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Bob Mann (459 KP) rated Star Trek: First Contact (1996) in Movies
Sep 28, 2021
It’s a close run thing with “Wrath of Khan”, but this tops it as my favourite Trek film. There are so many memorable scenes:
The dramatic opening shots of Picard strapped into the Borg ship (and the subsequent jolts x 2!);
The comical drinking scene between Troi (Marina Sirtis) and Cochrane (James Cromwell);
The “Big Sleep” style holodeck sequence;
The spectacular entrance of the Borg Queen (Alice Krige);
The first warp flight;
The first contact scene, framed by Jerry Goldsmith‘s spectacular theme.
We’re up to the Enterprise-E in this one, and even that gets a self-destruct sequence! These movies must be playing havoc with their insurance premiums!
There are some nice touches for Trek fans in here: the first appearance of Robert Picardo‘s holographic doctor (before he became a regular on Star Trek: Voyager); and Dwight Schultz reprising his role from the TNG series as the nerdy fan-boy Lieutenant Barclay. In addition, the whole cast (including Gates McFadden’s Crusher) get a fairer share of the air time under Jonathan Frake’s direction.
Once again, the time travel (particularly the return journey!) is just a bit too trite and convenient. But other than that, this is a top-notch Trek movie. It features (in Alfre Woodard, just BAFTA nominated) a strong role for a female of colour. And it provides a great chance to showcase Stewart’s acting talents, as he wrestles with his own ‘great white whale’.
Given my love for the movie, I was tempted to give this one 5*s. The one thing holding me back is just a single line of dialogue. Do you know the one? Zephram Cochrane’s line…
“So, you’re astronauts? On some kind of a star trek?”.
It is just SO UTTERLY CRASS that I manage to throw up a little in my mouth as that scene happens. WHY WRITERS, WHY???
The dramatic opening shots of Picard strapped into the Borg ship (and the subsequent jolts x 2!);
The comical drinking scene between Troi (Marina Sirtis) and Cochrane (James Cromwell);
The “Big Sleep” style holodeck sequence;
The spectacular entrance of the Borg Queen (Alice Krige);
The first warp flight;
The first contact scene, framed by Jerry Goldsmith‘s spectacular theme.
We’re up to the Enterprise-E in this one, and even that gets a self-destruct sequence! These movies must be playing havoc with their insurance premiums!
There are some nice touches for Trek fans in here: the first appearance of Robert Picardo‘s holographic doctor (before he became a regular on Star Trek: Voyager); and Dwight Schultz reprising his role from the TNG series as the nerdy fan-boy Lieutenant Barclay. In addition, the whole cast (including Gates McFadden’s Crusher) get a fairer share of the air time under Jonathan Frake’s direction.
Once again, the time travel (particularly the return journey!) is just a bit too trite and convenient. But other than that, this is a top-notch Trek movie. It features (in Alfre Woodard, just BAFTA nominated) a strong role for a female of colour. And it provides a great chance to showcase Stewart’s acting talents, as he wrestles with his own ‘great white whale’.
Given my love for the movie, I was tempted to give this one 5*s. The one thing holding me back is just a single line of dialogue. Do you know the one? Zephram Cochrane’s line…
“So, you’re astronauts? On some kind of a star trek?”.
It is just SO UTTERLY CRASS that I manage to throw up a little in my mouth as that scene happens. WHY WRITERS, WHY???
Merissa (11805 KP) rated Stuck with my Frenemy (The Karma Collectors #1) in Books
Jun 23, 2021 (Updated Jul 18, 2023)
STUCK WITH MY FRENEMY is the first book in The Karma Collectors series and if you are looking for an opposites book, then this is your winner.
Ebony is the daughter of the Morrigan, and Cherry is the daughter of Aphrodite. One is full of rainbows, the other loves black. I'll leave it to you to figure out which is which. For some as yet unknown reason, Cherry and Ebony are sent to Earth as Karma's Collectors, and their first job is to give karma to the two thieves who stole Thor's Hammer. Of course, nothing is simple, so throw in a couple of fated mates plus Loki, and you're left with a whole ball of fun.
