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Movie Metropolis (309 KP) rated San Andreas (2015) in Movies
Jun 10, 2019
As solid as the Rock
Who doesn’t love a good disaster movie? From Dante’s Peak to The Day After Tomorrow, there’s enough city-levelling action in the movie archives to terrify even the most urban of us.
The genre came to a head somewhat in 2009 with the overly cheesy 2012. Directed by Roland Emmerich, aka the disaster movie king, it was a huge box-office success but audiences were turned off by the idea of destroying the entire globe.
After a few years off, the genre returns with San Andreas. But can this earthquake-based blockbuster evoke memories of yesteryear’s disaster flicks?
Dwayne Johnson stars as Ray Gaines, a chief rescue officer with the LAFD and in typical The Rock style, manages to captivate the audience from beginning to end of this exceptionally cheesy yet surprisingly effective movie.
The beautiful Carla Gugino plays Ray’s estranged wife, Emma with Alexandra Daddario taking on the role of their daughter Blake. There’s even a small role for Kylie Minogue, though she is rather unnoticed here.
San Andreas follows the three central characters as they try to reunite with one another after a series of devastating earthquakes along the west coast of America, all of which are predicted by brilliant seismologist Lawrence – a wasted Paul Giamatti.
The film is visually stunning, but as with any in the genre, lacks a defined story with the characters being thrown from one amazing set piece to another. From the very beginning the audience is subjected to gargantuan action sequences including the much-marketed tsunami that acts as a placeholder for the film’s final act – it is absolutely mesmerising to watch.
Johnson proves time-and-time again that he is in the right business. Along with Schwarzenegger he is at his best in films where his brawn is needed the most and it’s certainly the case here. Surprisingly though, The Rock provides a rich emotional undertone due to a horrific past family incident.
Unfortunately, there is such a lack of originality in San Andreas’ story that it’s easy to signpost exactly what is going to happen before it actually does. The reason? Simply because it’s been done to death. Disaster flicks are very 90s with Dante’s Peak having a similar family unit and even in the noughties, The Day After Tomorrow featuring the well-worn reuniting with children plotline.
There are some clever touches however, parts of the film where you would expect generic clichés, it cleverly dangles a red herring and then moves the plot in a completely different direction.
It’s clear to see that disaster movies will always find their audience. Those not looking for a deep and meaningful story and a rollercoaster ride of special effects instead will find much to enjoy here.
Dwayne Johnson is superb in his role with the majority of the other characters falling by the wayside somewhat, and in the end, San Andreas proves to be a solid if not overly original experience.
It’s fair to say though, this film is more than worth the price of a cinema ticket.
https://moviemetropolis.net/2015/05/31/as-solid-as-the-rock-san-andreas-review/
The genre came to a head somewhat in 2009 with the overly cheesy 2012. Directed by Roland Emmerich, aka the disaster movie king, it was a huge box-office success but audiences were turned off by the idea of destroying the entire globe.
After a few years off, the genre returns with San Andreas. But can this earthquake-based blockbuster evoke memories of yesteryear’s disaster flicks?
Dwayne Johnson stars as Ray Gaines, a chief rescue officer with the LAFD and in typical The Rock style, manages to captivate the audience from beginning to end of this exceptionally cheesy yet surprisingly effective movie.
The beautiful Carla Gugino plays Ray’s estranged wife, Emma with Alexandra Daddario taking on the role of their daughter Blake. There’s even a small role for Kylie Minogue, though she is rather unnoticed here.
San Andreas follows the three central characters as they try to reunite with one another after a series of devastating earthquakes along the west coast of America, all of which are predicted by brilliant seismologist Lawrence – a wasted Paul Giamatti.
The film is visually stunning, but as with any in the genre, lacks a defined story with the characters being thrown from one amazing set piece to another. From the very beginning the audience is subjected to gargantuan action sequences including the much-marketed tsunami that acts as a placeholder for the film’s final act – it is absolutely mesmerising to watch.
Johnson proves time-and-time again that he is in the right business. Along with Schwarzenegger he is at his best in films where his brawn is needed the most and it’s certainly the case here. Surprisingly though, The Rock provides a rich emotional undertone due to a horrific past family incident.
Unfortunately, there is such a lack of originality in San Andreas’ story that it’s easy to signpost exactly what is going to happen before it actually does. The reason? Simply because it’s been done to death. Disaster flicks are very 90s with Dante’s Peak having a similar family unit and even in the noughties, The Day After Tomorrow featuring the well-worn reuniting with children plotline.
There are some clever touches however, parts of the film where you would expect generic clichés, it cleverly dangles a red herring and then moves the plot in a completely different direction.
It’s clear to see that disaster movies will always find their audience. Those not looking for a deep and meaningful story and a rollercoaster ride of special effects instead will find much to enjoy here.
Dwayne Johnson is superb in his role with the majority of the other characters falling by the wayside somewhat, and in the end, San Andreas proves to be a solid if not overly original experience.
It’s fair to say though, this film is more than worth the price of a cinema ticket.
https://moviemetropolis.net/2015/05/31/as-solid-as-the-rock-san-andreas-review/
Movie Metropolis (309 KP) rated The Girl on the Train (2016) in Movies
Jun 10, 2019
A Victim of its marketing
It’s always refreshing to see a film released primarily for the adult market. We all loved The Hunger Games, but imagine what the series could’ve been like had the franchise been given a 15 or even an 18 certification.
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
Movie Metropolis (309 KP) rated Furious 7 (2015) in Movies
Jun 11, 2019
A Guilty Pleasure
Everyone needs a guilty pleasure and since 2001, audiences from across the globe have flocked to see The Fast & Furious franchise in all its over-the-top glory.
