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Sarah (7798 KP) rated The Hunt (2020) in Movies
Nov 14, 2020
Darkly fun
The Hunt follows twelve strangers as they wake up in a clearing with no recollection of how they got there, and soon find themselves hunted for sport by a group of liberal elites.
Starring Betty Gilpin, Hilary Swank, Emma Roberts, Ethan Suplee and Justin Hartley, and written by Nick Cuse and Damon Lindelof, The Hunt’s original release was delayed in 2019 due to a number of mass shootings in America. It was pushed back to Spring 2020 only for it to come out just before the big lockdown for COVID-19, so to say this film has suffered a few setbacks would be an understatement, and this is a shame as it’s actually one of the most enjoyable new releases I’ve seen in 2020 so far.
Right from the opening scene, The Hunt shows you what it’s made of - understated and subtle it is not. It’s a riotously funny and witty parody, poking fun at absolutely everyone in it with it’s on the nose references that are so relevant to today’s political and social climate. Neither the prey or the hunters escape unscathed, in all manner of the word, and everything from climate change to racial prejudices and political ideology feature heavily in the running satire on offer here. This is a darkly funny and very smart film, and it knows it.
What this film is not though, is a horror film. Gory yes and brilliantly so, but it is in no means scary or horrifying. The plot itself is of course reminiscent of Battle Royale and even The Hunger Games, but The Hunt is very much it’s own film. It starts with an overly dramatic score and a decent amount of tension, and shifts into the action virtually straight away - with a short 90 minute runtime, this doesn’t waste it’s time on unnecessary exposition. Whilst I wouldn’t say this isn’t entirely unpredictable, The Hunt still has a few surprises to throw at you. The first half hour plays out a lot differently than you’d expect and makes you wonder if it’s played out it’s hand a little too soon.
But then in walks Betty Gilpin who is by far the star of the show and leads the remaining hour almost single handedly. Gilpin’s Crystal is a kickass, strong, smart heroine and she’s a delight to watch, although even she can’t quite save the lull half way through. Fortunately the lull doesn’t last long and watching Crystal exact her revenge on the hunters is wonderful to watch. Hilary Swank however is on the sidelines for most of the film, and for some bizarre reason whenever she is featured earlier on her face is kept hidden which is a rather strange move when we all know who it is. But despite this, when Swank is finally revealed in the final act she plays the cold, cruel and calculating Athena as a perfect callous bitch. The final exchange and reveal between Athena and Crystal is smart, tense and wickedly funny, and the ensuing fight scene is beautifully choreographed with some great laughs thrown in, and is probably the best fight scene I’ve seen in any film in quite some time.
The Hunt is gloriously over the top and mocks everyone and everything, yet also proves to be an equally thought provoking and relevant commentary on today’s society. As long as you’re not easily offended and don’t take it too seriously, it’ll prove to be hugely entertaining.
Starring Betty Gilpin, Hilary Swank, Emma Roberts, Ethan Suplee and Justin Hartley, and written by Nick Cuse and Damon Lindelof, The Hunt’s original release was delayed in 2019 due to a number of mass shootings in America. It was pushed back to Spring 2020 only for it to come out just before the big lockdown for COVID-19, so to say this film has suffered a few setbacks would be an understatement, and this is a shame as it’s actually one of the most enjoyable new releases I’ve seen in 2020 so far.
Right from the opening scene, The Hunt shows you what it’s made of - understated and subtle it is not. It’s a riotously funny and witty parody, poking fun at absolutely everyone in it with it’s on the nose references that are so relevant to today’s political and social climate. Neither the prey or the hunters escape unscathed, in all manner of the word, and everything from climate change to racial prejudices and political ideology feature heavily in the running satire on offer here. This is a darkly funny and very smart film, and it knows it.
What this film is not though, is a horror film. Gory yes and brilliantly so, but it is in no means scary or horrifying. The plot itself is of course reminiscent of Battle Royale and even The Hunger Games, but The Hunt is very much it’s own film. It starts with an overly dramatic score and a decent amount of tension, and shifts into the action virtually straight away - with a short 90 minute runtime, this doesn’t waste it’s time on unnecessary exposition. Whilst I wouldn’t say this isn’t entirely unpredictable, The Hunt still has a few surprises to throw at you. The first half hour plays out a lot differently than you’d expect and makes you wonder if it’s played out it’s hand a little too soon.
