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Leanne Crabtree (480 KP) rated The Girl He Used to Know in Books
Jan 12, 2021
This review and more can be found at my blog
https://aromancereadersreviews.blogspot.com
A Romance Reader's Reviews
I'll admit I bought this as a spur of the moment thing from one of my favourite bargain book shops The Works. I've never read anything by this author though I do have her book, "On the Island", to read on my Kindle - and have done for several years now.
This book switches between 1991 and 2001 with almost every chapter after Annika meets her college love for the first time in years, bringing back memories of their time together and making her want to reconnect with him. They meet for coffee and decide to reconnect as friends, going out to dinner later on in the week. Things slowly progress between them and they try again.
The last few chapters of the book take place around September 2001. I honestly had no idea where the author was going with this until the news channel Annika was watching started talking about "a plane crashing into the North Tower" and I'll admit a little shiver went through me.
I'm assuming Annika has some sort of Autism because she has a lot of the same traits as Rikki - from - that I read a little while ago. Doesn't like certain clothing because of how it feels, hates loud sounds, doesn't know how to interact with people very well...etc. In fact this was discussed further on in the book and she is on the Autism spectrum.
I guess people are a bit cruel to those they don't get or understand but I really like how Jonathan always seemed to know what to say and do to ease Annika's anxieties when they were out together. He didn't mind putting his own wants aside to help Annika cope better in situations. They were perfect for each other in that.
I just found the story a little slow and not much seemed to happen in it really. The jumping between months seemed to miss out a lot of their growing relationship and I always feel a little cheated when that happens. I like to read it all.
https://aromancereadersreviews.blogspot.com
A Romance Reader's Reviews
I'll admit I bought this as a spur of the moment thing from one of my favourite bargain book shops The Works. I've never read anything by this author though I do have her book, "On the Island", to read on my Kindle - and have done for several years now.
This book switches between 1991 and 2001 with almost every chapter after Annika meets her college love for the first time in years, bringing back memories of their time together and making her want to reconnect with him. They meet for coffee and decide to reconnect as friends, going out to dinner later on in the week. Things slowly progress between them and they try again.
The last few chapters of the book take place around September 2001. I honestly had no idea where the author was going with this until the news channel Annika was watching started talking about "a plane crashing into the North Tower" and I'll admit a little shiver went through me.
I'm assuming Annika has some sort of Autism because she has a lot of the same traits as Rikki - from - that I read a little while ago. Doesn't like certain clothing because of how it feels, hates loud sounds, doesn't know how to interact with people very well...etc. In fact this was discussed further on in the book and she is on the Autism spectrum.
I guess people are a bit cruel to those they don't get or understand but I really like how Jonathan always seemed to know what to say and do to ease Annika's anxieties when they were out together. He didn't mind putting his own wants aside to help Annika cope better in situations. They were perfect for each other in that.
I just found the story a little slow and not much seemed to happen in it really. The jumping between months seemed to miss out a lot of their growing relationship and I always feel a little cheated when that happens. I like to read it all.
Heather Cranmer (2721 KP) created a post
Feb 26, 2022
Haley Mathiot (9 KP) rated Lone Star Legend in Books
Apr 27, 2018
Lone Star Legend by Gwendolyn Zepeda
Genre: YA Fiction
Rating: 2.5, DNF
Sandy S. has a second identity online—she blogs at a personal blog as Miss TragiComic Texas, and works for a website called Nacho Papi. Sandy is good at living her dual-identities and keeping them separate. But when people start connecting the the personal blog and the new website, and then recognizing her on the streets from the videos…
(From back of the book:) No matter how many passwords and aliases we use, there really is no such thing as privacy when you live your life online. Celebrities expect this, but what about the average person? Gwendolyn Zepeda’s novel plays with this idea of public vs. private and what happens when those lines get crossed.
I found Lone Star Legend to be very slow. It was hard to get into, and even halfway through the book I wasn’t sure what the actual plot line was.
There is a lot of drama. She breaks up with her boyfriend. Her boyfriend’s students find her personal blog and her rants about him and it embarrasses him. People recognize her in the coffee shop from TV. The man she interviews on a whim becomes the new biggest internet phenomenon, but he doesn’t want his photo on the t-shirts that she has already started to sell. These are just a few things that happen in the story, and none of it really leads anywhere.