However, filming on the latest instalment, Fast & Furious 7, was delayed after the tragic death of lead actor Paul Walker, so does his untimely passing hurt the resulting movie?
Fast 7 continues after the events of Tokyo Drift and features the usual loveable rogues returning in their respective roles, including a beefed up part for Jason Statham who made a cameo in the sixth film.
Vin Diesel, Dwayne Johnson, Michelle Rodriguez, Jordana Brewster, Tyrese Gibson, Lucas Black and Ludacris all reprise their characters as they do battle against Statham’s villain, Deckard Shaw, who fans will remember is the brother of Owen Shaw from Fast 6.
The premise remains as simple as in previous instalments but continues the series’ trend for over-the-top action pieces that border on the ridiculous. Despite this, Fast 7 is the most watchable of the entire franchise with stunning locations, brilliant practical effects and surprising emotional heft.
James Wan directs what looks like a tourist information film for LA, Abu Dhabi and Tokyo but manages to keep the story flowing throughout the slightly overlong 137 minute running time. The fast cars and beautiful women are thrown at the audience thick and fast and the brakes aren’t applied until ten minutes before the end credits roll.
Thankfully, this is exactly what the series has become known for and the gorgeous settings are brilliantly juxtaposed with action-packed sequences including the much marketed mountain plane drop in Azerbaijan that is an absolute wonder to behold despite its use in the film’s trailers.
Vin Diesel’s Dom is what has grounded the series over the last 14 years but here it is Paul Walker’s Brian O’Conner that we find the most intriguing and it’s really no surprise. Ever since his death, fans were worried how tasteful the film would be, but there is no need to worry.
Despite the action, the fights and the sunshine, Fast 7 manages to provide a rollercoaster of emotion as the cameras linger on Walker’s face or put him at the forefront of each scene. As the final 10 minutes approach it’s clear that the movie is going to end on a deeply gut-wrenching tribute to him and there were a few tears in the cinema.
Nevertheless, it’s obvious a film that focuses on supercars isn’t going to have much of a plot but director James Wan, who comes to the franchise for the first time, should be commended for fashioning a half-coherent story despite going into the production with numerous delays and seven films in.
Overall, Fast 7 is a great slice of popcorn entertainment and should definitely rank high up as one of the better films in the series. However, the tragic circumstances surrounding its production make it so much more.
Yes it won’t be winning any awards for originality or acting prowess, but its emotional resonance means it’s worth a watch for fans of the series and newcomers alike.
https://moviemetropolis.net/2015/04/05/a-guilty-pleasure-fast-furious-7-review/
However, filming on the latest instalment, Fast & Furious 7, was delayed after the tragic death of lead actor Paul Walker, so does his untimely passing hurt the resulting movie?
Fast 7 continues after the events of Tokyo Drift and features the usual loveable rogues returning in their respective roles, including a beefed up part for Jason Statham who made a cameo in the sixth film.
Vin Diesel, Dwayne Johnson, Michelle Rodriguez, Jordana Brewster, Tyrese Gibson, Lucas Black and Ludacris all reprise their characters as they do battle against Statham’s villain, Deckard Shaw, who fans will remember is the brother of Owen Shaw from Fast 6.
The premise remains as simple as in previous instalments but continues the series’ trend for over-the-top action pieces that border on the ridiculous. Despite this, Fast 7 is the most watchable of the entire franchise with stunning locations, brilliant practical effects and surprising emotional heft.
James Wan directs what looks like a tourist information film for LA, Abu Dhabi and Tokyo but manages to keep the story flowing throughout the slightly overlong 137 minute running time. The fast cars and beautiful women are thrown at the audience thick and fast and the brakes aren’t applied until ten minutes before the end credits roll.
Thankfully, this is exactly what the series has become known for and the gorgeous settings are brilliantly juxtaposed with action-packed sequences including the much marketed mountain plane drop in Azerbaijan that is an absolute wonder to behold despite its use in the film’s trailers.
Vin Diesel’s Dom is what has grounded the series over the last 14 years but here it is Paul Walker’s Brian O’Conner that we find the most intriguing and it’s really no surprise. Ever since his death, fans were worried how tasteful the film would be, but there is no need to worry.
Despite the action, the fights and the sunshine, Fast 7 manages to provide a rollercoaster of emotion as the cameras linger on Walker’s face or put him at the forefront of each scene. As the final 10 minutes approach it’s clear that the movie is going to end on a deeply gut-wrenching tribute to him and there were a few tears in the cinema.
Nevertheless, it’s obvious a film that focuses on supercars isn’t going to have much of a plot but director James Wan, who comes to the franchise for the first time, should be commended for fashioning a half-coherent story despite going into the production with numerous delays and seven films in.
Overall, Fast 7 is a great slice of popcorn entertainment and should definitely rank high up as one of the better films in the series. However, the tragic circumstances surrounding its production make it so much more.
Yes it won’t be winning any awards for originality or acting prowess, but its emotional resonance means it’s worth a watch for fans of the series and newcomers alike.
https://moviemetropolis.net/2015/04/05/a-guilty-pleasure-fast-furious-7-review/
Movie Metropolis (309 KP) rated The Lego Batman Movie (2017) in Movies
Jun 11, 2019
All Hail the Bricks
LEGO may have just single-handedly saved the DC Universe. Yep, you heard me right; the construction toy has come to the aid of one of the comic-book heavyweights in spectacular fashion.
Of course, this is not the first time the world’s biggest toy company has released a film. 2014’s LEGO Movie catapulted the popular bricks into the minds of more people than ever before, it was an astounding success, and deserved every inch.
