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Kristy H (1252 KP) rated The Secret Place in Books
Feb 13, 2018
The fifth installment in Tana French's Dublin Murder Squad series reintroduces some familiar faces, notably Holly Mackey, Frank Mackey, and Stephen Moran from French's [b:Faithful Place|7093952|Faithful Place (Dublin Murder Squad, #3)|Tana French|https://d.gr-assets.com/books/1291165900s/7093952.jpg|7350661]. Detective Moran is toiling away in Cold Cases, dreaming of joining the Murder Squad, when Holly shows up. She holds in her hand a card reading "I know who killed him," featuring a photo of Chris Harper, a handsome boy from a private school who was killed a year ago. Suddenly, Stephen finds himself inserted into the middle of St. Kilda's School, Holly's private all-girls' school, the neighborhood school to Chris', and the place where his body was found. Stephen joins up with the Murder Squad's Detective Antoinette Conway, one of the original leads on Chris' case, to find out what happened. But Stephen quickly realizes that Antoinette isn't a popular figure in the Squad, and that the girls of St. Kilda's are a tight-knit, complicated bunch whose interconnected relationships present Conway and Moran many obstacles in finding Chris' killer. Can they find the killer before the girls close ranks for good?
This was a typical Tana French mystery in many ways. This novel is compelling, as always, featuring thoughtful and reflective characters and a detailed, well-plotted mystery. The story is told in alternating chapters by Stephen (in the present-day) and then flashes back to various sections told by the girls of St. Kilda's, who are telling bits of the story leading up to Chris' death. It's an excellent technique because Stephen's portion covers basically 24 hours, as he and Antoinette rush to solve the crime before the girls can cover their tracks once and for all. But by going into the past, French effectively builds suspense and allows us to meet the various teens in her tale (about eight in all, which is a lot at times).
Overall, she does an good job of capturing teen culture: particularly, I'm sure, the culture of British teens in boarding school (shockingly, something I'm not too familiar with). While the descriptions of the girls gets a little tedious (a lot of blond, straightened hair), their personalities are clear and develop easily over the course of the novel. The commentary on the bonds of teen friendship is excellent. For me, Stephen wasn't one of my all-time favorite French protagonists, but I enjoyed the dynamic between him and Conway and how the window into their lives is basically less than 24 hours.
The mystery portion was a little less enjoyable for me than some of French's other novels and a bit of a let down at the end, but it was still a great read. One of my favorite things about French's books is how they easily transport you into another world while reading--you find yourself lost in the characters and their world--and this one was no exception. 3.5 strong stars. I'm looking forward to her next novel, which is supposed to feature Conway again.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
This was a typical Tana French mystery in many ways. This novel is compelling, as always, featuring thoughtful and reflective characters and a detailed, well-plotted mystery. The story is told in alternating chapters by Stephen (in the present-day) and then flashes back to various sections told by the girls of St. Kilda's, who are telling bits of the story leading up to Chris' death. It's an excellent technique because Stephen's portion covers basically 24 hours, as he and Antoinette rush to solve the crime before the girls can cover their tracks once and for all. But by going into the past, French effectively builds suspense and allows us to meet the various teens in her tale (about eight in all, which is a lot at times).
Overall, she does an good job of capturing teen culture: particularly, I'm sure, the culture of British teens in boarding school (shockingly, something I'm not too familiar with). While the descriptions of the girls gets a little tedious (a lot of blond, straightened hair), their personalities are clear and develop easily over the course of the novel. The commentary on the bonds of teen friendship is excellent. For me, Stephen wasn't one of my all-time favorite French protagonists, but I enjoyed the dynamic between him and Conway and how the window into their lives is basically less than 24 hours.
The mystery portion was a little less enjoyable for me than some of French's other novels and a bit of a let down at the end, but it was still a great read. One of my favorite things about French's books is how they easily transport you into another world while reading--you find yourself lost in the characters and their world--and this one was no exception. 3.5 strong stars. I'm looking forward to her next novel, which is supposed to feature Conway again.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
Zuky the BookBum (15 KP) rated The Book Of Mirrors in Books
Mar 15, 2018
This novel may have been slow but I found its mystery so enticing that I loved moving and learning with each character. So many theories run through this novel that youre never sure what to think, its a great classic murder mystery.
Its only taken me almost a year to knock this book off my Netgalley shelf, but I finally got there! Id seen lots of hype for this one at the beginning of 2017 but I still didnt feel inclined to pick it up back then. Now Ive read it, Im glad that I waited. I think this one would have disappointed me if I had read it in its prime due to its slow nature, but I can appreciate slow books far more now than I could back then.
Like so many other reviewers, I did think this one was pretty slow paced, but I actually quite liked that about the plot. A cold case of over 20 years isnt going to get solved overnight, so it was practical that it took a while to find out what really went on that night. I do think there were some sections of the book that were unnecessary and added to the slowness of the plot, for example when one narrator gets on a plane and theres a whole segment about an irrelevant salesman talking to him and flirting with a girl. That bit wasnt needed in any way for the plot to progress and did just feel like filler bumf, but Ive read books with far worse filler scenes.
This story is told in a few different ways. Its told in the perspective of 3 different people and then also as a book within a book. I really liked the way this was laid out and think having the 3 different tones of voice gave the story some character it could have missed out on had it just stayed with the one narrator.
Each character in this was interesting in their own way, and I liked that each person had their own story to tell while also moving the main mystery along.
In terms of plot, this one wasnt the most innovative or astounding, but there was something enchanting about it. There were a few different theories as to Professor Weiders demise and I liked that it kept you guessing all along. I was actually quite surprised and impressed by the end of the book, the conclusion to the mystery was cleverly thought out and well executed.
Looking at the reviews of this book I think people are being a little harsh. There are lots of books that are slow mysteries but this one seems to be pissing people off more than most. I know its down to everyones own opinion but I dont see what the big issue with this one was. Personally, I enjoyed it.
<i>Thanks to Netgalley and Arrow for giving me the opportunity to read this in exchange for an honest review.</i>
Its only taken me almost a year to knock this book off my Netgalley shelf, but I finally got there! Id seen lots of hype for this one at the beginning of 2017 but I still didnt feel inclined to pick it up back then. Now Ive read it, Im glad that I waited. I think this one would have disappointed me if I had read it in its prime due to its slow nature, but I can appreciate slow books far more now than I could back then.