And if a story doesn’t lead anywhere, and I have no desire to finish it, I’m not going to. Because I could be reading other things.
With that in mind, my positive comments include these: Zepeda is a pretty good writer. The writing and the dialogue is witty and fresh and alive and pretty funny at times. There were some great lines, great scenarios, and great laugh-out-loud sections… there just weren’t enough to keep me reading. The characters are well developed and defined and likeable, and it’s a pretty enjoyable read… little bits at a time.
But Lone Star Legend just wasn’t my thing, I guess. It kind of stinks, too, because I love the idea. As a blogger, people I know personally always tell me about stuff they read on my blog… but however much I wanted to enjoy it, I just couldn’t get into it.
Genre: YA Fiction
Rating: 2.5, DNF
Sandy S. has a second identity online—she blogs at a personal blog as Miss TragiComic Texas, and works for a website called Nacho Papi. Sandy is good at living her dual-identities and keeping them separate. But when people start connecting the the personal blog and the new website, and then recognizing her on the streets from the videos…
(From back of the book:) No matter how many passwords and aliases we use, there really is no such thing as privacy when you live your life online. Celebrities expect this, but what about the average person? Gwendolyn Zepeda’s novel plays with this idea of public vs. private and what happens when those lines get crossed.
I found Lone Star Legend to be very slow. It was hard to get into, and even halfway through the book I wasn’t sure what the actual plot line was.
There is a lot of drama. She breaks up with her boyfriend. Her boyfriend’s students find her personal blog and her rants about him and it embarrasses him. People recognize her in the coffee shop from TV. The man she interviews on a whim becomes the new biggest internet phenomenon, but he doesn’t want his photo on the t-shirts that she has already started to sell. These are just a few things that happen in the story, and none of it really leads anywhere.
And if a story doesn’t lead anywhere, and I have no desire to finish it, I’m not going to. Because I could be reading other things.
With that in mind, my positive comments include these: Zepeda is a pretty good writer. The writing and the dialogue is witty and fresh and alive and pretty funny at times. There were some great lines, great scenarios, and great laugh-out-loud sections… there just weren’t enough to keep me reading. The characters are well developed and defined and likeable, and it’s a pretty enjoyable read… little bits at a time.
But Lone Star Legend just wasn’t my thing, I guess. It kind of stinks, too, because I love the idea. As a blogger, people I know personally always tell me about stuff they read on my blog… but however much I wanted to enjoy it, I just couldn’t get into it.
ClareR (5879 KP) rated The Guest List in Books
Feb 27, 2020
The Guest List is a murder mystery set at a wedding - and not just any wedding. This is the event of the year. It's set on an exclusive island off the coast of Ireland. The bride, Jules Keegan, is a magazine publisher, and the groom, Will Slater, is a handsome survivalist TV star. But all is not as it seems. Will's guests consist mainly of old public school friends who aren't particularly nice people (the ushers are frankly appalling), and Jules' 'Best Man' is an ex-boyfriend from when she was a teenager. Now, he seems perfectly nice, as does his 'plus one', his wife Hannah. Part of the story is actually told from Hannah's perspective. She's the person that you could see being your friend, someone who you could go out drinking with (coffee or alcohol!).
Jules is a very strong, confident woman - the polar opposite of her sister Olivia. Olivia seems to have had a bad breakup and is very fragile.
All of these characters (apart from Hannah) have secrets and grudges against another person at the wedding - even Will's Best Man, Johnno, who at first appears not to have a care in the world. But appearances can be deceptive.
I really enjoyed the way this story was constructed, with jumps backwards and forwards in time. There's the linear story of the build-up to the wedding, with leaps in to the future where one of the waitresses has found an unidentified dead body on the wedding night at the evening party.
This book had me guessing as to the identity of both the murderer and the victim, and I had great fun trying to guess who they were (I didn't get anywhere near the right people, and I also now realise that I have something of a bloodthirsty penchant for retribution). I'm looking forward to Lucy Foley's next book already!