Now, they’re back with The LEGO Batman Movie, a film with so many side jokes and movie references, it’s impossible to spot them all the first time around.
There are some big changes brewing in the city of Gotham, but if Batman (Will Arnett) wants to save the city from the Joker’s (Zach Galifianakis) hostile takeover, he may have to drop the lone vigilante shtick, try to work with others and perhaps, learn to lighten up; if that’s humanly possible. Maybe his superhero sidekick Robin (voiced by Michael Cera) and loyal butler Alfred (played by Ralph Fiennes) can show him a thing or two?
After depressing cinema-goers with Batman v Superman: Dawn of Justice and the studio interference that caused Suicide Squad to be a hideous mess (which is referenced in the flick marvellously), DC was in serious trouble – its universe was unravelling before it had even got going. Marvel certainly had nothing to worry about from its biggest rival, but that may have changed after this.
Everything from the voice acting to the ridiculously dry script and exceptional animation makes The LEGO Batman Movie a treat for children and adults. There are references to: get ready… Jurassic Park, Harry Potter, Doctor Who, Gremlins, The Lord of the Rings and every single Batman film to name but a few, all expertly placed within a story that betters any DC film before it.
The cast gels together perfectly. Will Arnett clearly had a ball playing the caped crusader, channelling Ben Affleck and Christian Bale flawlessly. Michael Cera gives his best performance in years and Ralph Fiennes is great as Alfred. Would you believe me if I said Mariah Carey even got in on the action? Well, she does. There are small roles for Channing Tatum, Jonah Hill and Eddie Izzard too.
Elsewhere, the animation is of course, blocky. Beautifully so in fact. It’s always exciting seeing individual locations transformed into LEGO and Gotham is no exception. It’s rendered to an exquisite standard with each and every frame stuffed to the brim with colour and detail. The music is also a highlight throughout with Lorne Balfe’s faithful score juxtaposed with some original songs and classic pop hits.
Overall, The LEGO Batman Movie was always going to be a gamble, but perhaps less of a risk considering the low quality of DC’s current crop of films. With some great animation, a genuinely funny and at times heart-warming story and a cast that works together incredibly well, it’s a cracking addition to the ever-expanding superhero genre.
https://moviemetropolis.net/2017/02/11/all-hail-the-bricks-the-lego-batman-movie-review/
Of course, this is not the first time the world’s biggest toy company has released a film. 2014’s LEGO Movie catapulted the popular bricks into the minds of more people than ever before, it was an astounding success, and deserved every inch.
Now, they’re back with The LEGO Batman Movie, a film with so many side jokes and movie references, it’s impossible to spot them all the first time around.
There are some big changes brewing in the city of Gotham, but if Batman (Will Arnett) wants to save the city from the Joker’s (Zach Galifianakis) hostile takeover, he may have to drop the lone vigilante shtick, try to work with others and perhaps, learn to lighten up; if that’s humanly possible. Maybe his superhero sidekick Robin (voiced by Michael Cera) and loyal butler Alfred (played by Ralph Fiennes) can show him a thing or two?
After depressing cinema-goers with Batman v Superman: Dawn of Justice and the studio interference that caused Suicide Squad to be a hideous mess (which is referenced in the flick marvellously), DC was in serious trouble – its universe was unravelling before it had even got going. Marvel certainly had nothing to worry about from its biggest rival, but that may have changed after this.
Everything from the voice acting to the ridiculously dry script and exceptional animation makes The LEGO Batman Movie a treat for children and adults. There are references to: get ready… Jurassic Park, Harry Potter, Doctor Who, Gremlins, The Lord of the Rings and every single Batman film to name but a few, all expertly placed within a story that betters any DC film before it.
The cast gels together perfectly. Will Arnett clearly had a ball playing the caped crusader, channelling Ben Affleck and Christian Bale flawlessly. Michael Cera gives his best performance in years and Ralph Fiennes is great as Alfred. Would you believe me if I said Mariah Carey even got in on the action? Well, she does. There are small roles for Channing Tatum, Jonah Hill and Eddie Izzard too.
Elsewhere, the animation is of course, blocky. Beautifully so in fact. It’s always exciting seeing individual locations transformed into LEGO and Gotham is no exception. It’s rendered to an exquisite standard with each and every frame stuffed to the brim with colour and detail. The music is also a highlight throughout with Lorne Balfe’s faithful score juxtaposed with some original songs and classic pop hits.
Overall, The LEGO Batman Movie was always going to be a gamble, but perhaps less of a risk considering the low quality of DC’s current crop of films. With some great animation, a genuinely funny and at times heart-warming story and a cast that works together incredibly well, it’s a cracking addition to the ever-expanding superhero genre.
https://moviemetropolis.net/2017/02/11/all-hail-the-bricks-the-lego-batman-movie-review/
Movie Metropolis (309 KP) rated Krampus (2015) in Movies
Jun 11, 2019
Full of festive chills and thrills
It’s the most wonderful time of the year, or in the case of one typical US family, it’s not, as they face off against a whole host of festive monsters and ghouls, all serving their evil overlord, Krampus.
This horror comedy takes the genre to a whole new level, throwing in a nice dose of cheesy festive calamity for good measure. But will you be wishing for it on this year’s Christmas list?
Krampus follows the story of a family, who after getting together for the holiday; forget the spirit of Christmas and what it means to hope for a better future and for the well-being of those around you.
Unfortunately, there aren’t any visits from Santa on the cards for this unlucky group, as their continuous bickering summons Krampus, St. Nicholas’ shadow. Krampus is a popular piece of German folklore, a hooded anthropomorphic figure who punishes naughty children in the run up to Christmas.
