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Ivana A. | Diary of Difference (1171 KP) rated Music From Another World in Books
Aug 3, 2020
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Music From Another World is a powerful and emotional read, about fighting for freedom and acceptance and the amazing feeling when you finally find a crowd where you can really fit in!
<b><i>Synopsis:</i></b>
It’s summer 1977 and closeted lesbian Tammy Larson can’t be herself anywhere. Not at her strict Christian high school. Not at her conservative Orange County church. And certainly not at home, where her ultra religious aunt relentlessly organizes anti gay political campaigns. Tammy’s only outlet is writing secret letters in her diary to gay civil rights activist Harvey Milk… until she has a real-life pen pal who changes everything.
Sharon Hawkins will bond with Tammy over punk music and carefully shared secrets, and soon their letters become the one place she can be honest. The rest of her life in San Francisco is full of lies. The kind she tells for others - like helping her gay brother hide the truth from their mom. But as anti gay fervor in America reaches a frightening new pitch, Sharon and Tammy must rely on their long-distance friendship to discover their deeply personal truths. What they’ll stand for…and who they’ll rise against.
<b><i>My Thoughts: </i></b>
From the very first moment I read the synopsis, I knew I needed to read this book. It seemed filled with 1970's spirit, the movement to be brave and honest. The discussions in this book are through the form of letters or diary entries, which I really enjoyed. This writing style helped me get through the book extremely quickly.
We get to meet the two girls, Tammy and Sharon, both very different, but both struggling with the same issues of being contained in a world where they cannot be themselves. And even though this particular book is about the LGBTQ+ community, I believe this issue also applies to anything else in life, where people feel like they cannot be who they really are. Sometimes it is religion, other times it is political opinions, it could even be different hobbies where the person feels needs to contain in themselves because of the fear they might be frowned upon or laughed at.
<b><i>It is amazing to see how the world has progressed over the years, where people start feeling like they can finally express who they really are. It is not yet ideal, but I have a good feeling we are getting there. There is also the very powerful force of the internet, the advantage people didn't have before, to find people across the globe that share the same beliefs and interests. </i></b>
Music From Another World really moved me, and it brought up various emotions. It talks about the struggles and the reprimands, but it also talks about real happiness and laughter. The amazing feeling when you finally find a crowd that accepts you and where you truly belong. I believe this is the first book with a plot that made me feel so happy, so sad and so angry at the same time.
Thank you to NetGalley and the HQ Team, for sending me an ARC copy of this book in exchange for an honest review!
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://diaryofdifference.com/wp-content/uploads/2020/05/Book-Review-Banner-53.png"/>;
Music From Another World is a powerful and emotional read, about fighting for freedom and acceptance and the amazing feeling when you finally find a crowd where you can really fit in!
<b><i>Synopsis:</i></b>
It’s summer 1977 and closeted lesbian Tammy Larson can’t be herself anywhere. Not at her strict Christian high school. Not at her conservative Orange County church. And certainly not at home, where her ultra religious aunt relentlessly organizes anti gay political campaigns. Tammy’s only outlet is writing secret letters in her diary to gay civil rights activist Harvey Milk… until she has a real-life pen pal who changes everything.
Sharon Hawkins will bond with Tammy over punk music and carefully shared secrets, and soon their letters become the one place she can be honest. The rest of her life in San Francisco is full of lies. The kind she tells for others - like helping her gay brother hide the truth from their mom. But as anti gay fervor in America reaches a frightening new pitch, Sharon and Tammy must rely on their long-distance friendship to discover their deeply personal truths. What they’ll stand for…and who they’ll rise against.
<b><i>My Thoughts: </i></b>
From the very first moment I read the synopsis, I knew I needed to read this book. It seemed filled with 1970's spirit, the movement to be brave and honest. The discussions in this book are through the form of letters or diary entries, which I really enjoyed. This writing style helped me get through the book extremely quickly.
We get to meet the two girls, Tammy and Sharon, both very different, but both struggling with the same issues of being contained in a world where they cannot be themselves. And even though this particular book is about the LGBTQ+ community, I believe this issue also applies to anything else in life, where people feel like they cannot be who they really are. Sometimes it is religion, other times it is political opinions, it could even be different hobbies where the person feels needs to contain in themselves because of the fear they might be frowned upon or laughed at.
<b><i>It is amazing to see how the world has progressed over the years, where people start feeling like they can finally express who they really are. It is not yet ideal, but I have a good feeling we are getting there. There is also the very powerful force of the internet, the advantage people didn't have before, to find people across the globe that share the same beliefs and interests. </i></b>
Music From Another World really moved me, and it brought up various emotions. It talks about the struggles and the reprimands, but it also talks about real happiness and laughter. The amazing feeling when you finally find a crowd that accepts you and where you truly belong. I believe this is the first book with a plot that made me feel so happy, so sad and so angry at the same time.
Thank you to NetGalley and the HQ Team, for sending me an ARC copy of this book in exchange for an honest review!
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Bob Mann (459 KP) rated Censor (2021) in Movies
Sep 3, 2021
Niamh Algar is fabulous (1 more)
Novel story and great direction
A genuinely original story (at last!)
Positives:
- I often whinge on about there being no novelty in movies anymore, with everything being derivative of everything else. Well here's a case for the defence. There have been movies before about the mental effect of working in the horror movie business (Toby Jones in "Berberian Sound Studio" comes to mind). But none (as far as I'm aware) from the viewpoint of a film censor. This novelty gave the movie the scope to go in a number of different directions - including as a historical drama. But it focuses on a study of how loss and grief can suddenly emerge in dramatic ways even after many years. Director Prano Bailey-Bond co-wrote this and directs it with such verve that she is very much added to my "one to watch" list for writer-directors.