I read this on The Pigeonhole, and Lucy Foley joined in, showing us photos of places she'd been in Ireland that inspired her, and commenting on our (the readers) comments. Another great Pigeonhole experience - and another book that I had also requested and received from NetGalley. So thanks to NetGalley, but especially thanks to The Pigeonhole for helping me to make a dent in my NetGalley book mountain!!
Jules is a very strong, confident woman - the polar opposite of her sister Olivia. Olivia seems to have had a bad breakup and is very fragile.
All of these characters (apart from Hannah) have secrets and grudges against another person at the wedding - even Will's Best Man, Johnno, who at first appears not to have a care in the world. But appearances can be deceptive.
I really enjoyed the way this story was constructed, with jumps backwards and forwards in time. There's the linear story of the build-up to the wedding, with leaps in to the future where one of the waitresses has found an unidentified dead body on the wedding night at the evening party.
This book had me guessing as to the identity of both the murderer and the victim, and I had great fun trying to guess who they were (I didn't get anywhere near the right people, and I also now realise that I have something of a bloodthirsty penchant for retribution). I'm looking forward to Lucy Foley's next book already!
I read this on The Pigeonhole, and Lucy Foley joined in, showing us photos of places she'd been in Ireland that inspired her, and commenting on our (the readers) comments. Another great Pigeonhole experience - and another book that I had also requested and received from NetGalley. So thanks to NetGalley, but especially thanks to The Pigeonhole for helping me to make a dent in my NetGalley book mountain!!
Hideo Kojima recommended Taxi Driver (1976) in Movies (curated)
Matt Martin (12 KP) rated Google Home in Apps
Sep 18, 2020
Unbeatable
This is my first review here and I chose this because it's my most used and most raved about product. I tell everyone to get this. Philips hue smart lights all over my house RUN THROUGH GOOGLE. Three nest thermostats for my 3 zones in my house RUN THROUGH GOOGLE. The 2 nest hub maxes, 4 nest mini's, 3 nest wifi points, 6 chromecasts all RUN THROUGH GOOGLE. My nest yale locks for my 2 doors, nest home security system with points in every window and door, my nest video doorbell & 4 outdoor cameras all RUN THROUGH GOOGLE. The dozen tp link casa smart plugs I have for everything around the house, the multiple govee light strips behind tvs and furniture all RUN THROUGH GOOGLE. You get the point. When comparing Google to Amazon Alexa I think it's a no brainer. Google is far more user friendly. Google works with everything a lot easier. The routines are amazing. At night instead of walking around my whole house turning everything off, the lights, the tvs, the fan, remembering to lock the door... None of that, just say "shut it down" (or whatever you choose to say) and it does it all for you. In the morning the routines can wake up by a phrase, by sunrise or by time and can play music, then read you the news, then turn on the lights, then make you coffee. Nothing to remember to do everyday. It really does make life so much easier. Hot day and you forgot to turn the Ac's on before you left for work? Don't even trip dawg, just tell Google it's time to go home and it'll turn all that on and give you the estimated time of your commute and then start playing your favorite podcast from where you left off. You can create groups of speakers, so if I tell Google to play Colter Wall downstairs it plays on all 6 downstairs speakers. The things this can do are literally endless. I can't say enough good things about it. If you know your tech especially this is the way to go. Google has become a part of our families everyday life.
Gareth von Kallenbach (980 KP) rated Baby Driver (2017) in Movies
Jul 11, 2019
After falling into debt with a crime boss, Baby (Ansel Elgort), must pay back what he owes by being the getaway driver for brazen daytime heists. The crime boss, Doc (Kevin Spacey), promises Baby that once the next job is done he will be debt free. Baby does the job and heads home feeling finally free and ready to start doing good things with his life. He meets a beautiful waitress, Debora (Lily James), and plans to drive across the country with her. It may be too good to be true. He soon learns that being debt free may not mean that he gets to walk away from the life of crime. Being an exceptional driver has made him indispensable to Doc. Now Baby has a choice between walking away, which Doc has promised to hurt him and those he cares about if he does, or do one more job, and hope he find a way out of the criminal world and onto the road with Debora.