As Maya Daniels is one of the co-authors, you can expect the pacing to be extremely fast. I think the whole book takes place over a couple of days. The characters, you will either love or hate. I know it's probably meant to be this way but I really hate Cherry! Like, seriously!!! People talk about nails on a chalkboard, well, Cherry had me like chewing on a cotton wool ball! My jaw was so tense with every scene she was in and my palms were covered in nail marks.
If humorous urban fantasy is your thing, then I can definitely recommend this book. I'm sure the series is going to be full of fun and frolics, but I'm just not sure I'm up for all that colour! I think I may just retreat into my pit of doom and gloom and be happy there.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 23, 2021
Ebony is the daughter of the Morrigan, and Cherry is the daughter of Aphrodite. One is full of rainbows, the other loves black. I'll leave it to you to figure out which is which. For some as yet unknown reason, Cherry and Ebony are sent to Earth as Karma's Collectors, and their first job is to give karma to the two thieves who stole Thor's Hammer. Of course, nothing is simple, so throw in a couple of fated mates plus Loki, and you're left with a whole ball of fun.
As Maya Daniels is one of the co-authors, you can expect the pacing to be extremely fast. I think the whole book takes place over a couple of days. The characters, you will either love or hate. I know it's probably meant to be this way but I really hate Cherry! Like, seriously!!! People talk about nails on a chalkboard, well, Cherry had me like chewing on a cotton wool ball! My jaw was so tense with every scene she was in and my palms were covered in nail marks.
If humorous urban fantasy is your thing, then I can definitely recommend this book. I'm sure the series is going to be full of fun and frolics, but I'm just not sure I'm up for all that colour! I think I may just retreat into my pit of doom and gloom and be happy there.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 23, 2021
Hazel (1853 KP) rated Red Rising in Books
May 30, 2017
Mildly boring
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Red Rising by debut author Pierce Brown is a very difficult book to review. It is clear that Brown is an excellent writer with amazing ideas, but at the same time it does not feel possible to rate the book any higher that two or three stars. This first book of three is somewhat alike The Hunger Games Trilogy by Suzanne Collins and has some very exciting themes. However at other times it provoked a range of emotions from disgust to almost verging on boredom.
Set thousands of years in the future, the world has become colour coded. Gold are the elite, the ruling colour, and at the bottom of the pile are the Reds. Darrow is a Red and lives below the surface of the planet Mars in the mines with the responsibility of helping to make the planet’s surface habitable for humans in the future. He soon discovers that the ruling societies have been lying to him all his life, and to the many generations before him. But there is an uprising brewing and Darrow has been chosen to play a vital role in it, even though that means pretending to be the enemy.
Although it was difficult to get into the novel it appeared to be clear what the plot would be about. Wrong! Once Darrow has been trained to behave like a Gold the storyline changes completely. It is almost as though it is a different book altogether. Red Rising suddenly becomes Hunger Games-esque and the situations with the Reds, while being referred to once or twice, was all but forgotten. Presumably those original themes will continue within the final books of the trilogy.
Living under the surface of Mars with no sunlight speeds up the aging process of the inhabitants. People in the thirties are considered old; therefore even though Darrow is a teenager in Earth years, he is portrayed as a man – an image that is difficult to shake off throughout the entire book. Once Darrow is living with the Golds and, supposedly, resembling his true age, it is still easy to forget that he is young. This may change the way the reader pictures the scenes compared with how the author intended them to be imagined. The characters are still only children but may be mistaken for adults due Darrow’s opening scenes.
It cannot be denied that Brown is a very knowledgeable writer. As well as writing in an exceptionally well-structured way, he incorporates a vast amount of high culture into his story. A lot of the novel is influenced by Greek and Roman mythology and he also quotes famous philosophers such as Cicero and Plato. So despite its science fiction genre it also has a slight educational nature.
Something interesting about Red Rising was the character development of Darrow. At the beginning he was rather naïve, believing everything he was told, following orders etc. But soon he becomes more confident, clever, Gold-like. However he then becomes like a wild beast, killing to survive, to win. Thankfully his cleverness takes control and he realises that he needs to become a leader and not a tyrant. Towards the end he even becomes messiah-like. As Darrow progresses through these changes he becomes a more likable character.
