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Awix (3310 KP) rated The Horror of Frankenstein (1970) in Movies
Feb 24, 2018
(The other) Young Frankenstein
At the start of the 1970s Hammer tried to relaunch both their main series with new leading men (Ralph Bates replacing Christopher Lee in this case); this was the only reboot which eventually happened. The basics of the Frankenstein story are (just about) retold; young Victor decides to make a man, if not of himself, then from some body parts.
There's no doubt that Ralph Bates could have been a brilliant Frankenstein, but not in a film with a script like this one's. The film attempts to appeal to a hip young audience by including cleavage by the yard and lots of sub-Carry On film humour; script is also thick-headed and repetitive. The moment Frankenstein's experiments included resurrecting a tortoise everyone involved should have realised there was a serious problem here. Not funny, not scary, not interesting, barely worth watching except for Hammer fans. They got Peter Cushing back for the next one.
There's no doubt that Ralph Bates could have been a brilliant Frankenstein, but not in a film with a script like this one's. The film attempts to appeal to a hip young audience by including cleavage by the yard and lots of sub-Carry On film humour; script is also thick-headed and repetitive. The moment Frankenstein's experiments included resurrecting a tortoise everyone involved should have realised there was a serious problem here. Not funny, not scary, not interesting, barely worth watching except for Hammer fans. They got Peter Cushing back for the next one.
Awix (3310 KP) rated Scars of Dracula (1970) in Movies
Feb 24, 2018 (Updated Feb 25, 2018)
Hammer's sixth film with Dracula in the title was supposed to reboot the series from scratch, with a new actor in the title role; distributors insisted on Christopher Lee being brought back, which explains both the opening sequence in which Dracula is (somewhat bafflingly) resurrected, and the general sense of resignation in Lee's performance.
Script rambles, attempts to inject more gore and sex into the Hammer Dracula formula; director Baker doesn't seem to be really up for it, somehow. Some elements from the original novel reappear, also a few from previous Hammer Draculas. Patrick Troughton (looking like Liam Gallagher's granddad) is good value as Dracula's long-suffering handyman Klove. Some of the younger cast would go on to have decent careers; nothing to suggest that here, though. The rubber bat puppet from this film would go on to have no career whatsoever, which is not at all surprising. All really kind of perfunctory and mechanical.
Script rambles, attempts to inject more gore and sex into the Hammer Dracula formula; director Baker doesn't seem to be really up for it, somehow. Some elements from the original novel reappear, also a few from previous Hammer Draculas. Patrick Troughton (looking like Liam Gallagher's granddad) is good value as Dracula's long-suffering handyman Klove. Some of the younger cast would go on to have decent careers; nothing to suggest that here, though. The rubber bat puppet from this film would go on to have no career whatsoever, which is not at all surprising. All really kind of perfunctory and mechanical.
Blazing Minds (92 KP) rated Knives Out (2019) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
I have to say that with its brilliant cast including Daniel Craig, Chris Evans, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, Ana de Armas and of course Christopher Plummer, Knives Out, for me is one of the best Whodunit movies that I have seen for a long time on the big screen, I’ve seen many theatre productions in this genre and the last movie that I saw like this that had me as excited as Knives Out was Clue with Tim Curry.
This is a movie that has everything you could want from the genre, the mystery, the shifty money-grabbing family, the backstabbing and of course the intrigue of who committed the crime in the first place, yes there are those moments when you do start putting one and one together yourself, but with the subtle twists and turns in Knives Out it still keeps you guessing.
This is a movie that has everything you could want from the genre, the mystery, the shifty money-grabbing family, the backstabbing and of course the intrigue of who committed the crime in the first place, yes there are those moments when you do start putting one and one together yourself, but with the subtle twists and turns in Knives Out it still keeps you guessing.
Awix (3310 KP) rated The Resident (2012) in Movies
Apr 26, 2019
Icky, undistinguished psycho-thriller finds Hammer in House of Mystery and Suspense mode. Except there's not much of either, given that no-one ever moves into a lovely new apartment and finds it's just as good as it seemed on the viewing. The usual fem jeop ensues as Hilary Swank's doctor has to fend off not just her landlord (Jeffrey Dean Morgan) but his elderly dad (his eminence Christopher Lee, in a regrettably small part).
Really has very little to differentiate or commend it beyond Lee's creepy cameo and some fun and games with the chronology at one point; you find yourself wondering just why you're watching a film with such an unpleasant vibe to it - it's kind of playing the game where it seems to be perfectly okay to dwell at great length on the most repellent behaviour, as long as there's a bit of carthartic vengeance in the end. I am seldom convinced by this, especially not when the rest of the film put together in such an average manner.
