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Emma @ The Movies (1786 KP) rated Raya and the Last Dragon (2021) in Movies
Jun 27, 2021
Of course I wasn't paying Premier prices for this! (This is how long ago I wrote this review, you can now watch it on your Disney+ subscription for free.) So instead I made it my first film back to the cinema for 7 months.
Kumandra was once a glorious place inhabited by humans and dragons in harmony. But when an enemy comes to ruin that, the dragons sacrifice themselves to save the humans. 500 years later the humans have learnt nothing from the sacrifice, and when greed takes hold of the tribes, the land is once again put in peril.
Essentially we're given a fantasy treasure hunt, that highlights the need for cooperation and community. That is definitely a strong point throughout the film. While it might not be based on something specific, it plays on a lot of different Asian cultures, the accuracy of which I'm afraid I wouldn't know. The different regions all had their own look and feel which I thought was a nice touch, but something felt like it needed more variety, and I'm not sure if that was something more diverse or different animation styles.
Of all the characters I actually found Raya to be the least engaging. Her eventual personality could be put down to how she''d grown up, but the choice to make her like that left me disliking her. Picking between her and Namaari was easy, Namaari's actions were consistent and she evolved in a positive way, and I really didn't feel that about Raya. I found her actions increasingly frustrating as the films went on.
The character that made this whole film for me was ninja baby and trickster, Noi. Plus her troop, The Ongis. I was roaring, and absolutely loved every scene they were in. The animation involved was so smooth and it perfectly fit their antics.
What I struggled with as I watched was the animation of Sisu. I liked the dragon style, and I liked the human style, but I didn't really like them together. Our human contingent seemed to be more traditional, and the dragons appeared to be more cartoonish in comparison. With Sisu, the mane and colours just stuck out and felt unnatural... yes, I know that's a ridiculous thing to say when talking about an animated dragon.
Voice cast in Raya and the Last Dragon was generally good, there wasn't anyone I would highlight over the others, but Sisu was the one that made me pause again. I'm growing to enjoy Awkwafina in films, but I'm not sure the pairing here was quite right.
I wasn't disappointed when I came out of the cinema, but at the same time I wasn't wowed. It didn't feel like a Disney offering, and I don't think I'll need to revisit it. There wasn't enough in it to hook my interest and keep me focused on anything that was happening. Perhaps it might have been different had Raya been a little less frustrating, but I don't think that would have given much of a boost to the film. I think what took me so long to publish this review was that I was having real trouble deciding on a score. I'm still not convinced by my choice, if I could put a shrug, I probably would.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/06/raya-and-last-dragon-movie-review.html
Kumandra was once a glorious place inhabited by humans and dragons in harmony. But when an enemy comes to ruin that, the dragons sacrifice themselves to save the humans. 500 years later the humans have learnt nothing from the sacrifice, and when greed takes hold of the tribes, the land is once again put in peril.
Essentially we're given a fantasy treasure hunt, that highlights the need for cooperation and community. That is definitely a strong point throughout the film. While it might not be based on something specific, it plays on a lot of different Asian cultures, the accuracy of which I'm afraid I wouldn't know. The different regions all had their own look and feel which I thought was a nice touch, but something felt like it needed more variety, and I'm not sure if that was something more diverse or different animation styles.
Of all the characters I actually found Raya to be the least engaging. Her eventual personality could be put down to how she''d grown up, but the choice to make her like that left me disliking her. Picking between her and Namaari was easy, Namaari's actions were consistent and she evolved in a positive way, and I really didn't feel that about Raya. I found her actions increasingly frustrating as the films went on.
The character that made this whole film for me was ninja baby and trickster, Noi. Plus her troop, The Ongis. I was roaring, and absolutely loved every scene they were in. The animation involved was so smooth and it perfectly fit their antics.
What I struggled with as I watched was the animation of Sisu. I liked the dragon style, and I liked the human style, but I didn't really like them together. Our human contingent seemed to be more traditional, and the dragons appeared to be more cartoonish in comparison. With Sisu, the mane and colours just stuck out and felt unnatural... yes, I know that's a ridiculous thing to say when talking about an animated dragon.
Voice cast in Raya and the Last Dragon was generally good, there wasn't anyone I would highlight over the others, but Sisu was the one that made me pause again. I'm growing to enjoy Awkwafina in films, but I'm not sure the pairing here was quite right.
