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Lilyn G - Sci-Fi & Scary (91 KP) rated The Sleeper in Books
Feb 1, 2018
Interesting elements for a kids book
The Sleeper is a 96-page science fiction mystery early chapter book. It comes with a few accompanying discussion questions at the back, as well as with some writing prompts and a basic glossary. These writing prompts encourage the reader to continue to interact with the story on their own terms. It plunges the reader right into a world that is theoretically just a few days away from getting destroyed by aliens. But the viewpoint the story is being told from is different than you might expect.
The illustrations in The Sleeper are black and white and surprisingly creepy. The illustrator, Tom Percival, does a solid job doing things like showing how even a smile can be rather disturbing. Nothing is graphic or outright scary at all, and yet readers can definitely experience an unease just looking at the pictures.
The Sleeper introduces the concept of a sleeper agent to young readers. I thought this was interesting and wasn't expecting it even though the title should have been a dead giveaway. In my defense, the cover for The Sleeper and the two line synopsis don't exactly tell you what to expect other than aliens!
While there are several good points to The Sleeper, I can't say I particularly liked it. It felt too brief and even though the discussion questions invite the reader to continue the story, it ends on a massive cliffhanger regarding one of the kids' fate. This may be deliberate, and for younger readers, it may actually work out well. It enables the child to feel a sense of accomplishment that they finished a book, and yet provides the impetus for them to pick up the next one. (Still made me twitch as it reeks too much of the chop-job that some authors like to do to a plot to sell more books.)
Overall, The Sleeper was an okay read. If it gets even a handful of kids interested enough to pick up another book, then it is has done its job. And, as always, it's nice to see a beginning chapter book that focuses on science fiction!
The illustrations in The Sleeper are black and white and surprisingly creepy. The illustrator, Tom Percival, does a solid job doing things like showing how even a smile can be rather disturbing. Nothing is graphic or outright scary at all, and yet readers can definitely experience an unease just looking at the pictures.
The Sleeper introduces the concept of a sleeper agent to young readers. I thought this was interesting and wasn't expecting it even though the title should have been a dead giveaway. In my defense, the cover for The Sleeper and the two line synopsis don't exactly tell you what to expect other than aliens!
While there are several good points to The Sleeper, I can't say I particularly liked it. It felt too brief and even though the discussion questions invite the reader to continue the story, it ends on a massive cliffhanger regarding one of the kids' fate. This may be deliberate, and for younger readers, it may actually work out well. It enables the child to feel a sense of accomplishment that they finished a book, and yet provides the impetus for them to pick up the next one. (Still made me twitch as it reeks too much of the chop-job that some authors like to do to a plot to sell more books.)
Overall, The Sleeper was an okay read. If it gets even a handful of kids interested enough to pick up another book, then it is has done its job. And, as always, it's nice to see a beginning chapter book that focuses on science fiction!
Goddess in the Stacks (553 KP) rated The Empress (The Diabolic, #2) in Books
Jul 31, 2018
The Empress is an excellent follow-up to The Diabolic; Tyrus and Nemesis have claimed the throne, but now they have to keep it. Due in part to ancient machines, that is harder than it sounds. Despite Nemesis' cold practicality, she is also somewhat idealistic. She picks freeing the servitors (slaves, basically) as her big goal for when she becomes Empress - with shocking results.
Tyrus' and Nemesis' combined goal is to bring science back to the people; in the first book we were introduced to the concept of ruined space - space that had been torn apart by hyperspace jumps and now consumes everything it touches. But since the Helionic religion had banned all science, no one knew how to do anything about it other than avoid it. Their solution is to go to the head of the religion itself and talk him into reversing that decree. In doing so, we learn a lot more about why the empire is floating out in space, and why the decree was given.
