Search

Search only in certain items:

S(
Senshi (Katana, #2)
8
8.0 (1 Ratings)
Book Rating
Original Review posted on <a title="Senshi by Cole Gibsen" href="http://bookwyrming-thoughts.blogspot.com/2013/11/review-senshi-by-cole-gibsen.html">http://bookwyrming-thoughts.blogspot.com/2013/11/review-senshi-by-cole-gibsen.html</a>;
Original Rating: 4.5 out of 5 Owls

<i><b>Note:</b> Formatting may be lost due to copy and paste</i>

     Well, I'll admit Katana felt like a stand alone – with the "oh, hey, they lived happily ever after! There's no more!" And I actually did think Katana was a stand alone.

      But then Goodreads spoiled everything. -_- I can't believe you would do that to me, Goodreads.

      Well, not exactly. I really wouldn't have known Katana had a sequel without Goodreads, but with the announcements every single day (Katana was a book club read in October) at school about preordering Senshi, I'm bound to know eventually.

      Or the county library would have said, "hey, there's a sequel!" right after I returned Katana in Ebooks Library Lend101. Go figure.

      Moving on.

      In Senshi, it's been a few months since the events left off in Katana. Going down memory lane in terms of nutshell spoilers, Rileigh's finally come to terms with her inner warrior self (go Rileigh!).

      I must say, despite the fact Katana felt like a stand alone, Senshi had some nice surprises waiting for me when reading, and it was almost as good as the first novel. Okay, I almost always love the first novel before the sequels because it's not the end where you have to wave good bye to characters.

      But I just love it when authors lead you down one road but then all of a sudden, they toss in a thing or two (or more) that throws the reader off balance. It makes everything less predictable. ^_^

      The characters are just as amazingly written as ever, particularly Quentin, who I must admit has already landed on my favorite characters from the series next to Rileigh (of course, Rileigh. It's not like I can read Quentin's mind from Rileigh's view, even though I would love to, but I'm just one little opinion out of... hundreds). Then there's Sumi and also Dr. Wendell. I hope I'm not the only when I say the interaction between Rileigh and Dr. Wendell is pretty classic in the way Rileigh pushes Dr. Wendell's buttons all the time. Sumi, on the other hand, is a nuisance and a pain in the butt. Unfortunately, she's likely back in the next book: Shinobi. Fantabulous. A great way to make a Tuesday better. Good thing it's not a Friday. I think I'll survive.

      My Two Cents of Randomness: Aliens didn't abduct Rileigh and change her up did they? I still find the cover really weird. O_o (But only the story matters in my humble opinion, so says the girl who can't even draw a pair of eyes that aren't lopsided.)
  
Power Rangers (2017)
Power Rangers (2017)
2017 | Action, Sci-Fi
Contains spoilers, click to show
About 85% of this reboot of the popular 90s show Power Rangers is quite a broody and charming enough story about a group of five (mostly outcast) teenagers finding a bond and friendship after discovering that they've be given superpowers. This is spliced with the odd training montage of them all learning how to harness their new found powers.
It pretty straightforward, and thanks the main cast, it's fairly enjoyable.
Lead by Jason (Stranger Things' Dacre Montgomery), the five friends are probably the main positive about the film.

As the movie draws on, we are teased with just enough Power Rangers material to keep the intrigue afloat - the presence of Zordon (Bryan Cranston), Alpha 5 (Bill Hader) and Rita Repulsa (Elizabeth Banks), glimpses of the Zords and so on, but the narrative never strays too far from this core theme of strength through friendship.
That is until the final act of course...