- Irish actress Niamh Algar is just brilliant here, reminiscent of Morfydd Clark's fantastic performance in "Saint Maud" (not the only parallel to be drawn in this review). The acting during the dramatic conclusion is utterly chilling.
- While the ending of the movie might be polarising, I loved it. No spoilers, but it's one of my favourite endings of any movie so far this year. It reminded me strongly of the ending of "Saint Maud".
- The editing is by Mark Towns (who also did "Saint Maud"). And it's bloody marvellous, particularly during that finale! While it doesn't shy away from showing some pretty horrible stuff, Towns shows much of this subliminally in the edit (shades of the "Psycho" shower scene). This probably helped with its certification (of which more later).
- The music by Emilie Levienaise-Farrouch is quirky and fitting for the movie. I loved the jaunty end-title music.
- Has one of the best impalings since Timothy Dalton fell on that model church spire in "Hot Fuzz"!
Negatives:
- While Algar is utterly fabulous, I was less convinced by the acting of some of her fellow censors in the office. Some of this felt a bit wooden to me.
Summary Thoughts on "Censor": The workings of the UK film censors have always fascinated me, and here's a novel insight into their work during a very difficult period in their history: the National Viewers and Listener's Association, headed by the fearsome Mary Whitehouse, was up in arms at the potential damage to people's (and particularly children's) mental wellbeing from the influx of "video nasties" arriving in homes on VHS tapes. The film needs to be applauded for coming up with such a novel storyline.
What I found surprising (and ironic) is that this got away with only a "15" certificate. Editor Mark Towns suggested to me, in a private communication on Twitter, that the BBFC rated it thus due to the "context" in which the violence was set. But I remember the first 'X' film I saw. It was Brian De Palma's "The Fury", which (from memory) was purely rated as such for the final scene in which John Cassavetes's character explodes in a gory fountain. Judging from "Censor"'s "15" certificate, things have become significantly more permissive in recent years!
(For the full graphical review check out onemannsmovies on the web, facebook and (for the video review) Tiktok. Thanks)
- I often whinge on about there being no novelty in movies anymore, with everything being derivative of everything else. Well here's a case for the defence. There have been movies before about the mental effect of working in the horror movie business (Toby Jones in "Berberian Sound Studio" comes to mind). But none (as far as I'm aware) from the viewpoint of a film censor. This novelty gave the movie the scope to go in a number of different directions - including as a historical drama. But it focuses on a study of how loss and grief can suddenly emerge in dramatic ways even after many years. Director Prano Bailey-Bond co-wrote this and directs it with such verve that she is very much added to my "one to watch" list for writer-directors.
- Irish actress Niamh Algar is just brilliant here, reminiscent of Morfydd Clark's fantastic performance in "Saint Maud" (not the only parallel to be drawn in this review). The acting during the dramatic conclusion is utterly chilling.
- While the ending of the movie might be polarising, I loved it. No spoilers, but it's one of my favourite endings of any movie so far this year. It reminded me strongly of the ending of "Saint Maud".
- The editing is by Mark Towns (who also did "Saint Maud"). And it's bloody marvellous, particularly during that finale! While it doesn't shy away from showing some pretty horrible stuff, Towns shows much of this subliminally in the edit (shades of the "Psycho" shower scene). This probably helped with its certification (of which more later).
- The music by Emilie Levienaise-Farrouch is quirky and fitting for the movie. I loved the jaunty end-title music.
- Has one of the best impalings since Timothy Dalton fell on that model church spire in "Hot Fuzz"!
Negatives:
- While Algar is utterly fabulous, I was less convinced by the acting of some of her fellow censors in the office. Some of this felt a bit wooden to me.
Summary Thoughts on "Censor": The workings of the UK film censors have always fascinated me, and here's a novel insight into their work during a very difficult period in their history: the National Viewers and Listener's Association, headed by the fearsome Mary Whitehouse, was up in arms at the potential damage to people's (and particularly children's) mental wellbeing from the influx of "video nasties" arriving in homes on VHS tapes. The film needs to be applauded for coming up with such a novel storyline.
What I found surprising (and ironic) is that this got away with only a "15" certificate. Editor Mark Towns suggested to me, in a private communication on Twitter, that the BBFC rated it thus due to the "context" in which the violence was set. But I remember the first 'X' film I saw. It was Brian De Palma's "The Fury", which (from memory) was purely rated as such for the final scene in which John Cassavetes's character explodes in a gory fountain. Judging from "Censor"'s "15" certificate, things have become significantly more permissive in recent years!
(For the full graphical review check out onemannsmovies on the web, facebook and (for the video review) Tiktok. Thanks)
Bob Mann (459 KP) rated Respect (2021) in Movies
Oct 14, 2021
Re, re, re, re, ‘spect… Just a little bit.
What with holidays and Bond, it’s taken me a few weeks to get to see this Aretha Franklin biopic. But I finally caught it this week.
Plot Summary:
‘Re’ is a 10-year old growing up in relative middle-class affluence in Birmingham, Alabama with her high-profile preacher father C.L. Franklin (Forest Whitaker). She is blessed with a wonderful singing voice. We follow her career, as Aretha Franklin (Jennifer Hudson), through her struggles with controlling men and alcohol. This is against the backdrop of supporting the civil rights movement led by Martin Luther King (Gilbert Glenn Brown).
“Respect” Review: Positives:
Jennifer Hudson gives a tremendous performance as Franklin, delivering both the vocals and the acting admirably. (Apparently, the lady herself, before she died in August 2018, named Hudson as the best person to play her.)
