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Movie Metropolis (309 KP) rated Finding Dory (2016) in Movies
Jun 11, 2019
Is it a return to form for Pixar/
For years, Pixar was an unstoppable force. The studio combined stunning animation with thought-provoking stories that adults and children could enjoy. From Toy Story to Wall.E, everyone, at some point will have watched a Pixar film.
Then a few things caused the bubble to burst. Firstly, other companies upped their game, big time, with Dreamworks in particular being hot on the heels of their rival. Secondly, Pixar’s own partner, Disney started churning out great animated films with Zootropolis and Wreck-it Ralph worth a mention.
Finally, Pixar lost its way. Cars and its dreadful sequel, followed by an underwhelming prequel to Monsters Inc and the marketing disaster that was The Good Dinosaur all culminated in a studio damaged by its own high standards. Now, in 2016, we have a sequel to arguably Pixar’s best film, Finding Nemo, but does Finding Dory build on its predecessor or sink faster than a stone?
Dory (Ellen DeGeneres) is a wide-eyed, blue tang fish who suffers from memory loss. The one thing she can remember is she somehow became separated from her parents as a child. With help from Nemo and Marlin, Dory embarks on an epic adventure to find them. Her journey brings her to the Marine Life Institute, a rehabilitation centre for diverse ocean species and from there; she tries to reunite with her long-lost relatives.
Finding Dory opens with a neatly packaged throwback to its predecessor, providing an easy way of getting the audience up to speed with what came before it – after all, it’s been 13 years since the release of the first film. From then on, it’s full steam ahead with a story that lacks the subtlety of Finding Nemo, but is engaging nonetheless.
The animation is you guessed it, exceptional. Nemo was one of the best films to showcase Pixar’s talents and its sequel continues that trend. The vibrancy of the colour palette is breath-taking and each shimmering wave makes you feel part of the watery depths. The blacks feel endless and the diversity of marine life just adds to the sparkle.
For adults, there are some cracking references to other films. Would you believe me if I told you Pixar managed to shoehorn an Alien homage in there? Well, they did, and it works beautifully. Couple that with a surprise turn from Sigourney Weaver as a park announcer and it’s a recipe for laughs all around.
Ellen DeGeneres takes centre stage this time around and rightly so. Dory is a loveable character, especially in her wide-eyed youth, and a very well-written one, despite her constant forgetfulness. Elsewhere, Idris Elba provides some laughs as a lazy sea lion and Ed O’Neill steals the show as a grumpy octopus.
Unfortunately, the final act of the film delves into unnecessarily and uncharacteristically silly territory. The joy of Pixar’s other works is that, despite their often out-of-this-world themes, they still feel grounded in reality. Dory’s finale is so ridiculous that it spoils the effect of the plot.
Nevertheless, you’ll be reaching for your tissues more than once as director and scriptwriter Andrew Stanton combines that heart-warming story with some lovely dialogue that will resonate with all generations.
Overall, Finding Dory isn’t the outright success it could’ve been, but it doesn’t continue the slip in Pixar’s quality either. The animation is truly wonderful and some of the references to more adult films are worked in very cleverly – but that final act; it’s just awful.
https://moviemetropolis.net/2016/08/01/is-it-a-return-to-form-for-pixar-finding-dory-review/
Then a few things caused the bubble to burst. Firstly, other companies upped their game, big time, with Dreamworks in particular being hot on the heels of their rival. Secondly, Pixar’s own partner, Disney started churning out great animated films with Zootropolis and Wreck-it Ralph worth a mention.
Finally, Pixar lost its way. Cars and its dreadful sequel, followed by an underwhelming prequel to Monsters Inc and the marketing disaster that was The Good Dinosaur all culminated in a studio damaged by its own high standards. Now, in 2016, we have a sequel to arguably Pixar’s best film, Finding Nemo, but does Finding Dory build on its predecessor or sink faster than a stone?
Dory (Ellen DeGeneres) is a wide-eyed, blue tang fish who suffers from memory loss. The one thing she can remember is she somehow became separated from her parents as a child. With help from Nemo and Marlin, Dory embarks on an epic adventure to find them. Her journey brings her to the Marine Life Institute, a rehabilitation centre for diverse ocean species and from there; she tries to reunite with her long-lost relatives.
Finding Dory opens with a neatly packaged throwback to its predecessor, providing an easy way of getting the audience up to speed with what came before it – after all, it’s been 13 years since the release of the first film. From then on, it’s full steam ahead with a story that lacks the subtlety of Finding Nemo, but is engaging nonetheless.
The animation is you guessed it, exceptional. Nemo was one of the best films to showcase Pixar’s talents and its sequel continues that trend. The vibrancy of the colour palette is breath-taking and each shimmering wave makes you feel part of the watery depths. The blacks feel endless and the diversity of marine life just adds to the sparkle.
For adults, there are some cracking references to other films. Would you believe me if I told you Pixar managed to shoehorn an Alien homage in there? Well, they did, and it works beautifully. Couple that with a surprise turn from Sigourney Weaver as a park announcer and it’s a recipe for laughs all around.
Ellen DeGeneres takes centre stage this time around and rightly so. Dory is a loveable character, especially in her wide-eyed youth, and a very well-written one, despite her constant forgetfulness. Elsewhere, Idris Elba provides some laughs as a lazy sea lion and Ed O’Neill steals the show as a grumpy octopus.
Unfortunately, the final act of the film delves into unnecessarily and uncharacteristically silly territory. The joy of Pixar’s other works is that, despite their often out-of-this-world themes, they still feel grounded in reality. Dory’s finale is so ridiculous that it spoils the effect of the plot.
Nevertheless, you’ll be reaching for your tissues more than once as director and scriptwriter Andrew Stanton combines that heart-warming story with some lovely dialogue that will resonate with all generations.