I am not sure whether I want to read the next installment of Red Rising. For the beginning storyline to continue and become the main focus, the book would need to be completely different. This could be a good thing because, as mentioned, there were times when it was a little boring, however there’s the risk that it will not feel like a follow on from the first book. I do not want to put anyone off from reading it, but I will honestly say that it was not really what I was expecting.
Red Rising by debut author Pierce Brown is a very difficult book to review. It is clear that Brown is an excellent writer with amazing ideas, but at the same time it does not feel possible to rate the book any higher that two or three stars. This first book of three is somewhat alike The Hunger Games Trilogy by Suzanne Collins and has some very exciting themes. However at other times it provoked a range of emotions from disgust to almost verging on boredom.
Set thousands of years in the future, the world has become colour coded. Gold are the elite, the ruling colour, and at the bottom of the pile are the Reds. Darrow is a Red and lives below the surface of the planet Mars in the mines with the responsibility of helping to make the planet’s surface habitable for humans in the future. He soon discovers that the ruling societies have been lying to him all his life, and to the many generations before him. But there is an uprising brewing and Darrow has been chosen to play a vital role in it, even though that means pretending to be the enemy.
Although it was difficult to get into the novel it appeared to be clear what the plot would be about. Wrong! Once Darrow has been trained to behave like a Gold the storyline changes completely. It is almost as though it is a different book altogether. Red Rising suddenly becomes Hunger Games-esque and the situations with the Reds, while being referred to once or twice, was all but forgotten. Presumably those original themes will continue within the final books of the trilogy.
Living under the surface of Mars with no sunlight speeds up the aging process of the inhabitants. People in the thirties are considered old; therefore even though Darrow is a teenager in Earth years, he is portrayed as a man – an image that is difficult to shake off throughout the entire book. Once Darrow is living with the Golds and, supposedly, resembling his true age, it is still easy to forget that he is young. This may change the way the reader pictures the scenes compared with how the author intended them to be imagined. The characters are still only children but may be mistaken for adults due Darrow’s opening scenes.
It cannot be denied that Brown is a very knowledgeable writer. As well as writing in an exceptionally well-structured way, he incorporates a vast amount of high culture into his story. A lot of the novel is influenced by Greek and Roman mythology and he also quotes famous philosophers such as Cicero and Plato. So despite its science fiction genre it also has a slight educational nature.
Something interesting about Red Rising was the character development of Darrow. At the beginning he was rather naïve, believing everything he was told, following orders etc. But soon he becomes more confident, clever, Gold-like. However he then becomes like a wild beast, killing to survive, to win. Thankfully his cleverness takes control and he realises that he needs to become a leader and not a tyrant. Towards the end he even becomes messiah-like. As Darrow progresses through these changes he becomes a more likable character.
I am not sure whether I want to read the next installment of Red Rising. For the beginning storyline to continue and become the main focus, the book would need to be completely different. This could be a good thing because, as mentioned, there were times when it was a little boring, however there’s the risk that it will not feel like a follow on from the first book. I do not want to put anyone off from reading it, but I will honestly say that it was not really what I was expecting.
Amy Norman (1042 KP) rated The Haunting of Bly Manor in TV
Oct 10, 2020 (Updated Oct 10, 2020)
Ok wow. There is so much to deconstruct from 'The Haunting of Bly Manor'.
*there will be no direct spoilers but I will be talking about indirect spoilers*
Indirect spoilers to me are still spoilers, as they change the way you view what piece of media you are consuming! So fair warning here, don't read on if you want to watch Bly unencumbered, or directed towards certain aspects.
The first thing I hope that everyone appreciates about Bly is that it is not a carbon copy of 'The Haunting of Hill House', it is a beautiful piece of its own theatre, and should be appreciated in its own right e.g. each individual season of American Horror Story.
If you are looking for more jump scares, and something more akin to Hill House, then you need to look else where.
Bly is such a delicate and deliberate story, that unfurls so slowly, it crawls. I understand some will find this boring, and will likely give up watching after the first 3 episodes, but it is so perfectly placed, I would implore you to watch on until the end.
*Every* detail within Bly is precise.