Naturally, the legend of Krampus gets an American makeover but surprisingly the end result is one of the best horror comedy films in years with some well-time scares and just the right amount of laughs. The family, known only by their first names, is a well-acted group featuring talent like Toni Collette, Adam Scott and the ever-popular David Koechner.
The family unit has just the right amount of chemistry to make their relationships feel believable with Krista Stadler providing an eerie performance as the film’s eldest character.
What sets Krampus apart from its peers is the ingenious plot and fascinating story, with one particular scene featuring some crazed gingerbread men and demonic toys proving to be the film’s highlight. The constant shifts in tone ensure it never settles into a rut, and unusually for the genre, Krampus manages to steamroll itself to a genuinely pleasing climax that’ll have you talking long after you’ve walked out of the cinema.
There’s also a beautifully animated backstory explaining the origins of our antagonist that just proves how above average this film truly is. Only Harry Potter & the Deathly Hallows: Part 1 managed to do such a tasteful cut to animation and it works fantastically well here too.
The titular character is a menacing figure in a long cloak, with dangling chains and large hooves, and despite his lack of screen time, he makes his presence felt. There’ll be no chance of bickering around the Christmas dinner table if there’s the possibility of Krampus showing up.
If there’s one criticism to be directed towards Krampus, it’s the lack of actual horror. Yes, there are scares but the majority of them are of the jump variety and there’s only so much terror that can be inflicted by maniacal biscuits.
Overall, Krampus is a highly entertaining romp with one of the best endings ever seen in the horror comedy genre. This frighteningly funny festive treat should most definitely be on your must watch list – it’s a delight.
Just remember, he knows when you’ve been bad or good, so be good for goodness sake! Krampus is coming to town.
https://moviemetropolis.net/2015/12/06/full-of-festive-thrills-and-chills-krampus-review/
This horror comedy takes the genre to a whole new level, throwing in a nice dose of cheesy festive calamity for good measure. But will you be wishing for it on this year’s Christmas list?
Krampus follows the story of a family, who after getting together for the holiday; forget the spirit of Christmas and what it means to hope for a better future and for the well-being of those around you.
Unfortunately, there aren’t any visits from Santa on the cards for this unlucky group, as their continuous bickering summons Krampus, St. Nicholas’ shadow. Krampus is a popular piece of German folklore, a hooded anthropomorphic figure who punishes naughty children in the run up to Christmas.
Naturally, the legend of Krampus gets an American makeover but surprisingly the end result is one of the best horror comedy films in years with some well-time scares and just the right amount of laughs. The family, known only by their first names, is a well-acted group featuring talent like Toni Collette, Adam Scott and the ever-popular David Koechner.
The family unit has just the right amount of chemistry to make their relationships feel believable with Krista Stadler providing an eerie performance as the film’s eldest character.
What sets Krampus apart from its peers is the ingenious plot and fascinating story, with one particular scene featuring some crazed gingerbread men and demonic toys proving to be the film’s highlight. The constant shifts in tone ensure it never settles into a rut, and unusually for the genre, Krampus manages to steamroll itself to a genuinely pleasing climax that’ll have you talking long after you’ve walked out of the cinema.
There’s also a beautifully animated backstory explaining the origins of our antagonist that just proves how above average this film truly is. Only Harry Potter & the Deathly Hallows: Part 1 managed to do such a tasteful cut to animation and it works fantastically well here too.
The titular character is a menacing figure in a long cloak, with dangling chains and large hooves, and despite his lack of screen time, he makes his presence felt. There’ll be no chance of bickering around the Christmas dinner table if there’s the possibility of Krampus showing up.
If there’s one criticism to be directed towards Krampus, it’s the lack of actual horror. Yes, there are scares but the majority of them are of the jump variety and there’s only so much terror that can be inflicted by maniacal biscuits.
Overall, Krampus is a highly entertaining romp with one of the best endings ever seen in the horror comedy genre. This frighteningly funny festive treat should most definitely be on your must watch list – it’s a delight.
Just remember, he knows when you’ve been bad or good, so be good for goodness sake! Krampus is coming to town.
https://moviemetropolis.net/2015/12/06/full-of-festive-thrills-and-chills-krampus-review/
Movie Metropolis (309 KP) rated Pixels (2015) in Movies
Jun 11, 2019
Where's the off switch
When was the last time you went to the cinema to see something original? It’s probably a question a lot of film fans ask themselves and in the last few years, perhaps proved rather difficult to answer.
However, with 2015 being the year of the reboot and the sequel, it’s nice to see a film like Pixels showcasing something completely different. But is it worth a go?
Directed by Chris Columbus of Mrs. Doubtfire and Harry Potter fame, Pixels stars Adam Sandler, Josh Gad, Peter Dinklage and a woefully miscast Kevin James in a film that doesn’t do enough with its fascinating premise, descending into painfully unfunny slapstick instead.
Sandler stars as Sam Brenner, a video game lover who, after a brief scene showing his history, is tasked with saving the world as aliens infiltrate Earth and begin to attack using some of our most-loved classic arcade games.
Alongside him for the ride are fellow video-game champs Josh Gad (Frozen), Peter Dinklage (X:Men – Days of Future Past) and Kevin James (Paul Blart: Mall Cop). The latter also happens to play the US President.
Unfortunately, none of the cast are particularly likeable with the usually on-point James playing one of the worst Presidential roles ever put to film. He is simply unbelievable as the leader of the United States and provides Pixels with some of its more cringe-worthy moments.