I'll admit that I felt a swelling of excitement when the Power Rangers finally appeared in full armour, kicking the shit out of faceless CGI henchman, but it's at this point that director Dean Israelite goes FULL POWER RANGERS. We even get the classic theme tune as the Rangers charge towards Goldar (eye burning CGI, but kind of cool) and Rita in their Zords (also kind of cool) but here in lies the main problem with the film as a whole.
The nostalgia is laid on so thick that it feels like a completely different film. With the first 3/4 being somewhat grounded in realism (sort of), with serious themes and relatable human characters, the final act of flat out Power Rangers absurdity doesn't quite gel. I have no problem with either approach, but I feel like maybe the writers should have picked one and stuck with it.
The well developed teenagers that we've spent and hour and half with at this point are suddenly wise cracking and quipping like there's no tomorrow. The big climatic battle looks ok, but it has that really overplayed Kanye West song obnoxiously blasting throughout (which just gave me *shudder* Suicide Squad vibes), and after being built up to be a genuinely threatening villain, Rita is easily dispatched by a big CGI bitchslap into CGI space, by the big CGI hand of the big CGI Megazord (still kind of cool).
It's just a little meh.

I have fond memories of Power Rangers from my childhood, and I realise that this modern retelling is also aimed at a younger audience, and in that respect I'm sure it's very entertaining, and I give credit to the writers for touching upon more adult issues, but overall, I wish it had been better. Power Rangers is silly, but it does genuinely have scope to be an epic franchise.

Final note - the running Krispy Kreme joke got old very quickly 🖕
  
The Nice Guys (2016)
The Nice Guys (2016)
2016 | Comedy, Drama
This is how it’s supposed to be done. Though it’s not the most original flick to grace the silver screen, Shane Black’s follow-up to his instant cult classic Kiss Kiss Bang Bang has everything you could want in an action/comedy romp. A solid dynamic between its two charming yet flawed leads, a strong plot that has enough twists and turns to keep you thrilled but not lost, and plenty of quotably razor-sharp dialogue. Imagine the Lethal Weapon type meets a less obtuse Inherent Vice. Besides the return of Jason Bourne in July, it will undoubtedly be the most entertaining thing you’ll see in another summer season of mediocrity. Is anybody really that interested in a ninth X-Men film?

Russell Crowe is the muscle-for-hire opposite Ryan Gosling as the P.I. referred to by his daughter as “the worst detective in the world”. They are thrust together by circumstance and, after a couple of amusing altercations, come to find out they are both involved in a larger case of conspiracy and cover-up as they race to find the girl at the center of it all. Crowe and Gosling make a winning team with chemistry in spades and, though the dialogue they’re given may not feel as fresh as what Val Kilmer and Robert Downey Jr. had to work with in Kiss Kiss Bang Bang; they still pull it off marvelously. Between Gosling’s unfortunate directorial debut, Lost River, and Crowe’s string of misfires since 2010’s Robin Hood, these were the type of roles their fading stars were in dire need of and they both certainly look at home in a 70’s-era Hollywood detective story. For Gosling especially, this is probably the most likable he’s ever been. Well done also to the casting department for finding Angourie Rice. As Gosling’s daughter, she’s does an admirably fine job of playing a girl who can stand up to an incredibly hostile world and give some back. Here’s hoping she’s got a decent agent that will keep her in rich, multi-dimensional characters.

Shane Black, already having proved that he knows his way around a screenplay or two, is firmly coming into his own as a director (though the Christmas thing has got to stop), and I’ll be eagerly anticipating his next foray behind the camera. It’s also another excellent job from Warner’s marketing team, with a trailer that gave just enough of the one-liners and snippets of action without spoiling too many of the fun and twisty plot points. The action beats and moments of violence themselves, due to a tightly-structured script, feel earned and well-placed. Not once did I get that overwhelming feeling of action fatigue I’ve been experiencing so much in film lately (I’m looking at you, Marvel). The Nice Guys is all-around great filmmaking and one I can’t wait to revisit. I wouldn’t doubt it’ll be a day-one buy for me when it hits the home video market.
  
Pride and Prejudice and Zombies (2016)
Pride and Prejudice and Zombies (2016)
2016 | Comedy, Horror, Romance
As a fan of the Pride and Prejudice book by Jane Austen, I thought it was all kinds of wrong when I came across the parody novel Pride and Prejudice and Zombies, by Seth Grahame-Smith, that essentially Austen’s classic novel with elements of modern zombie fiction. Mainly because I’m not a fan of horror movies. So as we approached the theater where we were screening Pride and Prejudice and Zombies, I told my husband, “I really don’t want to watch this. I hate zombies.” He just laughed. “You hate zombies, but you watch Walking Dead. Just pretend it’s an episode of Walking dead. Just set near the Victorian era.” I admit, I do watch the Walking Dead but it’s the most stressful hour of television for me, and there are commercial breaks. This movie has a running time for this move was almost 2 hrs with no commercials.