Coming out of this movie, you have to admire Aretha Franklin’s legacy. Although there are moments when her ‘demons’ got the better of her (and the movie is unafraid to paint her in a negative light for these) she led a tumultuous life and yet was still a strong force for both feminism and equality. I think the movie highlights that admirably. “Have you lost your mind?” her father (Forest Whitaker) asks. “Maybe…. maybe I’ve found it.” she replies.
I loved the clip during the end titles (at a Carole King concert and in front of the Obamas) of Franklin well into her 70’s belting out “Natural Woman”. Classy stuff.
Negatives:
It’s long. Very long. Approaching Bond long.
There’s a curious ‘cookie-cutter-ness’ to these biopics of classic female singers (controlling and abusive men; alcohol/drug abuse; prejudice through sex/race; etc). (Would they even have emanated the same level of soul without all the grief? Perhaps not.) The similarities lead you to naturally compare this movie with “The US vs Billie Holiday“. The Billie Holiday story felt like it had a lot more grit and angst in it, making it, for me at least, more memorable. The script for “Respect” – although still rather episodic – flows better. Whilst still great, Hudson’s performance (an Oscar nomination perhaps?) doesn’t come close to the Oscar-nominated stellar job done by Andra Day.
I didn’t like how the script introduced us to its characters. For example, Ted White (Marlon Wayans) is introduced at a church barbeque. He’s painted as a disreputable character, but why? And you have no idea if he is supposed to be a famous singer, a songwriter, a promoter, or a producer (as in fact he is). As another example, Kelvin Hair plays Sam Cooke in the movie, but – unless I missed it – this doesn’t seem to be highlighted in the script.
Summary Thoughts on “Respect”
“Respect” is the feature debut for female director Liesl Tommy. And it’s certainly an ambitious target for a first-timer to shoot at, so ‘Respect’ for that! And it comes across as a solid and enjoyable biopic, not least to remind yourself of some of the classic tunes that Aretha Franklin belted out. At 145 minutes though, it takes its time telling its story, and I think a tighter, shorter film would have worked better.
Did I enjoy it though? Yes, I did. But it’s worth pointing out that the illustrious Mrs Movie Man – who normally begrudges every minute over 90 minutes in a movie – really loved this one.
Plot Summary:
‘Re’ is a 10-year old growing up in relative middle-class affluence in Birmingham, Alabama with her high-profile preacher father C.L. Franklin (Forest Whitaker). She is blessed with a wonderful singing voice. We follow her career, as Aretha Franklin (Jennifer Hudson), through her struggles with controlling men and alcohol. This is against the backdrop of supporting the civil rights movement led by Martin Luther King (Gilbert Glenn Brown).
“Respect” Review: Positives:
Jennifer Hudson gives a tremendous performance as Franklin, delivering both the vocals and the acting admirably. (Apparently, the lady herself, before she died in August 2018, named Hudson as the best person to play her.)
Coming out of this movie, you have to admire Aretha Franklin’s legacy. Although there are moments when her ‘demons’ got the better of her (and the movie is unafraid to paint her in a negative light for these) she led a tumultuous life and yet was still a strong force for both feminism and equality. I think the movie highlights that admirably. “Have you lost your mind?” her father (Forest Whitaker) asks. “Maybe…. maybe I’ve found it.” she replies.
I loved the clip during the end titles (at a Carole King concert and in front of the Obamas) of Franklin well into her 70’s belting out “Natural Woman”. Classy stuff.
Negatives:
It’s long. Very long. Approaching Bond long.
There’s a curious ‘cookie-cutter-ness’ to these biopics of classic female singers (controlling and abusive men; alcohol/drug abuse; prejudice through sex/race; etc). (Would they even have emanated the same level of soul without all the grief? Perhaps not.) The similarities lead you to naturally compare this movie with “The US vs Billie Holiday“. The Billie Holiday story felt like it had a lot more grit and angst in it, making it, for me at least, more memorable. The script for “Respect” – although still rather episodic – flows better. Whilst still great, Hudson’s performance (an Oscar nomination perhaps?) doesn’t come close to the Oscar-nominated stellar job done by Andra Day.
I didn’t like how the script introduced us to its characters. For example, Ted White (Marlon Wayans) is introduced at a church barbeque. He’s painted as a disreputable character, but why? And you have no idea if he is supposed to be a famous singer, a songwriter, a promoter, or a producer (as in fact he is). As another example, Kelvin Hair plays Sam Cooke in the movie, but – unless I missed it – this doesn’t seem to be highlighted in the script.
Summary Thoughts on “Respect”
“Respect” is the feature debut for female director Liesl Tommy. And it’s certainly an ambitious target for a first-timer to shoot at, so ‘Respect’ for that! And it comes across as a solid and enjoyable biopic, not least to remind yourself of some of the classic tunes that Aretha Franklin belted out. At 145 minutes though, it takes its time telling its story, and I think a tighter, shorter film would have worked better.
Did I enjoy it though? Yes, I did. But it’s worth pointing out that the illustrious Mrs Movie Man – who normally begrudges every minute over 90 minutes in a movie – really loved this one.
Bong Mines Entertainment (15 KP) rated The Life of Pablo by Kanye West in Music
Jun 7, 2019
Kanye West is an iconic rapper from Chicago, Illinois. Not too long ago, he released his seventh studio album, entitled, “The Life of Pablo“.
ULTRA LIGHT BEAMS
The opening track functions as a Sunday-morning church revival, where Kanye is the ordained minister. He’s standing in the pulpit, preaching a time-sensitive sermon to his loyal congregation.