Once the film gets going, there are a few standout moments including a Pac-Man rampage through New York City but this has been so heavily marketed in the trailers that there is practically no suspense or joy in watching it unfold.
The finale is also very good, with a Donkey Kong showdown rendered in some stunning CGI and ridiculously clever set building and it’s great fun seeing so many classic arcade games being brought to life on the big screen.
Pac-Man, Q*Bert , Centipede and Donkey Kong are just a few to appear and look glorious with their 21st Century upgrades. Q*Bert in particular is a little cutie and is a major character throughout the last third of the film.
It’s unfortunate then that Chris Columbus’ usually reliable direction takes such a knock here. There’s none of the clever generation-bending humour of Mrs. Doubtfire or the laugh-out-loud slapstick of Home Alone, and the visual style he brought to Harry Potter is nowhere to be seen. In the end, Pixels just comes across as a brilliant concept that seems wasted.
Perhaps this can be blamed somewhat on poor casting choices. Adam Sandler hasn’t been hot property for a while after numerous box-office bombs and Peter Dinklage is still establishing himself as a major movie star. With Kevin James also proving a disappointment, it’s only Josh Gad who comes out on top – just.
Ultimately, Pixels is fun while it lasts and has some absolutely brilliant set pieces but once the credits roll, it’s apparent that it won’t be memorable like the wonderful arcade games it parodies.
https://moviemetropolis.net/2015/08/16/wheres-the-start-button-pixels-review/
However, with 2015 being the year of the reboot and the sequel, it’s nice to see a film like Pixels showcasing something completely different. But is it worth a go?
Directed by Chris Columbus of Mrs. Doubtfire and Harry Potter fame, Pixels stars Adam Sandler, Josh Gad, Peter Dinklage and a woefully miscast Kevin James in a film that doesn’t do enough with its fascinating premise, descending into painfully unfunny slapstick instead.
Sandler stars as Sam Brenner, a video game lover who, after a brief scene showing his history, is tasked with saving the world as aliens infiltrate Earth and begin to attack using some of our most-loved classic arcade games.
Alongside him for the ride are fellow video-game champs Josh Gad (Frozen), Peter Dinklage (X:Men – Days of Future Past) and Kevin James (Paul Blart: Mall Cop). The latter also happens to play the US President.
Unfortunately, none of the cast are particularly likeable with the usually on-point James playing one of the worst Presidential roles ever put to film. He is simply unbelievable as the leader of the United States and provides Pixels with some of its more cringe-worthy moments.
Once the film gets going, there are a few standout moments including a Pac-Man rampage through New York City but this has been so heavily marketed in the trailers that there is practically no suspense or joy in watching it unfold.
The finale is also very good, with a Donkey Kong showdown rendered in some stunning CGI and ridiculously clever set building and it’s great fun seeing so many classic arcade games being brought to life on the big screen.
Pac-Man, Q*Bert , Centipede and Donkey Kong are just a few to appear and look glorious with their 21st Century upgrades. Q*Bert in particular is a little cutie and is a major character throughout the last third of the film.
It’s unfortunate then that Chris Columbus’ usually reliable direction takes such a knock here. There’s none of the clever generation-bending humour of Mrs. Doubtfire or the laugh-out-loud slapstick of Home Alone, and the visual style he brought to Harry Potter is nowhere to be seen. In the end, Pixels just comes across as a brilliant concept that seems wasted.
Perhaps this can be blamed somewhat on poor casting choices. Adam Sandler hasn’t been hot property for a while after numerous box-office bombs and Peter Dinklage is still establishing himself as a major movie star. With Kevin James also proving a disappointment, it’s only Josh Gad who comes out on top – just.
Ultimately, Pixels is fun while it lasts and has some absolutely brilliant set pieces but once the credits roll, it’s apparent that it won’t be memorable like the wonderful arcade games it parodies.
https://moviemetropolis.net/2015/08/16/wheres-the-start-button-pixels-review/
Movie Metropolis (309 KP) rated The Wedding Ringer (2015) in Movies
Jun 11, 2019
Best reserved for the DVD shelf
The comedy genre is one which goes through many cycles. You can go for years with lacklustre efforts featuring big-name celebrities like Norbit and Johnny English: Reborn, but every so often something special comes along to remind you how funny films can be – a la Bridesmaids or The Heat.
This year’s first offering is The Wedding Ringer. Fronted by Kevin Hart and Josh Gad, it follows the story of a loner who is forced to hire a best man to ensure his upcoming wedding goes without a hitch. But will it have you in fits of laughter or running from the altar?
Jeremy Garelick directs a film that despite a few chuckles here and there and the odd laugh-out-loud moment never really manages to settle into a groove and as such it all feels a little, well vanilla.
Dough Harris (Gad) is a man with a secret, one so big he is unable to share it with his obnoxious fiancée Gretchen – the normally adorable Kaley Cuoco-Sweeting in an against type performance. He simply hasn’t got any friends and is forced to hire Jimmy Callahan (Hart) as his best man to make himself look less of a loser.
Naturally things don’t go quite to plan with a selection of mildly amusing set-pieces involving bachelor parties, dogs and dancing interspersed with genuinely touching scenes which look at self-worth and finding true love and friendship.
Unfortunately this is where things begin to unravel. A mixture of slapstick and more complex comedic elements are put into a film which isn’t quite sure which genre it is trying to be, outright comedy or romantic comedy drama.
Hart plays Jimmy well and Gad is good as the bumbling yet sweet Doug, but the former seems to be on autopilot for the majority of The Wedding Ringer’s 101 minute running time while the latter seems to be just going through the motions, exhibiting no real connection with the script.