Like so many other reviewers, I did think this one was pretty slow paced, but I actually quite liked that about the plot. A cold case of over 20 years isnt going to get solved overnight, so it was practical that it took a while to find out what really went on that night. I do think there were some sections of the book that were unnecessary and added to the slowness of the plot, for example when one narrator gets on a plane and theres a whole segment about an irrelevant salesman talking to him and flirting with a girl. That bit wasnt needed in any way for the plot to progress and did just feel like filler bumf, but Ive read books with far worse filler scenes.
This story is told in a few different ways. Its told in the perspective of 3 different people and then also as a book within a book. I really liked the way this was laid out and think having the 3 different tones of voice gave the story some character it could have missed out on had it just stayed with the one narrator.
Each character in this was interesting in their own way, and I liked that each person had their own story to tell while also moving the main mystery along.
In terms of plot, this one wasnt the most innovative or astounding, but there was something enchanting about it. There were a few different theories as to Professor Weiders demise and I liked that it kept you guessing all along. I was actually quite surprised and impressed by the end of the book, the conclusion to the mystery was cleverly thought out and well executed.
Looking at the reviews of this book I think people are being a little harsh. There are lots of books that are slow mysteries but this one seems to be pissing people off more than most. I know its down to everyones own opinion but I dont see what the big issue with this one was. Personally, I enjoyed it.
<i>Thanks to Netgalley and Arrow for giving me the opportunity to read this in exchange for an honest review.</i>
Darren (1599 KP) rated I Am Wrath (2016) in Movies
Jul 25, 2019
Story: I Am Wrath starts as we learn the war on crime was getting out of hand, but the Governor has started winning against the gangs. Stanley (Travolta) returns home after a business trip meeting his wife Vivian (De Mornay) where the two are attack with Vivian murdered.
With the police not getting the suspects, Stanley turns to a previous life working his former partner Dennis (Meloni) as a black-ops soldier that will stop at nothing to extract revenge on the people who murdered his wife.
Thoughts on I Am Wrath
Characters – Stanley is a mile-mannered businessman working in the car industry. When is wife is murdered in a senseless crime, he returns to a former life on a warpath with the gang involved as the cold-hearted killer. Dennis is the former partner of Stanley’s that still has the connections in the underworld, he helps Stanley in his revenge mission, he supplies the weapons and details of who were responsible. Abbie is the daughter of Stanley that tries to be there for her father while continue on her adult life. Detective Gibson is the lead on the case, he is forced to let the suspect go believing he will get himself killed soon enough.
Performances – John Travolta is solid enough in this leading role, we do get to see a large number of 50+ year old actors going into this action films, he isn’t the best, but he isn’t the worst. Christopher Meloni plays the best character in the film and is easily the one you want to see more of in this film. Amanda Schull is fine in her role, we need a figure that isn’t involved in the action and she offers it. The rest of the cast bring us the targets for the most part and give us generic bad guy performances.
Story – The story follows one man that goes to war on the gangs of his city to learn who killed his wife and get revenge. When it comes to the story this isn’t the most original, it is extremely watchable for a time killing hour and half, it doesn’t test the audience and doesn’t have any twists along the way. This is one of those stories that is mostly forgettable over bad and checks all the boxes needed to make the audience watch.
Action/Crime – The action is filled with old man action style that Liam Neeson made famous, it works for the film with Meloni getting the best sequence. The crime throws us into the world where gangs are controlling the streets with drug sales going through the roof and one man doing anything to get revenge.
Settings – The film takes us to a city overrun by crime and shows us how people can be forced into actions to get revenge for the lost loved one.
Scene of the Movie – Dennis versus the thugs in the shop.
That Moment That Annoyed Me – We have seen this before.
Final Thoughts – This is a basic action film that will keep you entertained through the whole film without being anything overly original.
Overall: Easy to watch action film.
With the police not getting the suspects, Stanley turns to a previous life working his former partner Dennis (Meloni) as a black-ops soldier that will stop at nothing to extract revenge on the people who murdered his wife.
Thoughts on I Am Wrath
Characters – Stanley is a mile-mannered businessman working in the car industry. When is wife is murdered in a senseless crime, he returns to a former life on a warpath with the gang involved as the cold-hearted killer. Dennis is the former partner of Stanley’s that still has the connections in the underworld, he helps Stanley in his revenge mission, he supplies the weapons and details of who were responsible. Abbie is the daughter of Stanley that tries to be there for her father while continue on her adult life. Detective Gibson is the lead on the case, he is forced to let the suspect go believing he will get himself killed soon enough.
Performances – John Travolta is solid enough in this leading role, we do get to see a large number of 50+ year old actors going into this action films, he isn’t the best, but he isn’t the worst. Christopher Meloni plays the best character in the film and is easily the one you want to see more of in this film. Amanda Schull is fine in her role, we need a figure that isn’t involved in the action and she offers it. The rest of the cast bring us the targets for the most part and give us generic bad guy performances.
Story – The story follows one man that goes to war on the gangs of his city to learn who killed his wife and get revenge. When it comes to the story this isn’t the most original, it is extremely watchable for a time killing hour and half, it doesn’t test the audience and doesn’t have any twists along the way. This is one of those stories that is mostly forgettable over bad and checks all the boxes needed to make the audience watch.
Action/Crime – The action is filled with old man action style that Liam Neeson made famous, it works for the film with Meloni getting the best sequence. The crime throws us into the world where gangs are controlling the streets with drug sales going through the roof and one man doing anything to get revenge.
Settings – The film takes us to a city overrun by crime and shows us how people can be forced into actions to get revenge for the lost loved one.
Scene of the Movie – Dennis versus the thugs in the shop.
That Moment That Annoyed Me – We have seen this before.
Final Thoughts – This is a basic action film that will keep you entertained through the whole film without being anything overly original.
Overall: Easy to watch action film.
Sophia (Bookwyrming Thoughts) (530 KP) rated Gathering Frost (Once Upon a Curse, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Xpresso Book Tours in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Congratulations, Kaitlyn Davis. I've found my favorite Sleeping Beauty retelling (for now) – FINALLY! (Because a lot of the other retellings I've come across have been Sleeping Beauty, and I've managed to not get along with them.)
The first book in the <i>Once Upon a Curse</i> series is <b>set up in a futuristic New York where two worlds merged as one in an earthquake</b> when Jade was younger. Years later, Jade lives in a world where a queen strips all of the inhabitants' emotions away, leaving them with no emotion. When she comes across the queen's lost son, Prince Asher, the queen sets her on a mission to be captured and trusted by the prince, eventually betraying and returning him back to the queen.