Writer/Director Edgar Wright (Shaun of the Dead, Hot Fuzz) does a masterful job of drawing the audience into the story with the soundtrack in a really fun and original way. From the chase scenes to the mundane task of getting coffee, the music immerses the viewer into Baby’s world. The film starts out with an exciting car chase sequence and keeps moving all the way to the end. All of the chase/driving scenes are really well done, which was expected for a movie with driver in the name, but impressive none the less. The pace of the film was consistent and it flowed all the way to the end. Kevin Spacey, Jamie Foxx, John Hamm, Eliza Gonzalez and the rest of the supporting cast did really well and all brought interesting characters to the film.
I loved the originality of the story and how it was executed. This is definitely a soundtrack I will have to listen to again. There were couple loose ends with some of the characters that didn’t get tied up but that was minimal. It is a fun ride and has a little bit of something for everyone. There is a love story, action, a compelling story, and a mixed in comedy that lightens the mood.
Writer/Director Edgar Wright (Shaun of the Dead, Hot Fuzz) does a masterful job of drawing the audience into the story with the soundtrack in a really fun and original way. From the chase scenes to the mundane task of getting coffee, the music immerses the viewer into Baby’s world. The film starts out with an exciting car chase sequence and keeps moving all the way to the end. All of the chase/driving scenes are really well done, which was expected for a movie with driver in the name, but impressive none the less. The pace of the film was consistent and it flowed all the way to the end. Kevin Spacey, Jamie Foxx, John Hamm, Eliza Gonzalez and the rest of the supporting cast did really well and all brought interesting characters to the film.
I loved the originality of the story and how it was executed. This is definitely a soundtrack I will have to listen to again. There were couple loose ends with some of the characters that didn’t get tied up but that was minimal. It is a fun ride and has a little bit of something for everyone. There is a love story, action, a compelling story, and a mixed in comedy that lightens the mood.
Merissa (12911 KP) rated Caelius (Fueled By Lust #5) in Books
Dec 17, 2018 (Updated Apr 10, 2023)
Caelius is a young man with oodles of old-fashioned charm. It is not just because he is still learning the 'slang' but because this is who he is. And I don't have a single complaint about that, let me tell you!
Rhia is an 'older' lady who can certainly feel like time is creeping not so slowly up on her but can't resist Caelius when he wants to get to know her, simply because of how drawn she is to him.
If, for some reason, you think that reading about an older lady with a young man will make you uncomfortable then let me reassure you. You notice it at the beginning, mainly because Rhia makes a big deal about it when Caelius asks her out for a coffee (psst, love the reactions of the old ladies next to them!!). But you will soon be carried away by the story and hoping and wishing for certain things to be different. And no, I'm not going to be giving away spoilers here. Suffice it to say, I was heartbroken during one part of the book and my eyes were leaking again.
Not only do we have Caelius and Rhia's story here though but we also have the continuation of Ulixes and Kallon. My god, I wanted to bash their heads together! I felt just as exasperated as some of the other characters but was completely unprepared for the emotional whallop their story gave me. Yep, you've guessed it, my eyes were leaking during this part too so consider this fair warning!
Old friends and family (well they feel like that to me anyway!) show up at various points and I am always happy to read about them. Nothing detracts from the main storylines though, just perfect cameo additions.
This series just keeps on getting better and better and I LOVE IT!!! Highly recommended for all fans of Celeste Prater, the Fueled by Lust series and/or erotic Sci-Fi! Absolutely fantastic! The snippet for Maxim already has me drooling and holding my breath - don't worry, Celeste, I promise to keep on breathing but I need to know more about this lady with the triple moon tattoo who knocks Maxim off his feet!
December 19, 2018
Rhia is an 'older' lady who can certainly feel like time is creeping not so slowly up on her but can't resist Caelius when he wants to get to know her, simply because of how drawn she is to him.
If, for some reason, you think that reading about an older lady with a young man will make you uncomfortable then let me reassure you. You notice it at the beginning, mainly because Rhia makes a big deal about it when Caelius asks her out for a coffee (psst, love the reactions of the old ladies next to them!!). But you will soon be carried away by the story and hoping and wishing for certain things to be different. And no, I'm not going to be giving away spoilers here. Suffice it to say, I was heartbroken during one part of the book and my eyes were leaking again.