His message: God over Satan, keep the faith, pray for Paris, pray for parents, and we’re living God’s dream.
West sets the tone and declares where he stands on religious and socially-driven issues.
A Gospel choir emerges. The Dream and Kelly Price reinforce West’s message by singing verses of encouragement, leading to a heartfelt testimonial by Chance The Rapper.
While the collection plates are being filled with hopes of a better tomorrow, Kirk Franklin concludes the service by praying for everyone. He uplifts those who feel they are not good enough or have said, “I’m sorry,” too many times.
Father Stretch My Hands (Pt. 1)
A spiritual figure, Pastor T.L. Barrett, ushers in the second track with praises to The Most High. Future appears for a brief moment and Kid Cudi delivers a stunning chorus.
A liberated West returns to the pulpit and gives a brief, but somewhat explicit testimony of his past and present relationships to Amber Rose and Kim Kardashian.
Father Stretch My Hands (Pt. 2)
West continues his testimony and raps about his personal experiences. He speaks on the importance of returning his wife’s phone calls and not wanting to make the same mistakes his father made. Also, he mentions the passing of the mother in Hollywood, being broke, and the reason why he broke his jaw.
West’s words hit home, making room for another liberated soul to tell his story of triumph.
Desiigner, a newly-signed artist of G.O.O.D. Music, emerges from the underbelly of the ghetto. He raps about getting money illegally, drugs, and violence-familiarized by urban-street hustlers.
Though his grim subject matter contradicts the song’s hopeful message of liberation, it somehow adds mysticism or substance to Kanye’s brutally-honest testimony.
Desiigner, blessed with a futuristic flow, highlights a few things that West’s congregation needs to examine in order to be totally liberated.
FAMOUS
Whenever an important event occurs in an urban community, an after party is sure to follow. And a host of celebrities are always on standby to attend it. The Life of Pablo is no exception.
The fourth song features Rihanna and legendary-producer Swizz Beatz. Also, it contains timeless vocals from Sister Nancy and Nina Simone.
West, no longer in church clothes, stands out lyrically with witty, braggadocios lyrics.
Whether that statement is factual or not, it’s doesn’t really matter because West believes it is.
FEEDBACK
The fifth song serves as a transformational period, where West shows signs of the old Kanye.
West doesn’t need a psychiatrist to diagnose his problems. He does that himself by wearing them on his sleeves.
LOW LIGHTS
On the sixth track, West wrote via Twitter, “I put Low Lights on my album just thinking about all the moms driving their kids to school, then going to work.”
Listeners can now relate to the everyday struggle that mothers endure.
The song features an acapella sample from “So Alive” by Kings of Tomorrow.
The woman gives a grateful-testimony of God’s graciousness over a laid-back, simple piano groove. Her honesty is felt. Also, she sounds liberated because her Creator has accepted her for who she is.
HIGH LIGHTS
From lows to high, the seventh track is in direct correlation to “Low Lights”.
West and Young Thug put on their festive robes because it’s time to celebrate life. El Debarge and The Dream chime in, and West addresses a lingering issue.
But this is only the beginning. West finishes strong with more thought-provoking lyrics.
FREESTYLE 4
The eighth track features Desiigner. Again, when he and West are together, all hell breaks loose.
The once festive scene transforms into a grimy underworld filled with a prostitute that West is explicitly lusting after. The temptation makes it difficult for him to stand on his opening statement of Jesus over Satan. But the power of darkness is more powerful than West thinks. So, he subconsciously indulges in sexual misconduct.
I LOVE KANYE
On the ninth track, West realizes that he’s at war with himself. The old Kanye, known for chopping up soul records is fighting against the new Kanye that everyone hates. But Kanye wants to go back to being sweet again if that’s even possible. His multiple egos are fighting for control over the ‘real’ Kanye.
WAVE
West doesn’t stare in the mirror for too long. On the tenth track, redemption happens. Chris Brown, disguised as an angel, comes to West’s aid by providing much-needed light.
Miraculously, the sun emerges from the shade, a bird flies out its cage, and a nostalgic feeling is felt.
West realizes that nothing is impossible because waves don’t die and feelings don’t really go away.
FML (FOR MY LADY)
On the eleventh track, West realizes what’s really important to him and that’s his wife. Someone he won’t jeopardize for no other woman. Also, his children are all layers of his soul.
The Weeknd appears in the form of West’s conscience.
West remains focused and listeners can feel the positive aura of God surrounding him. He is determined to remain faithful to only Kim, no other woman.
REAL FRIENDS
West continues his introspective outlook and raps about trust issues that everyone can relate to. His honest, down-to-earth lyrics, mixed in with Ty Dolla $ign’s vocals, paints a vivid picture. Also, it forms a collectible souvenir that hangs nicely in listeners’ collective memories.
WOLVES
The thirteenth track provides a cooling effect with wild emotions and bizarre-sounds.
The setting, maybe an extraterritorial realm in West’s subconscious mind. Perhaps, it’s the Milky Way Galaxy or a dream-state of Saturn.
A time for relaxation, preparing listeners for a surprise guest.
SILVER SURFER INTERMISSION
The fourteenth track features a phone conversation between incarcerated Max B and French Montana. Also, Max voices his gratitude to West for showing him love.
30 HOURS
On the fifteenth track, West takes a trip down memory lane and raps about an ex-girlfriend that he used to drive 30-hours to see. He used to drive from Chicago to St. Louis, St. Louis to Chicago. He recalls the good times they shared. But unfortunately, her infidelity was the reason why they broke up.
NO PARTIES IN L.A.