It's always hard to talk about middle books in trilogies without giving too much away about the first book, or the plot as a whole. So I'll just say that, like the first book, this kept me guessing, and the twists of the plot came as incredibly shocking surprises. S.J. Kincaid has an amazing ability with plot twists. And the end of this book - oh man. I do not want to believe that things truly are as bad as they seem. I want this to be a redemption story. But at the same time, things have been done that can't be undone.
If you read and liked The Diabolic, you should continue the trilogy with The Empress. However, while The Diabolic ends in a way that could leave it as a standalone, The Empress ends on a clear cliffhanger. The third book has neither a title nor a cover yet, but is supposed to release this fall? I'm guessing that will be delayed, which is bad, because I NEED IT.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Tyrus' and Nemesis' combined goal is to bring science back to the people; in the first book we were introduced to the concept of ruined space - space that had been torn apart by hyperspace jumps and now consumes everything it touches. But since the Helionic religion had banned all science, no one knew how to do anything about it other than avoid it. Their solution is to go to the head of the religion itself and talk him into reversing that decree. In doing so, we learn a lot more about why the empire is floating out in space, and why the decree was given.
It's always hard to talk about middle books in trilogies without giving too much away about the first book, or the plot as a whole. So I'll just say that, like the first book, this kept me guessing, and the twists of the plot came as incredibly shocking surprises. S.J. Kincaid has an amazing ability with plot twists. And the end of this book - oh man. I do not want to believe that things truly are as bad as they seem. I want this to be a redemption story. But at the same time, things have been done that can't be undone.
If you read and liked The Diabolic, you should continue the trilogy with The Empress. However, while The Diabolic ends in a way that could leave it as a standalone, The Empress ends on a clear cliffhanger. The third book has neither a title nor a cover yet, but is supposed to release this fall? I'm guessing that will be delayed, which is bad, because I NEED IT.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Kayleigh (12 KP) rated Uglies (Uglies, #1) in Books
Jan 2, 2019
I bought this book because I loved its premise - upon a person's 16th birthday, they are turned from 'ugly' (read: normal), to 'pretty', in an operation that maximises their evolutionary appeal and usefulness, with ceramic teeth and perfect vision. It's set 100 years in the future; people in today's society are known as 'rusties', with pollution having wiped the majority of us out, and things such as anorexia having been abolished with the new government's operation.
At first, I thought probably wasn't the best start for me. I think my own perspective on physical inadequacy (in that I love the idea of being made beautiful, with all the fat sucked out and no health problems) meant that I was rooting for Tally to get the operation she wanted, even though I could tell something wasn't quite right. This turned out not to matter though - you're supposed to root for Tally, and I think what I was feeling was the confusion she was going through.
Around halfway, I was thoroughly swept away, and was really disappointed that I wasn't able to buy the next book straight away (as there was no internet where I was staying). The cliffhanger at the end of the book is really effective - I was so invested in Tally that I really wanted to read on. The world in the book was different to anything I've read before, and I really enjoyed reading about things like hoverboards and bungee jackets, not to mention imagining the pretties and specials.
I think it's a contemporary, teenage version of [b:1984|5470|1984|George Orwell|http://d.gr-assets.com/books/1348990566s/5470.jpg|153313], in that the government is watching (if not as openly as in [a:George Orwell|3706|George Orwell|http://d.gr-assets.com/authors/1175614486p2/3706.jpg]'s book) and is very happy to tamper with people's minds to make them conform. Even though the book is all about becoming 'pretty' - which is what attracted me, and will doubtless attract many others - it's a subtle message that looking that good isn't all it's cracked up to be, and can sometimes come at a price. I really enjoyed it.
If you liked this review, please check out my <a href="http://www.a-worldofwords.com>blog</a>;!
At first, I thought probably wasn't the best start for me. I think my own perspective on physical inadequacy (in that I love the idea of being made beautiful, with all the fat sucked out and no health problems) meant that I was rooting for Tally to get the operation she wanted, even though I could tell something wasn't quite right. This turned out not to matter though - you're supposed to root for Tally, and I think what I was feeling was the confusion she was going through.