Overall, Finding Dory isn’t the outright success it could’ve been, but it doesn’t continue the slip in Pixar’s quality either. The animation is truly wonderful and some of the references to more adult films are worked in very cleverly – but that final act; it’s just awful.
https://moviemetropolis.net/2016/08/01/is-it-a-return-to-form-for-pixar-finding-dory-review/
Zuky the BookBum (15 KP) rated Zodiac in Books
Mar 15, 2018
Also find my review here: http://bookbum.weebly.com/book-reviews/june-29th-2016
Firstly I'd like to thank Netgalley and Penguin UK - Michael Joseph for giving me the opportunity to read this book in an exchange for a review.
<b><i>"How much worse would the world be if everyone was colour-coded? If people thought they could tell someone's essence at a glance, and discrimination became purely thoughtless? … Maybe people wouldn't spend so much time making sure they acted, sounded and thought the same as their neighbours, if they weren't terrified of being mistaken for the wrong sign. Maybe they'd realise how arbitrary it truly was."</b></i>
This was such a tricky debut novel. The premise was incredibly unique and intriguing that it almost became difficult for the author to live up to the expectations of the plot. Not to say that all debut crime novels are crap but this was such a complex story that I think only really experienced writers like Stephen King or even Gillian Flynn could have shaped it into what it was supposed to be.
I was initially attracted to this book because of the front cover and because the idea of a society where you are segregated by your star sign is a really interesting and unique twist on a look at modern society. Plus I love a crime thriller and had read some good things about this already.
To my disappointment, I felt this started off really slow. I almost couldn’t get into it, but I decided to push myself to continue reading. Only at around 30 - 40% did I finally start to enjoy this. I think a big problem for me was the writing. I often found it a bit clunky and overly descriptive, plus a few spelling and grammar mistakes threw me off. <b>(I hope there's a lot of proofreading before this gets published!)</b>
Though the plot got better, more fast paced and more exciting I still found it difficult to like any of the characters. Burton was a little pretentious and overly insecure. Lindi was as useful as a medium. Mendez was a little bitch. Daniel was mopey and selfish. Cray was your typical dislikable teen gangster. Bram was needy and childish. Maria was supposed to be a kind character but all she did was resent her job and her life. Maybe I’m being a little harsh but I found it difficult to like or relate to any of them.
I felt there was a lot left unsaid when it came to the characters too. Like what happened between Burton and his wife? They were completely fine and loved up one minute and then the next he was saying <i>“he knew she was separating from his life”</i>, but why? Also after the whole Bram <i>thing</i>, he said <i>”Justice was coming for them all”</i> but again, when did that happen in the novel?
Unfortunately I predicted the twist before the 50% mark, I don’t think it was that hard to guess, so that took away some of the excitement of finding out what was going on and getting our killers motive. By the time we find out who our killer is and the Aries people are rising up it all got too confusing for me. There was too much going on in each scene that my mind couldn't focus on any of it!
I’ve given this 3 stars because there was a good story line there and at times some quite nice writing but it was a mediocre book in my mind, not particularly memorable.
On another note, the Ram Squad reminded me of the all the different gangs in Saints Row and the entire Ariesville had a very Gotham vibe to it.
Firstly I'd like to thank Netgalley and Penguin UK - Michael Joseph for giving me the opportunity to read this book in an exchange for a review.
<b><i>"How much worse would the world be if everyone was colour-coded? If people thought they could tell someone's essence at a glance, and discrimination became purely thoughtless? … Maybe people wouldn't spend so much time making sure they acted, sounded and thought the same as their neighbours, if they weren't terrified of being mistaken for the wrong sign. Maybe they'd realise how arbitrary it truly was."</b></i>
This was such a tricky debut novel. The premise was incredibly unique and intriguing that it almost became difficult for the author to live up to the expectations of the plot. Not to say that all debut crime novels are crap but this was such a complex story that I think only really experienced writers like Stephen King or even Gillian Flynn could have shaped it into what it was supposed to be.
I was initially attracted to this book because of the front cover and because the idea of a society where you are segregated by your star sign is a really interesting and unique twist on a look at modern society. Plus I love a crime thriller and had read some good things about this already.
To my disappointment, I felt this started off really slow. I almost couldn’t get into it, but I decided to push myself to continue reading. Only at around 30 - 40% did I finally start to enjoy this. I think a big problem for me was the writing. I often found it a bit clunky and overly descriptive, plus a few spelling and grammar mistakes threw me off. <b>(I hope there's a lot of proofreading before this gets published!)</b>
Though the plot got better, more fast paced and more exciting I still found it difficult to like any of the characters. Burton was a little pretentious and overly insecure. Lindi was as useful as a medium. Mendez was a little bitch. Daniel was mopey and selfish. Cray was your typical dislikable teen gangster. Bram was needy and childish. Maria was supposed to be a kind character but all she did was resent her job and her life. Maybe I’m being a little harsh but I found it difficult to like or relate to any of them.
I felt there was a lot left unsaid when it came to the characters too. Like what happened between Burton and his wife? They were completely fine and loved up one minute and then the next he was saying <i>“he knew she was separating from his life”</i>, but why? Also after the whole Bram <i>thing</i>, he said <i>”Justice was coming for them all”</i> but again, when did that happen in the novel?
Unfortunately I predicted the twist before the 50% mark, I don’t think it was that hard to guess, so that took away some of the excitement of finding out what was going on and getting our killers motive. By the time we find out who our killer is and the Aries people are rising up it all got too confusing for me. There was too much going on in each scene that my mind couldn't focus on any of it!
I’ve given this 3 stars because there was a good story line there and at times some quite nice writing but it was a mediocre book in my mind, not particularly memorable.
On another note, the Ram Squad reminded me of the all the different gangs in Saints Row and the entire Ariesville had a very Gotham vibe to it.