<b>There's something I really liked about <i>Gathering Frost</i> – something that Davis did here that wasn't done in other Sleeping Beauty retellings.</b> I enjoyed the futuristic world Davis creates – two worlds, one of them believed to be parallel to Earth, being merged together and a queen who takes away all emotions from her people, along with the ability to control them. Somehow, throughout all of that, <b>Davis weaves in a bit of Sleeping Beauty and make her own fairytale world as well</b> – I really liked the addition of Jade coming across the original story while staying in the rebel camp.
There's also <b>something about Davis' writing style that I really enjoyed</b>, despite the fact there were a few moments where I started questioning the grammar, or there were commas where there really shouldn't have been any commas, or there were commas thrown in when the sentence would have worked so much better as two sentences. There were some parts that were <b>just written beautifully and flowed together extremely well</b> (read: the beauty of parallel structure).
I honestly can't say too much about the characters, particularly in Jade's case. Since her emotions have been taken away by the queen, <b>it was only natural for Jade to be depicted as a cold, detached, statuesque character and focus mainly on her surroundings.</b> As Jade spends more time in the rebel camp, though, <b>she slowly starts to develop emotions and feelings, and Jade's focus seems to balance out a little with her surroundings, her past, and her newly developed emotions.</b>
With a hint on what the sequel will probably be about, Davis doesn't actually leave us on a major cliffhanger. Instead, she seems to be conveying that <b>Jade's and Asher's story definitely won't be ending with <i>Gathering Frost</i></b> – they're more than likely to appear in the second book, and I can't wait to see what Davis comes up with for her retelling of <i>Beauty and the Beast</i>.
<a href="https://bookwyrmingthoughts.com/review-gathering-frost-by-kaitlyn-davis/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Congratulations, Kaitlyn Davis. I've found my favorite Sleeping Beauty retelling (for now) – FINALLY! (Because a lot of the other retellings I've come across have been Sleeping Beauty, and I've managed to not get along with them.)
The first book in the <i>Once Upon a Curse</i> series is <b>set up in a futuristic New York where two worlds merged as one in an earthquake</b> when Jade was younger. Years later, Jade lives in a world where a queen strips all of the inhabitants' emotions away, leaving them with no emotion. When she comes across the queen's lost son, Prince Asher, the queen sets her on a mission to be captured and trusted by the prince, eventually betraying and returning him back to the queen.
<b>There's something I really liked about <i>Gathering Frost</i> – something that Davis did here that wasn't done in other Sleeping Beauty retellings.</b> I enjoyed the futuristic world Davis creates – two worlds, one of them believed to be parallel to Earth, being merged together and a queen who takes away all emotions from her people, along with the ability to control them. Somehow, throughout all of that, <b>Davis weaves in a bit of Sleeping Beauty and make her own fairytale world as well</b> – I really liked the addition of Jade coming across the original story while staying in the rebel camp.
There's also <b>something about Davis' writing style that I really enjoyed</b>, despite the fact there were a few moments where I started questioning the grammar, or there were commas where there really shouldn't have been any commas, or there were commas thrown in when the sentence would have worked so much better as two sentences. There were some parts that were <b>just written beautifully and flowed together extremely well</b> (read: the beauty of parallel structure).
I honestly can't say too much about the characters, particularly in Jade's case. Since her emotions have been taken away by the queen, <b>it was only natural for Jade to be depicted as a cold, detached, statuesque character and focus mainly on her surroundings.</b> As Jade spends more time in the rebel camp, though, <b>she slowly starts to develop emotions and feelings, and Jade's focus seems to balance out a little with her surroundings, her past, and her newly developed emotions.</b>
With a hint on what the sequel will probably be about, Davis doesn't actually leave us on a major cliffhanger. Instead, she seems to be conveying that <b>Jade's and Asher's story definitely won't be ending with <i>Gathering Frost</i></b> – they're more than likely to appear in the second book, and I can't wait to see what Davis comes up with for her retelling of <i>Beauty and the Beast</i>.
<a href="https://bookwyrmingthoughts.com/review-gathering-frost-by-kaitlyn-davis/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated The Conduit (The Gryphon Series) in Books
Jan 23, 2020
I am making progress in the 2014 TBR Pile Challenge and cleaning out my Kindle. Of course, the latter will take quite a long time, but... I'll get there. ;) *rubs hands together as though ready to make an evil potion*
<img border="0" src="http://3.bp.blogspot.com/-SQb9SIzFTks/U0LIMksTnDI/AAAAAAAAC9Q/SY6SL5DMywI/s1600/I+Put+a+Spell+on+You.gif"; height="144" width="320">
Celeste Garrett just wants to be a normal teenager getting ready to go to college. But shortly after she and her siblings move to a small town in Tennessee with their Grandmother, strange things start happening to them. They later found out about a deal one of their ancestors made with a mythical creature called "the Gryphon" and that Celeste is the Chosen One to stop a war from happening.
The Conduit is a really fun book lots of LOL moments, and a bookwyrming confession: It's really hard to make feel things crying, laughing, etc when it comes to writing. Speaking's another story, and that is exactly how I got the name Giggles back in 6th grade (vocal variations, come on! Some people make things sound funny, okay?!). At least for me it is.
But let's just say my very first worry after reading the prologue was the last few sentences:
<blockquote>Gainesboro, Tennessee. Thats where it all happened. Thats where I learned the truth. Thats where everything changed. Thats where my destiny found me. And now, its where I would die.</blockquote>
NOOOOO. Want to know why I was worried? Take a look *points to a particular book* Yeah. THAT book. When you hear the word die, you get worried. Very worried. Of course, in that other case, it was a bomb.
The characters go really great together Celeste (I've been wondering how to pronounce her name CORRECTLY, and even though I have a guess, I'm not 100% sure) and her siblings Gabe and Kendall are like the 3 Stooges. I even had to be really careful not to wake up my mom because of those random scenes that just pop in and made me laugh.