But then in walks Betty Gilpin who is by far the star of the show and leads the remaining hour almost single handedly. Gilpin’s Crystal is a kickass, strong, smart heroine and she’s a delight to watch, although even she can’t quite save the lull half way through. Fortunately the lull doesn’t last long and watching Crystal exact her revenge on the hunters is wonderful to watch. Hilary Swank however is on the sidelines for most of the film, and for some bizarre reason whenever she is featured earlier on her face is kept hidden which is a rather strange move when we all know who it is. But despite this, when Swank is finally revealed in the final act she plays the cold, cruel and calculating Athena as a perfect callous bitch. The final exchange and reveal between Athena and Crystal is smart, tense and wickedly funny, and the ensuing fight scene is beautifully choreographed with some great laughs thrown in, and is probably the best fight scene I’ve seen in any film in quite some time.
The Hunt is gloriously over the top and mocks everyone and everything, yet also proves to be an equally thought provoking and relevant commentary on today’s society. As long as you’re not easily offended and don’t take it too seriously, it’ll prove to be hugely entertaining.
Neon's Nerd Nexus (360 KP) rated Weathering with You (2019) in Movies
Feb 1, 2020 (Updated Feb 1, 2020)
Change The World
Weathering With You is such an original and blissfully delightful tale that it successfully draws you in and immerses you into its breathtakingly realistic world the moment you enter it. I think we can all safely say that when Makoto Shinkai makes a movie he turns heads because he's without a doubt up there with Studio Ghibli in regards to quality, imagination, beauty and magic. Whats great about Weathering with you is just how grounded in reality it is and as we meet our lead character we get to see/feel just how tuff life can be for a young adult trying to live/survive in the world especially with no help, guidence or someone to look up to. This really helps form an instant connection to him as a character and while some of his actions maybe considered bad you sympathies and relate to him on a personal level just the same. As the film plays out a more spiritual/fantasy like plot starts to unfold and at first I did struggle to grasp what the film was actually trying to say over all but this does become clear the further in you get. To me its a story about pressure/burdens we ourselves and the world put on our heads which eventually/inevitably will lead to anxiety, emotions running wild, stress, depression and in some cases giving a person such a warped negative outlook on life that they may be lead to believe that their existence is what is causing the pain and misery of everyone else. Surprisingly climate change is a big theme here too and this has become a huge stress in its self weighing down on not only us but on our characters heads equally. However the film does have a lovely way of looking at this issue towards the end which helps manifest a more positive way of dealing with/coming to terms with this huge problem helping to take some of that pressure off us and giving us peace of mind. As you can imagine all this does get extremely heavy at times but it gives what moments of happiness we get such power and weight that by the time they appear I guarantee you will be struggling to contain your emotions as they try to escape from you. With clear influences from the likes of Spirited Away Weathering with you is animated flawlessly and is so beautiful to watch that it even makes simple actions such as preparing food absolutely captivating. Huge cassical scores gracefully a company the striking visualls too but every so often these pices distort, fracture and skip giving them a more modern/slightly futuristic feel to them which i was really impressed by. Makoto Shinkai has done it again and its nice to see his films are getting the attention they deserve with every seat filled in our showing. Honestly go see this film it really is a perfect example of animation at its absolute finest.
BankofMarquis (1832 KP) rated Don't Look Up (2021) in Movies
Jan 9, 2022
A Brilliant Satire
Satire is a tricky thing to get right, there is a balance between humor and pathos that must be struck in order to drive home the point.
The Netflix Original Satire, DON’T LOOK UP, Directed by Adam McKay (THE BIG SHORT) finds the right line, beautifully.
A send-up of the Climate Change debate (but also, a condemnation of the reaction to the current Global Virus), DON’T LOOK UP has a who’s who of performers that are at the top of their game and delivers a top-notch entertainment that also makes you think.
The plot of the film is simple enough - a PhD Student (Jennifer Lawrence) discovers a “planet killing” comet that is on a collision course with Earth and, joined by her Professor (Leonardo DiCaprio), tries to get the “powers-that-be” to listen to the threat.
DiCaprio (in essence, in the Anthony Fauci role) is superb as the Professor that tries to convince the Politicians about the Science of the threat. His frustration at hitting the brick wall of “political spin” crescendos in an absurdly bravura performance.
Meryl Streep is brilliant (of course) as the President who is more interested in how this situation affects her, politically, than how it affects the populace. She is joined by a sychophantic Jonah Hill (as her son and Chief of Staff). Hill has never been better and understands the nature of this character and mines it for comedic gold.
Cate Blanchette and Tyler Perry are also strong as the Cable News Anchors who are more interested in keeping the conversation “light and fun” and they actually have good “co-anchor” chemistry with each other.
