of the Lord’s Prayer, to examine numerous films from popular classics to contemporary Disney. Beginning with wonder at the natural world (Avatar, Into The Wild), positive forms of prayer are identified in well-known cinematography, such as reconciliation (Where the Wild Things Are), meditation (Bambi), joy (Top Hat, and most musicals) and confession (Toy Story, Trainwreck). But Larsen does not stop there, he goes on to use examples of emotions that many may not consider forms of prayer: anger (Fight Club, The Piano) and lament (12 Years a Slave, Godzilla).
To back up his theory, Josh Larsen relates film sequences with Bible passages, for example, the prayers of David and Job. He likens the ending of Children of Men with the Christmas story and identifies the worshipping of false gods with Wizard of Oz. Larsen also suggests the obedience of the main character in It’s a Wonderful Life reflects the experiences of Jonah.
As well as Biblical theory, Larsen refers to citations from other respected Christian writers on the matter of prayer, challenging preconceived notions of both the religious and the atheist. Despite the fact Movies Are Prayers is heavily steeped in religious connotations, it may appeal to film buffs who wish to delve deeper into the hidden meanings of films.
Although the examples in this book are mostly well-known titles, it is unlikely that readers will have watched all the films. Helpfully, Josh Larsen provides details and descriptions of the scenes he has chosen to focus on so that even if you are not familiar with the story, it is possible to understand the author’s perspective. Having said that, Movies Are Prayers contains a lot of spoilers.
Everyone has their own personal view on Christian theory and prayer, so Movies Are Prayers can only be treated as an idea rather than gospel. However, Josh Larsen has developed an interesting theory that makes you think more about the ways we can communicate with God, even when we may not have deliberately chosen to. Being easy to read and not overly long (200 pages), Movies Are Prayers is the ideal book for film-loving Christians.
Subtitled How Films Voice Our Deepest Longings, film critic and committed Christian, Josh Larsen, writes Movies Are Prayers to explain his perspective that films are one of our ways of communicating with God. Films, or movies as they are oftentimes referred to in this book, can be many things from a form of escapism to historical information and artistic expression, but as Larsen maintains, they can also be prayers.
“Movies are our way of telling God what we think about this world and our place in it.” Apart from those based on Biblical characters or Christian messages, films are not usually a deliberate attempt at speaking to God. What Larsen is suggesting is that God can be found in places you would not expect – the cinema, for instance. Prayer is a human instinct, even for those who have no religious ties. We are forever asking “why am I here?” or “why me?” alongside feelings of gratitude and love for our positive experiences in life.
Josh Larsen explores several expressions of prayer, including the tenets of the Lord’s Prayer, to examine numerous films from popular classics to contemporary Disney. Beginning with wonder at the natural world (Avatar, Into The Wild), positive forms of prayer are identified in well-known cinematography, such as reconciliation (Where the Wild Things Are), meditation (Bambi), joy (Top Hat, and most musicals) and confession (Toy Story, Trainwreck). But Larsen does not stop there, he goes on to use examples of emotions that many may not consider forms of prayer: anger (Fight Club, The Piano) and lament (12 Years a Slave, Godzilla).
To back up his theory, Josh Larsen relates film sequences with Bible passages, for example, the prayers of David and Job. He likens the ending of Children of Men with the Christmas story and identifies the worshipping of false gods with Wizard of Oz. Larsen also suggests the obedience of the main character in It’s a Wonderful Life reflects the experiences of Jonah.
As well as Biblical theory, Larsen refers to citations from other respected Christian writers on the matter of prayer, challenging preconceived notions of both the religious and the atheist. Despite the fact Movies Are Prayers is heavily steeped in religious connotations, it may appeal to film buffs who wish to delve deeper into the hidden meanings of films.
Although the examples in this book are mostly well-known titles, it is unlikely that readers will have watched all the films. Helpfully, Josh Larsen provides details and descriptions of the scenes he has chosen to focus on so that even if you are not familiar with the story, it is possible to understand the author’s perspective. Having said that, Movies Are Prayers contains a lot of spoilers.
Everyone has their own personal view on Christian theory and prayer, so Movies Are Prayers can only be treated as an idea rather than gospel. However, Josh Larsen has developed an interesting theory that makes you think more about the ways we can communicate with God, even when we may not have deliberately chosen to. Being easy to read and not overly long (200 pages), Movies Are Prayers is the ideal book for film-loving Christians.
