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Our friend loves to eat. Exercise? Eh…not so much. And as you can see he’s a bit,...
Steve Fearon (84 KP) rated Terrifier (2017) in Movies
Oct 31, 2018
Intriguing new character "Art" (1 more)
Gore galore
Doesn't seem to really have any depth (1 more)
Style over substance?
Does what it promises...but little more
So I finally got around to watching Terrifier, and yeah, it was pretty good.
Art the Clown is a captivating antagonist, with the playful tendencies of pennywise combined with the raw savagery of Jason, with just a pinch of the sadistic in there too.
The kills are largely effective, and brutal, the other characters are mostly fine and bearable, and certainly this is a film worthy of a sequel.
However, there is a niggling criticism that Terrifier is just a series of largely unrelated scenes, where they try to make Art as Brutal/Weird/Unsettling as possible, without really concerning themselves with any sort of a deeper plot, lore or moral.
The rules and motivations surrounding Art are unclear, at times hinting at mother issues, him just being an ordinary lunatic, but also having some supernatural elements too.
Its enjoyable enough without the lore and background, but for Art to transcend from a one off (if you ignore the short film starring him) we need to understand more.
Still, if you like your 80's gore horror, I am sure you will find something to like here.
Art the Clown is a captivating antagonist, with the playful tendencies of pennywise combined with the raw savagery of Jason, with just a pinch of the sadistic in there too.
The kills are largely effective, and brutal, the other characters are mostly fine and bearable, and certainly this is a film worthy of a sequel.
However, there is a niggling criticism that Terrifier is just a series of largely unrelated scenes, where they try to make Art as Brutal/Weird/Unsettling as possible, without really concerning themselves with any sort of a deeper plot, lore or moral.
The rules and motivations surrounding Art are unclear, at times hinting at mother issues, him just being an ordinary lunatic, but also having some supernatural elements too.
Its enjoyable enough without the lore and background, but for Art to transcend from a one off (if you ignore the short film starring him) we need to understand more.
Still, if you like your 80's gore horror, I am sure you will find something to like here.
Lyndsey Gollogly (2893 KP) rated Shadowplay (Micah Grey #2) in Books
Nov 10, 2019
Contains spoilers, click to show
Old magics are waking. But will the world survive their return?
Micah Grey almost died when he fled the circus with Drystan - now he and the ex-clown seek to outrun disaster. Drystan persuades his old friend Jasper Maske, a once-renowned magician, to take them in. But when he agrees to teach them his trade, Maske is challenged to the ultimate high-stakes duel by his embittered arch-nemesis.
Micah must perfect his skills of illusion, while navigating a tender new love. An investigator is also hunting the person he once seemed to be - a noble family's runaway daughter. As the duel draws near, Micah increasingly suffers from visions showing him real magic and future terrors. Events that broke the ancient world are being replayed. But can Micah's latent powers influence this deadly pattern?
The second installment of this trilogy and it started very slow for me I did struggle to keep myself focused. But it got better the longer it went on. Learning more about Micah and Drystan was good as well as their relationship development finally seeing them can me together was quite sweet. I loved the magic and introduction of Cyan. What will the 3rd book bring.
⭐⭐⭐

Micah Grey almost died when he fled the circus with Drystan - now he and the ex-clown seek to outrun disaster. Drystan persuades his old friend Jasper Maske, a once-renowned magician, to take them in. But when he agrees to teach them his trade, Maske is challenged to the ultimate high-stakes duel by his embittered arch-nemesis.
Micah must perfect his skills of illusion, while navigating a tender new love. An investigator is also hunting the person he once seemed to be - a noble family's runaway daughter. As the duel draws near, Micah increasingly suffers from visions showing him real magic and future terrors. Events that broke the ancient world are being replayed. But can Micah's latent powers influence this deadly pattern?
The second installment of this trilogy and it started very slow for me I did struggle to keep myself focused. But it got better the longer it went on. Learning more about Micah and Drystan was good as well as their relationship development finally seeing them can me together was quite sweet. I loved the magic and introduction of Cyan. What will the 3rd book bring.
