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Andy K (10821 KP) rated Aliens (1986) in Movies
Oct 23, 2018
Sci fi action at its finest
Alien and Aliens have to be up there with The Godfather I and II and Raiders/Temple of Doom and one of the greatest one-two punches in movie history.
"They mostly come at night...mostly"
Make sure if you are watching after not seeing for awhile or never seen you watch the 1990 "Director's Cut". As with several Cameron epics, the story and characters get flushed out a lot more and the extra scenes are very good. With Aliens, though, I would have omitted the scene near the beginning where we meet Next and her family when they discover the chestbursters. I think Newt's reveal works better if we were to first meet her while crawling around underneath the decks of the colony.
The only thing that ever bothered me was the extremely bad timing of Ripley being floating in space for 57 years, then she gets found, then they lose contact with the colony on LV426 right after that? Talk about a horrible coincidence!
Another remarkable item of the film;s slow progression is we don't even see an alien until well over a hour into the film and it doesn't matter. The tension built and anticipation Cameron delivers are amazing!
Nonetheless, Aliens is a masterpiece of sci fi cinema which has rarely been equaled. Now if only they wold quit trying!.
"They mostly come at night...mostly"
Make sure if you are watching after not seeing for awhile or never seen you watch the 1990 "Director's Cut". As with several Cameron epics, the story and characters get flushed out a lot more and the extra scenes are very good. With Aliens, though, I would have omitted the scene near the beginning where we meet Next and her family when they discover the chestbursters. I think Newt's reveal works better if we were to first meet her while crawling around underneath the decks of the colony.
The only thing that ever bothered me was the extremely bad timing of Ripley being floating in space for 57 years, then she gets found, then they lose contact with the colony on LV426 right after that? Talk about a horrible coincidence!
Another remarkable item of the film;s slow progression is we don't even see an alien until well over a hour into the film and it doesn't matter. The tension built and anticipation Cameron delivers are amazing!
Nonetheless, Aliens is a masterpiece of sci fi cinema which has rarely been equaled. Now if only they wold quit trying!.
KalJ95 (25 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Dec 30, 2019
Love letter to Golden age of Hollywood. (2 more)
Chemistry of the cast carries the film.
Hilarious, tense and moments of sheer genius from Tarantino.
OUATIH is very simply put; A love letter to the golden age of Hollywood. It spans through the 1960's of Hollywood's obsession with Westerns, whilst focusing on the friendship of an ageing irrelevant actor, and his no nonsense and loyal stuntman, all set to the backdrop of the infamous Manson murders.
That alone sounds like a cocktail only Tarantino could blend, and a runtime of almost three hours unbelievably isn't enough to immerse me into the plot. It just feels second nature to what the film wants you to focus on, which is the friendship of Rick Dalton (Leonardo DiCaprio) and Cliff Booth (Brad Pitt). Their chemistry is the forefront and heart of OUATIH, bringing hilarious and ludicrous moments every minute their on screen together.
The Manson family and Sharon Tate's brief film exposure do serve their point with the overarching storyline of Rick's dying career, but they don't make you care as much. That being said, the moments of pure madness, especially in the grand finale, really do keep you biting your fingernails. Remember, this is Tarantino, its bound the get a bit bloody.
The 9th entry in Tarantino's outstanding catalogue is by far not his best work, but it's a really sweet and sentimental love for all things cinema.
That alone sounds like a cocktail only Tarantino could blend, and a runtime of almost three hours unbelievably isn't enough to immerse me into the plot. It just feels second nature to what the film wants you to focus on, which is the friendship of Rick Dalton (Leonardo DiCaprio) and Cliff Booth (Brad Pitt). Their chemistry is the forefront and heart of OUATIH, bringing hilarious and ludicrous moments every minute their on screen together.
The Manson family and Sharon Tate's brief film exposure do serve their point with the overarching storyline of Rick's dying career, but they don't make you care as much. That being said, the moments of pure madness, especially in the grand finale, really do keep you biting your fingernails. Remember, this is Tarantino, its bound the get a bit bloody.
The 9th entry in Tarantino's outstanding catalogue is by far not his best work, but it's a really sweet and sentimental love for all things cinema.
Allison Knapp (118 KP) rated Public Secrets in Books
Jan 22, 2019
Well written and complex characters (7 more)
Covers a broad range of social topics such as addiction, domestic violence, and homosexuality in a way which is both well written and accurate with the times
Strong character dynamics
Not nearly as cheesy as the romance novels of which she is known for writing
At times creepy or psychologically disturbing in a way which makes you care even more about the life of the main character
Strong ensemble cast
Great nostalgic look at music and cinema from the 60s up through the 90s
Excellent and unpredictable plot twists
Murder Mystery set in the world of the Music Industry
The illegitimate daughter of a young rock star witnesses the accidental murder of her baby brother when she is still very young, and due to a case of isolated amnesia, cannot identify the murderer. As she grows up under the public eye, amidst the tragedy and its effects on her family, struggling to let go of her nightmares of that fateful night while struggling to find her own identity aside from the shadow of her father and the legendary status of her family, she faces many struggles and challenges just to prove an identity of her own. Yet as she grows up into a mature young woman, she learns that there are some tragedies from her past which were worth suffering through if she were to finally help bring justice for her brother and their family.