Kristy H (1252 KP) rated The Adults in Books
Mar 20, 2019
Quick read with its funny moments
Matt and Claire are no longer married, but both want to spend the Christmas holiday with their seven-year-old daughter, Scarlett. It's not quite clear whose idea it was, or how the whole thing came about, but suddenly Matt, Claire, their new partners, and Scarlett are spending a long weekend at the Happy Forest holiday park. Oh yes, and we can't forget that Posey, Scarlett's giant imaginary friend--a nearly life-size rabbit--is along for the ride too. Claire has brought Patrick, a fellow lawyer, a seemingly rational guy who loves Scarlett and is training for an Ironman. And Matt has brought Alex, his scientist girlfriend, who is skeptical about the whole affair. Suddenly the group is jammed into a small lodge, subject to the whims of a mercurial seven-year-old (and her pretend rabbit), and stuck doing a variety of "fun family activities." It's no wonder that this all leads to an event so horrific that the police are called.
This book was an odd one, as if it couldn't decide to be serious or funny. It starts out with a call to the police, so we know that someone has been shot at archery, but we don't yet know who. Then things unfold from the beginning of the holiday, slowly building back up to the incident. Interspersed with the characters' narratives are bits and pieces of the police's discussion with various people at the holiday park involved with the shooting. It's interesting, but it's a little disconcerting: partial mystery/partial character-driven novel/partial "humorous look at family fun gone wrong."
Unfortunately for me, I didn't find a lot of the book all that fun. Yes, I could see the humor in some of the situations, but honestly, a lot of it just made me uncomfortable. Perhaps it's being a child of divorce myself. Maybe too much hit close to home. I felt the most for poor Alex, who was tortured by Scarlett (and that darn fake bunny) and then forced to witness her boyfriend in a series of cozy moments with her ex. Patrick was slightly insane, Claire too good to be true, and Matt, honestly, an infuriating wuss for most of the book. As everyone got more and more tired of each other, I would have had a feeling of doom reading this even without knowing someone gets shot. You just know no good can come of this.
Now, yes, there is some dark humor here, and I did laugh at times. There are definitely some funny places. But I think Scarlett and Posey were supposed to be more funny than they were (I've been that kid angry at her parents for divorcing, but man, Scarlett was really irritating sometimes). When you really only feel for one of the characters (Alex), it's hard to stay invested in the book. Luckily, things improved a bit closer to the end, and I found myself getting a more into the story. Still, I couldn't help but find things a bit implausible and frustrating at times, and I really longed for more of the hilarity the book promised.
Overall, this is a quick read, and it has its funny, crazy moments. Still, the characters are tough to feel invested in and sometimes the plot was almost too zany and stressful for me. I liked this one, but didn't love it.
I received a copy of this book from the publisher and LibraryThing in return for an unbiased review (thank you!).
This book was an odd one, as if it couldn't decide to be serious or funny. It starts out with a call to the police, so we know that someone has been shot at archery, but we don't yet know who. Then things unfold from the beginning of the holiday, slowly building back up to the incident. Interspersed with the characters' narratives are bits and pieces of the police's discussion with various people at the holiday park involved with the shooting. It's interesting, but it's a little disconcerting: partial mystery/partial character-driven novel/partial "humorous look at family fun gone wrong."
Unfortunately for me, I didn't find a lot of the book all that fun. Yes, I could see the humor in some of the situations, but honestly, a lot of it just made me uncomfortable. Perhaps it's being a child of divorce myself. Maybe too much hit close to home. I felt the most for poor Alex, who was tortured by Scarlett (and that darn fake bunny) and then forced to witness her boyfriend in a series of cozy moments with her ex. Patrick was slightly insane, Claire too good to be true, and Matt, honestly, an infuriating wuss for most of the book. As everyone got more and more tired of each other, I would have had a feeling of doom reading this even without knowing someone gets shot. You just know no good can come of this.
Now, yes, there is some dark humor here, and I did laugh at times. There are definitely some funny places. But I think Scarlett and Posey were supposed to be more funny than they were (I've been that kid angry at her parents for divorcing, but man, Scarlett was really irritating sometimes). When you really only feel for one of the characters (Alex), it's hard to stay invested in the book. Luckily, things improved a bit closer to the end, and I found myself getting a more into the story. Still, I couldn't help but find things a bit implausible and frustrating at times, and I really longed for more of the hilarity the book promised.
Overall, this is a quick read, and it has its funny, crazy moments. Still, the characters are tough to feel invested in and sometimes the plot was almost too zany and stressful for me. I liked this one, but didn't love it.
I received a copy of this book from the publisher and LibraryThing in return for an unbiased review (thank you!).