Other characters including a selection of hired groomsmen and close family barely register as cardboard cut-outs, never mind major characters in a motion picture.
However, the real fun to be had here is in the more childish sequences with one involving a dog, and another featuring an extended danceringer-dancing sequence having the audience in fits of laughter, though again these moments are few and far between.
Ultimately then, The Wedding Ringer isn’t as disappointing as it could have been but falls short of the comedic standard that audiences now expect when paying the increasingly expensive price of a cinema ticket.
Despite some reasonably charming performances, a couple of stand-out scenes and a cracking soundtrack, The Wedding Ringer fits into a bracket reserved for comedy films which could have delivered so much, but in the end just didn’t go quite far enough and it leaves Bridesmaids at the top of the pile for wedding-themed hilarity.
https://moviemetropolis.net/2015/02/22/best-reserved-for-the-dvd-shelf-the-wedding-ringer-review/
This year’s first offering is The Wedding Ringer. Fronted by Kevin Hart and Josh Gad, it follows the story of a loner who is forced to hire a best man to ensure his upcoming wedding goes without a hitch. But will it have you in fits of laughter or running from the altar?
Jeremy Garelick directs a film that despite a few chuckles here and there and the odd laugh-out-loud moment never really manages to settle into a groove and as such it all feels a little, well vanilla.
Dough Harris (Gad) is a man with a secret, one so big he is unable to share it with his obnoxious fiancée Gretchen – the normally adorable Kaley Cuoco-Sweeting in an against type performance. He simply hasn’t got any friends and is forced to hire Jimmy Callahan (Hart) as his best man to make himself look less of a loser.
Naturally things don’t go quite to plan with a selection of mildly amusing set-pieces involving bachelor parties, dogs and dancing interspersed with genuinely touching scenes which look at self-worth and finding true love and friendship.
Unfortunately this is where things begin to unravel. A mixture of slapstick and more complex comedic elements are put into a film which isn’t quite sure which genre it is trying to be, outright comedy or romantic comedy drama.
Hart plays Jimmy well and Gad is good as the bumbling yet sweet Doug, but the former seems to be on autopilot for the majority of The Wedding Ringer’s 101 minute running time while the latter seems to be just going through the motions, exhibiting no real connection with the script.
Other characters including a selection of hired groomsmen and close family barely register as cardboard cut-outs, never mind major characters in a motion picture.
However, the real fun to be had here is in the more childish sequences with one involving a dog, and another featuring an extended danceringer-dancing sequence having the audience in fits of laughter, though again these moments are few and far between.
Ultimately then, The Wedding Ringer isn’t as disappointing as it could have been but falls short of the comedic standard that audiences now expect when paying the increasingly expensive price of a cinema ticket.
Despite some reasonably charming performances, a couple of stand-out scenes and a cracking soundtrack, The Wedding Ringer fits into a bracket reserved for comedy films which could have delivered so much, but in the end just didn’t go quite far enough and it leaves Bridesmaids at the top of the pile for wedding-themed hilarity.
https://moviemetropolis.net/2015/02/22/best-reserved-for-the-dvd-shelf-the-wedding-ringer-review/
Lucy Buglass (45 KP) rated Overlord (2018) in Movies
Jun 20, 2019
As someone who isn’t much of a war film fan, I was apprehensive about Overlord. I often find war films quite repetitive in nature, and they’ve never really appealed to me. So when I was kindly invited to a press screening on behalf of JUMPCUT, I really wasn’t sure what to expect. I tried not to set my expectations too high, but as a J.J. Abrams fan, I was interested to see what he’d brought to the table as a producer. Maybe a blend of war and horror is exactly what I needed.
Straight away, the thing that stood out to me was the quality of the sound, especially in a cinema setting. If you’re able to, I would absolutely recommend you catch Overlord on the big screen because of it. The film opens with soldiers on a plane, and the deafening booms of bombs combined with the roar of the plane really puts you right in the middle of the action. This sequence is one of the most immersive experiences I’ve ever had. You’re forced to witness the horrors of war straight off the bat and identify with the soldiers’ point of view. Later on in the film, this excellent use of sound really adds to the suspense and makes for a truly uncomfortable experience.
After loving Wyatt Russell in Black Mirror, I was looking forward to his performance in particular, but the whole cast really delivered. Each solider is believable, flawed, and different in their personality to the point where you feel like you’re there with them. The character development throughout is excellent, and no one feels two-dimensional or glossed over. This is one of the problems I have with war films, that sometimes everyone seems to blend into one group and no one is easily distinguishable. With Overlord, every character has both purpose and a personality; something I thoroughly enjoyed. The characters that the soldiers encounter along the way are treated exactly the same too, and it’s nice to see secondary characters being treated with respect.
If you’re a fan of gory special effects, this is one to watch for sure. When it finally becomes clear to us what’s going on, and dark secrets are revealed, it is a terrifying experience. It’s best you go into it not knowing any more than that, as it would be a shame to have it spoiled. What I can say, is that the effects are nightmare inducing and reminiscent of many body horror films. The rest you need to witness for yourself. I’ve seen my fair share of gruesome stuff, but this really stood out to me. Overlord deserves recognition for its visual effects alone, they are a welcome addition to the horror genre.