I constantly felt like the walls, the flooring, paintings, and general decor were changing, but it was so subtle, and often hadn't at all, it is purposefully disorientating.
Even the camera angles are ever so slightly askew between each shot, the cinematography is unfalteringly gorgeous as a whole anyway.
The colour palate, and colour itself, becomes a character of its own, and was a joy to watch, and take note of.
The dark corners are so black, and add to the heaviness and gravity of any particular scene, leaving you constantly second guessing if you saw a ghost in the background, or if something did subtly change, and then importantly why.
For me, a great many of the characters are heart achingly powerful to watch. I was mesmerised by certain scenes, and I was so drawn in, I sometimes forgot they were delivering an absolutely powerful monologue, and haven't interacted with another character for a while.
For me this was absolutely an ensemble piece, it would not have worked without each moving part, and I would struggle to choose an outstanding performance, as they all delivered.
Some noteworthy topics!
The background ghosts blend in so sublimely, I am sure I missed plenty of them, including some obvious ones, but again that is all part of the absolute majesty of Bly, or 'The Haunting' series.
I would advise to try not to look for them on a first watch through, and let them come to you organically.
I've already seen some mention of this, and I expect it will become a bone of contention - the accents.
I will admit, at first I found some of the accents difficult to listen to, but they are so important, and key to a much larger arc. At first I thought someone needs to fire that voice acting coach! However, what they have done is actually absolutely stellar.
I could gush about the programme for a while but I will leave it here, and let each person decide for themselves what they enjoy about it!
Overall, the whole series is surprisingly poignant and heartfelt - not a lot of titles in the horror genre can claim that. I thoroughly enjoyed it, and will likely rewatch, something I haven't been overly inclined to do in recent years.
I so hope that audiences will enjoy this for what it is, and it won't be downplayed as being 'not as good as Hill House', as they are non-comparable to me.
Masterful! Please enjoy for the utter eye candy the whole thing is.
*there will be no direct spoilers but I will be talking about indirect spoilers*
Indirect spoilers to me are still spoilers, as they change the way you view what piece of media you are consuming! So fair warning here, don't read on if you want to watch Bly unencumbered, or directed towards certain aspects.
The first thing I hope that everyone appreciates about Bly is that it is not a carbon copy of 'The Haunting of Hill House', it is a beautiful piece of its own theatre, and should be appreciated in its own right e.g. each individual season of American Horror Story.
If you are looking for more jump scares, and something more akin to Hill House, then you need to look else where.
Bly is such a delicate and deliberate story, that unfurls so slowly, it crawls. I understand some will find this boring, and will likely give up watching after the first 3 episodes, but it is so perfectly placed, I would implore you to watch on until the end.
*Every* detail within Bly is precise.
I constantly felt like the walls, the flooring, paintings, and general decor were changing, but it was so subtle, and often hadn't at all, it is purposefully disorientating.
Even the camera angles are ever so slightly askew between each shot, the cinematography is unfalteringly gorgeous as a whole anyway.
The colour palate, and colour itself, becomes a character of its own, and was a joy to watch, and take note of.
The dark corners are so black, and add to the heaviness and gravity of any particular scene, leaving you constantly second guessing if you saw a ghost in the background, or if something did subtly change, and then importantly why.
For me, a great many of the characters are heart achingly powerful to watch. I was mesmerised by certain scenes, and I was so drawn in, I sometimes forgot they were delivering an absolutely powerful monologue, and haven't interacted with another character for a while.
For me this was absolutely an ensemble piece, it would not have worked without each moving part, and I would struggle to choose an outstanding performance, as they all delivered.
Some noteworthy topics!
The background ghosts blend in so sublimely, I am sure I missed plenty of them, including some obvious ones, but again that is all part of the absolute majesty of Bly, or 'The Haunting' series.
I would advise to try not to look for them on a first watch through, and let them come to you organically.
I've already seen some mention of this, and I expect it will become a bone of contention - the accents.
I will admit, at first I found some of the accents difficult to listen to, but they are so important, and key to a much larger arc. At first I thought someone needs to fire that voice acting coach! However, what they have done is actually absolutely stellar.
I could gush about the programme for a while but I will leave it here, and let each person decide for themselves what they enjoy about it!