Hazel (1853 KP) rated Purple Hearts in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
An epic tale of a reimagined World War II comes to an explosive end in this third and final book <i>Purple Hearts</i>. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, <i>Purple Hearts</i>, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
<i>Purple Hearts</i> is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
An epic tale of a reimagined World War II comes to an explosive end in this third and final book <i>Purple Hearts</i>. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, <i>Purple Hearts</i>, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
<i>Purple Hearts</i> is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
Hazel (1853 KP) rated Lies We Tell Ourselves in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>Lies We Tell Ourselves</i> by Robin Talley is a realistic tale about the beginning of the integration of coloured people into white schools in late 1950s America. In Virginia it is 1959 and ten Negros are beginning their first day at Jefferson Highschool. The experience is narrated from one of the ten, Sarah’s, perspective. In other parts of the novel the voice changes to that of Linda, a particularly nasty white girl, who is one of countless students opposed to integration.
Although many young people will have been taught about the black civil right movement it is still shocking to read about the horrible things they had to endure. By writing in the first person, Talley encourages the reader to try to understand how they would feel in a similar situation. Sarah and her friends instantly become the victims of verbal and physical abuse that members of authority turn a blind eye to.
To Sarah, Linda is a nasty spoilt bully who, although does not join in with the taunting and abuse, is as bad as the rest of them. Through reading Linda’s account it becomes clear that her behaviour has a lot to do with her home life, in particularly with her father’s attitude towards her. After being forced to partner Sarah for a French project Linda begins to question why there is so much emphasis on skin colour, however not wanting to be shunned by her own friends she keeps these thoughts to herself.
Sarah is also struggling to come to terms with her sexual preference for girls. It has been drilled into her that these thoughts are a sin. She hides her true feelings from everyone and constantly berates herself mentally for being “unnatural”. But it turns out she may not be the only one with these thoughts.
The lies referred to in the title are not the blatant or harmful lies but rather the lies the characters believe or even want to believe. Each chapter begins with a lie that reflects what is occurring in the novel at that time; for example “There’s no need to be afraid” and “I don’t care what they think of me.” This is an interesting way of telling the story as it emphasizes Sarah’s determination to keep going despite what she is subjected to. It also reveals the mental struggles she faces. On the other hand the lies disclose Linda’s conflicting feelings towards the South’s current situation and segregation laws.
Although not a religious novel, each part begins with the title of a Christian hymn. It was the norm for everyone to go to church and, despite the separate churches, was something black and white people did. Sarah and Linda have faith in God yet they both use the bible’s teachings for opposing arguments. The religious aspect also highlights Sarah’s self-hatred and belief that she has fallen into sin.
Unfortunately in today’s world there are still issues with racism and homophobia however after reading <i>Lies We Tell Ourselves</i> it is evident that these situations have vastly improved, at least in the Western world, since the 1950s. Without children such as Sarah going through these horrible experiences nothing would have changed. There would still be separate schools, slavery and inaccurate opinions about race inequality. America has a lot to thank these brave students who were the first to create mixed race schools.
Overall this is a brilliant book. Well written and realistic, it really draws the reader in to the characters’ stories. Although <i>Lies We Tell Ourselves</i> is a work of fiction, it is historically accurate and can teach a lot about America’s history to young adults today.
<i>Lies We Tell Ourselves</i> by Robin Talley is a realistic tale about the beginning of the integration of coloured people into white schools in late 1950s America. In Virginia it is 1959 and ten Negros are beginning their first day at Jefferson Highschool. The experience is narrated from one of the ten, Sarah’s, perspective. In other parts of the novel the voice changes to that of Linda, a particularly nasty white girl, who is one of countless students opposed to integration.
Although many young people will have been taught about the black civil right movement it is still shocking to read about the horrible things they had to endure. By writing in the first person, Talley encourages the reader to try to understand how they would feel in a similar situation. Sarah and her friends instantly become the victims of verbal and physical abuse that members of authority turn a blind eye to.
To Sarah, Linda is a nasty spoilt bully who, although does not join in with the taunting and abuse, is as bad as the rest of them. Through reading Linda’s account it becomes clear that her behaviour has a lot to do with her home life, in particularly with her father’s attitude towards her. After being forced to partner Sarah for a French project Linda begins to question why there is so much emphasis on skin colour, however not wanting to be shunned by her own friends she keeps these thoughts to herself.
Sarah is also struggling to come to terms with her sexual preference for girls. It has been drilled into her that these thoughts are a sin. She hides her true feelings from everyone and constantly berates herself mentally for being “unnatural”. But it turns out she may not be the only one with these thoughts.
The lies referred to in the title are not the blatant or harmful lies but rather the lies the characters believe or even want to believe. Each chapter begins with a lie that reflects what is occurring in the novel at that time; for example “There’s no need to be afraid” and “I don’t care what they think of me.” This is an interesting way of telling the story as it emphasizes Sarah’s determination to keep going despite what she is subjected to. It also reveals the mental struggles she faces. On the other hand the lies disclose Linda’s conflicting feelings towards the South’s current situation and segregation laws.
Although not a religious novel, each part begins with the title of a Christian hymn. It was the norm for everyone to go to church and, despite the separate churches, was something black and white people did. Sarah and Linda have faith in God yet they both use the bible’s teachings for opposing arguments. The religious aspect also highlights Sarah’s self-hatred and belief that she has fallen into sin.
Unfortunately in today’s world there are still issues with racism and homophobia however after reading <i>Lies We Tell Ourselves</i> it is evident that these situations have vastly improved, at least in the Western world, since the 1950s. Without children such as Sarah going through these horrible experiences nothing would have changed. There would still be separate schools, slavery and inaccurate opinions about race inequality. America has a lot to thank these brave students who were the first to create mixed race schools.
Overall this is a brilliant book. Well written and realistic, it really draws the reader in to the characters’ stories. Although <i>Lies We Tell Ourselves</i> is a work of fiction, it is historically accurate and can teach a lot about America’s history to young adults today.