The sixteenth track will go down in history as a legendary bar-fest between two elite emcees. Kendrick Lamar and West rap with dope punchlines and clever metaphors over a Madlib-produced track. Once again, West is flowing like the old Kanye that people love.
FACTS
The seventeenth track is a standout anthem where West brags that Yeezy just jumped over Jumpman. He’s in boss-mode, talking that big-money talk.
FADE
The final track features Post Malone and Ty Dollar $ign. The song has a reoccurring sample from Rare Earth, “Your love is fading/I feel it fade.”
The Eli Linnetz-directed video shows Teyana Taylor explicitly dancing.
CONCLUSION
Kanye West’s “The Life of Pablo” is a memorable hip-hop album with solid content and heavy replay value.
https://www.bongminesentertainment.com/kanye-west-life-pablo/
ULTRA LIGHT BEAMS
The opening track functions as a Sunday-morning church revival, where Kanye is the ordained minister. He’s standing in the pulpit, preaching a time-sensitive sermon to his loyal congregation.
His message: God over Satan, keep the faith, pray for Paris, pray for parents, and we’re living God’s dream.
West sets the tone and declares where he stands on religious and socially-driven issues.
A Gospel choir emerges. The Dream and Kelly Price reinforce West’s message by singing verses of encouragement, leading to a heartfelt testimonial by Chance The Rapper.
While the collection plates are being filled with hopes of a better tomorrow, Kirk Franklin concludes the service by praying for everyone. He uplifts those who feel they are not good enough or have said, “I’m sorry,” too many times.
Father Stretch My Hands (Pt. 1)
A spiritual figure, Pastor T.L. Barrett, ushers in the second track with praises to The Most High. Future appears for a brief moment and Kid Cudi delivers a stunning chorus.
A liberated West returns to the pulpit and gives a brief, but somewhat explicit testimony of his past and present relationships to Amber Rose and Kim Kardashian.
Father Stretch My Hands (Pt. 2)
West continues his testimony and raps about his personal experiences. He speaks on the importance of returning his wife’s phone calls and not wanting to make the same mistakes his father made. Also, he mentions the passing of the mother in Hollywood, being broke, and the reason why he broke his jaw.
West’s words hit home, making room for another liberated soul to tell his story of triumph.
Desiigner, a newly-signed artist of G.O.O.D. Music, emerges from the underbelly of the ghetto. He raps about getting money illegally, drugs, and violence-familiarized by urban-street hustlers.
Though his grim subject matter contradicts the song’s hopeful message of liberation, it somehow adds mysticism or substance to Kanye’s brutally-honest testimony.
Desiigner, blessed with a futuristic flow, highlights a few things that West’s congregation needs to examine in order to be totally liberated.
FAMOUS
Whenever an important event occurs in an urban community, an after party is sure to follow. And a host of celebrities are always on standby to attend it. The Life of Pablo is no exception.
The fourth song features Rihanna and legendary-producer Swizz Beatz. Also, it contains timeless vocals from Sister Nancy and Nina Simone.
West, no longer in church clothes, stands out lyrically with witty, braggadocios lyrics.
Whether that statement is factual or not, it’s doesn’t really matter because West believes it is.
FEEDBACK
The fifth song serves as a transformational period, where West shows signs of the old Kanye.
West doesn’t need a psychiatrist to diagnose his problems. He does that himself by wearing them on his sleeves.
LOW LIGHTS
On the sixth track, West wrote via Twitter, “I put Low Lights on my album just thinking about all the moms driving their kids to school, then going to work.”
Listeners can now relate to the everyday struggle that mothers endure.
The song features an acapella sample from “So Alive” by Kings of Tomorrow.
The woman gives a grateful-testimony of God’s graciousness over a laid-back, simple piano groove. Her honesty is felt. Also, she sounds liberated because her Creator has accepted her for who she is.
HIGH LIGHTS
From lows to high, the seventh track is in direct correlation to “Low Lights”.
West and Young Thug put on their festive robes because it’s time to celebrate life. El Debarge and The Dream chime in, and West addresses a lingering issue.
But this is only the beginning. West finishes strong with more thought-provoking lyrics.
FREESTYLE 4
The eighth track features Desiigner. Again, when he and West are together, all hell breaks loose.
The once festive scene transforms into a grimy underworld filled with a prostitute that West is explicitly lusting after. The temptation makes it difficult for him to stand on his opening statement of Jesus over Satan. But the power of darkness is more powerful than West thinks. So, he subconsciously indulges in sexual misconduct.
I LOVE KANYE
On the ninth track, West realizes that he’s at war with himself. The old Kanye, known for chopping up soul records is fighting against the new Kanye that everyone hates. But Kanye wants to go back to being sweet again if that’s even possible. His multiple egos are fighting for control over the ‘real’ Kanye.
WAVE
West doesn’t stare in the mirror for too long. On the tenth track, redemption happens. Chris Brown, disguised as an angel, comes to West’s aid by providing much-needed light.
Miraculously, the sun emerges from the shade, a bird flies out its cage, and a nostalgic feeling is felt.
West realizes that nothing is impossible because waves don’t die and feelings don’t really go away.
FML (FOR MY LADY)
On the eleventh track, West realizes what’s really important to him and that’s his wife. Someone he won’t jeopardize for no other woman. Also, his children are all layers of his soul.
The Weeknd appears in the form of West’s conscience.
West remains focused and listeners can feel the positive aura of God surrounding him. He is determined to remain faithful to only Kim, no other woman.
REAL FRIENDS
West continues his introspective outlook and raps about trust issues that everyone can relate to. His honest, down-to-earth lyrics, mixed in with Ty Dolla $ign’s vocals, paints a vivid picture. Also, it forms a collectible souvenir that hangs nicely in listeners’ collective memories.