Around halfway, I was thoroughly swept away, and was really disappointed that I wasn't able to buy the next book straight away (as there was no internet where I was staying). The cliffhanger at the end of the book is really effective - I was so invested in Tally that I really wanted to read on. The world in the book was different to anything I've read before, and I really enjoyed reading about things like hoverboards and bungee jackets, not to mention imagining the pretties and specials.
I think it's a contemporary, teenage version of [b:1984|5470|1984|George Orwell|http://d.gr-assets.com/books/1348990566s/5470.jpg|153313], in that the government is watching (if not as openly as in [a:George Orwell|3706|George Orwell|http://d.gr-assets.com/authors/1175614486p2/3706.jpg]'s book) and is very happy to tamper with people's minds to make them conform. Even though the book is all about becoming 'pretty' - which is what attracted me, and will doubtless attract many others - it's a subtle message that looking that good isn't all it's cracked up to be, and can sometimes come at a price. I really enjoyed it.
If you liked this review, please check out my <a href="http://www.a-worldofwords.com>blog</a>;!
Hazel (1853 KP) rated Imitation (Clone Chronicles, #1) in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Heather Hildenbrand’s latest young adult science fiction series <i>Clone Chronicles</i> gets off to a good start in this book, <i>Imitation</i>. Raven Rogen is a shallow eighteen-year-old girl whose father holds a high position in the city. The main character, however, is known as Ven and is an imitation of Raven, a clone. The purpose of the imitations is to be available for their Authentics whenever they are needed, whether it is organ transplants or taking their place completely. When the real Raven is attacked, Ven is instructed to take her place as bait to draw the attackers out of the shadows. Although they may look the same, their personalities are completely different meaning that Ven has to try extra hard to convince people that she is Raven.
Ven is a very likable character and it is easy to feel for her as she struggles to live up to the expectations of Raven’s father. The book takes a turning point when Ven decides to run away with the help of a security guard, Linc, who she has fallen in love with. To complicate things even further it is not clear for a long time who the real bad guys are.
There were times when the storyline became really exciting but some of the characters were really annoying to read about. Although Raven was not actually in the book, Ven had to behave like her which involved being rather rude and sarcastic. Raven’s friends were also of the same nature. Other than Ven and Linc most characters were rather irritating.
The novel ends leaving the reader wondering what will happen next. It is not a cliffhanger as such, but it does leave the story wide open in regards to how things will be resolved.
<i>Imitation</i> would fit in well in a selection of other popular science fiction books that young adults have become addicted to. The ending of book one leaves us with the feeling that book two, <i>Deviation</i>, will be even more exciting.
Heather Hildenbrand’s latest young adult science fiction series <i>Clone Chronicles</i> gets off to a good start in this book, <i>Imitation</i>. Raven Rogen is a shallow eighteen-year-old girl whose father holds a high position in the city. The main character, however, is known as Ven and is an imitation of Raven, a clone. The purpose of the imitations is to be available for their Authentics whenever they are needed, whether it is organ transplants or taking their place completely. When the real Raven is attacked, Ven is instructed to take her place as bait to draw the attackers out of the shadows. Although they may look the same, their personalities are completely different meaning that Ven has to try extra hard to convince people that she is Raven.
Ven is a very likable character and it is easy to feel for her as she struggles to live up to the expectations of Raven’s father. The book takes a turning point when Ven decides to run away with the help of a security guard, Linc, who she has fallen in love with. To complicate things even further it is not clear for a long time who the real bad guys are.
There were times when the storyline became really exciting but some of the characters were really annoying to read about. Although Raven was not actually in the book, Ven had to behave like her which involved being rather rude and sarcastic. Raven’s friends were also of the same nature. Other than Ven and Linc most characters were rather irritating.
The novel ends leaving the reader wondering what will happen next. It is not a cliffhanger as such, but it does leave the story wide open in regards to how things will be resolved.