Overall, the whole series is surprisingly poignant and heartfelt - not a lot of titles in the horror genre can claim that. I thoroughly enjoyed it, and will likely rewatch, something I haven't been overly inclined to do in recent years.
I so hope that audiences will enjoy this for what it is, and it won't be downplayed as being 'not as good as Hill House', as they are non-comparable to me.
Masterful! Please enjoy for the utter eye candy the whole thing is.
Neon's Nerd Nexus (360 KP) rated Wonder Park (2019) in Movies
May 13, 2019
Wonder or blunder?
#wonderpark is multilayered #kids film that offers goofy humor mixed with some at times rather heavy & extreamly mature themes. Today we took my sisters little ones to see Wonder Park (a film i was at first i was struggling to stay awake for if I'm honest) & with an fairly generic start i was struggling to see where it was headed. Then bam after about 20 minutes i found myself hit hard with an #emotional punch of a plot twist that comes completely out of nowhere. After this heavy scene the film continues to ride onwards dealing with many #adult themes such as #depression, battling inner #demons, dealing with grief/loss, maturing/growing up, balancing/suppressing & dealing with #emotions such as anger guilt frustration & sadness. Me & my #mum found all these themes extremely prominent & in your face but from a kids point of view they just seemed to go straight over their heads as there was more than enough bright/loud & colourfully explosive set pieces/characters distracting them from the heavy overtones. Visually its a great looking film but i couldn't help notice a dusty wash over everything tainting & muting the colour pallet. This made the overall tone feel bleak to me & made the films ideas seem conflicted especially when you already have a mix of deep adult themes & really #silly #humor there too. Set pieces are actually quite #fun/#creative & stakes are high at times too which really got the kids feeling tense & excited. #Musical numbers are also catchy & both the #boys came out #dancing, #smiling & #singing which was nice to see. Overall its nothing really that you've not seen a million times before but it at least tries to tell a more mature story in a way both kids & adults can enjoy so for that i commend it. Short & #sweet, happy & bleak a perfectly ok experience. #odeon #odeonlimitless #filmbuff #filmcritic #halfterm #schoolholidays #animals #kenjeong #kenanthompson #milakunis #fantasy #themepark
LeftSideCut (3778 KP) rated X-Men: First Class (2011) in Movies
Jul 28, 2019
Back on form
Fox made a smart move with First Class. After just four movies, the X-Men movie franchise had already started to feel a bit stale. The solution? Take the story way back for a 60s adventure.
The casting here is pretty strong. James McAvoy is great in the role of a younger and cockier Charles Xavier, and Michael Fassbender seems like perfect casting as Erik Lensher (even if his Irish accent slips into his dialogue now and again!)
The relationship between the two friends, sadly destined to become enemies, is the beating heart of First Class. A lot of the action we've become accustomed too throughout these films is sidelined to explore their friendship, and their conflicting ideologies. As the plot comes to a head, and these two really pull in opposite directions, the emotional impact is well earned and hard hitting.
Elsewhere, we have Nicholas Holt as Beast and Jennifer Lawrence as Mystique. They also fit the billing pretty well, and are a welcome addition to the cast.
As an X-Men comic fan, it's a lovely touch to see less known characters get screen time such as Azazel, Havoc, and finally - Banshee!
We also get an adaption of Emma Frost, although she is criminally underused, merely present as a glorified henchwoman.
Kevin Bacon is the big bad this time round, playing Sebastian Shaw, a relatively minor X-Men villain, who plays his part well in First Class - he never feels like a huge threat, but that works as it doesn't steal the limelight from Erik's descent into Magneto.
The final action scene is enjoyable comic book fun - the small X-Men team clad in yellow and blue outfits (a nod to the original comic costumes), and the setting is full of colour. Its pretty damn glorious.
First Class is a stand out entry into the X-Men franchise, and certainly worth your time, even if you've never seen another X-Men film!
The casting here is pretty strong. James McAvoy is great in the role of a younger and cockier Charles Xavier, and Michael Fassbender seems like perfect casting as Erik Lensher (even if his Irish accent slips into his dialogue now and again!)