 

But the movie got a giggle out of me in the first 5 minutes. And of course it made me gasp not long after. But Walking Dead has trained me well, and it wasn’t too long ago that I watched Hateful Eight, so I think I’m quite desensitized to blood and gore now, and in comparison, PPZ was relatively mild in that regard. It also had enough of the elements of the original story that fighting zombies actually became an entertaining digression. You know – beautiful young ladies, dashing young men, ballroom dancing, budding romance, zombie attack.

 

“To succeed in polite society, a young woman must be many things. Kind… well-read… and accomplished. But to survive in the world as WE know it, you’ll need… other qualities.” Those qualities include being skilled in the martial arts and weapons training, while wearing a corset –essentially making them Regency era bad-asses.

 

Because I don’t watch Downton Abbey, the last time I saw Lily James, who plays Elizabeth Bennett, she was brilliantly blond and sweetly keeping her promise to her mother to “have courage and be kind.” as Cinderella. In PPZ, she’s a fierce brunette who doesn’t take too kindly to Fitzwilliam Darcy, played by a sullen and haughty Sam Riley – another Disney alum, last seen as Diaval, Maleficent’s companion raven.

 

Where the Jane Austen’s Mr. Darcy is won over by Elizbeth’s charm and wit, PPZ’s Darcy is slowly won over by Elizabeth’s aggressive and bold battle skills. Adding the alternate history of how zombies came to be a part of Regency era England hurried the story along, so the romantic developments felt a bit rushed, but Riley’s Darcy was quite believable in his reluctant but growing admiration of Elizabeth.

 

I was pleasantly surprised by how much I enjoyed this movie, zombies and all. When you can get guys to cheer for some undead’s head getting blown off, and still make the ladies sigh for the romance, you have a pretty perfect date movie. It may very well be my favorite period costume romantic zombie action film.
  
40x40

Neon's Nerd Nexus (360 KP) rated The Call Of The Wild (2020) in Movies

Feb 22, 2020 (Updated Feb 23, 2020)  
The Call Of The Wild (2020)
The Call Of The Wild (2020)
2020 | Drama
8
7.4 (7 Ratings)
Movie Rating
A Sheep In Wolf's Clothing
Call Of The Wild is such a lovely heartfelt movie that will leave everyone that goes to see it with that warm tingly feeling inside their chest and a nice big smile on thier face. Ive seen this film is getting a lot of hate because of its over reliance on cgi animals and while I will admit I found it very distracting to start with after 10 minutes I became accustom and think the movie is much better for using it. Why you ask? well the movie to me is obviously aimed at children and the over all feel of it to me was very much like a classic Disney animated cartoon. Let me explain, theres just something so lovely, peaceful and magical about the whole thing and the way its structured, how exaggerated the characters are, the world it builds and the story. See they all just all come together to give you those same feelings you had when you watched a fairytale like beauty and the beast for the first time. Having the dog be cgi lets him have more cartoonish/exaggerated animations and a way more expressive face really helps us to relate to him better, clearly see how hes feeling and to add to this constant sense of warmth/magic thats present throughout. Theres also a fantastic sense of adventure here and the film uses stunning locations to constantly wow us and keep us in this picturesque perfect dream or tranquil fantasy kind of state. Harrison ford is splendid here playing a lonely man whos almost given up hope of being truly happy until Buck comes along. His perfomance is so touching and you can clearly hear in his Blade Runner style narrations the sadness and pain in his heart which immediately helps you to feel sympathy towards him. Bucks story is equally as sad too, he longs to be part of a pack/family of his own and to one day become a leader answering to no one but himself. His motivations are shown in the form of a powerful and strong black wolf that keeps his confidence up and his determination strong and theres so many messages about never giving up, pushing forward and trusting in your destiny too that its hard not to become fully engrossed in his journey. It may be a simple tale but its an absolute joy to watch and its motivational themes are guaranteed to make anyone think positively about thier own life while watching. I also can not go without mentioning Dan Stevens, boy is this guy talented. His acting here is devilishly cartoonish, over the top wicked and had me grinning constantly in pure delight. Call Of The Wild is an all out beautiful, fun, adorable and exciting adventure for all the family to enjoy and I can not wait till it comes out to buy on 4k.
  