Really has very little to differentiate or commend it beyond Lee's creepy cameo and some fun and games with the chronology at one point; you find yourself wondering just why you're watching a film with such an unpleasant vibe to it - it's kind of playing the game where it seems to be perfectly okay to dwell at great length on the most repellent behaviour, as long as there's a bit of carthartic vengeance in the end. I am seldom convinced by this, especially not when the rest of the film put together in such an average manner.
Awix (3310 KP) rated Hammer House of Horror in TV
Mar 15, 2018 (Updated Mar 15, 2018)
Last-gasp attempt by the famous film studio to stay solvent is a fairly decent stab at a horror anthology show, featuring some of Hammer's regular personnel (though not Christopher Lee, as he was in the States at the time).
The fact the show was made for a commercial British network inevitably means the horror content is somewhat constrained, and the low budget means the episodes have a contemporary setting quite unlike the archetypal Hammer films (then again, Amicus House of Horror wouldn't have been as catchy a title). This being an anthology show, the quality and tone of the episodes is inevitably all over the place: some of them are rather subtle and inventive, others are predictable nonsense. Some good performances, though, including many from the before-they-were-famous file - a 27-year-old Pierce Brosnan gets one of his first speaking roles as 'Last Victim' in the Carpathian Eagle episode. As a whole, the series is probably more of a curiosity for Hammer completists than anything else.
The fact the show was made for a commercial British network inevitably means the horror content is somewhat constrained, and the low budget means the episodes have a contemporary setting quite unlike the archetypal Hammer films (then again, Amicus House of Horror wouldn't have been as catchy a title). This being an anthology show, the quality and tone of the episodes is inevitably all over the place: some of them are rather subtle and inventive, others are predictable nonsense. Some good performances, though, including many from the before-they-were-famous file - a 27-year-old Pierce Brosnan gets one of his first speaking roles as 'Last Victim' in the Carpathian Eagle episode. As a whole, the series is probably more of a curiosity for Hammer completists than anything else.
Spider-Man
8.5
Rate It
TV Show Watch
One minute he's Peter Parker the college student, and the next he's Spiderman. The series focuses...
Spider-Man Spider-Man The Animated Series
LeftSideCut (3778 KP) rated Sleepy Hollow (1999) in Movies
Apr 20, 2020 (Updated Apr 20, 2020)
Sleepy Hollow is one of those films that I will always love. I first saw it when I was 13, when DVDs were still pretty new, and I would watch it over and over again.
It's just about creepy enough to offer itself to horror fans, and has the right amount of Tim Burton campiness to still appeal to younger audiences (not too young mind, plenty of blood flying about).
Johnny Depp plays Ichabod Crane, a constable sent from New York to the small town of Sleepy Hollow to investigate a series of bizarre murders, at the tail end of the 1700s.
The townsfolk are gripped with fear, convinced that the murders are the work of the fabled Headless Horseman, but Ichabod is certain that there's a less supernatural involvement behind the scenes.
The 18th Century setting is perfect for Burton's gothic style. The whole film is draped in a misty asthethic, lending it a cold and dreary atmosphere.
This is further complimented by Danny Elfman's incredible church-organ-heavy score.
The Horseman himself looks ghostly and makes for some unforgettable shots as he chases down and decapitates his way through the cast.
Said cast is a heavy duty one as well. Johnny Depp is front and centre, pretty much just being typical Johnny Depp, but it works wonders with Ichabod's almost mad-scientist character.
The rest of the cast boasts the likes of Christina Ricci, Michael Gambon, Christopher Walken, Miranda Richardson, Ian McDiarmid, Michael Gough, Richard Griffiths, Christopher Lee, Jeffrey Jones... It's an impressive list.
Some of the acting is a bit overboard at times (looking at you Christopher Walken) but it kind of adds a bit of surrealism to the whole affair.
The effects are pretty solid as well. Burton's approach to using a large amount of practical effects is admirable, and what CGI is used is subtle enough to not show the films age.
Despite it cheesyness, Sleepy Hollow manages to be both a dark and fun horror adventure, that I always enjoy watching and remains a highlight in Tim Burton's resume.
It's just about creepy enough to offer itself to horror fans, and has the right amount of Tim Burton campiness to still appeal to younger audiences (not too young mind, plenty of blood flying about).
Johnny Depp plays Ichabod Crane, a constable sent from New York to the small town of Sleepy Hollow to investigate a series of bizarre murders, at the tail end of the 1700s.
The townsfolk are gripped with fear, convinced that the murders are the work of the fabled Headless Horseman, but Ichabod is certain that there's a less supernatural involvement behind the scenes.