Timothee Chalamet, Mark Rylance, Rob Morgan, Ron Perlman and, yes, Ariana Grande are also strong in smaller, almost cameo, roles.
But the standout star of this film is Jennifer Lawrence as PhD student Kate DiBiasky, the person who discovers the comet (and for whom the comet is named). It is easy to forget just how strong of a performer that Lawrence is but she goes toe-to-toe with Streep/DiCaprio/Blanchette et al and more than holds her own. Her character/performance is the backbone - and conscience - that holds this film together.
Of course, credit for all of this must go to Writer/Director Adam McKay who showed in THE BIG SHORT that he is more than “the comedy Director” of such films like ANCHORMAN and he puts that ability to work, strongly, in this film. He clearly had a vision of what he wanted to put across in this film and straddles the line between humor and seriousness in such a way that no matter what side of the “Global Change” and “Global Pandemic” crisis you are on, you will think that this film skewers you and favors the other side.
Which is the sign of a terrific satire.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
The Netflix Original Satire, DON’T LOOK UP, Directed by Adam McKay (THE BIG SHORT) finds the right line, beautifully.
A send-up of the Climate Change debate (but also, a condemnation of the reaction to the current Global Virus), DON’T LOOK UP has a who’s who of performers that are at the top of their game and delivers a top-notch entertainment that also makes you think.
The plot of the film is simple enough - a PhD Student (Jennifer Lawrence) discovers a “planet killing” comet that is on a collision course with Earth and, joined by her Professor (Leonardo DiCaprio), tries to get the “powers-that-be” to listen to the threat.
DiCaprio (in essence, in the Anthony Fauci role) is superb as the Professor that tries to convince the Politicians about the Science of the threat. His frustration at hitting the brick wall of “political spin” crescendos in an absurdly bravura performance.
Meryl Streep is brilliant (of course) as the President who is more interested in how this situation affects her, politically, than how it affects the populace. She is joined by a sychophantic Jonah Hill (as her son and Chief of Staff). Hill has never been better and understands the nature of this character and mines it for comedic gold.
Cate Blanchette and Tyler Perry are also strong as the Cable News Anchors who are more interested in keeping the conversation “light and fun” and they actually have good “co-anchor” chemistry with each other.
Timothee Chalamet, Mark Rylance, Rob Morgan, Ron Perlman and, yes, Ariana Grande are also strong in smaller, almost cameo, roles.
But the standout star of this film is Jennifer Lawrence as PhD student Kate DiBiasky, the person who discovers the comet (and for whom the comet is named). It is easy to forget just how strong of a performer that Lawrence is but she goes toe-to-toe with Streep/DiCaprio/Blanchette et al and more than holds her own. Her character/performance is the backbone - and conscience - that holds this film together.
Of course, credit for all of this must go to Writer/Director Adam McKay who showed in THE BIG SHORT that he is more than “the comedy Director” of such films like ANCHORMAN and he puts that ability to work, strongly, in this film. He clearly had a vision of what he wanted to put across in this film and straddles the line between humor and seriousness in such a way that no matter what side of the “Global Change” and “Global Pandemic” crisis you are on, you will think that this film skewers you and favors the other side.
Which is the sign of a terrific satire.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Little Ray Of Sunshine (41 KP) rated Kilimanjaro My Story in Books
Jan 11, 2019 (Updated Feb 10, 2019)
Book Review | Kilimanjaro My Story by Rod Wood
Review
..
I love I had this opportunity to read this non-fiction book usually I don't read non-fiction I more read fiction books. But when I was given from the author I read the blurb (I always do this) the story grabbed me. The story is about Rod Wood (author) he had the dream to climb Mount Kilimanjaro. It wasn't easy for him as personal events affected him and the dream was pushed to the back of his mind.
While reading the story I felt for Rod as he struggled with his personal meltdown but I loved that he got support from his parents and his friends to push him to do this dream.
I am happy that he plucked up the courage and achieved this amazing experience. I loved he added the photos as this made it personal and heartwarming as it made you feel that you have gone on the journey with Rod.
It's amazing that through the book you can see Rod's confidence grown and how he bonded with the other team members and porters. It, not just the story of his achievement what grabbed its that the three volcanoes, Kilimanjaro, Mawenzi, and Meru are changing due to the climate change and the global warming, as we had periods of warmth, and periods of extreme cold so this helped the glaciers to grow and cover the summit. It also how people who visit these volcanoes treat them by leaving litter behind and not clean up after their selves.