⭐⭐⭐

Chaplin: His Life And Art
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Few issues spark more passionate emotions among football fans than the debate about the best players...
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Ray Sirico used to have it all. Once, he was the brilliant and outrageous Clown Prince of Comics,...
KyleQ (267 KP) rated Halloween H20: 20 Years Later (1998) in Movies
Jul 19, 2020
A pretty meh reboot.
H20 finds Jamie Lee Curtis returning to the role of Laurie Strode. For 20 years she's been in hiding from Michael Myers, she's been staying at a college campus with her son John (Josh Hartnett), but Michael is hunting them down.
H20's plot is less weird than the last couple of outings in the franchise, but it still feels a bit silly. The movie opens up showing Michael Myers doing some investigation to find out where Laurie disappeared to, which it just so happens that the nurse from the original movie had in her house. It was kind of a dumb start, and it never fully recovers from it.
There were 3 different masks used, resulting in obvious differences from shot to shot. One mask was particularly terrible, it looked like a clown mask.
The movie does benefit from a decent supporting cast including the likes of Michelle Williams, LL Cool J, Adam Arkin, Joseph Gordon-Levitt, and even Janet Leigh.
Tonally, H20 is somewhat cheesy, it shouldn't be taken too seriously, though who would at this point in the series?
Halloween H20: 20 Years Later will entertain fans of the series and horror fans alike. But don't expect it to be anything especially good.
H20's plot is less weird than the last couple of outings in the franchise, but it still feels a bit silly. The movie opens up showing Michael Myers doing some investigation to find out where Laurie disappeared to, which it just so happens that the nurse from the original movie had in her house. It was kind of a dumb start, and it never fully recovers from it.
There were 3 different masks used, resulting in obvious differences from shot to shot. One mask was particularly terrible, it looked like a clown mask.
The movie does benefit from a decent supporting cast including the likes of Michelle Williams, LL Cool J, Adam Arkin, Joseph Gordon-Levitt, and even Janet Leigh.
Tonally, H20 is somewhat cheesy, it shouldn't be taken too seriously, though who would at this point in the series?
Halloween H20: 20 Years Later will entertain fans of the series and horror fans alike. But don't expect it to be anything especially good.
IT… didn’t really float my boat.
IT is based on the Stephen King novel, and tells the disturbing recurring events that happen within the town of Derry in Maine. Kids keep disappearing and sightings of a spooky clown, other visitations and red balloons occur. A group of bullied high school kids – one directly impacted by the disappearances – work to get to the bottom of the supernatural goings on. (Fortunately they don’t have a dog called Scooby).
I had in mind that with the disturbing and dangerous “clowning around” that happened in the summer of 2016 that this film had been shot a while ago and the release delayed until now for fear of adding ‘clown-flavoured fuel’ to the fire. But it appears that filming only completed in September of last year, so that appears not to be the case.
The film starts memorably and brutally with the “drain scene” from the trailer. And very effective it is too. “Great!” you think… this is a spookfest that has legs! Unfortunately, for me at least, it all went downhill from there. The film really doesn’t seem to know WHAT it’s trying to be. There are elements of “Stand By Me”; elements of “Alien”; elements of “The Conjuring”, all thrown into a cinematic blender and pulsed well.
The most endearing aspects of the movie are the interactions of the small-town kids, with this aspect of the film bearing the closest comparison with J.J. Abrams’ “Super 8”. This is carried by the great performances of the young actors involved, with Jaeden Lieberher (so memorable in “Midnight Special”) as Bill; Jeremy Ray Taylor (“Ant Man”) as Ben (‘the chubby one’); and Finn Wolfhard, in his big-screen premiere and sporting an absurd set of glasses, as the wise-cracking Ritchie.
Standout for my though was the then 14-year old Sophia Lillis as Beverly (the nearest equivalent to the Elle Fanning role in “Super 8”). This young lady has SUCH screen presence, reminiscent of Emma Watson in the Harry Potter films. I think she is a name to watch!
While commenting on the acting I do need to acknowledge Bill Skarsgård (“Atomic Blonde” and son of Stellan Skarsgård) who is creepily effective as Pennywise the clown.