<blockquote>I was cold, tired , confused , scared, overwhelmed, and I kind of had to pee.</blockquote>
And that, my friends, is the perfect time to toss in those TMI moments. All so serious and then tossing in something completely random and sort of out of whack. Maybe I'm just a weird person. :p
Even Grams was a fun character in her own way, though she actually reminded me of a certain Super Bowl commercial from Taco Bell with those old people dancing (and partying) my speech teacher showed to us in class while talking about persuasion. She's like a teenager stuck in the wrong age or something. (Eye candy! *oggles* at Zeke Crosse)
---------------
Original Rating: 4.5 out of 5
This Review and more posted on <a href="http://bookwyrming-thoughts.blogspot.com/2014/05/review-the-conduit-by-stacey-rourke.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
<img border="0" src="http://3.bp.blogspot.com/-SQb9SIzFTks/U0LIMksTnDI/AAAAAAAAC9Q/SY6SL5DMywI/s1600/I+Put+a+Spell+on+You.gif"; height="144" width="320">
Celeste Garrett just wants to be a normal teenager getting ready to go to college. But shortly after she and her siblings move to a small town in Tennessee with their Grandmother, strange things start happening to them. They later found out about a deal one of their ancestors made with a mythical creature called "the Gryphon" and that Celeste is the Chosen One to stop a war from happening.
The Conduit is a really fun book lots of LOL moments, and a bookwyrming confession: It's really hard to make feel things crying, laughing, etc when it comes to writing. Speaking's another story, and that is exactly how I got the name Giggles back in 6th grade (vocal variations, come on! Some people make things sound funny, okay?!). At least for me it is.
But let's just say my very first worry after reading the prologue was the last few sentences:
<blockquote>Gainesboro, Tennessee. Thats where it all happened. Thats where I learned the truth. Thats where everything changed. Thats where my destiny found me. And now, its where I would die.</blockquote>
NOOOOO. Want to know why I was worried? Take a look *points to a particular book* Yeah. THAT book. When you hear the word die, you get worried. Very worried. Of course, in that other case, it was a bomb.
The characters go really great together Celeste (I've been wondering how to pronounce her name CORRECTLY, and even though I have a guess, I'm not 100% sure) and her siblings Gabe and Kendall are like the 3 Stooges. I even had to be really careful not to wake up my mom because of those random scenes that just pop in and made me laugh.
<blockquote>I was cold, tired , confused , scared, overwhelmed, and I kind of had to pee.</blockquote>
And that, my friends, is the perfect time to toss in those TMI moments. All so serious and then tossing in something completely random and sort of out of whack. Maybe I'm just a weird person. :p
Even Grams was a fun character in her own way, though she actually reminded me of a certain Super Bowl commercial from Taco Bell with those old people dancing (and partying) my speech teacher showed to us in class while talking about persuasion. She's like a teenager stuck in the wrong age or something. (Eye candy! *oggles* at Zeke Crosse)
---------------
Original Rating: 4.5 out of 5
This Review and more posted on <a href="http://bookwyrming-thoughts.blogspot.com/2014/05/review-the-conduit-by-stacey-rourke.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
BookInspector (124 KP) rated The Woman in the Wood in Books
Sep 24, 2020
I would like to begin by saying, that this is my first book by this author, and it really surprised me. It felt like I was reading a literary classics and I really hope it will become one day.
The main characters of this book are twins Maisy and Duncan, and author really puts a lot of effort in introducing them. Generally, all the characters in this book were very well introduced and rounded. Their personalities were shining in this book, and there were so many to choose from. Lesley Pearse kept really pleasant balance between cold and warm characters, giving a taste of both and keeping the diversity going. I really liked the way author chose different ages for the characters, so everyone, from young to old will find someone to relate to. I do love books where characters have a voice, and this book didn’t disappoint me with that, but the transition between different perspectives was sometimes difficult to follow for me, as it just starts from new paragraph. That’s why, for me, this book required some concentration and suitable atmosphere to read it.
The plot of this book starts in 1960 in West London but quite quickly it is transferred to Nightingales mansion in Burley. Well, it was way before I was born and there are so many clues of the 60ies, but during whole book I had the feeling of early nineteenth century. It was because of the elegant and refined writing style used in this book, everything in this book screamed of politeness and rich mannerism, that’s why it felt like reading one of the classic books.
The story of this novel was flowing very smoothly, without any story changing twists or turns. There were some really interesting discoveries along the way, which made the book interesting, but it was not very fast paced for me. L. Pearse was discussing really interesting topics in this book, such as: children growing up with lack of parental love; the strong bond between siblings (in this case twins); how paedophilia and child abuse affects young kids mentally and physically; why people choose to live away from society; and I believe some of them were taken from author’s own colourful life.
As I mentioned before, the writing style of this book is very refined and sophisticated, and for me it is not easy to read such work, but very refreshing at the same time. The chapters of this book are not very short, but it changes between different characters perspectives, so they are not boring. I would like to throw in a disclaimer, there are some nasty things discussed in this book, so if you have an eager sensitive child who would like to read this novel, it could be a little distressing. The ending of this book wasn’t very exciting, but it was well deserved and rounded the story fully, leaving me satisfied with the outcome of this story. So to conclude, I enjoyed reading this rich novel, filled with unexpected writing style, well rounded, interesting characters, and it discusses very wide range of life aspects. Get it, read it, enjoy it!
Was given this book by publisher and NetGalley for honest review.
The main characters of this book are twins Maisy and Duncan, and author really puts a lot of effort in introducing them. Generally, all the characters in this book were very well introduced and rounded. Their personalities were shining in this book, and there were so many to choose from. Lesley Pearse kept really pleasant balance between cold and warm characters, giving a taste of both and keeping the diversity going. I really liked the way author chose different ages for the characters, so everyone, from young to old will find someone to relate to. I do love books where characters have a voice, and this book didn’t disappoint me with that, but the transition between different perspectives was sometimes difficult to follow for me, as it just starts from new paragraph. That’s why, for me, this book required some concentration and suitable atmosphere to read it.
The plot of this book starts in 1960 in West London but quite quickly it is transferred to Nightingales mansion in Burley. Well, it was way before I was born and there are so many clues of the 60ies, but during whole book I had the feeling of early nineteenth century. It was because of the elegant and refined writing style used in this book, everything in this book screamed of politeness and rich mannerism, that’s why it felt like reading one of the classic books.
The story of this novel was flowing very smoothly, without any story changing twists or turns. There were some really interesting discoveries along the way, which made the book interesting, but it was not very fast paced for me. L. Pearse was discussing really interesting topics in this book, such as: children growing up with lack of parental love; the strong bond between siblings (in this case twins); how paedophilia and child abuse affects young kids mentally and physically; why people choose to live away from society; and I believe some of them were taken from author’s own colourful life.