Midge (525 KP) rated Mr Penumbra's 24-hour Bookstore in Books
Dec 24, 2018
A wonderful novel, and a must-read for bibliophiles and techies (2 more)
Hilarious and very genuine lead character
Cleverly written
Imaginative And Optimistic!
I love this book. It's a refreshing, pleasant, imaginative and optimistic book about friendship and the lure of the mysterious, and among other things, it's about a bookstore! It's a definite must-read for all bibliophiles.
Mr Penumbra's 24-Hour Bookstore begins with Clay Jannon, an out-of-work web designer who has found employment at a 24-hour bookstore located in San Francisco. Although the store has very few customers, he meets a variety of strange people that frequent the shop, but who rarely buy anything. However, they borrow mysteriously coded volumes, known as the "Waybacklist," most of which are hand-made, from a secret corner of the store. His curiosity sets him on a strange journey to try to find out more about the "Waybacklist," of ancient, esoteric books.
When they make an exchange from the "Waybacklist," Clay must record transaction details into an old logbook, including personal information about each customer, such as their appearance and state of mind. When the shop is empty, Clay busies himself by creating a computerised model of the bookstore in 3D. By identifying each of his customers by a different colour in the model, he is able to see a pattern developing and becomes convinced that the customers and Penumbra himself are members of a secret cult.
With two computer geek friends, one an old school friend, Neel, and the other a potential customer he met in the bookstore, Kat, who becomes his girlfriend, Clay sets out on a quest to learn the carefully kept secrets of the bookstore. When they bring their findings to Mr Penumbra, they discover the bookstore's secrets extend further than they ever imagined.
Clay, the main character, is exactly the kind of lead you want in this type of novel. He is constantly clueless though he tries hard, he is absolutely hilarious and very genuine. There are many different secondary characters regularly being introduced, but the book is so cleverly written that they never seem unnecessary. There is a lot of different levels of interaction between them, that I really liked.
There is an amazing use of different technologies in this book, however despite all the Google, Amazon, Kindle and the computer references, the true emphasis of the novel is on the people, and that is why I found the book so charming and bewitching. The younger characters are keen and enthusiastic, and you can identify with their search for connection and knowledge. The mix of foisty old books and cutting-edge technology is captivating.
If you prefer villains in your novels then this book is not for you. There is no evil in this book, and everyone that the narrator meets becomes a friend. I couldn't really guess how this book would end but I loved the way the story was concluded. The following quote is actually the last paragraph in the book, but it describes the mystery and the wonder of the whole book, to perfection.
"A man walking fast down a dark lonely street. Quick steps and hard breathing, all wonder and need. A bell above a door and the tinkle it makes. A clerk and a ladder and warm golden light, and then: the right book exactly, at exactly the right time."
Enthralling and fun to read, this novel, with its unique twists and turns of plot, left me feeling very satisfied.
Mr Penumbra's 24-Hour Bookstore has inspired me to read other novels by Robin Sloan.
Mr Penumbra's 24-Hour Bookstore begins with Clay Jannon, an out-of-work web designer who has found employment at a 24-hour bookstore located in San Francisco. Although the store has very few customers, he meets a variety of strange people that frequent the shop, but who rarely buy anything. However, they borrow mysteriously coded volumes, known as the "Waybacklist," most of which are hand-made, from a secret corner of the store. His curiosity sets him on a strange journey to try to find out more about the "Waybacklist," of ancient, esoteric books.
When they make an exchange from the "Waybacklist," Clay must record transaction details into an old logbook, including personal information about each customer, such as their appearance and state of mind. When the shop is empty, Clay busies himself by creating a computerised model of the bookstore in 3D. By identifying each of his customers by a different colour in the model, he is able to see a pattern developing and becomes convinced that the customers and Penumbra himself are members of a secret cult.
With two computer geek friends, one an old school friend, Neel, and the other a potential customer he met in the bookstore, Kat, who becomes his girlfriend, Clay sets out on a quest to learn the carefully kept secrets of the bookstore. When they bring their findings to Mr Penumbra, they discover the bookstore's secrets extend further than they ever imagined.
Clay, the main character, is exactly the kind of lead you want in this type of novel. He is constantly clueless though he tries hard, he is absolutely hilarious and very genuine. There are many different secondary characters regularly being introduced, but the book is so cleverly written that they never seem unnecessary. There is a lot of different levels of interaction between them, that I really liked.
There is an amazing use of different technologies in this book, however despite all the Google, Amazon, Kindle and the computer references, the true emphasis of the novel is on the people, and that is why I found the book so charming and bewitching. The younger characters are keen and enthusiastic, and you can identify with their search for connection and knowledge. The mix of foisty old books and cutting-edge technology is captivating.
If you prefer villains in your novels then this book is not for you. There is no evil in this book, and everyone that the narrator meets becomes a friend. I couldn't really guess how this book would end but I loved the way the story was concluded. The following quote is actually the last paragraph in the book, but it describes the mystery and the wonder of the whole book, to perfection.
"A man walking fast down a dark lonely street. Quick steps and hard breathing, all wonder and need. A bell above a door and the tinkle it makes. A clerk and a ladder and warm golden light, and then: the right book exactly, at exactly the right time."
Enthralling and fun to read, this novel, with its unique twists and turns of plot, left me feeling very satisfied.
Mr Penumbra's 24-Hour Bookstore has inspired me to read other novels by Robin Sloan.
Emma @ The Movies (1786 KP) rated Bloodshot (2020) in Movies
Mar 21, 2020
It's nice to get a different side of the comic book genre for once, I'm still suffering from Marvel/Avengers fatigue so this was a welcome diversion.
After a successful operation, soldier Ray Garrison has come home to take his beautiful wife of a well deserved break. What he doesn't realise is that he's being tracked by a team who are looking for information, and they'll do anything it takes to get it.