WOLVES
The thirteenth track provides a cooling effect with wild emotions and bizarre-sounds.
The setting, maybe an extraterritorial realm in West’s subconscious mind. Perhaps, it’s the Milky Way Galaxy or a dream-state of Saturn.
A time for relaxation, preparing listeners for a surprise guest.
SILVER SURFER INTERMISSION
The fourteenth track features a phone conversation between incarcerated Max B and French Montana. Also, Max voices his gratitude to West for showing him love.
30 HOURS
On the fifteenth track, West takes a trip down memory lane and raps about an ex-girlfriend that he used to drive 30-hours to see. He used to drive from Chicago to St. Louis, St. Louis to Chicago. He recalls the good times they shared. But unfortunately, her infidelity was the reason why they broke up.
NO PARTIES IN L.A.
The sixteenth track will go down in history as a legendary bar-fest between two elite emcees. Kendrick Lamar and West rap with dope punchlines and clever metaphors over a Madlib-produced track. Once again, West is flowing like the old Kanye that people love.
FACTS
The seventeenth track is a standout anthem where West brags that Yeezy just jumped over Jumpman. He’s in boss-mode, talking that big-money talk.
FADE
The final track features Post Malone and Ty Dollar $ign. The song has a reoccurring sample from Rare Earth, “Your love is fading/I feel it fade.”
The Eli Linnetz-directed video shows Teyana Taylor explicitly dancing.
CONCLUSION
Kanye West’s “The Life of Pablo” is a memorable hip-hop album with solid content and heavy replay value.
https://www.bongminesentertainment.com/kanye-west-life-pablo/
Albino Farm (2009)
Movie
The film opens in the small town of Shiloh, where two boys on bicycles ride through the woods up to...
Amanda (96 KP) rated More Than We Can Tell (Letters to the Lost # 2) in Books
Mar 14, 2019
One of the things I don’t pay attention to when I read a book is if it is in a series. Most of the time I’ll catch it, but in this case, I didn’t know it was part of the LETTERS TO THE LOST verse. I didn’t catch it till the book REFERENCED a scene from that book. I adored LETTERS TO THE LOST. This book DID reference, but it is a stand alone story, so if you want to read it, you DO NOT have to read LETTERS TO THE LOST – although I HIGHLY recommend it.
Each chapter is told in separate POV’s
Rev Fletcher – He lives with his foster parents and is closed off due to physical torment from his highly religious nut father.
Emma Blue – Known as Azure M in her online game – She created this game and has made it public for other users to play, one user in particular is harassing her. Her parents are a different story. Her mother is a bit controlling while her father is more of a friend who designs video games.
This book, for starters, totally DID NOT use one of my least favorite tropes and have non existent parents in a world where it’s teenagers telling this story. Kudos for giving parents roles of being parents – with the exception of Emma’s father. He doesn’t really play the role of father, and it kind of makes it known in the story, which is fine with me.
Emma keeps this new game she created to herself mostly because her mother has tried to get her away from games, going as far as turning off the internet. See, if I were trying to do that, I would have taken the router/modem with me as well, not just unplugged it. That’s just me. She finds comfort in not only an online friend she made called, ETHAN, but also when she meets REV outside a church.
Rev has his own baggage. His father gave up his parental rights, and now, he’s emailing Rev and basically stirring up old resentment, but also feelings of wanting to please his father. I feel bad for Rev and I can’t even get frustrated with him when he completely shuts down even though his best friend tries to get him to talk and help him.
Emma was being stubborn, although most times I can understand with her mother, but when things escalate between her and ETHAN (and I mean they ESCALATED!) I wanted to just shake her for being so…stupid.
It is NEVER OKAY to not at least be supportive of your friend’s interest, even if you don’t find it all that interesting – just saying.
Despite a few annoyances, some from Emma and her mother, but also Rev on some occasions, I actually enjoyed this book. I liked how this story unraveled and how that while it’s told from another verse, it’s still a book by itself. I’m left with more questions than answers. I like how the author didn’t use one of my least favorite tropes even though she could have. I wind up really liking Emma’s mother and she has put up with A LOT – so it was nice seeing how Emma actually TRIES to let her mother into her life, even if there are still baby steps to be made.
Rev realizes that his father, despite being this man who tortured, he is just a man.
It was an enjoyable read with a couple of twists that maybe I should have seen coming, but I didn’t. I don’t think that’s a bad thing, however. You really get a sense of where Rev lives and his adoptive parents.
I won’t give away anymore than LETTERS TO THE LOST is worth the read. If anything, just so you can get all excited like I did when it’s referenced in this book.
Each chapter is told in separate POV’s
Rev Fletcher – He lives with his foster parents and is closed off due to physical torment from his highly religious nut father.
Emma Blue – Known as Azure M in her online game – She created this game and has made it public for other users to play, one user in particular is harassing her. Her parents are a different story. Her mother is a bit controlling while her father is more of a friend who designs video games.
This book, for starters, totally DID NOT use one of my least favorite tropes and have non existent parents in a world where it’s teenagers telling this story. Kudos for giving parents roles of being parents – with the exception of Emma’s father. He doesn’t really play the role of father, and it kind of makes it known in the story, which is fine with me.
Emma keeps this new game she created to herself mostly because her mother has tried to get her away from games, going as far as turning off the internet. See, if I were trying to do that, I would have taken the router/modem with me as well, not just unplugged it. That’s just me. She finds comfort in not only an online friend she made called, ETHAN, but also when she meets REV outside a church.
