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James Koppert (2698 KP) rated Functioning on Impatience by Coalesce in Music
Nov 1, 2019
James Koppert (2698 KP) rated We Are The Romans by Botch in Music
Oct 30, 2019
One of the greatest of all time
We Are The Romans is simply one of the greatest albums of all time. Period. Their second studio album Botch took it up a notch. It's like discordant emo if it had only listened to Coalesce and took steroids. It's incredibly heavy but also beautiful. It's hard without being macho, it's orchestral without being over the top. I can listen to this album over and over again and never get bored, just constantly absorb the emotion it gives me. An incredible album.
James Koppert (2698 KP) rated 0:12 Revolution in Just Listening by Coalesce in Music
Nov 1, 2019 (Updated Nov 1, 2019)
The heaviest groove train
It's hard to choose which is the best, Botch: We are the Romans, Dillinger Escape Plan: Calculating Infinity, Converge:Jane Doe or this by Converge. Converge always were incredible from the first release to now the consistency has been superb but this, for me has been their pinicle.
So what do they sound like? Well imagine the grooviest riffs by Zeppelin but infinitely heavier, throw in some jazz timing and some of the most gravelly roars the human throat can muster and this is Coalesce. The sounds are great slabs that smash you across the head. It's just so damn heavy and so damn groovy at the same time. Incredible.
So what do they sound like? Well imagine the grooviest riffs by Zeppelin but infinitely heavier, throw in some jazz timing and some of the most gravelly roars the human throat can muster and this is Coalesce. The sounds are great slabs that smash you across the head. It's just so damn heavy and so damn groovy at the same time. Incredible.
I have to say that, although I haven't read them all, I usually quite enjoy Crichton's novels. Unfortunately, if I had to sum "Next" up in one word, that word would have to be: "disappointing"
I think the problem is that there's no clear central character: unlike, say, "Prey" or even the famous "Jurassic Park" I didn't really 'conect' with anybody in the story. Although the various threads did all coalesce towards the latter half, it also came across more like a jumble of mini-stories haphazardly collected together than as one coherent whole.
I'm just glad the "Next" was not the first Crichton book I read (that would have to be "Jurassic Park"): if it was, I wouldn't be going out of my way to read more!
I think the problem is that there's no clear central character: unlike, say, "Prey" or even the famous "Jurassic Park" I didn't really 'conect' with anybody in the story. Although the various threads did all coalesce towards the latter half, it also came across more like a jumble of mini-stories haphazardly collected together than as one coherent whole.
I'm just glad the "Next" was not the first Crichton book I read (that would have to be "Jurassic Park"): if it was, I wouldn't be going out of my way to read more!
Shaun Collins (3 KP) rated Lethbridge-Stewart: Moon Blink (#5) in Books
Jan 12, 2018
Moon Blink is a great start to the new "season" of LS books. There are some great ideas in here, and a few truly golden nugget scenes. Unfortunately, the book doesn't coalesce quite as well as it should, particularly when it reaches the final act. The villain (and thus the climax) never reach full potency after a great set up, which was frustrating.
Once again, Anne Travers takes the lead in the proceedings while Lethbridge-Stewart is relegated to the background, but for this story, that dynamic not only made sense, but was essential. Sadie Miller exhibits a natural knack for writing these characters, and has a strong voice with which to do it.
It may only be a three an a half star book, but because it was so enjoyable to read I have it the benefit of the extra star. Can't wait to read more!
For more detailed thoughts, you can listen to our full review at www.travelingthevortex.com
Once again, Anne Travers takes the lead in the proceedings while Lethbridge-Stewart is relegated to the background, but for this story, that dynamic not only made sense, but was essential. Sadie Miller exhibits a natural knack for writing these characters, and has a strong voice with which to do it.
It may only be a three an a half star book, but because it was so enjoyable to read I have it the benefit of the extra star. Can't wait to read more!