Waking up in a high tech lab with no memory Ray discovers that his body has been donated to a company after his death. RSC are pioneers in enhancements to the human body, taking people who might otherwise be given up on and giving them a new lease of life.
When you've had one of those days and you need some gratuitous violence you can't really go wrong with a Vin Diesel films... can you?
I can't say I ever go into films like this expecting a "masterpiece" of cinema, I was just hoping for some solid entertainment and it certainly gives that.
Enhanced humans always offer that level of escapism that allows for a few faux pas to come across as less obvious, but the trailer made me raise an eyebrow. The effects didn't look great in the few snippets we got, luckily, on seeing the final product thought I was pleasantly surprised. The close up action that wouldn't require major stunts were excellent and believable, I didn't feel like there were any holes to pick... until the elevator scene. You'll clearly see the graphic work and it's a real shame it is so bad in comparison to the rest, there's also a terrible chase scene that has no natural movement in it either.
It's not often Vin strays from a certain type of character so we get exactly what you'd expect from his portrayal of Ray Garrison, a driven "bad guy" with a reason to be mad at a lot of stuff. It's not groundbreaking but it's always fun to see.
Eiza Gonzalez as KT gets a good range to work with, she gives us an excellent character with a reasonable amount of depth compared to her counterparts... who I had to call Legs and Eyes in my notes because at no point did I notice if they had names or not.
Our bad guy was obviously Guy Pearce seems about right for him. It wasn't really out of his comfort zone either though and despite him being great as Dr Emil Harting it wasn't really pushing any boundaries.
Visually this film is pretty good, the fight sequence we get glimpses of during the trailer uses colour well and has some amusing little touches in it. A bit of humour and some shots that I'd associate with horror/thriller movies build that excitement and tension well. There's also a well edited montage that's used to great effect to show the audience an event succinctly without it becoming boring, which is always greatly appreciated in films.
There are a few comments I have but they definitely constitute spoilers so I'll keep them to myself, but there's nothing that majorly added or detracted from the film for me beyond what I've mentioned already.
As I said at the beginning, it's nice to have a different comic book entity on our screens and I think the story is a good one, we're thankfully given an interesting set of characters to focus on and that helps the story stay a little lighter. You know how I like an origin tale though and this seems a bit short on that bit of discovery. I've got the graphic novel to read though so I'm interested to see where it deviates. Despite its minor (and slightly major action CGI) issues I really enjoyed Bloodshot, Ray's anger issues really helped get out some frustration.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/bloodshot-movie-review.html
After a successful operation, soldier Ray Garrison has come home to take his beautiful wife of a well deserved break. What he doesn't realise is that he's being tracked by a team who are looking for information, and they'll do anything it takes to get it.
Waking up in a high tech lab with no memory Ray discovers that his body has been donated to a company after his death. RSC are pioneers in enhancements to the human body, taking people who might otherwise be given up on and giving them a new lease of life.
When you've had one of those days and you need some gratuitous violence you can't really go wrong with a Vin Diesel films... can you?
I can't say I ever go into films like this expecting a "masterpiece" of cinema, I was just hoping for some solid entertainment and it certainly gives that.
Enhanced humans always offer that level of escapism that allows for a few faux pas to come across as less obvious, but the trailer made me raise an eyebrow. The effects didn't look great in the few snippets we got, luckily, on seeing the final product thought I was pleasantly surprised. The close up action that wouldn't require major stunts were excellent and believable, I didn't feel like there were any holes to pick... until the elevator scene. You'll clearly see the graphic work and it's a real shame it is so bad in comparison to the rest, there's also a terrible chase scene that has no natural movement in it either.
It's not often Vin strays from a certain type of character so we get exactly what you'd expect from his portrayal of Ray Garrison, a driven "bad guy" with a reason to be mad at a lot of stuff. It's not groundbreaking but it's always fun to see.
Eiza Gonzalez as KT gets a good range to work with, she gives us an excellent character with a reasonable amount of depth compared to her counterparts... who I had to call Legs and Eyes in my notes because at no point did I notice if they had names or not.
Our bad guy was obviously Guy Pearce seems about right for him. It wasn't really out of his comfort zone either though and despite him being great as Dr Emil Harting it wasn't really pushing any boundaries.
Visually this film is pretty good, the fight sequence we get glimpses of during the trailer uses colour well and has some amusing little touches in it. A bit of humour and some shots that I'd associate with horror/thriller movies build that excitement and tension well. There's also a well edited montage that's used to great effect to show the audience an event succinctly without it becoming boring, which is always greatly appreciated in films.
There are a few comments I have but they definitely constitute spoilers so I'll keep them to myself, but there's nothing that majorly added or detracted from the film for me beyond what I've mentioned already.
As I said at the beginning, it's nice to have a different comic book entity on our screens and I think the story is a good one, we're thankfully given an interesting set of characters to focus on and that helps the story stay a little lighter. You know how I like an origin tale though and this seems a bit short on that bit of discovery. I've got the graphic novel to read though so I'm interested to see where it deviates. Despite its minor (and slightly major action CGI) issues I really enjoyed Bloodshot, Ray's anger issues really helped get out some frustration.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/bloodshot-movie-review.html
Sarah (7800 KP) rated The Prom (2020) in Movies
Jan 1, 2021
Ruined by James Corden
The Prom is the latest film from Glee creator Ryan Murphy, adapted from the Broadway musical of the same name. It follows Emma (Jo Ellen Pellman) who inadvertently causes her high school prom to be cancelled from wanting to attend with her girlfriend Alyssa (Ariana DeBose), in a school governed by a PTA that is very much against inclusion. Meanwhile on Broadway, four down on their luck actors (Meryl Streep, Nicole Kidman, James Corden and Andrew Rannells) pick up on Emma’s story and decide to use it as a perfect opportunity to garner some publicity for themselves by showing their support.