Rev has his own baggage. His father gave up his parental rights, and now, he’s emailing Rev and basically stirring up old resentment, but also feelings of wanting to please his father. I feel bad for Rev and I can’t even get frustrated with him when he completely shuts down even though his best friend tries to get him to talk and help him.
Emma was being stubborn, although most times I can understand with her mother, but when things escalate between her and ETHAN (and I mean they ESCALATED!) I wanted to just shake her for being so…stupid.
It is NEVER OKAY to not at least be supportive of your friend’s interest, even if you don’t find it all that interesting – just saying.
Despite a few annoyances, some from Emma and her mother, but also Rev on some occasions, I actually enjoyed this book. I liked how this story unraveled and how that while it’s told from another verse, it’s still a book by itself. I’m left with more questions than answers. I like how the author didn’t use one of my least favorite tropes even though she could have. I wind up really liking Emma’s mother and she has put up with A LOT – so it was nice seeing how Emma actually TRIES to let her mother into her life, even if there are still baby steps to be made.
Rev realizes that his father, despite being this man who tortured, he is just a man.
It was an enjoyable read with a couple of twists that maybe I should have seen coming, but I didn’t. I don’t think that’s a bad thing, however. You really get a sense of where Rev lives and his adoptive parents.
I won’t give away anymore than LETTERS TO THE LOST is worth the read. If anything, just so you can get all excited like I did when it’s referenced in this book.
Lovely book that gets you thinking
Liberty "Libby" Hazlett is the oldest six kids (soon to be seven). She is part of an evangelical Christian family who practices the Quiverfull lifestyle--having as many kids as God deems they should. The father is the head of the family and his wife and children (especially the girls) should do everything he says, no matter what. Libby and her siblings are home-schooled and rarely see anyone outside of their family and church. So when a new family moves next door, it's a pretty big deal. Zo and her family are not exactly in the same vein religiously or politically as Libby's family. Still, Libby and Zo become fast friends--a friendship that may be cursed from the start. Spending time around Zo's family is eye-opening for Libby. But no one challenges Libby's father or their religion in her family. What does it mean for Libby that she's questioning her faith? And what will the repercussions be?
"It's all over the Bible--'be fruitful and multiply' and then there's Psalm 127 that says that children are like a warrior's arrows and 'blessed is the man whose quiver is full of them.' Some families like ours call themselves Quiverfull for that reason."
This was a really interesting, eye-opening, and sometimes scary novel. It was very well-written, and I really enjoyed it. A huge thanks to LibraryThing to introducing me to Julia Watts and her work. This novel is told in varying viewpoints between Libby and Zo, highlighting the stark contract between their upbringing and the way the two girls look at the world. It does an excellent job at showing how religion shapes your thought.
For Libby, her religious family is basically her entire life. We see how differently boys and girls are treated in her family, with the girls serving as helpmates in every way. She is not allowed any independent thought and is completely indoctrinated in her family's evangelical religion. Any thoughts she has that differ from her family's way of life make her feel strange and scared--and stepping out of line in any way means punishment. Even worse, she can't see any way out. Even though she doesn't want to, her future is set: getting married and having babies in the name of God.
Libby was so wonderfully written, and my heart ached for her. Watching her confront what she was taught, seeing her yearn for a different life--it really opened my eyes to how hard it must be for so many kids raised in religious homes. It's so easy to be derisive about religious views with which you don't agree, but the book did such an excellent job showing how Libby didn't have a choice: religion was such a part of her life from the moment she was born.
Zo's character was great, too. She didn't always seem as fleshed out to me, but it was refreshing to see a gender fluid character in YA literature. She was very down-to-earth, and it was nice to see her sexuality not be her defining characteristic. I also enjoyed how very feisty she was:
"The fact that Mr. Hazlett justifies his dictatorship through religion makes me think of all the families and communities and countries that have been torn apart because of people who claimed to be acting in the name of God."
This was a lovely book, which even had some surprises. It made me want to cry at times and laugh at others. It's very well-written and so beautiful to read. The subject matter is different, well-worth reading, and wrapped up in a very entertaining and interesting story. It certainly gets you thinking, plus it's very hard not to fall for Libby and Zo, too.
I received a copy of this novel from LibraryThing and Three Room Press in return for an unbiased review - thank you!
"It's all over the Bible--'be fruitful and multiply' and then there's Psalm 127 that says that children are like a warrior's arrows and 'blessed is the man whose quiver is full of them.' Some families like ours call themselves Quiverfull for that reason."
This was a really interesting, eye-opening, and sometimes scary novel. It was very well-written, and I really enjoyed it. A huge thanks to LibraryThing to introducing me to Julia Watts and her work. This novel is told in varying viewpoints between Libby and Zo, highlighting the stark contract between their upbringing and the way the two girls look at the world. It does an excellent job at showing how religion shapes your thought.
For Libby, her religious family is basically her entire life. We see how differently boys and girls are treated in her family, with the girls serving as helpmates in every way. She is not allowed any independent thought and is completely indoctrinated in her family's evangelical religion. Any thoughts she has that differ from her family's way of life make her feel strange and scared--and stepping out of line in any way means punishment. Even worse, she can't see any way out. Even though she doesn't want to, her future is set: getting married and having babies in the name of God.
Libby was so wonderfully written, and my heart ached for her. Watching her confront what she was taught, seeing her yearn for a different life--it really opened my eyes to how hard it must be for so many kids raised in religious homes. It's so easy to be derisive about religious views with which you don't agree, but the book did such an excellent job showing how Libby didn't have a choice: religion was such a part of her life from the moment she was born.