The relationship between the two friends, sadly destined to become enemies, is the beating heart of First Class. A lot of the action we've become accustomed too throughout these films is sidelined to explore their friendship, and their conflicting ideologies. As the plot comes to a head, and these two really pull in opposite directions, the emotional impact is well earned and hard hitting.
Elsewhere, we have Nicholas Holt as Beast and Jennifer Lawrence as Mystique. They also fit the billing pretty well, and are a welcome addition to the cast.
As an X-Men comic fan, it's a lovely touch to see less known characters get screen time such as Azazel, Havoc, and finally - Banshee!
We also get an adaption of Emma Frost, although she is criminally underused, merely present as a glorified henchwoman.
Kevin Bacon is the big bad this time round, playing Sebastian Shaw, a relatively minor X-Men villain, who plays his part well in First Class - he never feels like a huge threat, but that works as it doesn't steal the limelight from Erik's descent into Magneto.
The final action scene is enjoyable comic book fun - the small X-Men team clad in yellow and blue outfits (a nod to the original comic costumes), and the setting is full of colour. Its pretty damn glorious.
First Class is a stand out entry into the X-Men franchise, and certainly worth your time, even if you've never seen another X-Men film!
LeftSideCut (3778 KP) rated Pokémon: Let's Go, Pikachu! in Video Games
Nov 7, 2019
I, like many people my age, spent a good chunk of their childhood playing through Pokémon Blue and Red on the Nintendo Game Boy, and then not long after, Pokémon Yellow.
These games took the world by storm and it was easy to see the way. An top down adventure game, with light RPG elements, and the satisfaction of collecting different creatures, whilst the games tag line urged you to 'catch 'em all', it was a set of games that were enjoyed by adults and children alike.
All these years later, Pokémon Yellow has been given a new lick of paint, and re released as Let's Go Pikachu (or Eevee if you prefer).
It's the same in nearly everyway, just with modern graphics, and it's just great.
Firstly, seeing all of these beloved characters in full shiny 3D graphics is pretty special.
The game retains all of the simple camera angles and vibrant colour palette, and it really works.
The game mechanics are identical as well. It's a simple game to get used to, and one that takes a lot longer to master.
The music is also given update, but all the classic score is intact. This 'if it ain't broke' approach that has been applied works wonders, much like the recent Crash Bandicoot and Spyro re releases.
The Nintendo Switch format allows the player to dock the console, meaning that you can play Let's Go through a TV and turns the controller into a Wii style remote, enabling you to 'throw' Pokéballs if that's your style, or you can opt for a classic handheld approach.
Another feature allows you to import Pokémon from the Pokémon Go app, which is a nice touch
With games like Breath of the Wild showing off just what the Switch can do in terms of huge beautiful looking maps, im longing for a proper open world Pokémon game at some point, but Let's Go is a nostalgia filled and fun stop gap that will steal hours and hours of your time.
These games took the world by storm and it was easy to see the way. An top down adventure game, with light RPG elements, and the satisfaction of collecting different creatures, whilst the games tag line urged you to 'catch 'em all', it was a set of games that were enjoyed by adults and children alike.
All these years later, Pokémon Yellow has been given a new lick of paint, and re released as Let's Go Pikachu (or Eevee if you prefer).
It's the same in nearly everyway, just with modern graphics, and it's just great.
Firstly, seeing all of these beloved characters in full shiny 3D graphics is pretty special.
The game retains all of the simple camera angles and vibrant colour palette, and it really works.
The game mechanics are identical as well. It's a simple game to get used to, and one that takes a lot longer to master.
The music is also given update, but all the classic score is intact. This 'if it ain't broke' approach that has been applied works wonders, much like the recent Crash Bandicoot and Spyro re releases.
The Nintendo Switch format allows the player to dock the console, meaning that you can play Let's Go through a TV and turns the controller into a Wii style remote, enabling you to 'throw' Pokéballs if that's your style, or you can opt for a classic handheld approach.
Another feature allows you to import Pokémon from the Pokémon Go app, which is a nice touch
With games like Breath of the Wild showing off just what the Switch can do in terms of huge beautiful looking maps, im longing for a proper open world Pokémon game at some point, but Let's Go is a nostalgia filled and fun stop gap that will steal hours and hours of your time.