For more detailed thoughts, you can listen to our full review at www.travelingthevortex.com
Lou Grande (148 KP) rated Gracefully Grayson in Books
May 27, 2018
I have to say, this book was much better than I was expecting. I'm always wary going into a book about trans issues not written by trans people. But Grayson's story was treated thoughtfully and with respect. (Such a stereotypical name, though!) However, I'm disappointed that this story focused so much on violence and social resistance to trans people. While that can often be the reality for some of us, this book is intended for young readers, and I'm concerned that this could be scary for them. On the other hand, cisgendered kids who pick this one up might be more empathetic towards trans people in general. (But would cisgender kids be inspired to pick GRACEFULLY GRAYSON up if they've already formed negative opinions on trans issues? I don't know; I'm thankfully not a parent.)
Another thing: did this story really have to coalesce in a bathroom? It felt lazy. Where we pee is not the only political issue we face, and it's obvious the author knows this. I don't know. This book left me with mixed feelings.
Another thing: did this story really have to coalesce in a bathroom? It felt lazy. Where we pee is not the only political issue we face, and it's obvious the author knows this. I don't know. This book left me with mixed feelings.
Heather Cranmer (2721 KP) created a post
Apr 3, 2022
Rachel King (13 KP) rated Mockingjay in Books
Feb 11, 2019
This novel deeply impacted me. I had to let the review sit for awhile before I could coalesce my thoughts on it because I kept replaying the many aspects of the series over and over in my head, wondering if the series could really have ended any differently. I suppose if some of the key characters had made different decisions, there would have been some difference, but keeping everything else the same, Katniss really could not have responded differently. I felt that this book was much more realistic regarding the behavior of a 17-year-old in her circumstances than many other books I have read of the Young Adult genre.
I felt that the second and third books revolved largely around what it would take to break Katniss. The reader can guess the answer quite easily, but Katniss is haunted by not being certain of this answer. She is only a young adult after all, not even experiencing all of the atrocities that the Capital visited on the other Hunger Games victors before her. She is naive in many ways, though her inner strength and determination to survive are great personal motivators.
There is maybe one part of the book that I really wish would have happened differently, and that is what happens to Finnick, especially given his reunion with Annie. I could not understand how it was so necessary to the continuance of the main plot, and I felt sad for Annie.
I don't want to give away the ending for Katniss's personal story, but in the grand scheme of things, even this was necessary for Katniss's personal survival, as well as the betterment of the remaining districts of Panem. While that statement is appropriately confusing, the way I described the ending to my husband, who still needs to read the second and third books, is the ending was bittersweet - heavy on the bitter and light on the sweet.
I felt that the second and third books revolved largely around what it would take to break Katniss. The reader can guess the answer quite easily, but Katniss is haunted by not being certain of this answer. She is only a young adult after all, not even experiencing all of the atrocities that the Capital visited on the other Hunger Games victors before her. She is naive in many ways, though her inner strength and determination to survive are great personal motivators.
There is maybe one part of the book that I really wish would have happened differently, and that is what happens to Finnick, especially given his reunion with Annie. I could not understand how it was so necessary to the continuance of the main plot, and I felt sad for Annie.
I don't want to give away the ending for Katniss's personal story, but in the grand scheme of things, even this was necessary for Katniss's personal survival, as well as the betterment of the remaining districts of Panem. While that statement is appropriately confusing, the way I described the ending to my husband, who still needs to read the second and third books, is the ending was bittersweet - heavy on the bitter and light on the sweet.
Gareth von Kallenbach (971 KP) rated Maleficent (2014) in Movies
Aug 6, 2019
I was quite apprehensive headed into the new Disney movie ‘Maleficent’
(Starring Angelina Jolie, Elle Fanning, Sharlto Copley, and Sam Riley), because all the ‘official’ reviews said it wasn’t any good.
I thoroughly disagree.
Maleficent made me laugh, it made me cry and it had me holding my breath in anticipation in some parts.
It takes a ‘Wicked’ type look at the age old story of Sleeping Beauty.
While the narration is from the point of view of a much older Aurora, the story focuses on the point of view of Maleficent.
The young Maleficent (played by Isobelle Molloy) meets a young orphaned peasant boy with aspirations to live in the neighboring kingdoms castle.
Through the years they bond and grow close and share what is supposed to be ‘true loves kiss’.
Time moves on. The king in the adjoining kingdom is greedy and wants the lands that are ruled over by Maleficent. There is a battle, he is soundly defeated, and the King is injured mortally in battle. He pronounces that he will make whoever avenges him and kills Maleficent the next ruler.