I wasn't disappointed when I came out of the cinema, but at the same time I wasn't wowed. It didn't feel like a Disney offering, and I don't think I'll need to revisit it. There wasn't enough in it to hook my interest and keep me focused on anything that was happening. Perhaps it might have been different had Raya been a little less frustrating, but I don't think that would have given much of a boost to the film. I think what took me so long to publish this review was that I was having real trouble deciding on a score. I'm still not convinced by my choice, if I could put a shrug, I probably would.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/06/raya-and-last-dragon-movie-review.html
Emma @ The Movies (1786 KP) rated Downton Abbey (2019) in Movies
Sep 28, 2019
Firstly, and slightly off topic, I wanted to mention the actual event of this being released. The sheer volume of screenings was amazing and I would be really interested in knowing how many people attended at my cinema. The other thing that amused me was what I would consider to be really stereotypical advertising. Most of the audience when I went were younger than me so I'm not sure that Cunnard and health related advertising was really their sort of thing (I did appreciate the back pain tip though.)
Despite having never seen a full episode of Downton I still enjoyed the film, they did (what felt like) an incredibly good job of filling in the blanks in the backstory. I'm sure there were still bits missing but I was certainly handed enough to understand everything that what going on.
The other thing that was a great benefit to the film was the fact that everyone had been acting these parts, and with each other, for years. The interactions were great and the ensemble made for a brilliant production. I'm not going to go into the individual main actors, it seems a little redundant considering how well established the Downton world is. All the actors brought a great feeling of history to their roles and I can't argue with their success.
All this praise can't go on forever though, I did have some issues with the storyline. The main arc seemed to work well but some of the smaller threads left me shrugging. We have Tom who is sought out by a gentleman played by Stephen Campbell Moore. This part was rather fleeting, and that perplexed me. Trying to avoid spoilers... if I told someone this part of the story out of context combined with the description of the film I would expect them to think it was a major part of the film, and not just something that goes as quickly as it arrived. Then we have Barrow (I really hope I've got that character name right), he has his own little story that plays alongside the main one as we see him put out during the tensions at Downton. I don't object to this storyline, but I don't see that it made any impact on the rest of the film, there was certainly nothing in it that couldn't have been achieved in the main setting. All it really did was give him somewhere to go that wasn't the house.
I was very aware throughout that this "film" felt like a Christmas special. There were a lot of bits to it that were left open and didn't tie together at the end... which is exactly how you'd expect a series to end to lead into another. I came out wondering if I'd missed something about a new series. I probably would have been happier having seen this as a TV special... although I obviously wouldn't have seen it had it been on TV because I don't watch the series. The whole thing has a very homely feel to it which I just don't think works in a cinema setting. That being said, I did enjoy myself and I'm sure that fans of the series would have enjoyed it more than I did.
Read the full review extras here: http://emmaatthemovies.blogspot.com/2019/09/downton-abbey-movie-review.html
Despite having never seen a full episode of Downton I still enjoyed the film, they did (what felt like) an incredibly good job of filling in the blanks in the backstory. I'm sure there were still bits missing but I was certainly handed enough to understand everything that what going on.
The other thing that was a great benefit to the film was the fact that everyone had been acting these parts, and with each other, for years. The interactions were great and the ensemble made for a brilliant production. I'm not going to go into the individual main actors, it seems a little redundant considering how well established the Downton world is. All the actors brought a great feeling of history to their roles and I can't argue with their success.
All this praise can't go on forever though, I did have some issues with the storyline. The main arc seemed to work well but some of the smaller threads left me shrugging. We have Tom who is sought out by a gentleman played by Stephen Campbell Moore. This part was rather fleeting, and that perplexed me. Trying to avoid spoilers... if I told someone this part of the story out of context combined with the description of the film I would expect them to think it was a major part of the film, and not just something that goes as quickly as it arrived. Then we have Barrow (I really hope I've got that character name right), he has his own little story that plays alongside the main one as we see him put out during the tensions at Downton. I don't object to this storyline, but I don't see that it made any impact on the rest of the film, there was certainly nothing in it that couldn't have been achieved in the main setting. All it really did was give him somewhere to go that wasn't the house.
I was very aware throughout that this "film" felt like a Christmas special. There were a lot of bits to it that were left open and didn't tie together at the end... which is exactly how you'd expect a series to end to lead into another. I came out wondering if I'd missed something about a new series. I probably would have been happier having seen this as a TV special... although I obviously wouldn't have seen it had it been on TV because I don't watch the series. The whole thing has a very homely feel to it which I just don't think works in a cinema setting. That being said, I did enjoy myself and I'm sure that fans of the series would have enjoyed it more than I did.