As I mentioned before, the writing style of this book is very refined and sophisticated, and for me it is not easy to read such work, but very refreshing at the same time. The chapters of this book are not very short, but it changes between different characters perspectives, so they are not boring. I would like to throw in a disclaimer, there are some nasty things discussed in this book, so if you have an eager sensitive child who would like to read this novel, it could be a little distressing. The ending of this book wasn’t very exciting, but it was well deserved and rounded the story fully, leaving me satisfied with the outcome of this story. So to conclude, I enjoyed reading this rich novel, filled with unexpected writing style, well rounded, interesting characters, and it discusses very wide range of life aspects. Get it, read it, enjoy it!
Was given this book by publisher and NetGalley for honest review.
Bob Mann (459 KP) rated All the Money in the World (2017) in Movies
Sep 29, 2021
You can’t take it with you.
The big talking point of this Ridley Scott film is not of course the film itself but the fact that the disgraced Kevin Spacey (“Baby Driver“) was ‘airbrushed’ out of the movie, replaced by the legend that is Christopher Plummer. With that background, and the fact that the re-shoot only took 9 days (NINE DAYS!!!!), I must admit to having been a tad scornful when Plummer was nominated for a Best Supporting Actor Oscar. “Oh” I thought “…it’s Judi Dench’s minimalistic performance in ‘Shakespeare In Love’ all over again”.
But actually on watching the film I take it all back. Plummer’s role is not, like Dench’s, a mere eight minutes of screen time, but extensive and pivotal. Not only was his nomination richly deserved (his performance is cold, eerie and magnificent!) but Ridley Scott deserved an award for getting so much great footage in the can in such a short space of time.
The film tells the true story of the feckless John Paul Getty III (Charlie Plummer, no relation), grandson to the richest man in the world John Paul Getty I. While in the Piazza Farnese in Rome, JPGIII is kidnapped and a $17 million reward is sought for his release. Whilst claiming to love his offspring, the tycoon is basically a ‘tight git’ and the film concerns the battle of the young heir’s mother Gail (Michelle Williams, “Manchester By The Sea”; “The Greatest Showman”) to persuade JPG1 and his right-hand negotiator Fletcher Chase (Mark Wahlberg, “Patriot’s Day”, “Deep Water Horizon“) to shake the money tree* and get JPGIII released.
*To be fair, JPGIII hasn’t exactly helped his case as it emerges he had previously joked about getting himself kidnapped to get his grandfather’s ransom money!
As I didn’t remember the historical outcome of this, I was in a suitable amount of suspense as to where it would go. It is clear though, from the wiki version of the story, that the ending was significantly ‘sexed-up’ for the movie.
Ridley Scott sensibly balances the views of the Getty’s with the views of the kidnappers, with a semi-sympathetic Italian (Romain Duris) being the focus of those scenes in rural Calabria.
But it’s the scenes with Plummer that really engage. The man as portrayed is an enigma, eccentrically washing his own clothes to save a few pennies and always (ALWAYS) trying to get 20% more on even the most personal of decisions. It makes me really intrigued to see Spacey’s portrayal now… I wonder if the alternate cut might make it onto the Blu-ray? I actually think though that Plummer was the better choice for this: I could see Spacey bringing far too much of Frank Underwood to the role.
Elsewhere in the cast, I think Michelle Williams and Mark Wahlberg are both solid without ever being spectacular and it’s nice to see the talented Andrew Buchan (“The Mercy“; “Broadchurch”) in a more memorable big screen outing as JPG2: his drug-addled son (and JPG3’s father).
Overall, it’s an interesting watch and had me sufficiently engaged to want to watch it again. But without Plummer’s role it wouldn’t really amount to nearly as much.
But actually on watching the film I take it all back. Plummer’s role is not, like Dench’s, a mere eight minutes of screen time, but extensive and pivotal. Not only was his nomination richly deserved (his performance is cold, eerie and magnificent!) but Ridley Scott deserved an award for getting so much great footage in the can in such a short space of time.
The film tells the true story of the feckless John Paul Getty III (Charlie Plummer, no relation), grandson to the richest man in the world John Paul Getty I. While in the Piazza Farnese in Rome, JPGIII is kidnapped and a $17 million reward is sought for his release. Whilst claiming to love his offspring, the tycoon is basically a ‘tight git’ and the film concerns the battle of the young heir’s mother Gail (Michelle Williams, “Manchester By The Sea”; “The Greatest Showman”) to persuade JPG1 and his right-hand negotiator Fletcher Chase (Mark Wahlberg, “Patriot’s Day”, “Deep Water Horizon“) to shake the money tree* and get JPGIII released.
*To be fair, JPGIII hasn’t exactly helped his case as it emerges he had previously joked about getting himself kidnapped to get his grandfather’s ransom money!
As I didn’t remember the historical outcome of this, I was in a suitable amount of suspense as to where it would go. It is clear though, from the wiki version of the story, that the ending was significantly ‘sexed-up’ for the movie.
Ridley Scott sensibly balances the views of the Getty’s with the views of the kidnappers, with a semi-sympathetic Italian (Romain Duris) being the focus of those scenes in rural Calabria.
But it’s the scenes with Plummer that really engage. The man as portrayed is an enigma, eccentrically washing his own clothes to save a few pennies and always (ALWAYS) trying to get 20% more on even the most personal of decisions. It makes me really intrigued to see Spacey’s portrayal now… I wonder if the alternate cut might make it onto the Blu-ray? I actually think though that Plummer was the better choice for this: I could see Spacey bringing far too much of Frank Underwood to the role.
Elsewhere in the cast, I think Michelle Williams and Mark Wahlberg are both solid without ever being spectacular and it’s nice to see the talented Andrew Buchan (“The Mercy“; “Broadchurch”) in a more memorable big screen outing as JPG2: his drug-addled son (and JPG3’s father).
Overall, it’s an interesting watch and had me sufficiently engaged to want to watch it again. But without Plummer’s role it wouldn’t really amount to nearly as much.
Joe Julians (221 KP) rated Three Billboards Outside Ebbing, Missouri (2017) in Movies
Jan 17, 2018
Given that the premise to this movie focuses on the unsolved rape and murder of a teenage girl, you would be forgiven for thinking that Three Billboards Outside Ebbing, Missouri would be a bleak and depressing watch. And at times it is. This is by no means a happy movie and there is a lot of misery and upset that plagues the central characters. But, interwoven in all that is a dark comedic vibe that makes the script story and characters come to life in ways that I wasn’t expecting going in.