JT (287 KP) rated Midsommar (2019) in Movies
Mar 10, 2020
As the end credits rolled I sat back and contemplated what I had just witnessed – this was the most fucked up piece of cinema I’d seen in some time. Burdened by a horrific tragedy Dani (Florence Pugh) turns to boyfriend Christian (Jack Reynor) for support, who is unsure himself that their relationship can continue.
Joining a small group of friends they head off to Sweden to attend a mid-summer festival in the hope of rekindling their dying relationship.
The film is disturbing on almost every level and does take time to get going as the group is introduced to an idyllic community where not everything is as it seems. Director Ari Aster has made no illusions of his dislike for jump scares – and you won’t find too many here, well, maybe one. But this is a new age break-up film, not an out an out horror as many people might have expected.
But how do you turn a mild mannered community such as the Harga, into a sinister cult, justifying their ways via ritualistic events and ancient scripture – easy, you do it slowly. Aster builds the story well, introducing subtle clues to the foreboding which is inevitably coming. When it comes, it is a tour de force of shock value.
It’s a solid follow up for Aster whose feature length debut, Hereditary, split audiences – but there is no denying that he has upped his game significantly.
Joining a small group of friends they head off to Sweden to attend a mid-summer festival in the hope of rekindling their dying relationship.
The film is disturbing on almost every level and does take time to get going as the group is introduced to an idyllic community where not everything is as it seems. Director Ari Aster has made no illusions of his dislike for jump scares – and you won’t find too many here, well, maybe one. But this is a new age break-up film, not an out an out horror as many people might have expected.
But how do you turn a mild mannered community such as the Harga, into a sinister cult, justifying their ways via ritualistic events and ancient scripture – easy, you do it slowly. Aster builds the story well, introducing subtle clues to the foreboding which is inevitably coming. When it comes, it is a tour de force of shock value.
It’s a solid follow up for Aster whose feature length debut, Hereditary, split audiences – but there is no denying that he has upped his game significantly.
Lee (2222 KP) rated Midsommar (2019) in Movies
Mar 19, 2020
I haven’t seen such complete and utter nonsense since Hereditary.
The bitter disappointment in Hereditary still lingers to this day. The build up, and all of the hype on film Twitter, got me so excited to see it. And then, I ended up in a cinema full of people, all laughing at the ridiculousness of it all and all coming out saying how truly bad it was.
So when Midsommar came along, and everyone online started reacting in exactly the same way as they did for Hereditary, I wasn’t having any of it. The trailer looked OK, but I didn’t want to waste my time being like the person in the story of the emperors new clothes who pipes up and says “hang on a minute, this is actually complete crap”. So I didn’t bother with it.
But now it’s on Amazon Prime, and cinemas are closed. It’s desperate times, so I gave it a try.
And for the first half, it was OK. But by the end of it, I was disappointed again and I really do feel that it actually does follow the same Hereditary formula, only delivered slightly better -
A first half which plays like a beautifully shot drama.
A gruesome shock during this first half.
A beautifully shot, but ultimately dull, second half which struggles to deliver on the initial setup, decides to descend into a ridiculous and laughable mess instead.
A standout performance (Toni Collette then, Florence Pugh now).
The bitter disappointment in Hereditary still lingers to this day. The build up, and all of the hype on film Twitter, got me so excited to see it. And then, I ended up in a cinema full of people, all laughing at the ridiculousness of it all and all coming out saying how truly bad it was.
So when Midsommar came along, and everyone online started reacting in exactly the same way as they did for Hereditary, I wasn’t having any of it. The trailer looked OK, but I didn’t want to waste my time being like the person in the story of the emperors new clothes who pipes up and says “hang on a minute, this is actually complete crap”. So I didn’t bother with it.
But now it’s on Amazon Prime, and cinemas are closed. It’s desperate times, so I gave it a try.
And for the first half, it was OK. But by the end of it, I was disappointed again and I really do feel that it actually does follow the same Hereditary formula, only delivered slightly better -
A first half which plays like a beautifully shot drama.
A gruesome shock during this first half.
A beautifully shot, but ultimately dull, second half which struggles to deliver on the initial setup, decides to descend into a ridiculous and laughable mess instead.
A standout performance (Toni Collette then, Florence Pugh now).
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Feasting Our Eyes: Food Films and Cultural Identity in the United States
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J.M. Coetzee: Two Screenplays: Waiting for the Barbarians and in the Heart of the Country
J.M. Coetzee and Hermann Wittenberg
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Andy K (10821 KP) Oct 27, 2018
Derek Mcfarland (4 KP) Dec 19, 2018