Not only do we have Caelius and Rhia's story here though but we also have the continuation of Ulixes and Kallon. My god, I wanted to bash their heads together! I felt just as exasperated as some of the other characters but was completely unprepared for the emotional whallop their story gave me. Yep, you've guessed it, my eyes were leaking during this part too so consider this fair warning!
Old friends and family (well they feel like that to me anyway!) show up at various points and I am always happy to read about them. Nothing detracts from the main storylines though, just perfect cameo additions.
This series just keeps on getting better and better and I LOVE IT!!! Highly recommended for all fans of Celeste Prater, the Fueled by Lust series and/or erotic Sci-Fi! Absolutely fantastic! The snippet for Maxim already has me drooling and holding my breath - don't worry, Celeste, I promise to keep on breathing but I need to know more about this lady with the triple moon tattoo who knocks Maxim off his feet!
December 19, 2018
Bob Mann (459 KP) rated The Assistant (2020) in Movies
May 24, 2020
Julia Garner's performance (1 more)
The tension that manages to be created through a portrayal of the mundane
The movie seems to have a lot of haters on IMDB (a rating at the time of writing of 5.9)... but I refuse to follow "the pack" on this one... I thought it was great. It manages to make the mundane incredibly tense. This is this first (semi-)fictional feature from documentary-maker Kitty Green.... and in my book she does a knock-out job.
We first meet Jane (Julia Garner) at 'God-knows-what-o-clock' in the morning as she arrives at her workplace - a New York film-production company. First to arrive every morning, she turns on the lights, turns on the screens, makes the pot of coffee and cleans off stains from her boss's couch. The stain isn't coffee. A lost gold bracelet is recovered.
For we are in a truly toxic working environment here. 'The boss' - clearly modelled on Harvey Weinstein - is a bullying tyrant who can reduce Jane and her two male assistants (Jon Orsini and Noah Robbins) to quivering wrecks. "WHAT THE F*** DID YOU SAY TO HER" barks the boss down the phone at Jane, after she has had a perfectly reasonable phone conversation with the estranged Mrs Boss.
The toxicity is pervasive though throughout Miram..., sorry...., 'the company'. Jane is almost invisible to her other co-workers who don't give her eye-contact even when she's talking to them and barely register her presence when sharing a lift.
But bullying and workplace toxicity is just part of this story. A steady stream of starlets arrive in the office, like meat deliveries to a butcher. In a chilling sequence, the photocopier churns out photos of beautiful actresses.... a paper-based equivalent of swiping-left or -right in the selection process. None of the "if you... I will" discussions are shown, but they don't need to be: the inference is clear.
Jane is smart, slim and pretty... but not in an obvious 'Hollywood way'. "You'll be OK..." says a co-worker "you're not his type".
But someone who distinctly is "his type" is Sienna (Kristine Froseth), a "very very young" aspiring waitress-come-actress from Boise, who suddenly and unexpectedly arrives as a "new assistant"... to be promptly put up in a swanky hotel room. It's time to act... and Jane approaches the company HR manager (Matthew Macfadyen)....
An old Spielberg trick is to increase tension by keeping the "monster" hidden from view: cue the tanker driver from "Duel" and (for most of the film) the shark from "Jaws". Here, the boss is felt only as a malevolent force and never seen on screen. It's an approach that works brilliantly, focusing the emotion on the effect he has on those flamed.
There is also recognition that these powerful people are also hugely intelligent and manipulative. Seeing that Jane is a valuable asset, the public berating is sometimes followed up with a private email apology.... dripping a few words of encouragement and praise like a few drops of Methadone to a drug-addict.
This is an excellent movie and thoughtfully and elegantly directed. Following a normal day in Jane's work life.... albeit a day where perhaps the penny finally drops... is immersive and engaging. And at only 88 minutes long, the movie never outstays its welcome.
The performances are first rate. Julia Garner is magnificent, and in a year where the Oscars will be "interesting", here's a good candidate for Best Actress I would suggest if not Best Picture. Garner's an actress I'm unfamiliar with: the only one of her previous flicks I've seen was Sin City 2.