The Last Smile in Sunder City -(The Fetch Phillips Archives #1)
The Last Smile in Sunder City -(The Fetch Phillips Archives #1)
Luke Arnold | 2020 | Science Fiction/Fantasy
9
9.0 (1 Ratings)
Book Rating
More Review Here: https://natachainreviewland.wordpress...

I really, really had a blast reading this story and I flew through it!

Think I liked:

-The Last Smile in Sunder is an urban fantasy with a very noir atmosphere. Luke Arnold writing really immerses you into this world and makes it come to life. As a rule, I don't like lengthy descriptions in my stories, but all descriptions in this book were exactly the right amount and the way they were written grab my interest and didn't let it go.

-I liked the concept of a world where magic disappeared and seeing how that affected all magical beings was something I haven't seen before.

-Fecht personally had some issues but his back story was so interesting. As a was reading about Fetch past I kept thinking that his back story deserved a book on its own. But on the other hand, it was so nicely tied into the main story that by the end I was sold on all those lengthy flashbacks on his past.

-They are so many magical beings, all living in the same world and it was very interesting seeing Arnold's take on them and what back story it gave them.

-Everyone in this story is a grey character. There are not good or bad people/magical beings, it all depends on which version of the story you are listening and we unusually get both sides and I really like that.

-(view spoiler)

Things I didn't like:

-So this one is not something that I didn't like but more like something that some readers might not like. It has some tropes that we've seen a lot. Fecht is your very classic alcoholic and pain killer addict detective that doesn't care about anything and spends his time self pitting because of all the crap he's done in the past and also the love of his life is dead because of him. We've seen that a lot and I can see how other readers might be tired of that trope. Personally, I didn't mind.

-It took me more than 60% to make peace with the fact that the main plot is more like a device for us to get to know the world and Fetch. Yes, everything does come together at the end in a really nice way but at around d 50% of the book I knew almost everything about the world and Fetch's back story but nothing had really happened regarding the investigation. Once I made peace with that fact the slow-moving main stopped bothering me.

-I got an advance copy some maybe it won't be the case with the final version but I wish there was a map to better understand what is going where.

In conclusion, I personally had a really good time reading this story. I will definitely keep an eye on the rest of the series and I've already ordered my physical copy because I need it on my shelf!
  
The Nubians of Plutonia by Sun Ra
The Nubians of Plutonia by Sun Ra
1966 | Jazz
5.0 (1 Ratings)
Album Favorite

"This comes from a place that keeps coming back into my life, which is Chicago. So many records from Chicago resonate in my Mancunian hellhole! When we were picking up Sun Ra records in the bargain bins for 50p with all the corners cut off, you'd go for the cover of the sleeves because on the back they'd show them playing these car parks somewhere with all this pageantry and all these weird electronic keyboards. And you'd be like, ""Oh! That looks really interesting!"" You'd put it on and it sounded like this odd, aged, Biblical music; like the Seven Tribes crossing the Sahara or something. It's very percussive – there huge sections where it's just percussion clattering away, and then you'd be hit by this kind of big band swing thing. And you'd be, ""Oh! That's really odd!"" and then there'd be an electric piano solo in the middle of that; it was just totally confusing! This was one of those records that sat around for a while and there'd be maybe one or two track that you went for. Gradually, the album would then open up for you. And then your friends would have another Sun Ra album and these things gathered together. There was a gig in Manchester in 1981, and it was Sun Ra with what must have been a 20-piece band and they had [saxophonist] John Gilmore and [singer/violinst] June Tyson in it – the classic version of the band, really – and it was like a three-hour concert. The epiphany that came with it was they did this enormous timeline that included music from the 1930s, which then went all the way through to freeform electronic wailing and synthesizer solos that went on for 15 minutes, as well as battles between trombones and really structured compositional things. A few years ago, it was Sun Ra's centenary and there was a festival in Liverpool and we put a band together to do a Sun Ra tribute. So we learnt a lot of stuff from the Impulse label records – the 50s Chicago stuff – and you can get all the music from the Smithsonian. We put in enough time to making it sound good and it was a really rewarding experience to live in that music for a while. [Saxophonist] Marshall Allen once stayed at my house. He saw all the instruments lying around and he says, ""Oh, you play?"" And I was like, ""Sort of"" because at that point, imposter syndrome kicks in, but he was like, ""Can you play two notes?"" and I'm going, ""Yeah, yeah"" and he said, ""Well, let's do it!"" We ended up setting up a recording session and we made an album in the evening, and then went out and had kebabs! But it's interesting how popular Sun Ra's records have become over time, because back then, they were practically giving them away."