Overall, Overlord is a smart film that blends war and horror together effortlessly, resulting in a truly terrifying experience. I’m unsure how it’ll translate on my TV after experiencing it on such a large-scale, but I am certainly up for watching it again to see what it’s like. It’s a very entertaining couple of hours that are action-packed and gruesome throughout.
https://jumpcutonline.co.uk/review-overlord-2018/
Straight away, the thing that stood out to me was the quality of the sound, especially in a cinema setting. If you’re able to, I would absolutely recommend you catch Overlord on the big screen because of it. The film opens with soldiers on a plane, and the deafening booms of bombs combined with the roar of the plane really puts you right in the middle of the action. This sequence is one of the most immersive experiences I’ve ever had. You’re forced to witness the horrors of war straight off the bat and identify with the soldiers’ point of view. Later on in the film, this excellent use of sound really adds to the suspense and makes for a truly uncomfortable experience.
After loving Wyatt Russell in Black Mirror, I was looking forward to his performance in particular, but the whole cast really delivered. Each solider is believable, flawed, and different in their personality to the point where you feel like you’re there with them. The character development throughout is excellent, and no one feels two-dimensional or glossed over. This is one of the problems I have with war films, that sometimes everyone seems to blend into one group and no one is easily distinguishable. With Overlord, every character has both purpose and a personality; something I thoroughly enjoyed. The characters that the soldiers encounter along the way are treated exactly the same too, and it’s nice to see secondary characters being treated with respect.
If you’re a fan of gory special effects, this is one to watch for sure. When it finally becomes clear to us what’s going on, and dark secrets are revealed, it is a terrifying experience. It’s best you go into it not knowing any more than that, as it would be a shame to have it spoiled. What I can say, is that the effects are nightmare inducing and reminiscent of many body horror films. The rest you need to witness for yourself. I’ve seen my fair share of gruesome stuff, but this really stood out to me. Overlord deserves recognition for its visual effects alone, they are a welcome addition to the horror genre.
Overall, Overlord is a smart film that blends war and horror together effortlessly, resulting in a truly terrifying experience. I’m unsure how it’ll translate on my TV after experiencing it on such a large-scale, but I am certainly up for watching it again to see what it’s like. It’s a very entertaining couple of hours that are action-packed and gruesome throughout.
https://jumpcutonline.co.uk/review-overlord-2018/
Darren (1599 KP) rated A Very Harold & Kumar Christmas (2011) in Movies
Jun 20, 2019
Story: The hijinks of this duo is always hilarious and this time is no different, getting themselves in all sorts of trouble as well as finding funny ways to get out of them. They always find colourful characters some seen before some new ones. It is all fun but not too serious and the story offers not too much more original than the first two. (7/10)
Actor Review: Kal Penn – The stoner friend who needs to learn to grow up and throughout the film he finally learns to. Continues to do a good job in the role showing he has some very good comic timing. (8/10)
kumar
Actor Review: John Cho – Has always been the more serious of the pairing and now has taken that too the next level. Just like Kal he is good again working to be more serious to his more laid back what will be role. Lesley’s Stud Muffin Award (8/10)
harold
Actor Review: Neil Patrick Harris – Always turns up as himself in these films and always steals the scene. This is no different making his character even funnier. Scene Stealer Award (9/10)
HPH
Actor Review: Danny Trejo – The disapproving father of Harold who starts out being very against Harold, but letting Harold prove he has what it takes to look after his daughter. Very much written for Trejo letting him poke fun at the characters he has created through the years. (8/10)
Actor Review: Amir Blumenfeld – Kumar’s friend who ends up taking everyone to a party helping leading to the mess the guys end up in. Good addition to the cast has some of the funnier scenes. (8/10)
Actor Review: Thomas Lennon – Has to look after his baby daughter and ends up in situations where the baby gets stoned by accident. They panic stricken character adds some many funny moments in this film. They Have the Laughs Award, Funniest Character Award (9/10)
Todd & Adrian with the stoned baby
Todd & Adrian with the stoned baby
Director Review: Todd Strauss-Schulson – This small time director steps up to create a good comedy. (8/10)
Comedy: Good comedy, very funny scenarios created. (8/10)
Special Effects: Pokes fun at the 3D era in the cinema with some funny special effects. (9/10)
Chemistry: Harold & Kumar have great chemistry throughout the film. (9/10)
Believability: I am sure some stoner have had some wild adventures not as wild as these guys but still similar. (6/10)
Chances of Tears: None (0/10)
Oscar Chances: NONE
Chances of Sequel: I am sure they have enough to make a sequel.
Suggestion: A comedy that should be enjoyed by all fans of the mature audience. If you like the first two you will like this one. If you want serious you are looking in the wrong place. (Enjoy The Trip)
Best Part: Clay doe scene.
clay
Kill Of The Film: By the waffle machine.
Funniest Scene: The stoned baby
Similar Too: Harold & Kumar’s previous adventures.
Overall: Outrageous comedy with plenty of laughs
Lesley’s Rating 60%
https://moviesreview101.com/2013/12/21/a-very-harold-kumar-3d-christmas-2011/
Actor Review: Kal Penn – The stoner friend who needs to learn to grow up and throughout the film he finally learns to. Continues to do a good job in the role showing he has some very good comic timing. (8/10)
kumar
Actor Review: John Cho – Has always been the more serious of the pairing and now has taken that too the next level. Just like Kal he is good again working to be more serious to his more laid back what will be role. Lesley’s Stud Muffin Award (8/10)
harold
Actor Review: Neil Patrick Harris – Always turns up as himself in these films and always steals the scene. This is no different making his character even funnier. Scene Stealer Award (9/10)
HPH
Actor Review: Danny Trejo – The disapproving father of Harold who starts out being very against Harold, but letting Harold prove he has what it takes to look after his daughter. Very much written for Trejo letting him poke fun at the characters he has created through the years. (8/10)
Actor Review: Amir Blumenfeld – Kumar’s friend who ends up taking everyone to a party helping leading to the mess the guys end up in. Good addition to the cast has some of the funnier scenes. (8/10)
Actor Review: Thomas Lennon – Has to look after his baby daughter and ends up in situations where the baby gets stoned by accident. They panic stricken character adds some many funny moments in this film. They Have the Laughs Award, Funniest Character Award (9/10)
Todd & Adrian with the stoned baby
Todd & Adrian with the stoned baby
Director Review: Todd Strauss-Schulson – This small time director steps up to create a good comedy. (8/10)
Comedy: Good comedy, very funny scenarios created. (8/10)
Special Effects: Pokes fun at the 3D era in the cinema with some funny special effects. (9/10)
Chemistry: Harold & Kumar have great chemistry throughout the film. (9/10)
Believability: I am sure some stoner have had some wild adventures not as wild as these guys but still similar. (6/10)
Chances of Tears: None (0/10)
Oscar Chances: NONE
Chances of Sequel: I am sure they have enough to make a sequel.