Also oily and impressive is Matthew Macfadyen as the HR manager. There's also a sparse but well-used score by Tamar-kali.
The one area I found poor was in the sound design. It's clearly filmed in an office environment, rather than on a sound stage, and unfortunately the combination of the acoustics and the New York accents makes some of the dialogue really difficult to hear. An example is a discussion between two co-workers in an office kitchen, which was completely indecipherable for me.
Should I watch this? In my view, definitely, yes. It's chilling and an insight into the terrible ordeal that many professional women in the film industry, and other industries, have had to put up with before the "Me Too" lid was blown off (and many probably still do). The most telling line in the film? At the end of the "Thanks" in the end-titles: "All those who shared their experiences".
(See the full graphical review at One Mann's Movies here https://bob-the-movie-man.com/2020/05/24/one-manns-movies-film-review-the-assistant-2020/ . Thanks).
We first meet Jane (Julia Garner) at 'God-knows-what-o-clock' in the morning as she arrives at her workplace - a New York film-production company. First to arrive every morning, she turns on the lights, turns on the screens, makes the pot of coffee and cleans off stains from her boss's couch. The stain isn't coffee. A lost gold bracelet is recovered.
For we are in a truly toxic working environment here. 'The boss' - clearly modelled on Harvey Weinstein - is a bullying tyrant who can reduce Jane and her two male assistants (Jon Orsini and Noah Robbins) to quivering wrecks. "WHAT THE F*** DID YOU SAY TO HER" barks the boss down the phone at Jane, after she has had a perfectly reasonable phone conversation with the estranged Mrs Boss.
The toxicity is pervasive though throughout Miram..., sorry...., 'the company'. Jane is almost invisible to her other co-workers who don't give her eye-contact even when she's talking to them and barely register her presence when sharing a lift.
But bullying and workplace toxicity is just part of this story. A steady stream of starlets arrive in the office, like meat deliveries to a butcher. In a chilling sequence, the photocopier churns out photos of beautiful actresses.... a paper-based equivalent of swiping-left or -right in the selection process. None of the "if you... I will" discussions are shown, but they don't need to be: the inference is clear.
Jane is smart, slim and pretty... but not in an obvious 'Hollywood way'. "You'll be OK..." says a co-worker "you're not his type".
But someone who distinctly is "his type" is Sienna (Kristine Froseth), a "very very young" aspiring waitress-come-actress from Boise, who suddenly and unexpectedly arrives as a "new assistant"... to be promptly put up in a swanky hotel room. It's time to act... and Jane approaches the company HR manager (Matthew Macfadyen)....
An old Spielberg trick is to increase tension by keeping the "monster" hidden from view: cue the tanker driver from "Duel" and (for most of the film) the shark from "Jaws". Here, the boss is felt only as a malevolent force and never seen on screen. It's an approach that works brilliantly, focusing the emotion on the effect he has on those flamed.
There is also recognition that these powerful people are also hugely intelligent and manipulative. Seeing that Jane is a valuable asset, the public berating is sometimes followed up with a private email apology.... dripping a few words of encouragement and praise like a few drops of Methadone to a drug-addict.
This is an excellent movie and thoughtfully and elegantly directed. Following a normal day in Jane's work life.... albeit a day where perhaps the penny finally drops... is immersive and engaging. And at only 88 minutes long, the movie never outstays its welcome.
The performances are first rate. Julia Garner is magnificent, and in a year where the Oscars will be "interesting", here's a good candidate for Best Actress I would suggest if not Best Picture. Garner's an actress I'm unfamiliar with: the only one of her previous flicks I've seen was Sin City 2.
Also oily and impressive is Matthew Macfadyen as the HR manager. There's also a sparse but well-used score by Tamar-kali.
The one area I found poor was in the sound design. It's clearly filmed in an office environment, rather than on a sound stage, and unfortunately the combination of the acoustics and the New York accents makes some of the dialogue really difficult to hear. An example is a discussion between two co-workers in an office kitchen, which was completely indecipherable for me.