Source
  
Rocky (1976)
Rocky (1976)
1976 | Drama, Romance, Sport
Underdog Tale
Rocky is a classic. A tale of a underdog rising to the top. At the same time its a story of rocky. A underdog, a fighter, a lover, a southpaw, a man who wont give up.

The plot: Rocky Balboa (Sylvester Stallone), a small-time boxer from working-class Philadelphia, is arbitrarily chosen to take on the reigning world heavyweight champion, Apollo Creed (Carl Weathers), when the undefeated fighter's scheduled opponent is injured. While training with feisty former bantamweight contender Mickey Goldmill (Burgess Meredith), Rocky tentatively begins a relationship with Adrian (Talia Shire), the wallflower sister of his meat-packer pal Paulie (Burt Young).

The film, made on a budget of just over $1 million, was a sleeper hit; it earned $225 million in global box office receipts, becoming the highest-grossing film of 1976. The film was critically acclaimed and solidified Stallone's career as well as commenced his rise to prominence as a major movie star of that era.

Among other accolades, it went on to receive ten Academy Award nominations, winning three, including Best Picture. In 2006, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". Rocky is considered to be one of the greatest sports films ever made and was ranked as the second-best in the genre, after Raging Bull, by the American Film Institute in 2008.

The film has spawned seven sequels: Rocky II (1979), Rocky III (1982), Rocky IV (1985), Rocky V (1990), Rocky Balboa (2006), Creed (2015), and Creed II (2018). Stallone portrays Rocky in all eight films, wrote seven of the eight films, and directed four of the six titular installments.

Sylvester Stallone wrote the screenplay for Rocky in three and a half days.

United Artists liked Stallone's script, and viewed it as a possible vehicle for a well-established star such as Robert Redford, Ryan O'Neal, Burt Reynolds, or James Caan.
Stallone's agents, Rumar and Kubik, insisted that Stallone portray the title character, to the point of issuing an ultimatum. Stallone later said that he would never have forgiven himself, had the film become a success with somebody else in the lead.

During filming, both Stallone and Weathers suffered injuries during the shooting of the final fight; Stallone suffered bruised ribs and Weathers suffered a damaged nose, the opposite injuries of what their characters had.

The first date between Rocky and Adrian, in which Rocky bribes a janitor to allow them to skate after closing hours in a deserted ice skating rink, was shot that way only because of budgetary pressures. This scene was originally scheduled to be shot in a skating rink during regular business hours. However, the producers decided that they could not afford to hire the hundreds of extras that would have been necessary for that scene.

Its a excellent movie.
  
Mortal Kombat (2021)
Mortal Kombat (2021)
2021 | Action, Adventure, Fantasy
Fans of the Mortal Kombat series have known that the path to bringing the violent and controversial game to live-action formats has been a mixed bag. While the first film in 1995 was a decent hit; the follow-up in 1997 disappointed fans who had grown weary of the PG-13 take on the series.

Subsequent efforts such as the 2011 television series also left fans wanting more; especially since the game series had become even more graphic and violent.