<i>Imitation</i> would fit in well in a selection of other popular science fiction books that young adults have become addicted to. The ending of book one leaves us with the feeling that book two, <i>Deviation</i>, will be even more exciting.
Hazel (1853 KP) rated Elora of Stone (Legend of Rhyme, #1) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Elora of Stone</i> is the first in an exciting fantasy series, <i>Legend of Rhyme</i>, for young readers. Set in a magical kingdom, an evil magician steals one child of every pair of twins born. In order to protect their children, Asher and Ariana’s parents move to live near Elora – a good witch turned to stone by the sorcerer. Despite the protection, four-year-old Asher goes missing. The night of her thirteenth birthday Ariana learns of Asher’s whereabouts but only has until midnight to save him.
Full of magical creatures such as witches, fairies, pixies and goblins, <i>Elora of Stone</i> is the start of a sensational story for eight to twelve year olds. Heart stopping moments will urge the young readers to see the book through to the end to discover whether the twins succeed in being reunited and learn the truth about who is good and who is evil.
Although Asher and Ariana are the main characters of the series, they are not born until exactly half way through the book. As <i>Elora of Stone</i> is only one hundred pages, there are a bit too many chapters focused on setting the scene, resulting in the main story line and climax becoming rather rushed and crammed together.
Now that the preliminary introductions to characters and settings have been made, the following books in the series will hopefully flow better. <i>Legend of Rhyme</i> promises to be a unique fairytale to enthrall pre-teens of all reading levels. The narrative is clear and easy to follow with a limit on tricky words. To break up the text there is the occasional beautiful illustration depicting the author’s visual impressions of a handful of characters.
Ending on a slight cliffhanger, <i>Elora of Stone</i> will leave readers wanting more, thus making the <i>Legend of Rhyme</i> series a great set of books to collect; a wonderful start to your own personal library.
Elora of Stone</i> is the first in an exciting fantasy series, <i>Legend of Rhyme</i>, for young readers. Set in a magical kingdom, an evil magician steals one child of every pair of twins born. In order to protect their children, Asher and Ariana’s parents move to live near Elora – a good witch turned to stone by the sorcerer. Despite the protection, four-year-old Asher goes missing. The night of her thirteenth birthday Ariana learns of Asher’s whereabouts but only has until midnight to save him.
Full of magical creatures such as witches, fairies, pixies and goblins, <i>Elora of Stone</i> is the start of a sensational story for eight to twelve year olds. Heart stopping moments will urge the young readers to see the book through to the end to discover whether the twins succeed in being reunited and learn the truth about who is good and who is evil.
Although Asher and Ariana are the main characters of the series, they are not born until exactly half way through the book. As <i>Elora of Stone</i> is only one hundred pages, there are a bit too many chapters focused on setting the scene, resulting in the main story line and climax becoming rather rushed and crammed together.
Now that the preliminary introductions to characters and settings have been made, the following books in the series will hopefully flow better. <i>Legend of Rhyme</i> promises to be a unique fairytale to enthrall pre-teens of all reading levels. The narrative is clear and easy to follow with a limit on tricky words. To break up the text there is the occasional beautiful illustration depicting the author’s visual impressions of a handful of characters.
Ending on a slight cliffhanger, <i>Elora of Stone</i> will leave readers wanting more, thus making the <i>Legend of Rhyme</i> series a great set of books to collect; a wonderful start to your own personal library.
Hazel (1853 KP) rated Danny Dirks and the Heir of Pendragon in Books
Dec 17, 2018
This ebook was provided by the publisher via NetGalley in exchange for an honest review
Danny Dirk is and ordinary fourteen year old boy with a passion for baseball, however as he approaches his fifteenth birthday peculiar things begin to happen.
Beginning with the arrival of the new foreman for their apple farm, Danny begins experiencing the impossible. Eventually, Grandfather Pendrake, a surname not unlike Pendragon, reveals that Danny comes from a special lineage, one typically assumed to be a myth; and explains that a particular mythical beast is, in fact, very real.