Should I watch this? In my view, definitely, yes. It's chilling and an insight into the terrible ordeal that many professional women in the film industry, and other industries, have had to put up with before the "Me Too" lid was blown off (and many probably still do). The most telling line in the film? At the end of the "Thanks" in the end-titles: "All those who shared their experiences".
(See the full graphical review at One Mann's Movies here https://bob-the-movie-man.com/2020/05/24/one-manns-movies-film-review-the-assistant-2020/ . Thanks).
Rachel King (13 KP) rated Chocolat (Chocolat #1) in Books
Feb 11, 2019
I have lost count of the number of times I have watched the movie that is based off of this book, so I figured it was time for me to read the book. Like most movies based on books, the movie is only about half true to the book. In this case though, that did not really bother me.
Joanne Harris has a way of writing that has me savoring every word like one of Vianne Rocher's fine chunks of dark chocolate. What I would have given for a few recipes of the dishes she served in La Celeste Praline, especially the pots of chocolate that were served as frequently as coffee. The descriptions of the various confectioneries and even the non-chocolate dishes were detailed with a light touch, so that I never felt too overwhelmed -- but I still wanted to dive into the pages all the same.
All of the characters, large parts and small, were unique and original, even down to the quirky preferences and hidden burdens. I could easily relate to Armande's attraction to the color red and her unrefined mannerisms, as well as Guillaume's indulgence of his pet dog. So many of the characters could pass for people that I encounter every day -- from Roux's skepticism to Josephine's renewed independence to Caro's need to control. These characters will stay with me for a long time.
Probably the most interesting character, aside from Vianne Rocher, is the town's priest, Pere Reynaud. Like most of the rest of the town, he masks inner demons and makes up for them with his profession of choice. Though those inner torments are slowly revealed through the course of the book, I don't feel that his story was completely resolved, or that he even experienced any true character growth.
Vianne Rocher is certainly the most creative character in the book, both easily likeable and eternally mysterious. Haunted by memories of a nomadic lifestyle with her mother, she intermittently addresses her conflicting desires to both travel and put down roots even as her simple, self-taught cooking and hospitality brings about subtle and lasting change in the village of Lansquenet. A thread of fantasy runs through the plot as Vianne hints at the ability to read people's thoughts, choosing not to influence them, and consults her mother's tarot cards in her darker hours of contemplation. She even adds a touch of magic and mystery to her Chocolaterie to draw the wary villagers into the shop. Oh, what I would give to pay a visit to that amazing place myself.
Joanne Harris has a way of writing that has me savoring every word like one of Vianne Rocher's fine chunks of dark chocolate. What I would have given for a few recipes of the dishes she served in La Celeste Praline, especially the pots of chocolate that were served as frequently as coffee. The descriptions of the various confectioneries and even the non-chocolate dishes were detailed with a light touch, so that I never felt too overwhelmed -- but I still wanted to dive into the pages all the same.
All of the characters, large parts and small, were unique and original, even down to the quirky preferences and hidden burdens. I could easily relate to Armande's attraction to the color red and her unrefined mannerisms, as well as Guillaume's indulgence of his pet dog. So many of the characters could pass for people that I encounter every day -- from Roux's skepticism to Josephine's renewed independence to Caro's need to control. These characters will stay with me for a long time.
Probably the most interesting character, aside from Vianne Rocher, is the town's priest, Pere Reynaud. Like most of the rest of the town, he masks inner demons and makes up for them with his profession of choice. Though those inner torments are slowly revealed through the course of the book, I don't feel that his story was completely resolved, or that he even experienced any true character growth.
Vianne Rocher is certainly the most creative character in the book, both easily likeable and eternally mysterious. Haunted by memories of a nomadic lifestyle with her mother, she intermittently addresses her conflicting desires to both travel and put down roots even as her simple, self-taught cooking and hospitality brings about subtle and lasting change in the village of Lansquenet. A thread of fantasy runs through the plot as Vianne hints at the ability to read people's thoughts, choosing not to influence them, and consults her mother's tarot cards in her darker hours of contemplation. She even adds a touch of magic and mystery to her Chocolaterie to draw the wary villagers into the shop. Oh, what I would give to pay a visit to that amazing place myself.