The Prom is obviously a personal movie for director Ryan Murphy, after growing up in Indiana himself, but unfortunately he doesn’t quite manage to pull this off. The story has a very important message about inclusion and you can’t deny how powerful this is, but I don’t think it has been very well executed. Yes the entire film looks amazing, the colourful and flashy outfits look wonderful and add some much needed colour when the story moves from Broadway to Indiana. The songs too are good and toe-tappingly catchy, with ‘Love Thy Neighbor’ from Andrew Rannells being a particular standout for me, and I’d be lying if I said the glitz, glam and catchy songs didn’t make me smile. Newcomer Jo Ellen Pellman has a cracking voice and her performance here shows she’s definitely one to watch in future.
However this is where the positives stop. A large number of the songs sound the same and aside from the aforementioned ‘Love Thy Neighbor’ and the finale ‘It’s Time to Dance’, none of them are particularly memorable. The film is full of clichés and stereotypes and awkward dialogue and scenes – the cringeworthy and entirely unbelievable flirtation between Dee Dee (Streep) and Principal Hawkins (Keegan-Michael Key) is possibly one of the worst things I’ve had to watch in quite a while. The cast are obviously having a lot of fun with this and it shows in the musical numbers, but some of the characters and performances are entirely unlikeable. I know Dee Dee is meant to be a self obsessed narcissist, and Streep is hamming her up to the max, but she is a horrible character and I couldn’t abide her. Scenes with her that are meant to be comedic to me came across as awful and repulsive. Whilst she does improve over the course of the rather drawn out run time, I’m afraid the damage is done in the first 90 minutes. And I felt very sorry for Nicole Kidman, who aside from a Chicago-esque number, seems to have been entirely sidelined.
But the worst part of The Prom is the decision to cast James Corden as the gay male lead, Barry Glickman. What was Ryan Murphy thinking? I’ve never been a fan of Corden, but surely anyone watching this can see he’s a talk show host, not a Hollywood musical star? Not only is his American accent terrible, his performance is completely unbelievable and overly camp and outdated. How Andrew Rannells could bear to work opposite James Corden in this role when he could’ve shone as Barry I will never know. Had it not been for Corden, I probably would have liked this a lot more.
The Prom is a glitzy mash-up of old school Broadway and cheesy high school musicals, full of colourful catchy tunes, neat choreography and a powerful message, it’s just a shame the characters and some of the casting are lacking in the substance to make this anything better than average.
The Prom is obviously a personal movie for director Ryan Murphy, after growing up in Indiana himself, but unfortunately he doesn’t quite manage to pull this off. The story has a very important message about inclusion and you can’t deny how powerful this is, but I don’t think it has been very well executed. Yes the entire film looks amazing, the colourful and flashy outfits look wonderful and add some much needed colour when the story moves from Broadway to Indiana. The songs too are good and toe-tappingly catchy, with ‘Love Thy Neighbor’ from Andrew Rannells being a particular standout for me, and I’d be lying if I said the glitz, glam and catchy songs didn’t make me smile. Newcomer Jo Ellen Pellman has a cracking voice and her performance here shows she’s definitely one to watch in future.
However this is where the positives stop. A large number of the songs sound the same and aside from the aforementioned ‘Love Thy Neighbor’ and the finale ‘It’s Time to Dance’, none of them are particularly memorable. The film is full of clichés and stereotypes and awkward dialogue and scenes – the cringeworthy and entirely unbelievable flirtation between Dee Dee (Streep) and Principal Hawkins (Keegan-Michael Key) is possibly one of the worst things I’ve had to watch in quite a while. The cast are obviously having a lot of fun with this and it shows in the musical numbers, but some of the characters and performances are entirely unlikeable. I know Dee Dee is meant to be a self obsessed narcissist, and Streep is hamming her up to the max, but she is a horrible character and I couldn’t abide her. Scenes with her that are meant to be comedic to me came across as awful and repulsive. Whilst she does improve over the course of the rather drawn out run time, I’m afraid the damage is done in the first 90 minutes. And I felt very sorry for Nicole Kidman, who aside from a Chicago-esque number, seems to have been entirely sidelined.
But the worst part of The Prom is the decision to cast James Corden as the gay male lead, Barry Glickman. What was Ryan Murphy thinking? I’ve never been a fan of Corden, but surely anyone watching this can see he’s a talk show host, not a Hollywood musical star? Not only is his American accent terrible, his performance is completely unbelievable and overly camp and outdated. How Andrew Rannells could bear to work opposite James Corden in this role when he could’ve shone as Barry I will never know. Had it not been for Corden, I probably would have liked this a lot more.
The Prom is a glitzy mash-up of old school Broadway and cheesy high school musicals, full of colourful catchy tunes, neat choreography and a powerful message, it’s just a shame the characters and some of the casting are lacking in the substance to make this anything better than average.
Melanie Caldicott (6 KP) rated The Lost Apothecary in Books
Apr 29, 2021
Thanks to the publishers and NetGalley for the ARe-copy in exchange for this honest review. You can also read my review on my blog - https:roamingthroughbooks.wordpress.com
The Lost Apothecary by Sarah Penner is a novel which switches between the storylines of a female apothecary in the 1790s who sells poisons to women to kill men who have wronged them and the present day, in which Caroline happens upon a clue which leads her to investigate the apothecary’s story.
Well, the idea of an apothecary dispensing poison for women to use for murder was enticing to say the least. This book had the potential to weave a thought-provoking, adventurous tale, developing themes about womanhood, oppression and doing evil for good. Sadly, for me it did not quite meet the mark.
The narratives switch between three characters, Caroline, our present-day historian, Nella, the apothecary, and Eliza, a servant girl who becomes friends with Nella over the course of the book.