The film starts us off seven months after Mildred’s daughter’s death and we immediately get a sense of how frustrated she is that she’s had no answers or closure as to what happened. Her blame for this lies solely with the police department and as the man in charge, it’s Willoughby that initially is the target of her ire; his is the name that is plastered across billboard number 3. What follows is a story that is utterly engrossing for almost all of its run time. The cast here are across the board superb. Everyone here puts in a stellar performance but despite Sam Rockwell giving her a run for her money, this is Frances McDormand’s movie through and through. She’s utterly captivating in every second of screen time she gets which is all the more remarkable given that Mildred is not an easy role to play. She’s almost joyless given what has happened to her and her fractured family, yet her cynical and blunt nature allows for some wonderfully, sometimes uncomfortable, comedic moments that really help make the character one that feels oddly warm despite her cold hardened exterior.
I mentioned Rockwell too and this is the best I’ve seen him. Officer Dixon isn’t a nice guy by any stretch of the imagination. He’s a racist mother’s boy that has little care for his job or the people that he’s meant to be protecting. And yet despite his flaws, Rockwell makes him almost sympathetic. Dixon also ends up having what I think to be the best arc of the whole movie- something I would not have picked when he first appeared on the screen and showed what kind of man he is. Just naming these two seems like a detriment to everyone else as there isn’t anyone that puts a foot wrong. Harrelson for example is wonderful as Chief Willoughby and delivers a nuanced and understated performance that really made me feel for the character and the horrible things he’s going through. Even those with far smaller parts are memorable, such as Peter Dinklage as the alcoholic “town midget” with an unreciprocated crush.
Performances aside, Three Billboards would be nothing without a decent script and Martin McDonagh delivers that in spades. This is a sharp script that doesn’t waste a moment of dialogue. And there’s some fantastic lines here with laughs coming at the most unexpected moments and at the most unexpected of times. There’s an early zinger in a scene with Mildred and a priest at her home that took me by surprise with its crassness that seemed to perfectly suit the scene. McDonagh is also on directing duties and he is equally as impressive with that as he is with penning the screenplay. This is a beautifully shot film with the rural location and the small-town setting used perfectly. He never oversells a moment despite the fact there are a few moments where it would be possible to do so. One scene in particular featuring Mildred in perhaps her angriest moment of the movie could easily have been overblown, yet it’s somewhat subdued despite being the closest to an action sequence that we get.
If there’s issues to be found in Three Billboards, it would be, at least for me, its ending. Until just before the credits rolled, this was an easy perfect score film for me, yet it’s ambiguity with its conclusion left me feeling a little cold. It’s not that I need every story I experience to have a neat and clear-cut end, but this was one that I felt needed something more final to close it out. It almost feels like it ended too soon, like there were a few more minutes worth of story still to be told that for whatever reason ended up being removed from the final product. Of course, that’s not the case, but it’s hard not to feel like things are left incomplete in a way that is more frustrating than they are intriguing.
Verdict
Despite an ending that felt too abrupt, Three Billboards Outside Ebbing Missouri is a joy to watch. Brilliantly written, acted and directed, this is one of those movies that had me completely immersed in its world right from the start and had me gripped until the final frame. Highly recommended.
The film starts us off seven months after Mildred’s daughter’s death and we immediately get a sense of how frustrated she is that she’s had no answers or closure as to what happened. Her blame for this lies solely with the police department and as the man in charge, it’s Willoughby that initially is the target of her ire; his is the name that is plastered across billboard number 3. What follows is a story that is utterly engrossing for almost all of its run time. The cast here are across the board superb. Everyone here puts in a stellar performance but despite Sam Rockwell giving her a run for her money, this is Frances McDormand’s movie through and through. She’s utterly captivating in every second of screen time she gets which is all the more remarkable given that Mildred is not an easy role to play. She’s almost joyless given what has happened to her and her fractured family, yet her cynical and blunt nature allows for some wonderfully, sometimes uncomfortable, comedic moments that really help make the character one that feels oddly warm despite her cold hardened exterior.
I mentioned Rockwell too and this is the best I’ve seen him. Officer Dixon isn’t a nice guy by any stretch of the imagination. He’s a racist mother’s boy that has little care for his job or the people that he’s meant to be protecting. And yet despite his flaws, Rockwell makes him almost sympathetic. Dixon also ends up having what I think to be the best arc of the whole movie- something I would not have picked when he first appeared on the screen and showed what kind of man he is. Just naming these two seems like a detriment to everyone else as there isn’t anyone that puts a foot wrong. Harrelson for example is wonderful as Chief Willoughby and delivers a nuanced and understated performance that really made me feel for the character and the horrible things he’s going through. Even those with far smaller parts are memorable, such as Peter Dinklage as the alcoholic “town midget” with an unreciprocated crush.
Performances aside, Three Billboards would be nothing without a decent script and Martin McDonagh delivers that in spades. This is a sharp script that doesn’t waste a moment of dialogue. And there’s some fantastic lines here with laughs coming at the most unexpected moments and at the most unexpected of times. There’s an early zinger in a scene with Mildred and a priest at her home that took me by surprise with its crassness that seemed to perfectly suit the scene. McDonagh is also on directing duties and he is equally as impressive with that as he is with penning the screenplay. This is a beautifully shot film with the rural location and the small-town setting used perfectly. He never oversells a moment despite the fact there are a few moments where it would be possible to do so. One scene in particular featuring Mildred in perhaps her angriest moment of the movie could easily have been overblown, yet it’s somewhat subdued despite being the closest to an action sequence that we get.
If there’s issues to be found in Three Billboards, it would be, at least for me, its ending. Until just before the credits rolled, this was an easy perfect score film for me, yet it’s ambiguity with its conclusion left me feeling a little cold. It’s not that I need every story I experience to have a neat and clear-cut end, but this was one that I felt needed something more final to close it out. It almost feels like it ended too soon, like there were a few more minutes worth of story still to be told that for whatever reason ended up being removed from the final product. Of course, that’s not the case, but it’s hard not to feel like things are left incomplete in a way that is more frustrating than they are intriguing.
Verdict
Despite an ending that felt too abrupt, Three Billboards Outside Ebbing Missouri is a joy to watch. Brilliantly written, acted and directed, this is one of those movies that had me completely immersed in its world right from the start and had me gripped until the final frame. Highly recommended.