Read the full review extras here: http://emmaatthemovies.blogspot.com/2019/09/downton-abbey-movie-review.html
Hannah's High School Crush
Games and Education
App
Hannah wants to look gorgeous on the first date with her secret high school crush Jack! Get ready...
BankofMarquis (1832 KP) rated Mission impossible dead reckoning part one (2023) in Movies
Jul 14, 2023
What A Summer Blockbuster Movie Should Be
Boy, that Tom Cruise sure knows how to make a crowd-pleasing, summer blockbuster movie.
Fresh off his cinema-saving success with TOP GUN: MAVERICK, Cruise (and Director Christopher McQuarrie) comes back with another giant summer tentpole film - MISSION IMPOSSIBLE: DEAD RECKONING, PART ONE - and they hit it out of the park again.
The 7th film in the Mission Impossible franchise (which debuted, incredibly, 27 years ago), DEAD RECKONING, PART ONE reunites Ethan Hunt (Tom Cruise) with his band of hero/outlaws to stop yet another world-wide crisis. It’s familiar ground but it is the journey not the destination that makes these types of films work and the journey (which, to be honest, is just an excuse to jump from action set piece to action set piece) is a fun one filled with comfortable characters/actors both old and new.
Besides Cruise (who’s got the Ethan Hunt character down), DR1 is filled with Hunt’s “regular” crew, Luther (Vingh Rhames - the only other actor besides Cruise to be in every MI film), Benji (SImon Pegg - around since MI 3) and Ilsa Faust (Rebecca Ferguson - on board since film 5). These are all familiar, comfortable characters and when the band gets back together about 1/2 way through the film, it felt liking sinking into your couch after a long, hard (but good) day of work to watch your favorite comfort show.
McQuarrie, wisely, populates the rest of the film with new, but comfortably familiar, faces such as Haley Atwell (Agent Carter in the MCU), Shea Wigham (ironically, he played Atwell’s boss in the Agent Carter TV Series), Pom Klementieff as Paris (the name of the character Leonard Nimoy played in the TV Series). Klementieff is also a veteran of the MCU having played Mantis in the Guardians of the Galaxy films, Esai Morales (one of the bosses in NYPD BLUE) and Cary Elwes (the Princess Bride). All bring their “A” game to the adventure and all of them acquit themselves just fine.
Oh…and Henry Czerny reprises his role as Kittridge from the first Mission Impossible film - and it was good to see him, too as was Vanessa Kirby’s re-appearance as Hunt’s “frenemie”, The White Widow (in a role that is a bit more expanded).
But, of course, all of these actors/performances takes a back seat to the action sequences and McQuarrie and Cruise are at the top of their game here. The big action set pieces are a marvel to watch - very enjoyable, exciting, nerve-wracking and easy to follow with some sense of humor rolled in. Unlike another big action flick (that leaned more towards the over-the-top comic-book type action), this Mission Impossible film relies on tension to make these action scenes pop off the screen - and McQuarrie succeeds.
Since this film is labeled as “Part One” you would expect to this film to end on a cliff-hanger and McQuarrie/Cruise were smart about that, too. It is more of “the mission isn’t finished” than a cliff-hanger, which helps this film hold together on it’s own and not just “Part One of a two-parter”.
Very smart, indeed.
A fun romp at the cinema - head out to the biggest screen possible to immerse yourself into this mission, you’ll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
A fun, escapist, action film that is satisfying (and not dumb), MISSION IMPOSSIBLE: DEAD
Fresh off his cinema-saving success with TOP GUN: MAVERICK, Cruise (and Director Christopher McQuarrie) comes back with another giant summer tentpole film - MISSION IMPOSSIBLE: DEAD RECKONING, PART ONE - and they hit it out of the park again.
The 7th film in the Mission Impossible franchise (which debuted, incredibly, 27 years ago), DEAD RECKONING, PART ONE reunites Ethan Hunt (Tom Cruise) with his band of hero/outlaws to stop yet another world-wide crisis. It’s familiar ground but it is the journey not the destination that makes these types of films work and the journey (which, to be honest, is just an excuse to jump from action set piece to action set piece) is a fun one filled with comfortable characters/actors both old and new.
Besides Cruise (who’s got the Ethan Hunt character down), DR1 is filled with Hunt’s “regular” crew, Luther (Vingh Rhames - the only other actor besides Cruise to be in every MI film), Benji (SImon Pegg - around since MI 3) and Ilsa Faust (Rebecca Ferguson - on board since film 5). These are all familiar, comfortable characters and when the band gets back together about 1/2 way through the film, it felt liking sinking into your couch after a long, hard (but good) day of work to watch your favorite comfort show.
