"Cinematic candy. You want to eat, sing, and dance in the Carnival of Rio de Janeiro. The colors and fabrics, the language and music and people and culture, are all so vibrant and beautiful. The story is a retelling of the Greek tale of Orpheus and Eurydice, done with such beauty and imagination. This is one for the ages"

"There were a number of key films that taught me that great and startling cinema could come from outside Europe and away from Hollywood. I found Touki bouki (with its anarchic, vigorous style, brilliant colors and sounds, and charismatic heroine) completely surprising when I first saw it—and, more generally, it stands for the eye-opening cinema of Senegal."

"When you are put down by the larger society and there’s a poet who compares the color of your skin to chocolate and brown sugar, you fall for it, because you need it. Paul Laurence Dunbar — who was one of the great poets of the 19th and 20th centuries — wrote about African-Americans, and he showed me the beauty of our colors and the wonder of our music."

"The most purely beautiful film I can think of and done up in a pristine transfer here; the fact that the film was shot at Shepperton Studios, in England, actually blows the mind. The acting is impeccable, and the fevered colors and close-ups are as close to a cinematic wet dream as I ever need to have. Powell and Pressburger in the throes of a most singular cinematic vision."

"“Portrait of a Lady on Fire,” which enveloped me in its soft, magical world of colors where the innocent joy of discovering love is so quietly captivating. I never wanted to end. It also features my favorite shot of the year (which contains a small, handheld mirror, you’ll know it when you see it.) and is, I find, the most beautifully photographed scripted film, only to be matched by…"