Bob Mann (459 KP) rated Red Sparrow (2018) in Movies
Sep 29, 2021
Good Lord! How much sex and violence is acceptable for a UK-15 film?
I recognise that it’s a “thing” that I get into periodic ‘ruts’ of ranting about particular aspects of cinema. But it’s not spoilers in trailers this time! No, the most recent rut I’ve been in is concerned with the correctness or otherwise of the BBFC’s rating of UK 15-certificate films, which seems to have been the rating of every cinema film I’ve seen recently! In my view both “Phantom Thread” and “Lady Bird” should both have firmly been 12A’s to attract a broader teenage audience. But here’s a case on the other side of the balance.
“Red Sparrow”, the latest film from “Hunger Games” director Francis Lawrence, has Jennifer Lawrence (“Joy“, “mother!“) as Dominika Egorova, a Russian ballerina, who after a horrific accident (cringe) is forced to serve the State in order to keep her mother (Joely Richardson, “101 Dalmations”) in their Bolshoi-funded apartment and with the necessary medical treatment. She is sent to a spy “whore school”, ruled over by “matron” (Charlotte Rampling), to learn how to use sexual and psychological means to ‘get in the pants’ (and therefore the minds) of foreign targets.
Always elegant. Charlotte Rampling back on our screens as “Matron”.
And she turns out to be very good and – without nepotism of course, given that her creepy uncle Egorov ( Matthias Schoenaerts, “Far From The Madding Crowd“) is high up in the special services – she is sent on a mission to Budapest to try to uncover a high profile mole, who’s CIA handler is Nate Nash (Joel Edgerton, “The Great Gatsby“, “Black Mass“). Supervising Egorov’s operation are his two line managers General Korchnoi (Jeremy Irons, “Batman v Superman: Dawn of Justice“) and Zakharov (Ciarán Hinds, “Harry Potter”). Sucked into a web of intrigue, Dominika needs to use all her skills and charms to complete her mission… which equates to keeping herself and her mother alive.
Now on the tarmac, Joel really wans’t looking forward to his Ryanair flight.
This is an extremely uneven film. In places it is quite brilliant, particularly the twist in the ending which leaves you thinking (like “Life“) that the film is actually better than it was. In fact – subject to a couple of severe reservations discussed below – the script by Justin Haythe (“A Cure for Wellness“) and based on a book by Jason Matthews, is quite sharp. But – man – in its direction the film seriously takes its time. In my book, a film needs to have a pretty good reason to extend its stay past 2 hours, and this outstays its welcome by an extra 20 minutes. Many of the scenes are protracted – leisurely walks across streets etc. – for no particularly good reason.
Pwoaahh – look at those. (I’m referring of course to Joel Edgerton’s buns in those speedos).
And so to those major reservations: the sex and the violence.
I’m no prude when it comes to sex, but some of the scenes in the ‘whore school’ left me feeling like this was less about a “Times Up” initiative of empowering women and more about providing an array of sordid titillation on the screen that just help entrench mysoginistic views about women. (Did anyone else hear Kenneth Williams saying “Oooooh, matron” to Charlotte Rampling’s character?) There were men and women attending this training camp, but did we see – later in the film – any of the men subjecting themselves to sexual humiliation or subjugation in the field: no, we did not. I love a really good erotic film… but this just left me feeling dirty and used.
Who wants to go to the f***ing party? No one seems to have remembered to bring a bottle.
And then there’s the violence. I’m definitely not a fan of the sort of violent-porn of the “Saw” type of films, but heavens – if there was a reason to make this an 18 certificate it was the violence involved. Violent rape, a vicious revenge attack, extreme torture, skinning alive: was there nothing in here that the censors thought, “hang on a minute, perhaps I don’t want a 15 year old seeing this”. I have seldom seen and heard more flinching and whimpering from women in a cinema audience than during this film. If you are adversely affected by screen violence, this is really one best to avoid.
“The Cold War hasn’t ended – it has splintered into thousands of dangerous pieces” intones the matron. Similarly, this film has potential but splinters into many pieces, some good but far more sharp and dangerous. With similarities in tone and content to “Atomic Blonde“, there’s a good ‘post cold war’ spy film in here trying to get out. Unfortunately, it never quite gets both legs over the wall.
“Red Sparrow”, the latest film from “Hunger Games” director Francis Lawrence, has Jennifer Lawrence (“Joy“, “mother!“) as Dominika Egorova, a Russian ballerina, who after a horrific accident (cringe) is forced to serve the State in order to keep her mother (Joely Richardson, “101 Dalmations”) in their Bolshoi-funded apartment and with the necessary medical treatment. She is sent to a spy “whore school”, ruled over by “matron” (Charlotte Rampling), to learn how to use sexual and psychological means to ‘get in the pants’ (and therefore the minds) of foreign targets.
Always elegant. Charlotte Rampling back on our screens as “Matron”.
And she turns out to be very good and – without nepotism of course, given that her creepy uncle Egorov ( Matthias Schoenaerts, “Far From The Madding Crowd“) is high up in the special services – she is sent on a mission to Budapest to try to uncover a high profile mole, who’s CIA handler is Nate Nash (Joel Edgerton, “The Great Gatsby“, “Black Mass“). Supervising Egorov’s operation are his two line managers General Korchnoi (Jeremy Irons, “Batman v Superman: Dawn of Justice“) and Zakharov (Ciarán Hinds, “Harry Potter”). Sucked into a web of intrigue, Dominika needs to use all her skills and charms to complete her mission… which equates to keeping herself and her mother alive.
Now on the tarmac, Joel really wans’t looking forward to his Ryanair flight.
This is an extremely uneven film. In places it is quite brilliant, particularly the twist in the ending which leaves you thinking (like “Life“) that the film is actually better than it was. In fact – subject to a couple of severe reservations discussed below – the script by Justin Haythe (“A Cure for Wellness“) and based on a book by Jason Matthews, is quite sharp. But – man – in its direction the film seriously takes its time. In my book, a film needs to have a pretty good reason to extend its stay past 2 hours, and this outstays its welcome by an extra 20 minutes. Many of the scenes are protracted – leisurely walks across streets etc. – for no particularly good reason.
Pwoaahh – look at those. (I’m referring of course to Joel Edgerton’s buns in those speedos).
And so to those major reservations: the sex and the violence.