McQuarrie, wisely, populates the rest of the film with new, but comfortably familiar, faces such as Haley Atwell (Agent Carter in the MCU), Shea Wigham (ironically, he played Atwell’s boss in the Agent Carter TV Series), Pom Klementieff as Paris (the name of the character Leonard Nimoy played in the TV Series). Klementieff is also a veteran of the MCU having played Mantis in the Guardians of the Galaxy films, Esai Morales (one of the bosses in NYPD BLUE) and Cary Elwes (the Princess Bride). All bring their “A” game to the adventure and all of them acquit themselves just fine.
Oh…and Henry Czerny reprises his role as Kittridge from the first Mission Impossible film - and it was good to see him, too as was Vanessa Kirby’s re-appearance as Hunt’s “frenemie”, The White Widow (in a role that is a bit more expanded).
But, of course, all of these actors/performances takes a back seat to the action sequences and McQuarrie and Cruise are at the top of their game here. The big action set pieces are a marvel to watch - very enjoyable, exciting, nerve-wracking and easy to follow with some sense of humor rolled in. Unlike another big action flick (that leaned more towards the over-the-top comic-book type action), this Mission Impossible film relies on tension to make these action scenes pop off the screen - and McQuarrie succeeds.
Since this film is labeled as “Part One” you would expect to this film to end on a cliff-hanger and McQuarrie/Cruise were smart about that, too. It is more of “the mission isn’t finished” than a cliff-hanger, which helps this film hold together on it’s own and not just “Part One of a two-parter”.
Very smart, indeed.
A fun romp at the cinema - head out to the biggest screen possible to immerse yourself into this mission, you’ll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
A fun, escapist, action film that is satisfying (and not dumb), MISSION IMPOSSIBLE: DEAD
Daniel Boyd (1066 KP) rated Sausage Party (2016) in Movies
Jul 20, 2017
Funny voiceovers (1 more)
Classic Seth Rogen humour
Wasted potential (1 more)
The animators were treated poorly
Comfort Food
Based on the trailer I had high expectations going in, but really this movie is exactly what you expect it to be. The humour ticks all of the boxes that you would expect it to, casual racism, crass sex jokes, low brow sexism and drug induced illusions, the only difference that these feature in this movie to all of Seth Rogen’s other movies is that they are animated in this instance. If you switch off your brain and all you are looking for is a silly comedy then there is a good time to be had here and I did enjoy my time with this movie, but I can’t help but feel that there was also a lot of wasted potential here. I expected to have sore sides from laughing during this film and I only laughed out loud twice in the cinema and to be honest any less than three belly laughs during a Seth Rogen movie is underwhelming for me. Maybe I am being harsh, plus I was quite ill when I saw the movie so maybe if I went back and watched it again while feeling better I would have a better time. Like I said up top, if all you need is a quick fix of immature, shameless humour then you will enjoy this movie for what it is, but there could have been more done with this project and I’m a little bit let down that it couldn’t live up to its full potential.
Heathski (173 KP) rated How To Train Your Dragon: The Hidden World (2019) in Movies
Feb 20, 2019
Animation and art very expressive (1 more)
Story funny scary and emotional
Emotional rollercoaster
I can write this from a few different perspectives. I went to see this with my nephew who is 4, and the film is a PG. I love the How to train your dragon series. Ive always been impressed by the animation and the strong storyline of the bond between Hiccup and Toothless. This film was excellent. The expression of emotion in the characters was so flawless it felt real The animators and artists excelled themselves, in this truly awesome and beautifully designed film.
I laughed out loud and I had some teary moments. It's was a touching heartfelt goodbye to the series. I enjoyed it. My partner, who's not a huge fan, also enjoyed it and laughed a lot throughout the film. My nephew was entranced. He loves Toothless. The characters were so well done, that he though the baddie (who looks a lot like he was modelled after Arnold Vosloo from The Mummy) was very scary. So much so, he had to leave the cinema, but he came back after some reasurance. We covered his eyes at the next scary bit and soon he was shouting at the screen and getting very animated when the baddie appeared, cheering Hiccup and Toothless along.