S. A. Mulraney begins his young adult novel with an interesting prologue that leaves the reader with a range of questions. Firstly, the characters are referred to as 'they' resulting in a feeling of suspense as the reader has no idea whether they are good or bad. It turns out that 'they' are Mr Brennan and his standoffish daughter Kara. However the original use of 'they' leaves the question as to what they are, which is heightened by words such as 'scales' and 'wings' as well as the suggestion that they can communicate with dragonflies.
Danny Dirk and the Heir of Pendragon is an exciting novel. Although it felt a little slow to start, the story picks up towards the end and concludes on a cliffhanger leaving the reader eager for the next book.
Although the main character is in his mid teens, the writing style is suitable for boys and girls in their earlier teens and upwards, however there are some scenes that are more appropriate for readers with a maturer outlook.
This novel will attract a range of interest particularly for those who prefer a book that is quick and easy to read. It should also attract the attention of those with a preference for the fantasy genre, especially about dragons, and also those who enjoy myths and legends, in particularly the legendary king of England, King Arthur.
Mulraney's adaptation of the history of King Arthur is original and intriguing, and his version of dragons are very creative.
This review uses a rating on the basis on personal preference but it is sure to be loved by the intended target audience.
Danny Dirk is and ordinary fourteen year old boy with a passion for baseball, however as he approaches his fifteenth birthday peculiar things begin to happen.
Beginning with the arrival of the new foreman for their apple farm, Danny begins experiencing the impossible. Eventually, Grandfather Pendrake, a surname not unlike Pendragon, reveals that Danny comes from a special lineage, one typically assumed to be a myth; and explains that a particular mythical beast is, in fact, very real.
S. A. Mulraney begins his young adult novel with an interesting prologue that leaves the reader with a range of questions. Firstly, the characters are referred to as 'they' resulting in a feeling of suspense as the reader has no idea whether they are good or bad. It turns out that 'they' are Mr Brennan and his standoffish daughter Kara. However the original use of 'they' leaves the question as to what they are, which is heightened by words such as 'scales' and 'wings' as well as the suggestion that they can communicate with dragonflies.
Danny Dirk and the Heir of Pendragon is an exciting novel. Although it felt a little slow to start, the story picks up towards the end and concludes on a cliffhanger leaving the reader eager for the next book.
Although the main character is in his mid teens, the writing style is suitable for boys and girls in their earlier teens and upwards, however there are some scenes that are more appropriate for readers with a maturer outlook.
This novel will attract a range of interest particularly for those who prefer a book that is quick and easy to read. It should also attract the attention of those with a preference for the fantasy genre, especially about dragons, and also those who enjoy myths and legends, in particularly the legendary king of England, King Arthur.
Mulraney's adaptation of the history of King Arthur is original and intriguing, and his version of dragons are very creative.
This review uses a rating on the basis on personal preference but it is sure to be loved by the intended target audience.
The second book in [a:Veronica Roth|4039811|Veronica Roth|https://d.gr-assets.com/authors/1363910238p2/4039811.jpg]'s 'Divergent' series, this picks up almost exactly - like, exactly exactly - after the climax of [b:Divergent|13335037|Divergent (Divergent, #1)|Veronica Roth|https://d.gr-assets.com/books/1328559506s/13335037.jpg|13155899], with Beatrice ('Tris') on a train about to leave the desolate future city of Chicago following the 'Simulation' attack by the Erudite faction.
I can't stress this enough: when I say exactly, I really do mean exactly: almost as if the first sentence of this book is the second half of the last sentence of the previous.
Anyway, it's not too much longer until Tris is heading back to Chicago, in company with some old friends and enemies-who-later-prove-not-to-be, in order to find a way to deal with the consequences of that attack, and to prevent further mistakes being made by members of both her own and other factions.