Charlotte Ozanne (108 KP) rated Klaus (2019) in Movies
Dec 4, 2019
To my knowledge, 'Klaus' is the first Christmas film to combine the magic of Father Christmas with the everyday work of a postman - bringing heart-warming results. This movie succeeds on every level; the animation, the music and the script fuse to create a film that deserves a place in everyone's Christmas catalogue, no matter what age.
The concept of this film is extremely touching - a young man spoiled by his father is sent to a remote island with the goal to deliver 6000 letters in a year. There, he meets Klaus, an old toymaker who lives in a wooded part of the island, out of sight of the townspeople. Together, they create Christmas for the island with the help of the resident schoolteacher and foreign settlers. The result is magical, as children and adults alike who have never experienced Christmas, get to soak in the wonders of the season.
The artwork featured in the film is somewhat disproportionate which really builds the tension, especially when Jesper first steps foot on the island. Colour-wise, the whole film is quite dark and drab which perfectly emphasises the change when the island is transformed into a Christmassy wonderland at the end. Together, these elements really help to convey the moods in the film, and the audience really goes on the same journey as Jesper.
This film cleverly sheds light through the use of music in several scenes. For example, when Jesper's attitude changes towards the island and his task, there is a wonderful moment where he transforms his workshop to the sounds of a popular 80s song. I couldn't help but smile as I find that era of music very infectious.
As a postwoman myself, I loved this film because it has made me look at my job in a different way. Especially at this time of year, I help to deliver lots of presents to households which will make people's Christmasses the best of their lives. I bring joy to people, just as this film brought lots of joy to me.
The concept of this film is extremely touching - a young man spoiled by his father is sent to a remote island with the goal to deliver 6000 letters in a year. There, he meets Klaus, an old toymaker who lives in a wooded part of the island, out of sight of the townspeople. Together, they create Christmas for the island with the help of the resident schoolteacher and foreign settlers. The result is magical, as children and adults alike who have never experienced Christmas, get to soak in the wonders of the season.
The artwork featured in the film is somewhat disproportionate which really builds the tension, especially when Jesper first steps foot on the island. Colour-wise, the whole film is quite dark and drab which perfectly emphasises the change when the island is transformed into a Christmassy wonderland at the end. Together, these elements really help to convey the moods in the film, and the audience really goes on the same journey as Jesper.
This film cleverly sheds light through the use of music in several scenes. For example, when Jesper's attitude changes towards the island and his task, there is a wonderful moment where he transforms his workshop to the sounds of a popular 80s song. I couldn't help but smile as I find that era of music very infectious.
As a postwoman myself, I loved this film because it has made me look at my job in a different way. Especially at this time of year, I help to deliver lots of presents to households which will make people's Christmasses the best of their lives. I bring joy to people, just as this film brought lots of joy to me.
LeftSideCut (3778 KP) rated Friday the 13th (2009) in Movies
Feb 10, 2020
This "remake" of the cult classic 80s slasher is actually one of those modern horror soft reboots, that could be considered a sequel, in this case, following on directly from the original, but ignoring any of the original follow ups.
It's probably not accurately, a re-tread of the first four films, all rolled into a slick looking update.
That's precisely what the main positive is. Friday the 13th looks great. It has good production values, largely practical effects when it comes to the nasty stuff, and even boasts a few striking images here and there.
The main man himself, Jason Voorhees, is portrayed here as a kind of hunter, merely protecting his territory, and this time around, he's an absolute beast, he's brutal, he runs, and he is genuinely quote terrifying at times. The film cycles through both his original potato sack look, and his more well know hockey mask look, and actor Derek Mears successfully plays him off as an imposing threat.
The rest of the cast is where Friday the 13th really suffers. With the exception of Jared Padalecki, Danielle Panabaker, and Arlen Escarpeta, none of the human characters are remotely likable. I get that the writers were probably going for the whole rooting-for-them-to-die-horribly schtick, but honestly, these characters are so exhausting, non-funny, and irritating that it genuinely makes the bulk of the movie unenjoyable.
There's zero character development, and an unnecessary opening narrative (that lasts 25 minutes) about a separate group of equally unlikable douche bags makes the plot an absolute drag.