Zo's character was great, too. She didn't always seem as fleshed out to me, but it was refreshing to see a gender fluid character in YA literature. She was very down-to-earth, and it was nice to see her sexuality not be her defining characteristic. I also enjoyed how very feisty she was:
"The fact that Mr. Hazlett justifies his dictatorship through religion makes me think of all the families and communities and countries that have been torn apart because of people who claimed to be acting in the name of God."
This was a lovely book, which even had some surprises. It made me want to cry at times and laugh at others. It's very well-written and so beautiful to read. The subject matter is different, well-worth reading, and wrapped up in a very entertaining and interesting story. It certainly gets you thinking, plus it's very hard not to fall for Libby and Zo, too.
I received a copy of this novel from LibraryThing and Three Room Press in return for an unbiased review - thank you!
Kristy H (1252 KP) rated The Arrangement in Books
Feb 13, 2018
Lucy and Owen fled Brooklyn for the suburbs not long after their son, Wyatt, came along. In the perfect little town of Beekman, they have a beautiful old house, a yard full of chickens, and interact with a cast full of eclectic characters. Lucy also has her hands full with Wyatt, a challenging kid with autism. One evening, when some friends come over and the drinks flow freely, they mention their open marriage. At first, Lucy and Own are a bit shocked. But as the exhausted duo look around at their life, they begin to consider "the arrangement." Owen grabs a pad and a pen and they eke out some rules. It still seems like a joke, until Lucy says she wants to give the arrangement--a six-month experience where they each have an ongoing, no questions asked free pass in their marriage--a go. Surely nothing will go wrong, right?
This novel is a different, oddly intriguing read, offering an extremely realistic portrayal of marriage and raising children. Warm and fuzzy it is not, yet it's still engaging and features relatable characters. Lucy and Owen's exhaustion is palatable, as is Lucy's frustration and love for Wyatt, who is an intelligent, fun, and extremely challenging special needs kid. (You will grow to love him, even as you completely empathize with why poor Lucy might need a break--one of the definite strengths of the book.) For a good early portion of the novel, I found myself thinking I would be reading a quite grim look at parenthood and marriage. And it is, in many ways. After all, why are Lucy and Owen so willing to embark on the arrangement, you wonder? Are they bored with their life, with each other? Are they simply tired parents? What causes them to choose this? As the arrangement begins, their reactions to its ongoing presence in their lives is surprising, and Dunn does a good job at capturing some nuance in their character that you might not expect. These are real married people, with real issues.
Still, there are definitely some odd bits and pieces stuck into the story. It seems disjointed at times, and some of the characters and their stories seem to pop up at weird times, forcing you to remind yourself how they fit into Lucy and Owen's life and the town of Beekman (for we don't hear just from our main couple, but several others who live in town). The novel meanders at times, and I wouldn't call the ending closure, per se, though it falls in line with the realism of the novel.
Where Dunn shines is her humor, which slips through even some of the darker moments. Moments with Wyatt are perfectly captured. Lucy's friend, Sunny Bang, is one of the best things about this book, and you'll love every second featuring her. There's a scene at the town church with many of the local kids (and their pets) that is solely worth purchasing the entire book. Seriously, Dunn writes with a sharp wit, and it's one of the main reasons my rating upped to 3.5 stars. The book is often smartly funny and feminist, even if it has its depressing, wandering moments. It's a fascinating look at marriage, for sure, and I was certainly intrigued to see how the arrangement would play out. It was also a welcome break from all the thrillers I'd been reading lately, so thanks! If you like sharp and witty characters coupled with a psychological inside look at modern-day marriage, you'll find this one quite compelling. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you) in return for an unbiased review. It is available everywhere as of 03/21/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
This novel is a different, oddly intriguing read, offering an extremely realistic portrayal of marriage and raising children. Warm and fuzzy it is not, yet it's still engaging and features relatable characters. Lucy and Owen's exhaustion is palatable, as is Lucy's frustration and love for Wyatt, who is an intelligent, fun, and extremely challenging special needs kid. (You will grow to love him, even as you completely empathize with why poor Lucy might need a break--one of the definite strengths of the book.) For a good early portion of the novel, I found myself thinking I would be reading a quite grim look at parenthood and marriage. And it is, in many ways. After all, why are Lucy and Owen so willing to embark on the arrangement, you wonder? Are they bored with their life, with each other? Are they simply tired parents? What causes them to choose this? As the arrangement begins, their reactions to its ongoing presence in their lives is surprising, and Dunn does a good job at capturing some nuance in their character that you might not expect. These are real married people, with real issues.
Still, there are definitely some odd bits and pieces stuck into the story. It seems disjointed at times, and some of the characters and their stories seem to pop up at weird times, forcing you to remind yourself how they fit into Lucy and Owen's life and the town of Beekman (for we don't hear just from our main couple, but several others who live in town). The novel meanders at times, and I wouldn't call the ending closure, per se, though it falls in line with the realism of the novel.
Where Dunn shines is her humor, which slips through even some of the darker moments. Moments with Wyatt are perfectly captured. Lucy's friend, Sunny Bang, is one of the best things about this book, and you'll love every second featuring her. There's a scene at the town church with many of the local kids (and their pets) that is solely worth purchasing the entire book. Seriously, Dunn writes with a sharp wit, and it's one of the main reasons my rating upped to 3.5 stars. The book is often smartly funny and feminist, even if it has its depressing, wandering moments. It's a fascinating look at marriage, for sure, and I was certainly intrigued to see how the arrangement would play out. It was also a welcome break from all the thrillers I'd been reading lately, so thanks! If you like sharp and witty characters coupled with a psychological inside look at modern-day marriage, you'll find this one quite compelling. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you) in return for an unbiased review. It is available everywhere as of 03/21/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;