Stefan, still being ambitious, finds Maleficent, and while pretending to still be her friend, drugs her. He can’t bring himself to actually kill her and steals her wings instead, to present to the king as proof of her demise.
Stefan is crowned king. Time passes.
Maleficent’s pain and anger and betrayal do not dissipate. They grow and coalesce to the point that at the celebration to celebrate the birth of King Stefan’s daughter Aurora, she curses the child, sealing her fate that naught but ‘true loves kiss’ will break the curse.
The story follows the child’s growth, with Maleficent watching her every move, and getting closer and closer to her with every passing year.
Maleficent dubs Aurora ‘Beastie’, and Aurora calls Maleficent ‘Godmother’.
As Aurora’s 16th birthday draws near, Maleficent grows desperate to break the very curse that she had cast many years before.
It does not work.
I won’t ruin it by telling the ending, but it was action packed, and heart wrenching, and (at least to me) marginally unpredictable…. (I thought one person would break it, but another did…. I did figure it out before it happened, but mostly because I’ve been watching Once Upon A Time).
I really enjoyed the film, I loved the 3D of it, and I would most assuredly see it again. I wouldn’t recommend it for very young children, and I don’t feel like I can bring my almost 6 year old to it, but I would consider letting him see it by age 8 or 9.
(Starring Angelina Jolie, Elle Fanning, Sharlto Copley, and Sam Riley), because all the ‘official’ reviews said it wasn’t any good.
I thoroughly disagree.
Maleficent made me laugh, it made me cry and it had me holding my breath in anticipation in some parts.
It takes a ‘Wicked’ type look at the age old story of Sleeping Beauty.
While the narration is from the point of view of a much older Aurora, the story focuses on the point of view of Maleficent.
The young Maleficent (played by Isobelle Molloy) meets a young orphaned peasant boy with aspirations to live in the neighboring kingdoms castle.
Through the years they bond and grow close and share what is supposed to be ‘true loves kiss’.
Time moves on. The king in the adjoining kingdom is greedy and wants the lands that are ruled over by Maleficent. There is a battle, he is soundly defeated, and the King is injured mortally in battle. He pronounces that he will make whoever avenges him and kills Maleficent the next ruler.
Stefan, still being ambitious, finds Maleficent, and while pretending to still be her friend, drugs her. He can’t bring himself to actually kill her and steals her wings instead, to present to the king as proof of her demise.
Stefan is crowned king. Time passes.
Maleficent’s pain and anger and betrayal do not dissipate. They grow and coalesce to the point that at the celebration to celebrate the birth of King Stefan’s daughter Aurora, she curses the child, sealing her fate that naught but ‘true loves kiss’ will break the curse.
The story follows the child’s growth, with Maleficent watching her every move, and getting closer and closer to her with every passing year.
Maleficent dubs Aurora ‘Beastie’, and Aurora calls Maleficent ‘Godmother’.
As Aurora’s 16th birthday draws near, Maleficent grows desperate to break the very curse that she had cast many years before.
It does not work.
I won’t ruin it by telling the ending, but it was action packed, and heart wrenching, and (at least to me) marginally unpredictable…. (I thought one person would break it, but another did…. I did figure it out before it happened, but mostly because I’ve been watching Once Upon A Time).
I really enjoyed the film, I loved the 3D of it, and I would most assuredly see it again. I wouldn’t recommend it for very young children, and I don’t feel like I can bring my almost 6 year old to it, but I would consider letting him see it by age 8 or 9.
Hazel (1853 KP) rated And Then We Ran in Books
Jun 23, 2017
Drastic Decision Making
I received this book for free through Goodreads First Reads.
Have you ever felt so desperate to achieve your dreams that you would do anything, no matter how crazy, to reach them? Seventeen-year-old Megan dreams of becoming a professional photographer, however, her parents have other ideas. And Then We Ran by Katy Cannon is a Young Adult novel about learning to be yourself and realising your dreams.
Megan’s older sister died in a terrible accident the year before she completed her A Levels. Now, Megan is at the same stage and is fed up of trying to live up to her sister’s memory. Forced to study subjects she does not care for and pressurised into applying to Oxbridge, Megan feels she only has one option left. Her grandmother’s will stipulates that on her 21st birthday or when she gets married, a little flat in London will become hers. Unable to wait another four years, Megan decides marriage is the only way forward.