I did like the opening scene, that re-tells the climax of the original film in a stylish black and white sequence with the odd flash if colour, and a lot of the Jason action and kills are ridiculous and exciting, and that makes Friday the 13th just about watchable as a dumb-but-entertaining popcorn horror.
Here's hoping the whole rights issue gets sorted soon so someone can try again!
It's probably not accurately, a re-tread of the first four films, all rolled into a slick looking update.
That's precisely what the main positive is. Friday the 13th looks great. It has good production values, largely practical effects when it comes to the nasty stuff, and even boasts a few striking images here and there.
The main man himself, Jason Voorhees, is portrayed here as a kind of hunter, merely protecting his territory, and this time around, he's an absolute beast, he's brutal, he runs, and he is genuinely quote terrifying at times. The film cycles through both his original potato sack look, and his more well know hockey mask look, and actor Derek Mears successfully plays him off as an imposing threat.
The rest of the cast is where Friday the 13th really suffers. With the exception of Jared Padalecki, Danielle Panabaker, and Arlen Escarpeta, none of the human characters are remotely likable. I get that the writers were probably going for the whole rooting-for-them-to-die-horribly schtick, but honestly, these characters are so exhausting, non-funny, and irritating that it genuinely makes the bulk of the movie unenjoyable.
There's zero character development, and an unnecessary opening narrative (that lasts 25 minutes) about a separate group of equally unlikable douche bags makes the plot an absolute drag.
I did like the opening scene, that re-tells the climax of the original film in a stylish black and white sequence with the odd flash if colour, and a lot of the Jason action and kills are ridiculous and exciting, and that makes Friday the 13th just about watchable as a dumb-but-entertaining popcorn horror.
Here's hoping the whole rights issue gets sorted soon so someone can try again!
Kirk Bage (1775 KP) rated Waltz With Bashir (2008) in Movies
Mar 11, 2021
This is the fifth in the series of films I would recommend to an alien to explain humanity. Not, as posted on the Instagram account, #6 – sorry for the confusion, I think I skipped #4 on there when posting for Schindler’s List a few weeks ago. Anyway… today’s choice is Ari Folman’s extraordinary antiwar film from 2008, which combines several forms of animation and live action footage to create a dreamlike landscape of the 1982 invasion of Lebanon, and one man’s journey to reconstruct his own lost memories of events.
I saw this when working at The Cameo Cinema in Edinburgh on release. It was the kind of thing I loved to discover that I wouldn’t normally have paid to see. Its impact on me was immediate, and I went back to see it 3 more times. When it was released on DVD in 2009, it became my go to movie to gift to people who I knew would love it but may not have even heard of it, due to its low profile arthouse origins. It was nominated in the Best Foreign Language Film category at the Oscars, but otherwise went under the radar in many ways. I still doubt it has been seen by a quarter of the people who would immediately say it was one of the most amazing films they had ever seen.
The animation may seem gimmicky at first, but once you identify its utility in this context and understand this is not a film for children, it becomes a transcendent trip of vibrant colour, emotion and… humanity. I would call it as indispensable an antiwar movie as Apocalypse Now, and in many ways so much more moving than that classic. If you have yet to see it, do yourself a favour, pick a time you can reflect and allow the dreamlike quality to carry you away.
I saw this when working at The Cameo Cinema in Edinburgh on release. It was the kind of thing I loved to discover that I wouldn’t normally have paid to see. Its impact on me was immediate, and I went back to see it 3 more times. When it was released on DVD in 2009, it became my go to movie to gift to people who I knew would love it but may not have even heard of it, due to its low profile arthouse origins. It was nominated in the Best Foreign Language Film category at the Oscars, but otherwise went under the radar in many ways. I still doubt it has been seen by a quarter of the people who would immediately say it was one of the most amazing films they had ever seen.
The animation may seem gimmicky at first, but once you identify its utility in this context and understand this is not a film for children, it becomes a transcendent trip of vibrant colour, emotion and… humanity. I would call it as indispensable an antiwar movie as Apocalypse Now, and in many ways so much more moving than that classic. If you have yet to see it, do yourself a favour, pick a time you can reflect and allow the dreamlike quality to carry you away.