I’m no prude when it comes to sex, but some of the scenes in the ‘whore school’ left me feeling like this was less about a “Times Up” initiative of empowering women and more about providing an array of sordid titillation on the screen that just help entrench mysoginistic views about women. (Did anyone else hear Kenneth Williams saying “Oooooh, matron” to Charlotte Rampling’s character?) There were men and women attending this training camp, but did we see – later in the film – any of the men subjecting themselves to sexual humiliation or subjugation in the field: no, we did not. I love a really good erotic film… but this just left me feeling dirty and used.
Who wants to go to the f***ing party? No one seems to have remembered to bring a bottle.
And then there’s the violence. I’m definitely not a fan of the sort of violent-porn of the “Saw” type of films, but heavens – if there was a reason to make this an 18 certificate it was the violence involved. Violent rape, a vicious revenge attack, extreme torture, skinning alive: was there nothing in here that the censors thought, “hang on a minute, perhaps I don’t want a 15 year old seeing this”. I have seldom seen and heard more flinching and whimpering from women in a cinema audience than during this film. If you are adversely affected by screen violence, this is really one best to avoid.
“The Cold War hasn’t ended – it has splintered into thousands of dangerous pieces” intones the matron. Similarly, this film has potential but splinters into many pieces, some good but far more sharp and dangerous. With similarities in tone and content to “Atomic Blonde“, there’s a good ‘post cold war’ spy film in here trying to get out. Unfortunately, it never quite gets both legs over the wall.
<i>I received this book for free through Goodreads First Reads.</i>
“Violence always gets results.” But at what cost? Victoria Sadler’s dystopian novel <i>Darkness</i> explores and all too realistic scenario set in a not so distant future. The western world has fallen due to war and economic collapse. London has become a ghost city due to the death of thousands of people. Those not killed by bombs or deadly virus succumb to suicide or death by natural causes – if the cold and starvation can be labeled natural.
Laura Lewis is the sole survivor in her block of flats and now needs to make her way through the dangerous streets to St Paul’s Cathedral where what remains of the State will provide her with safety. However before she reaches her final destination she is ambushed by an army of women, a threat to the nation, known as RAZR – Resistance Against State Reformation. Jane, the leader of the resistance, believes she has saved Laura from a fate worse than death. But, as Laura discovers, RAZR may result in an even crueler future.
RAZR was born from a hatred of men, a guerilla feminist movement seizing the opportunity to obliterate the patriarchal society. Since the beginning of time men have oppressed women, regarding them as possessions with which they can do as they please. Despite the apparent equality achieved through past protests, the government, i.e. men, still control the lives of women. RAZR particularly focus on women’s rights to their own body, and are angry at the State’s current use for women: to procreate.
<i>Darkness</i> is full of radical violence, often ending in the mass death of male soldiers. With barely a break to take a breath, the narrative goes from one action scene to the next, heightening the excitement as the novel reaches its climax. As the reader learns more about RAZR and the State, opinions are constantly changed. Who is good, who is bad? Who can Laura trust? Then, to confuse things even more, Laura is not who she initially appears to be at all.
The amount of violence in this novel is disturbing, particularly as the majority of deaths are caused without guilty conscience. <i>Darkness</i> highlights the horrors of war and the wild nature of humanity. Without men and women being able to live in harmony there is no peace, on the other hand, complete equality is not possible. Furthermore, are RAZR feminists or terrorists? It is an obvious fact that the human race cannot survive with merely one gender of the species, so is RAZR doing more harm than good by fatally punishing all men?
Overall, <i>Darkness</i> poses more questions than it answers, yet it is such a griping novel. Women, particularly feminists will enjoy the powerful messages expressed by RAZR, but equally, readers will understand Laura’s hesitation. With so many plot twists to get your head around, you will never get bored of this story. With such an ambiguous ending, it is unclear whether <i>Darkness</i> will remain a standalone novel, or be continued with a sequel. Whatever the case, it will be interesting to read what the feminist, Victoria Sadler, comes up with next.
“Violence always gets results.” But at what cost? Victoria Sadler’s dystopian novel <i>Darkness</i> explores and all too realistic scenario set in a not so distant future. The western world has fallen due to war and economic collapse. London has become a ghost city due to the death of thousands of people. Those not killed by bombs or deadly virus succumb to suicide or death by natural causes – if the cold and starvation can be labeled natural.
Laura Lewis is the sole survivor in her block of flats and now needs to make her way through the dangerous streets to St Paul’s Cathedral where what remains of the State will provide her with safety. However before she reaches her final destination she is ambushed by an army of women, a threat to the nation, known as RAZR – Resistance Against State Reformation. Jane, the leader of the resistance, believes she has saved Laura from a fate worse than death. But, as Laura discovers, RAZR may result in an even crueler future.
RAZR was born from a hatred of men, a guerilla feminist movement seizing the opportunity to obliterate the patriarchal society. Since the beginning of time men have oppressed women, regarding them as possessions with which they can do as they please. Despite the apparent equality achieved through past protests, the government, i.e. men, still control the lives of women. RAZR particularly focus on women’s rights to their own body, and are angry at the State’s current use for women: to procreate.
<i>Darkness</i> is full of radical violence, often ending in the mass death of male soldiers. With barely a break to take a breath, the narrative goes from one action scene to the next, heightening the excitement as the novel reaches its climax. As the reader learns more about RAZR and the State, opinions are constantly changed. Who is good, who is bad? Who can Laura trust? Then, to confuse things even more, Laura is not who she initially appears to be at all.
The amount of violence in this novel is disturbing, particularly as the majority of deaths are caused without guilty conscience. <i>Darkness</i> highlights the horrors of war and the wild nature of humanity. Without men and women being able to live in harmony there is no peace, on the other hand, complete equality is not possible. Furthermore, are RAZR feminists or terrorists? It is an obvious fact that the human race cannot survive with merely one gender of the species, so is RAZR doing more harm than good by fatally punishing all men?
Overall, <i>Darkness</i> poses more questions than it answers, yet it is such a griping novel. Women, particularly feminists will enjoy the powerful messages expressed by RAZR, but equally, readers will understand Laura’s hesitation. With so many plot twists to get your head around, you will never get bored of this story. With such an ambiguous ending, it is unclear whether <i>Darkness</i> will remain a standalone novel, or be continued with a sequel. Whatever the case, it will be interesting to read what the feminist, Victoria Sadler, comes up with next.