Two characters narrate And Then We Ran, the second being an old friend of Megan’s. Elliott has given up all hope of going to university to study archaeology and no longer has any ambitions for the future. Then, Megan approaches him with a proposal that could change his life forever. If Elliott agrees to elope with her to Gretna Green, he could live with her in London and study at UCL. So, with a new future developing before their eyes, the two coalesce and begin to develop their clandestine plan.
Naturally, it is not a simple procedure; they cannot get married on the spur of the moment. Careful planning and a long month later, they are ready to go ahead with their plan, however, things outside of their control seem intent on preventing their marriage. From delayed trains to inclement weather, Megan and Elliott determinedly carry on until, after a more circuitous route, they arrive at their destination. But, that does not necessarily result in their happy ever after.
Getting married for a chance at freedom seems a rather peculiar idea, however, you have to appreciate how determined they are to achieve their dreams. Applying to university is a decision that can alter your entire future, so it is understandable how angry Megan feels that her parents are dictating where she goes and what she studies. And The We Ran is an encouraging book that shows two teenagers seriously contemplating their future and making decisions that will make them happy, rather than doing what everyone else expects.
Although it is a fun story, Megan is not the most relatable character. To begin with, it is hard to connect with her outgoing personality, unlike Elliott who is more reserved and introverted. But, once the story gets going, Megan’s façade begins to slip, revealing that she is not much different from other teenagers with hopes and dreams for the future.
And Then We Ran is not the most realistic of contemporary stories, but it is enjoyable and makes us as readers question the methods of Megan and Elliott’s journey to freedom. Most significantly, it highlights the importance of learning and being who you are, rather than whom other people want you to be. Finally, this story emphasises that there are more than one way of achieving your dreams.
Have you ever felt so desperate to achieve your dreams that you would do anything, no matter how crazy, to reach them? Seventeen-year-old Megan dreams of becoming a professional photographer, however, her parents have other ideas. And Then We Ran by Katy Cannon is a Young Adult novel about learning to be yourself and realising your dreams.
Megan’s older sister died in a terrible accident the year before she completed her A Levels. Now, Megan is at the same stage and is fed up of trying to live up to her sister’s memory. Forced to study subjects she does not care for and pressurised into applying to Oxbridge, Megan feels she only has one option left. Her grandmother’s will stipulates that on her 21st birthday or when she gets married, a little flat in London will become hers. Unable to wait another four years, Megan decides marriage is the only way forward.
Two characters narrate And Then We Ran, the second being an old friend of Megan’s. Elliott has given up all hope of going to university to study archaeology and no longer has any ambitions for the future. Then, Megan approaches him with a proposal that could change his life forever. If Elliott agrees to elope with her to Gretna Green, he could live with her in London and study at UCL. So, with a new future developing before their eyes, the two coalesce and begin to develop their clandestine plan.
Naturally, it is not a simple procedure; they cannot get married on the spur of the moment. Careful planning and a long month later, they are ready to go ahead with their plan, however, things outside of their control seem intent on preventing their marriage. From delayed trains to inclement weather, Megan and Elliott determinedly carry on until, after a more circuitous route, they arrive at their destination. But, that does not necessarily result in their happy ever after.
Getting married for a chance at freedom seems a rather peculiar idea, however, you have to appreciate how determined they are to achieve their dreams. Applying to university is a decision that can alter your entire future, so it is understandable how angry Megan feels that her parents are dictating where she goes and what she studies. And The We Ran is an encouraging book that shows two teenagers seriously contemplating their future and making decisions that will make them happy, rather than doing what everyone else expects.
Although it is a fun story, Megan is not the most relatable character. To begin with, it is hard to connect with her outgoing personality, unlike Elliott who is more reserved and introverted. But, once the story gets going, Megan’s façade begins to slip, revealing that she is not much different from other teenagers with hopes and dreams for the future.
And Then We Ran is not the most realistic of contemporary stories, but it is enjoyable and makes us as readers question the methods of Megan and Elliott’s journey to freedom. Most significantly, it highlights the importance of learning and being who you are, rather than whom other people want you to be. Finally, this story emphasises that there are more than one way of achieving your dreams.