An animated film released in 2020 gave fans a taste of what they wanted as it featured graphical violence which many fans believed was essential to properly catch the spirit and action of the series.

The latest offering in the series “Mortal Kombat”; reboots the cinematic universe and gives fans the intense, brutal, and graphic violence that they have demanded. The film keeps the basic premise that the Outworld realm has won nine tournaments in a row, and based on the ancient laws; one more victory would allow them to take control of the Earth.

Raiden the Thunder God (Tadanobu Asano); who has been tasked with protecting Earth looks to assemble and train a band of champions to save Earth. Naturally, this is not going to be easy as Shang Tsung (Chin Han); is not willing to follow the rules of the tournament and dispatches his top fighter (Sub Zero (Joe Taslim) to dispatch the champions of Earth before the tournament in a clear violation of the rules in order to ensure total victory.

What follows is solid and very graphic action which contains gore and brutality on a level that almost kept the film from earning an R-rating. The action sequences are well-choreographed and there were some great recreations of classic moves by characters from the game series which were really well utilized and did not seem like gratuitous pandering.

While the plot is fairly simplistic and does not deviate greatly from the source material; it does give a larger backstory to the universe. It was really enjoyable to see many nods to the franchise throughout both subtle and overt and while some characters were glaringly absent which was a surprise; the characters that were included were really solid to see and the door was wide open for their inclusion at a later date.

While the cast does not contain any star power in terms of what Western audiences might expect from a major studio release; the ensemble works well and do a great job in bringing their characters to life.

The film leaves sequels wide open and teases a character that in my opinion was a glaring omission from the film. That being said; “Mortal Kombat” gives fans a solid adaptation that does not shy away from gore and violence and gives fans the cinematic experience that they have wanted.

3.5 stars out of 5
  
40x40

Shirley Manson recommended Sulk by The Associates in Music (curated)

 
Sulk by The Associates
Sulk by The Associates
1982 | Pop
(0 Ratings)
Album Favorite

"The Associates were a huge band in Scotland; they certainly had some success in the rest of the world, but they were ours. Certainly when I was growing up I hadn't yet really discovered too many Scottish bands at that point – this was to change of course but these were one of the first I discovered. 
 
 The Associates struck me because I was aware that they were Scottish after I saw them on Top of the Pops and suddenly I made this connection between, 'Oh, you can be from Scotland, where there's no music industry, and be successful. You can get on Top of the Pops, you can be heard by an audience'. It was just a peculiar lesson and a sudden revelation for me of the possibilities that existed for musicians. 

 When you come from a country where back then there was no real established record industry, per se, they stood out. We had a couple of great record labels, you know, 53 & 3rd and Postcard Records and so on, but it was rare to get signed to those two labels, and they were still very small and independent; it was difficult to have the clout of a major London-based record label. 

 The Associates really captured my imagination. I loved them musically and I was really interested in their style. I was obsessed with the 'Gloomy Sunday' cover that Billy Mackenzie did. He had this extraordinary operatic voice; I'd never heard anything like in my life before. 

 I used to go to this club called the Hoochie Coochie Club in Edinburgh, which was big in the game for me, like I spent every weekend at this club. I was introduced to Billy Mackenzie and we really hit it off; I just was kind of obsessed by him. I just thought he was brilliant and really funny, irreverent, rebellious, and fascinating with the voice of an angel. He was so tortured and he had such a sad story in the end. 

 When I heard that he had taken his own life, I was so gutted: the whole of Scotland felt like they had lost a son. He had so much to give – he wasn't just sort of average, he wasn't an averagely successful musician: he was this extraordinary talent, a great interpreter and, again, a great communicator. He was able to make his own brilliant music but to also re-interpret classic songs that had been done by the greats and still he brought something of his own to that. 

 I think 'Gloomy Sunday' by The Associates is by far the greatest version of 'Gloomy Sunday' I've ever heard, and I've heard some amazing versions, like the one by by Sinéad O'Connor or Billie Holiday, but he brings something really special to that.
 
The Associates helped build Scotland's musical confidence to then start really exploring the music scene on its own terms, as opposed to going through London."

Source