As I said, I was expecting this novel to grapple with challenging themes, which could have been very emotive and dark. Yet, it turned out to be just a bland bit of light fiction never dwelling on anything for too long, skimming over the surface of most of the characters, their motives and their reactions and lacking depth on any of the parallel-running plotlines.
It is surprising how a book surrounding multiple murders, historical medicine and herbalism and women trapped in marriages with infidels, letches and rapists could be quite so vanilla. It was a pleasant enough read, but lacked the substance I was hoping for.
I found Nella, the apothecary to be a bit of an enigma. We do learn about her back story and gain some insight into her motives for dispensing the poisons. However, for a woman who was resourceful enough to construct the whole clandestine operation we meet her in a weakened state and I grew frustrated with how she seemed to fall into an oblivious kind of dream-like manner becoming swept along by circumstance with no clear influence on the events or people around her.
Eliza, was a naïve girl who met Nella whilst running an errand for her mistress. It is not really clear why the friendship between Nella and Eliza develops, it seems to be more for the convenience of the plot than due to real concrete reasoning. However, an intimacy develops between them which has the potential to bring new colour to the characters. But yet again, Penner seems to skim the surface of going to any depths and I was left feeling robbed of any insight into the emotional and kindred aspects of their friendship.
Finally, Caroline’s story in the present day brought a different perspective to the themes of womanhood running through this book. She parallels the wronged women of the 18th century by escaping to London on a trip she was supposed to take with her husband to celebrate their tenth wedding anniversary, but was instead travelling alone having discovered her husband had been having an affair.
I initially enjoyed Caroline’s historical investigations as they took her to The British Library and researching documents and newspapers there. As an avid genealogist I appreciated the details Penner gives about the sources of Caroline’s research and the challenges of finding the truth from historical documents.
Yet, again her story became somewhat contrived. It seemed unlikely that she would make some of the discoveries she did and her investigation became constructed around coincidence and unrealistic serendipity. Even the parallel storylines surrounding her relationship and those from the apothecary’s timeline seemed somewhat silly and phoney.
For me, the conclusion of the book yet again did not fully reconcile itself and therefore left me unmoved and feeling somewhat apathetic about the ending and the novel as a whole.
The Lost Apothecary by Sarah Penner is a novel which switches between the storylines of a female apothecary in the 1790s who sells poisons to women to kill men who have wronged them and the present day, in which Caroline happens upon a clue which leads her to investigate the apothecary’s story.
Well, the idea of an apothecary dispensing poison for women to use for murder was enticing to say the least. This book had the potential to weave a thought-provoking, adventurous tale, developing themes about womanhood, oppression and doing evil for good. Sadly, for me it did not quite meet the mark.
The narratives switch between three characters, Caroline, our present-day historian, Nella, the apothecary, and Eliza, a servant girl who becomes friends with Nella over the course of the book.
As I said, I was expecting this novel to grapple with challenging themes, which could have been very emotive and dark. Yet, it turned out to be just a bland bit of light fiction never dwelling on anything for too long, skimming over the surface of most of the characters, their motives and their reactions and lacking depth on any of the parallel-running plotlines.
It is surprising how a book surrounding multiple murders, historical medicine and herbalism and women trapped in marriages with infidels, letches and rapists could be quite so vanilla. It was a pleasant enough read, but lacked the substance I was hoping for.
I found Nella, the apothecary to be a bit of an enigma. We do learn about her back story and gain some insight into her motives for dispensing the poisons. However, for a woman who was resourceful enough to construct the whole clandestine operation we meet her in a weakened state and I grew frustrated with how she seemed to fall into an oblivious kind of dream-like manner becoming swept along by circumstance with no clear influence on the events or people around her.
Eliza, was a naïve girl who met Nella whilst running an errand for her mistress. It is not really clear why the friendship between Nella and Eliza develops, it seems to be more for the convenience of the plot than due to real concrete reasoning. However, an intimacy develops between them which has the potential to bring new colour to the characters. But yet again, Penner seems to skim the surface of going to any depths and I was left feeling robbed of any insight into the emotional and kindred aspects of their friendship.
Finally, Caroline’s story in the present day brought a different perspective to the themes of womanhood running through this book. She parallels the wronged women of the 18th century by escaping to London on a trip she was supposed to take with her husband to celebrate their tenth wedding anniversary, but was instead travelling alone having discovered her husband had been having an affair.
I initially enjoyed Caroline’s historical investigations as they took her to The British Library and researching documents and newspapers there. As an avid genealogist I appreciated the details Penner gives about the sources of Caroline’s research and the challenges of finding the truth from historical documents.
Yet, again her story became somewhat contrived. It seemed unlikely that she would make some of the discoveries she did and her investigation became constructed around coincidence and unrealistic serendipity. Even the parallel storylines surrounding her relationship and those from the apothecary’s timeline seemed somewhat silly and phoney.
For me, the conclusion of the book yet again did not fully reconcile itself and therefore left me unmoved and feeling somewhat apathetic about the ending and the novel as a whole.
Emma @ The Movies (1786 KP) rated Greenland (2020) in Movies
Feb 11, 2021
A disaster movie starring Gerard Butler? Of course I was desperate to see it!
John Garrity has a golden ticket to survive the incoming apocalypse. A comet is heading to Earth and debris is wreaking havoc, but no one truly knew the trouble the world was facing. As the clock ticks down, it's a race for survival.
While the big plot point of this film was the disaster, it was actually quite heavily focused on the family drama... and I'm not going to lie, that made me a little disappointed early on.
I think it's best not to query certain things in Greenland... yeah, probably a lot of things you shouldn't think about really.
Greenland reminds me of Volcano in some instances. The ups and downs of what happens to the people in the disaster can be seen, though in this instance the focus is on the Garrity family and we see little of peripheral characters directly. But never the less, you're able to follow that rollercoaster of emotions as you go through the film and feel the highs and lows, as well as the hope and devastation.