Having a film that just centred on the pubescent interplay between the youngsters and their battles against the near-psychopathic school bully Bowers (Nicholas Hamilton, “Captain Fantastic”) would have kept me well-entertained for two hours. However, in the same way that the hugely over-inflated Sci-Fi ending of “Super 8” rather detracted from that film, so the clown-related story popping up all the time just irritated me to distraction. (“WILL YOU JUST FECK OFF AND LEAVE US TO FIND OUT WHO BEVERLY GETS OFF WITH???!!”)
While the film has a number of good jump-scares, a lot of them – especially those with excessive use of CGI – just don’t really work. There are normally no “outcomes” from the scares. It’s all a bit like a ghost train where the carriage rounds a corner, something jumps out, and then the carriage moves on round the corner again! What makes a great horror film is where the “science” of the horror is well thought through. “Alien” was an exceptional example of that, where the science wasn’t just “physics” but also “biology”. Here (and I’m not sure whether this is true to the book… this is one of Stephen King’s I haven’t read) there seems to be no rules involved at all. Things happen fairly randomly: shape-shifting and effects on physical objects happen with no rational explanation; the kids can see things adults can’t see. (Why?). In fact the “adults” – the usual mix of Stephen King dysfunctional small-town crazies – seem to have no significant part in the story at all. It’s all like some lame teenage fantasy where actions (a number of individuals in the story meet their demise) seem to carry no legal consequences whatsoever. I half expected Bill to wake up – Dallas style – at the end and realise it had all been an “awful dream”!
In particular, the denouement is highly dissatisfying. An opportunity for a (very black) twist in the plot is discarded. Pennywise the clown’s departure is both lame and unconvincing. And there are numerous loose ends that are never properly tied down (what was that “floaters descending” dialogue about?…. it was just never followed through!).
It’s not all bad though. The location shoots in Bangor, Maine and the Ontario countryside are all beautifully rendered by cinematographer Chung-hoon Chung (“Stoker”) and where the film clicks with the young cast it clicks well and enjoyably. I just wish that the overall film wasn’t just such a jumbled-up mess. Blame for that must lie with the screenwriting team and director Andy Muschietti (“Mama”). I’m going to give it a kicking in my rating, since with all the marketing build-up it was certainly a disappointment. I see though that at the time of writing that this film sports an unfathomably high imdb rating of 8.0/10 so I’ll acknowledge that somebody must have seen something more in this than I did!!
I had in mind that with the disturbing and dangerous “clowning around” that happened in the summer of 2016 that this film had been shot a while ago and the release delayed until now for fear of adding ‘clown-flavoured fuel’ to the fire. But it appears that filming only completed in September of last year, so that appears not to be the case.
The film starts memorably and brutally with the “drain scene” from the trailer. And very effective it is too. “Great!” you think… this is a spookfest that has legs! Unfortunately, for me at least, it all went downhill from there. The film really doesn’t seem to know WHAT it’s trying to be. There are elements of “Stand By Me”; elements of “Alien”; elements of “The Conjuring”, all thrown into a cinematic blender and pulsed well.
The most endearing aspects of the movie are the interactions of the small-town kids, with this aspect of the film bearing the closest comparison with J.J. Abrams’ “Super 8”. This is carried by the great performances of the young actors involved, with Jaeden Lieberher (so memorable in “Midnight Special”) as Bill; Jeremy Ray Taylor (“Ant Man”) as Ben (‘the chubby one’); and Finn Wolfhard, in his big-screen premiere and sporting an absurd set of glasses, as the wise-cracking Ritchie.
Standout for my though was the then 14-year old Sophia Lillis as Beverly (the nearest equivalent to the Elle Fanning role in “Super 8”). This young lady has SUCH screen presence, reminiscent of Emma Watson in the Harry Potter films. I think she is a name to watch!
While commenting on the acting I do need to acknowledge Bill Skarsgård (“Atomic Blonde” and son of Stellan Skarsgård) who is creepily effective as Pennywise the clown.