For a large portion of this, she is still struggling with guilt over some of her actions in the previous novel - in particular, over one that she (was forced to) carry out during the Erudite attack. This one also ends with a(n attempted) cliffhanger ending, in which we may yet find out how and why the faction system came about if we read the next in the series ([b:Allegiant|18710190|Allegiant (Divergent, #3)|Veronica Roth|https://d.gr-assets.com/books/1395582745s/18710190.jpg|15524549])
While I did feel that this had its own identity maybe a bit more than [b:Divergent|13335037|Divergent (Divergent, #1)|Veronica Roth|https://d.gr-assets.com/books/1328559506s/13335037.jpg|13155899] (which, at times, felt to me almost like it was trying too hard to be another 'Hunger Games'), there is still a strong resemblance between the two series', in particular in their choice of leading characters, and in the theme of sacrifices.
I've come this far, so I probably will read the next (and, like The Hunger Games, maybe the whole will prove to be more than the sum of its parts).
I can't stress this enough: when I say exactly, I really do mean exactly: almost as if the first sentence of this book is the second half of the last sentence of the previous.
Anyway, it's not too much longer until Tris is heading back to Chicago, in company with some old friends and enemies-who-later-prove-not-to-be, in order to find a way to deal with the consequences of that attack, and to prevent further mistakes being made by members of both her own and other factions.
For a large portion of this, she is still struggling with guilt over some of her actions in the previous novel - in particular, over one that she (was forced to) carry out during the Erudite attack. This one also ends with a(n attempted) cliffhanger ending, in which we may yet find out how and why the faction system came about if we read the next in the series ([b:Allegiant|18710190|Allegiant (Divergent, #3)|Veronica Roth|https://d.gr-assets.com/books/1395582745s/18710190.jpg|15524549])
While I did feel that this had its own identity maybe a bit more than [b:Divergent|13335037|Divergent (Divergent, #1)|Veronica Roth|https://d.gr-assets.com/books/1328559506s/13335037.jpg|13155899] (which, at times, felt to me almost like it was trying too hard to be another 'Hunger Games'), there is still a strong resemblance between the two series', in particular in their choice of leading characters, and in the theme of sacrifices.
I've come this far, so I probably will read the next (and, like The Hunger Games, maybe the whole will prove to be more than the sum of its parts).
Goddess in the Stacks (553 KP) rated We Hunt The Flame (Sands of Arawiya #1) in Books
Jul 23, 2019
This is the first book in a planned duology, and I NEED THE SECOND ONE RIGHT NOW. Zafira is a firecracker, and Nasir is a precious gumdrop, and Altair is a mystery, while I can't help but read Kifah as Valkyrie from Avengers. (Seriously, if this ever gets made into a movie and Tessa Thompson DOESN'T get cast as Kifah, I'll be upset.)
These characters, and this setting, and this worldbuilding, and this plot...Faizal has blown me away with this book. There are twists I saw coming, and some I did not, so I'm not going to go into much detail about the plot, but Zafira and a few other people are searching for a magical artifact to restore magic to their kingdom, after it was locked away many years ago. I don't remember exactly how long it's been; Zafira can't remember having magic, but she does mention at one point that her mother was a healer. So sometime during her mother's lifetime? The kingdom has been cursed in the absence of magic, different curses for the different districts, and the Arz is a magical forest encroaching on the borders. Almost no one who goes into the Arz ever comes out again, so it's incredibly dangerous for anyone who isn't Zafira. Zafira has the unique ability to always know which direction she needs to go to reach her goal, and it's this ability that brings her to the attention of the Silver Witch, who sets her on the path to find the artifact. The artifact is, of course, on the enchanted island that serves as a prison for all the magical objects and creatures, so Zafira and her companions face all kinds of unknown dangers.