The 18th Century setting is perfect for Burton's gothic style. The whole film is draped in a misty asthethic, lending it a cold and dreary atmosphere.
This is further complimented by Danny Elfman's incredible church-organ-heavy score.
The Horseman himself looks ghostly and makes for some unforgettable shots as he chases down and decapitates his way through the cast.
Said cast is a heavy duty one as well. Johnny Depp is front and centre, pretty much just being typical Johnny Depp, but it works wonders with Ichabod's almost mad-scientist character.
The rest of the cast boasts the likes of Christina Ricci, Michael Gambon, Christopher Walken, Miranda Richardson, Ian McDiarmid, Michael Gough, Richard Griffiths, Christopher Lee, Jeffrey Jones... It's an impressive list.
Some of the acting is a bit overboard at times (looking at you Christopher Walken) but it kind of adds a bit of surrealism to the whole affair.
The effects are pretty solid as well. Burton's approach to using a large amount of practical effects is admirable, and what CGI is used is subtle enough to not show the films age.
Despite it cheesyness, Sleepy Hollow manages to be both a dark and fun horror adventure, that I always enjoy watching and remains a highlight in Tim Burton's resume.
RWBY
7.6
Rate It
TV Show
Team RWBY (Ruby, Weiss, Belladonna and Yang) trains at Beacon Academy, to fight crime and monsters...
Rooster Teeth RWBY Grimm
Awix (3310 KP) rated She (1965) in Movies
Feb 24, 2018
Blue Flame Blues
Well-remembered Hammer fantasy has lavish production values, thoughtful script, terrific cast. World-weary explorers find themselves drawn to lost city in the mountains of North Africa, where they find a living legend and a blue flame with the power to grant immortality.
Obviously, you have to overlook the fact that the ancient Egyptian queen looks and sounds so Swiss, but apart from that there is a lot to enjoy here, although it is probably all a bit unreconstructed by modern standards (the whiter and blonder you are, the more important and beautiful). Peter Cushing does the business, as usual; Christopher Lee doesn't get enough to do. The main problem is that the film's central relationship (between Richardson and Andress) is just terribly tepid and not dramatic enough to power the second half of the film; as a result this is one of those movies that starts very strongly but discovers that the lost city is worth seeing, but not really worth the trouble of going to see. Probably still worth a look, overall, if 60s fantasy films are your cup of tea.
Obviously, you have to overlook the fact that the ancient Egyptian queen looks and sounds so Swiss, but apart from that there is a lot to enjoy here, although it is probably all a bit unreconstructed by modern standards (the whiter and blonder you are, the more important and beautiful). Peter Cushing does the business, as usual; Christopher Lee doesn't get enough to do. The main problem is that the film's central relationship (between Richardson and Andress) is just terribly tepid and not dramatic enough to power the second half of the film; as a result this is one of those movies that starts very strongly but discovers that the lost city is worth seeing, but not really worth the trouble of going to see. Probably still worth a look, overall, if 60s fantasy films are your cup of tea.
Sarah (7798 KP) rated Gremlins 2: The New Batch (1990) in Movies
Dec 22, 2019
A worthy sequel
The Gremlins films huge favourites of mine as a child (worrying as I probably wasn't old enough to watch them), but I always preferred the sequel. Watching it back now, I'm so pleased to say it's still a worthy and rather entertaining sequel.
The plot has been scaled up since the first film, and whilst it's missing the christmas and horror style setting, it more than makes up with the sheer daftness of the entire story. It's ridiculous but so funny, with some great physical effects with the Gremlins, especially as they get themselves into new and interesting situations. Seen as this was released in 1990 the CGI is a little dated but fortunately this is used sparingly. The original cast are back, with some wonderful additions in the marvellous Christopher Lee and Robert Picardo. I remember parts of this terrifying me as a child and whilst it doesn't have quite the same effect now, this definitely isn't a kids film! This entire film is just wonderfully smart, silly and just a riot from start to finish. Definitely underrated and overlooked when it comes to the Gremlins films, but for me a worthy sequel.
The plot has been scaled up since the first film, and whilst it's missing the christmas and horror style setting, it more than makes up with the sheer daftness of the entire story. It's ridiculous but so funny, with some great physical effects with the Gremlins, especially as they get themselves into new and interesting situations. Seen as this was released in 1990 the CGI is a little dated but fortunately this is used sparingly. The original cast are back, with some wonderful additions in the marvellous Christopher Lee and Robert Picardo. I remember parts of this terrifying me as a child and whilst it doesn't have quite the same effect now, this definitely isn't a kids film! This entire film is just wonderfully smart, silly and just a riot from start to finish. Definitely underrated and overlooked when it comes to the Gremlins films, but for me a worthy sequel.