Having a film that just centred on the pubescent interplay between the youngsters and their battles against the near-psychopathic school bully Bowers (Nicholas Hamilton, “Captain Fantastic”) would have kept me well-entertained for two hours. However, in the same way that the hugely over-inflated Sci-Fi ending of “Super 8” rather detracted from that film, so the clown-related story popping up all the time just irritated me to distraction. (“WILL YOU JUST FECK OFF AND LEAVE US TO FIND OUT WHO BEVERLY GETS OFF WITH???!!”)
While the film has a number of good jump-scares, a lot of them – especially those with excessive use of CGI – just don’t really work. There are normally no “outcomes” from the scares. It’s all a bit like a ghost train where the carriage rounds a corner, something jumps out, and then the carriage moves on round the corner again! What makes a great horror film is where the “science” of the horror is well thought through. “Alien” was an exceptional example of that, where the science wasn’t just “physics” but also “biology”. Here (and I’m not sure whether this is true to the book… this is one of Stephen King’s I haven’t read) there seems to be no rules involved at all. Things happen fairly randomly: shape-shifting and effects on physical objects happen with no rational explanation; the kids can see things adults can’t see. (Why?). In fact the “adults” – the usual mix of Stephen King dysfunctional small-town crazies – seem to have no significant part in the story at all. It’s all like some lame teenage fantasy where actions (a number of individuals in the story meet their demise) seem to carry no legal consequences whatsoever. I half expected Bill to wake up – Dallas style – at the end and realise it had all been an “awful dream”!
In particular, the denouement is highly dissatisfying. An opportunity for a (very black) twist in the plot is discarded. Pennywise the clown’s departure is both lame and unconvincing. And there are numerous loose ends that are never properly tied down (what was that “floaters descending” dialogue about?…. it was just never followed through!).
It’s not all bad though. The location shoots in Bangor, Maine and the Ontario countryside are all beautifully rendered by cinematographer Chung-hoon Chung (“Stoker”) and where the film clicks with the young cast it clicks well and enjoyably. I just wish that the overall film wasn’t just such a jumbled-up mess. Blame for that must lie with the screenwriting team and director Andy Muschietti (“Mama”). I’m going to give it a kicking in my rating, since with all the marketing build-up it was certainly a disappointment. I see though that at the time of writing that this film sports an unfathomably high imdb rating of 8.0/10 so I’ll acknowledge that somebody must have seen something more in this than I did!!
We Need to Talk About ... Kevin Bridges
Book
This is the comic autobiography of 2014. A comedian's autobiography? I wonder if he's ever used...
Rikki Hammond (33 KP) rated Dobble in Tabletop Games
Jun 6, 2019
Easy to transport (1 more)
Quick games keep it fresh
Chaotic, Silly Fun
I always take Dobble if I'm going round a friends house, or whip it out if people are coming over, as it's always chaotic fun when it's played.
There are five game modes in Dobble, and they all have the same basic premise: either get rid of all of your cards, or have the most cards at the end.
Every card will have a number of different symbols on them (like a clown or spider,) and every card has one symbol that can be found on the other players cards, and you have to find the match before the other players. This can lead to some hectic games, as everyone scrambles to find their matching symbol at the same time.
Games are over quickly, and the different game modes have enough variety in them, to stop them from being too samey. It could be The Well, where players are trying to get rid of their cards into the middle of a pile first, or Hot Potato, where you don't want to be the last player left with everyone elses cards.
All in all, Dobble is a great party game, but if you're looking for a gentle, calm game, this isn't for you ?.
There are five game modes in Dobble, and they all have the same basic premise: either get rid of all of your cards, or have the most cards at the end.
Every card will have a number of different symbols on them (like a clown or spider,) and every card has one symbol that can be found on the other players cards, and you have to find the match before the other players. This can lead to some hectic games, as everyone scrambles to find their matching symbol at the same time.
Games are over quickly, and the different game modes have enough variety in them, to stop them from being too samey. It could be The Well, where players are trying to get rid of their cards into the middle of a pile first, or Hot Potato, where you don't want to be the last player left with everyone elses cards.
All in all, Dobble is a great party game, but if you're looking for a gentle, calm game, this isn't for you ?.