Suggestion: A comedy that should be enjoyed by all fans of the mature audience. If you like the first two you will like this one. If you want serious you are looking in the wrong place. (Enjoy The Trip)
Best Part: Clay doe scene.
clay
Kill Of The Film: By the waffle machine.
Funniest Scene: The stoned baby
Similar Too: Harold & Kumar’s previous adventures.
Overall: Outrageous comedy with plenty of laughs
Lesley’s Rating 60%
https://moviesreview101.com/2013/12/21/a-very-harold-kumar-3d-christmas-2011/
Gareth von Kallenbach (980 KP) rated Gridiron Gang (2006) in Movies
Aug 14, 2019
Often the true mark of cinema, this is the category where you will often find the majority of the award winners. The challenge of combining realistic yet sympathetic characters with gripping stories and emotional themes can be a true challenge, but when it works, this is where Hollywood truly shines.
In his latest film Gridiron Gang Dwayne Johnson, better known as the Rock has an appealing mix of sports action, drama, and comedy on his hands that will not only touch you, but will have you cheering.
The Rock stars as Sean Porter, a former college football star who works in a L.A. Area detention center for juvenile offenders. Saddened by the wasted lives of the young men, Sean looks for them to find an alternative to the life of crime, violence, and early death that so many of his inmates face.
With 75% of offenders likely to become repeat offenders, Sean decides to start a football team with the hope of teaching the young inmates the value of hard work, sacrifice, playing as a team, and duty.
Despite some initial obstacles from the system as well as school leagues hesitant to play against convicted offenders, the team son finds themselves with a full schedule and less than three weeks to go before their first game.
The hard practice and coaching style of Sean wears on the players, but they soon find themselves in their first game against a hardened and proven team which underscores just how much work they have to do.
As pressure mounts from all sides, Sean must find a way to meld his team into a winner and prove that this is a project worth doing and that the young men in his care are not lost causes, but are deserving of a new start.
While much of the film may play out as you would expect with the team coming together to play the big game, what is refreshing about the film is the solid performance of The Rock who shows that he is more than just an action star and is very capable of acting. He mixes his portrayal of Sean with equal amounts toughness and caring, to create what is easily his most mature and well defined character to date.
The supporting cast is good, especially Xzibit as Malcolm Moore, who provides a solid supporting presence to The Rock.
While the film is heavy on football action, it also does not shy away from giving the audience a glimpse of the life that the team comes from and how old rivalries and
hostilities can follow them even when they try to leave them behind with the best of intentions.
The action on the field is first-rate as the game choreography never lets up, and is easily the most accurate portrayal of the sport ever committed to film. You can tell that the cast is playing with heart and passion and not simply going through the motions.
Despite a few predictable moments, Gridiron Gang is a very pleasant surprise that is one of the years most enjoyable and satisfying films.
In his latest film Gridiron Gang Dwayne Johnson, better known as the Rock has an appealing mix of sports action, drama, and comedy on his hands that will not only touch you, but will have you cheering.
The Rock stars as Sean Porter, a former college football star who works in a L.A. Area detention center for juvenile offenders. Saddened by the wasted lives of the young men, Sean looks for them to find an alternative to the life of crime, violence, and early death that so many of his inmates face.
With 75% of offenders likely to become repeat offenders, Sean decides to start a football team with the hope of teaching the young inmates the value of hard work, sacrifice, playing as a team, and duty.
Despite some initial obstacles from the system as well as school leagues hesitant to play against convicted offenders, the team son finds themselves with a full schedule and less than three weeks to go before their first game.
The hard practice and coaching style of Sean wears on the players, but they soon find themselves in their first game against a hardened and proven team which underscores just how much work they have to do.
As pressure mounts from all sides, Sean must find a way to meld his team into a winner and prove that this is a project worth doing and that the young men in his care are not lost causes, but are deserving of a new start.
While much of the film may play out as you would expect with the team coming together to play the big game, what is refreshing about the film is the solid performance of The Rock who shows that he is more than just an action star and is very capable of acting. He mixes his portrayal of Sean with equal amounts toughness and caring, to create what is easily his most mature and well defined character to date.
The supporting cast is good, especially Xzibit as Malcolm Moore, who provides a solid supporting presence to The Rock.
While the film is heavy on football action, it also does not shy away from giving the audience a glimpse of the life that the team comes from and how old rivalries and
hostilities can follow them even when they try to leave them behind with the best of intentions.
The action on the field is first-rate as the game choreography never lets up, and is easily the most accurate portrayal of the sport ever committed to film. You can tell that the cast is playing with heart and passion and not simply going through the motions.
Despite a few predictable moments, Gridiron Gang is a very pleasant surprise that is one of the years most enjoyable and satisfying films.