I really enjoyed basically everything about this book. There was character development, a touch of romance, a team learning to work as a team, secrets, magic, ancient evils, trauma and emotional work...just a lot. (Also enemies-to-lovers, if you're into that.) It is a brilliant epic fantasy, and I cannot WAIT for the second book. I need to know what happens! (It doesn't end on a cliffhanger, exactly, but things are definitely NOT. RESOLVED.)
You can find all my reviews and more at http://goddessinthestacks.com
These characters, and this setting, and this worldbuilding, and this plot...Faizal has blown me away with this book. There are twists I saw coming, and some I did not, so I'm not going to go into much detail about the plot, but Zafira and a few other people are searching for a magical artifact to restore magic to their kingdom, after it was locked away many years ago. I don't remember exactly how long it's been; Zafira can't remember having magic, but she does mention at one point that her mother was a healer. So sometime during her mother's lifetime? The kingdom has been cursed in the absence of magic, different curses for the different districts, and the Arz is a magical forest encroaching on the borders. Almost no one who goes into the Arz ever comes out again, so it's incredibly dangerous for anyone who isn't Zafira. Zafira has the unique ability to always know which direction she needs to go to reach her goal, and it's this ability that brings her to the attention of the Silver Witch, who sets her on the path to find the artifact. The artifact is, of course, on the enchanted island that serves as a prison for all the magical objects and creatures, so Zafira and her companions face all kinds of unknown dangers.
I really enjoyed basically everything about this book. There was character development, a touch of romance, a team learning to work as a team, secrets, magic, ancient evils, trauma and emotional work...just a lot. (Also enemies-to-lovers, if you're into that.) It is a brilliant epic fantasy, and I cannot WAIT for the second book. I need to know what happens! (It doesn't end on a cliffhanger, exactly, but things are definitely NOT. RESOLVED.)
You can find all my reviews and more at http://goddessinthestacks.com
Merissa (12051 KP) rated Undeniable Lover (Worlds of Lemuria: Earth Colony #4) in Books
Dec 17, 2018
Undeniable Lover is the fourth book in the Worlds of Lemuria: Earth Colony series. This IS a series, so you would have to read it from book one for it to make sense. That being said, this book is a brilliant addition to the series.
Saar carries a scar on his face, and a whole load of guilt in his soul for something that happened in the past. He feels that no female will every want him, and shies away from most of them. There is one female though, that intrigues him, even though he should know better. Kaelyn is one of the Ursus, recently given to Zedron, and so rightfully fighting on the opposite side to Saar. However, none of the Ursus want to fight for Zedron, although they have no choice. Kaelyn and Saar end up fighting against each other, but Kaelyn is injured. Instead of leaving her to the other Ursus, Saar takes her back to the Keep, simply because he needs to know she is well.
The story moves on from there, with both Saar and Kaelyn fighting themselves, their feelings, and everyone else in this war. You also spend some more time with Zedron and Alora. Part of me wants this war to end, and for Alora to be victorious. The other part of me wants it to continue so I get more stories out of it. I would love to have Gaetan's story. He is made out to be so old, and yet he plays quite a significant role in this book. There is one bittersweet moment that could be sad if not for the relief felt by the person it happened to. I won't say much about that, but I really loved that part.
One warning though, this book does end on a cliffhanger, so don't expect everything to be tied up neatly. With no editing or grammatical errors to disrupt my reading flow, this book was a wonderful read, and I highly recommend it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Saar carries a scar on his face, and a whole load of guilt in his soul for something that happened in the past. He feels that no female will every want him, and shies away from most of them. There is one female though, that intrigues him, even though he should know better. Kaelyn is one of the Ursus, recently given to Zedron, and so rightfully fighting on the opposite side to Saar. However, none of the Ursus want to fight for Zedron, although they have no choice. Kaelyn and Saar end up fighting against each other, but Kaelyn is injured. Instead of leaving her to the other Ursus, Saar takes her back to the Keep, simply because he needs to know she is well.