This is an awesome family film, plenty of action, very funny and emotional. Watch out for the scary bits and If you are anything like me, make sure you have tissues. ⭐⭐⭐⭐⭐
I laughed out loud and I had some teary moments. It's was a touching heartfelt goodbye to the series. I enjoyed it. My partner, who's not a huge fan, also enjoyed it and laughed a lot throughout the film. My nephew was entranced. He loves Toothless. The characters were so well done, that he though the baddie (who looks a lot like he was modelled after Arnold Vosloo from The Mummy) was very scary. So much so, he had to leave the cinema, but he came back after some reasurance. We covered his eyes at the next scary bit and soon he was shouting at the screen and getting very animated when the baddie appeared, cheering Hiccup and Toothless along.
This is an awesome family film, plenty of action, very funny and emotional. Watch out for the scary bits and If you are anything like me, make sure you have tissues. ⭐⭐⭐⭐⭐
Elvis Fox (24 KP) rated Black Swan (2010) in Movies
May 3, 2019
Natalie Portman (2 more)
Mila Kunis
Barbara Hershey
What Does It Mean To Live One's Truth?
At its core, this film is about the physical and mental unraveling of gifted but mentally unbalanced ballerina Nina. She's poised and modest about her abilities but is easily one of (If not the best) dancers in her prestigious ballet company, which has decided to put on a production of 'Swan Lake' in order to save the company from going under financially. Going in for the first time viewing this masterpiece of modern day cinema, I had no idea the sheer scale of cerebral Horror I was about to witness. From the opening credits of Nina in full costume dancing a portion of 'Swan Lake' against a pitch black backdrop as the hauntingly beautiful score warns of something more sinister going on than meets the eye to the explosive end sequence (Which I won't spoil here), its easily apparent the workings of Nina's psyche is all but broken into a malleable mess of inner desires and heartfelt dreams of success. Mila Kunis is absolutely delicious as laid back and wild child Lily, whose mere presence fascinates and bewilders Nina as her longing for self realization begind to blur the lines of her reality in increasingly terrifying ways. Barbara Hershey gives what I believe is one of the most UNDERRATED and UNAPPRECIATIVED performances of all time as Nina's controlling and often times unbalanced Mother. Easily one of my all time favorite films you will either hate or love, I for one will never get tired of viewing this expertly crafted psychologically charged thriller for years to come and believe you will too!
Neon's Nerd Nexus (360 KP) rated The Neon Demon (2016) in Movies
May 13, 2019
A diamond in a sea of glass
Number 1 in my #top10 favourite films of all time is 'The Neon Demon'
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Not only my #favourite film of all time #theneondemon is all my #passion, my #addiction & my #love for cinema as well as everything that #inspires me, excites me & drives me in life all crammed together into one cinematic masterpiece. In fact this film is so #perfect & such an #obsession of mine I think about it on a daily basis & even have my phone & alarm clock themed around it. Directed by #nicholaswindingrefn (the greatest director of all time) & just like #OnlyGodForgives #neondemon is visually immense, beautiful, intimidating, full of mystery & #emotion. Every scene is rich & stylish with clearly a lot of care/thought put into every single one wether it be the colours or placement of everything it contains. This film invokes & awakens so many emotions with me every single time I watch it & every time it ends I feel I've learnt something new about not only the film but about myself too. With next level acting & such an unnerving yet spellbinding soundtrack 'The Neon Demon' almost sends sends shivers down my spine & catapults me into a hypnotic state of immersion still to this day. I doubt any film will ever replace this film as my top spot & although its slated by pretty much everyone the sheer depth of it & the #horror, #inspiration, courage, enlightenment & joy I personally get from it makes me feel so alive that if I met #nwr I think I'd just burst into tears of gratitude.
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#neon #drive #beauty #beautiful #arthouse #art #thursdaythoughts #ellefanning #ryangosling #modeling #model #fashion #filmcritic #glamourous
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Not only my #favourite film of all time #theneondemon is all my #passion, my #addiction & my #love for cinema as well as everything that #inspires me, excites me & drives me in life all crammed together into one cinematic masterpiece. In fact this film is so #perfect & such an #obsession of mine I think about it on a daily basis & even have my phone & alarm clock themed around it. Directed by #nicholaswindingrefn (the greatest director of all time) & just like #OnlyGodForgives #neondemon is visually immense, beautiful, intimidating, full of mystery & #emotion. Every scene is rich & stylish with clearly a lot of care/thought put into every single one wether it be the colours or placement of everything it contains. This film invokes & awakens so many emotions with me every single time I watch it & every time it ends I feel I've learnt something new about not only the film but about myself too. With next level acting & such an unnerving yet spellbinding soundtrack 'The Neon Demon' almost sends sends shivers down my spine & catapults me into a hypnotic state of immersion still to this day. I doubt any film will ever replace this film as my top spot & although its slated by pretty much everyone the sheer depth of it & the #horror, #inspiration, courage, enlightenment & joy I personally get from it makes me feel so alive that if I met #nwr I think I'd just burst into tears of gratitude.