..This book makes me what to write my own bucket list and achieve some goals what have been on my mind what I have pushed aside.
..
It is worth the read and I would recommend to you if you into traveling and what to climb Mount Kilimanjaro yourself.
..
*Thanks, Rod Wood for sending me the book to read and everything I have written is my honest review and opinion.
..
Thanks for reading.
..
Q. What non-fiction book have you read this year and would like to share with me? Comment below please x
..
I love I had this opportunity to read this non-fiction book usually I don't read non-fiction I more read fiction books. But when I was given from the author I read the blurb (I always do this) the story grabbed me. The story is about Rod Wood (author) he had the dream to climb Mount Kilimanjaro. It wasn't easy for him as personal events affected him and the dream was pushed to the back of his mind.
While reading the story I felt for Rod as he struggled with his personal meltdown but I loved that he got support from his parents and his friends to push him to do this dream.
I am happy that he plucked up the courage and achieved this amazing experience. I loved he added the photos as this made it personal and heartwarming as it made you feel that you have gone on the journey with Rod.
It's amazing that through the book you can see Rod's confidence grown and how he bonded with the other team members and porters. It, not just the story of his achievement what grabbed its that the three volcanoes, Kilimanjaro, Mawenzi, and Meru are changing due to the climate change and the global warming, as we had periods of warmth, and periods of extreme cold so this helped the glaciers to grow and cover the summit. It also how people who visit these volcanoes treat them by leaving litter behind and not clean up after their selves.
..This book makes me what to write my own bucket list and achieve some goals what have been on my mind what I have pushed aside.
..
It is worth the read and I would recommend to you if you into traveling and what to climb Mount Kilimanjaro yourself.
..
*Thanks, Rod Wood for sending me the book to read and everything I have written is my honest review and opinion.
..
Thanks for reading.
..
Q. What non-fiction book have you read this year and would like to share with me? Comment below please x
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Merissa (11768 KP) rated Like a Lily Among the Thorns in Books
Jun 20, 2022
LIKE A LILY AMONG THE THORNS is a standalone book (at the moment) with an open ending that mixes fantasy with fact, giving information about climate change with 'normal' events.
This story is told mainly from two perspectives - Gabrielle and a narrator. You also get odd chapters either told from other perspectives, or by the narrator giving you further information on one of the other characters.
In a Cinderella-esque way, Gabrielle's life turns around, due to her faith in the cosmos. She practices mindfulness and is determined not to let life get her down. This is partly due to her childhood. Unfortunately, at times, this made her seem un-grounded and living in a fantasy land, refusing to face reality. After some adventures, she ends up at her B&B in Vermont, with a host of characters to support her. In fact, apart from being the owner, I'm not entirely sure what her role was.
This is a wordy book, with some unfortunate info-dumps throughout. There are also hints and questions asked of the reader that goes nowhere. The pacing is okay but it could definitely be tightened up in places. And there is no need to head-hop into the mind of a minor character who is only there for a page or two. Although the blurb states they are a 'group of saviors', just how they are supposed to do this apart from changing the B&B is unclear, especially given that they are all ignoring the problem towards the end.
On the whole, this was an enjoyable book about a crisis I firmly believe in. I guess my hopes were higher than were realistic. This is my first read by this author. If you have read her work before and liked it, I think you will like this story. As for me, I found it tricky to get along with.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This story is told mainly from two perspectives - Gabrielle and a narrator. You also get odd chapters either told from other perspectives, or by the narrator giving you further information on one of the other characters.
In a Cinderella-esque way, Gabrielle's life turns around, due to her faith in the cosmos. She practices mindfulness and is determined not to let life get her down. This is partly due to her childhood. Unfortunately, at times, this made her seem un-grounded and living in a fantasy land, refusing to face reality. After some adventures, she ends up at her B&B in Vermont, with a host of characters to support her. In fact, apart from being the owner, I'm not entirely sure what her role was.
This is a wordy book, with some unfortunate info-dumps throughout. There are also hints and questions asked of the reader that goes nowhere. The pacing is okay but it could definitely be tightened up in places. And there is no need to head-hop into the mind of a minor character who is only there for a page or two. Although the blurb states they are a 'group of saviors', just how they are supposed to do this apart from changing the B&B is unclear, especially given that they are all ignoring the problem towards the end.
On the whole, this was an enjoyable book about a crisis I firmly believe in. I guess my hopes were higher than were realistic. This is my first read by this author. If you have read her work before and liked it, I think you will like this story. As for me, I found it tricky to get along with.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!