The story moves on from there, with both Saar and Kaelyn fighting themselves, their feelings, and everyone else in this war. You also spend some more time with Zedron and Alora. Part of me wants this war to end, and for Alora to be victorious. The other part of me wants it to continue so I get more stories out of it. I would love to have Gaetan's story. He is made out to be so old, and yet he plays quite a significant role in this book. There is one bittersweet moment that could be sad if not for the relief felt by the person it happened to. I won't say much about that, but I really loved that part.
One warning though, this book does end on a cliffhanger, so don't expect everything to be tied up neatly. With no editing or grammatical errors to disrupt my reading flow, this book was a wonderful read, and I highly recommend it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
LeftSideCut (3778 KP) rated Stranger Things - Season 2 in TV
Jul 6, 2019 (Updated Jul 7, 2019)
Back into the Upside Down
The second season of Stranger Things wisely doesn't steer too far away from what made the first season so great.
We're swiftly re-introduced to all the engaging characters from before, all living a pretty normal life since the events of season one, but of course it doesn't take too long for weird shit to start kicking off.
From the moment poor Will (again) starts having visions in episode 2 - its business as usual, and I was caught up once again in the mystery and intrigue of what was plaguing Hawkins.
We are introduced to several new characters - Max fits in naturally alongside the other younger actors, and her older brother Billy - what a jackass. But one that you love to hate, and on the rare occasion, even feel sympathy towards.
And of course, Sean Astin is a welcome face as Bob (Super Bob to you and me).
The plot itself takes a little while to get going, but once it does, it's a whirlwind. At the end of episode 6, I found myself physically exhaling in exhaustion once the credits started rolling - which brings me to the one big faceplant of season 2.
After the crazy cliffhanger of episode 6, episode 7 takes a real left turn.
A whole episode takes place outside of Hawkins, with a completely different cast (to the point that if you skipped this episode entirely, it wouldn't matter to the rest of the plot)
It's easy to see what the writers we're trying to do here - introducing us to others who have powers not to dissimilar to Eleven, she's not alone in the world.
But the characters are hugely unlikable, and so so cringey, it took a lot of effort to get through the whole episode.
It's plain to see that the writers we're almost testing the waters for a potential spin off, buts it's an idea that I really hope doesn't happen, and I really really hope we don't get more of these characters in future seasons.
The last two episodes are back in Hawkins and are pretty solid!
Overall, another fantastic series, worth your time and attention (just skip episode 7!)
We're swiftly re-introduced to all the engaging characters from before, all living a pretty normal life since the events of season one, but of course it doesn't take too long for weird shit to start kicking off.
From the moment poor Will (again) starts having visions in episode 2 - its business as usual, and I was caught up once again in the mystery and intrigue of what was plaguing Hawkins.
We are introduced to several new characters - Max fits in naturally alongside the other younger actors, and her older brother Billy - what a jackass. But one that you love to hate, and on the rare occasion, even feel sympathy towards.
And of course, Sean Astin is a welcome face as Bob (Super Bob to you and me).
The plot itself takes a little while to get going, but once it does, it's a whirlwind. At the end of episode 6, I found myself physically exhaling in exhaustion once the credits started rolling - which brings me to the one big faceplant of season 2.
After the crazy cliffhanger of episode 6, episode 7 takes a real left turn.
A whole episode takes place outside of Hawkins, with a completely different cast (to the point that if you skipped this episode entirely, it wouldn't matter to the rest of the plot)
It's easy to see what the writers we're trying to do here - introducing us to others who have powers not to dissimilar to Eleven, she's not alone in the world.
But the characters are hugely unlikable, and so so cringey, it took a lot of effort to get through the whole episode.
It's plain to see that the writers we're almost testing the waters for a potential spin off, buts it's an idea that I really hope doesn't happen, and I really really hope we don't get more of these characters in future seasons.
The last two episodes are back in Hawkins and are pretty solid!
Overall, another fantastic series, worth your time and attention (just skip episode 7!)