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#neon #drive #beauty #beautiful #arthouse #art #thursdaythoughts #ellefanning #ryangosling #modeling #model #fashion #filmcritic #glamourous
Sarah Lebaigue (1 KP) rated Dunkirk (2017) in Movies
Jan 27, 2018
Acting and script work was on point (2 more)
Costume and set design were perfect
Sound design and score kept my heart racing
Kept my heart racing from beginning to end
Dunkirk is a thrilling film that deserves the Oscar nomination that it has. Nolan has created a masterpiece using time and music to create an intensity that I have never felt before as a movie goer. The film used similar events at different times to mirror one another elegantly.
My heart was always in my throat. I cared about the characters and had a strong connection to the story. I am not a nationalist kind of person by any means, and this film made me ever so proud to be British. With stunning performances from this amazing cast, which made it a group performance without any star or lead actor.
Dunkirk handles the topics of war, death and desperation perfectly and with no nods to Germany or to anything related to the German socialist group. By making the film all about the British characters point of view and removing the name and enemy out of view was a beautiful decision. By this point in time we know about the world wars in depthly and there are many films that talk about it. But this is the first film that doesn’t harp on about the Germans being evil. It was a gorgeous film and one I wish I could see in cinema again, as it’s sound design and cinematography deserved a larger screen.
My heart was always in my throat. I cared about the characters and had a strong connection to the story. I am not a nationalist kind of person by any means, and this film made me ever so proud to be British. With stunning performances from this amazing cast, which made it a group performance without any star or lead actor.
Dunkirk handles the topics of war, death and desperation perfectly and with no nods to Germany or to anything related to the German socialist group. By making the film all about the British characters point of view and removing the name and enemy out of view was a beautiful decision. By this point in time we know about the world wars in depthly and there are many films that talk about it. But this is the first film that doesn’t harp on about the Germans being evil. It was a gorgeous film and one I wish I could see in cinema again, as it’s sound design and cinematography deserved a larger screen.
Andy K (10821 KP) rated Zoo (2018) in Movies
Oct 19, 2019
Saving your marriage or zombie apocalypse?
I have to admit being new to the world of British cinema (since I live in the US) so those extreme British accents are still a struggle for me at times (especially when you guys talk so fast!). I have to admit to even putting subtitles on a few times so I could get all the words.
Interesting premise of this film and the recommendation from a friend to watch.
How would you feel if a zombie infestation began right while your marriage was on the rocks? Which would be your priority to correct?
This young couple grapples with this exact issue and it is relatively successful. They spend time disagreeing with each other and moping about in their flat since they cannot go outside without having to deal with infected hoards trying to devour them. They begin having meaningful dialogue and then they get a knock at their door. A random couple ask if they can come and hide within to remove themselves from danger and are obliged. They immediately become a nuisance asking for provisions which are already in short supply and to "borrow a toothbrush"? I thought that was funny.
Their stay at the apartment is short, but long enough to have the couple start to unite themselves against their new house guests. After their departure, the couple becomes more intimate and work on their relationship before even more unwanted guests arrive.
The dialogue was a bit corny at times, but worked overall. I enjoyed the fresh take on the zombie genre. If romantic comedy zombie horror is a new sub genre I'm all in.
Interesting premise of this film and the recommendation from a friend to watch.
How would you feel if a zombie infestation began right while your marriage was on the rocks? Which would be your priority to correct?
This young couple grapples with this exact issue and it is relatively successful. They spend time disagreeing with each other and moping about in their flat since they cannot go outside without having to deal with infected hoards trying to devour them. They begin having meaningful dialogue and then they get a knock at their door. A random couple ask if they can come and hide within to remove themselves from danger and are obliged. They immediately become a nuisance asking for provisions which are already in short supply and to "borrow a toothbrush"? I thought that was funny.
Their stay at the apartment is short, but long enough to have the couple start to unite themselves against their new house guests. After their departure, the couple becomes more intimate and work on their relationship before even more unwanted guests arrive.
The dialogue was a bit corny at times, but worked overall. I enjoyed the fresh take on the zombie genre. If romantic comedy zombie horror is a new sub genre I'm all in.