Obviously Gerard Butler in a disaster films screams five stars. I loved Geo-Storm and watch it frequently, so I was fairly confident that this was going to be an instant favourite. Butler in an action film does call to me, and I like him with a bit of humour, but this was a solid drama and he nailed it. He gets several moments that perfectly show the character's emotional journey, and I felt that impact (pun intended?).
Garrity's wife is played by the wonderful Morena Baccarin. She also has the opportunity for some powerful moments, and one of them hits you like a dump truck. Along with Butler they work as impressive and strong leads to the individual stems of the film.
Unusually I found all the additional cast to be good too, there's normally someone that isn't quite my cup of tea, but I was pleasantly surprised that I didn't find that here. There wasn't a moment that took me out of the film at all. While the rest of the acting takes a back seat to the leads once the acting started there were a few amazing moments early on from the Garrity's neighbours. Claire Bronson as Debra (I really hope I got the right actress here) has one of the most incredible moments, and it truly got to me. There were so many moments that made me cry or hold my breath, even the second time around... I really can't fault the acting.
When it comes to the effects I get really sad. In the trailer you see a piece of debris crash into the planet and some of the following scene plays out. That moment in full is incredible to watch, the build up to it and the ripple effects it causes are such a strong moment that helped to cement the severity of the situation... I felt it from my TV, hell, I felt it when I watch it from my iPad... but I couldn't help but think about how amazing it would have been to experience that at the cinema.
As cheesy as some disaster film effects can be, and let's face it, there are some truly dire disaster films out there if you know where to look, there wasn't a moment in Greenland where it felt unrealistic. The effects all looked natural (within the scope of my knowledge in the real world... and crappy made for TV disaster movies) and that really helped with the drama.
How can I sum up Greenland? The emotional performances, the effects, the colour palette of the film... it all combined for an excellent watch. I've seen it twice already, and I'll absolutely be watching it again.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/greenland-movie-review.html
John Garrity has a golden ticket to survive the incoming apocalypse. A comet is heading to Earth and debris is wreaking havoc, but no one truly knew the trouble the world was facing. As the clock ticks down, it's a race for survival.
While the big plot point of this film was the disaster, it was actually quite heavily focused on the family drama... and I'm not going to lie, that made me a little disappointed early on.
I think it's best not to query certain things in Greenland... yeah, probably a lot of things you shouldn't think about really.
Greenland reminds me of Volcano in some instances. The ups and downs of what happens to the people in the disaster can be seen, though in this instance the focus is on the Garrity family and we see little of peripheral characters directly. But never the less, you're able to follow that rollercoaster of emotions as you go through the film and feel the highs and lows, as well as the hope and devastation.
Obviously Gerard Butler in a disaster films screams five stars. I loved Geo-Storm and watch it frequently, so I was fairly confident that this was going to be an instant favourite. Butler in an action film does call to me, and I like him with a bit of humour, but this was a solid drama and he nailed it. He gets several moments that perfectly show the character's emotional journey, and I felt that impact (pun intended?).
Garrity's wife is played by the wonderful Morena Baccarin. She also has the opportunity for some powerful moments, and one of them hits you like a dump truck. Along with Butler they work as impressive and strong leads to the individual stems of the film.
Unusually I found all the additional cast to be good too, there's normally someone that isn't quite my cup of tea, but I was pleasantly surprised that I didn't find that here. There wasn't a moment that took me out of the film at all. While the rest of the acting takes a back seat to the leads once the acting started there were a few amazing moments early on from the Garrity's neighbours. Claire Bronson as Debra (I really hope I got the right actress here) has one of the most incredible moments, and it truly got to me. There were so many moments that made me cry or hold my breath, even the second time around... I really can't fault the acting.
When it comes to the effects I get really sad. In the trailer you see a piece of debris crash into the planet and some of the following scene plays out. That moment in full is incredible to watch, the build up to it and the ripple effects it causes are such a strong moment that helped to cement the severity of the situation... I felt it from my TV, hell, I felt it when I watch it from my iPad... but I couldn't help but think about how amazing it would have been to experience that at the cinema.
As cheesy as some disaster film effects can be, and let's face it, there are some truly dire disaster films out there if you know where to look, there wasn't a moment in Greenland where it felt unrealistic. The effects all looked natural (within the scope of my knowledge in the real world... and crappy made for TV disaster movies) and that really helped with the drama.
How can I sum up Greenland? The emotional performances, the effects, the colour palette of the film... it all combined for an excellent watch. I've seen it twice already, and I'll absolutely be watching it again.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/greenland-movie-review.html
Bob Mann (459 KP) rated The New Mutants (2020) in Movies
Sep 9, 2020
Character-driven storyline rather than wham-bam Marvel action (1 more)
Illyana Rasputin - great character
"Glass" - Half Full.
So, I've heard a lot of bad word-of-mouth about this X-Men flick, but otherwise knew very little about it. As such, I went in with low expectations. And although there is nothing remotely novel about the movie, I didn't think it was too bad at all.
The plot: So, my review title suggests that the plot is very closely aligned to M Night Shymalan's "Glass" - his "Split" sequel from last year. A Victorian-style hospital-cum-prison similarly forms the claustrophobic setting for the majority of the movie. This is where the troubled teen Dani Moonstar (Blu Hunt) is taken after being suddenly orphaned in dramatic and mysterious circumstances. The only doctor present, Dr Reyes (Alice Braga), says she is being held there for her own - and society's safety - while her puberty-driven mutant tendencies emerge.
Locked away with her is Rahne (Maisie Williams), Charlie (Sam Guthrie), 'hot' Brazilian hunk Roberto (Henry Zaga) and the gloriously named Illyana Rasputin (Anya-Taylor Joy). Danni's arrival sparks a serious of escalating events that literally lead to all hell breaking loose.
Blu is the warmest colour: What made this Marvel movie stand-out for me, from the normal glass-shattering standard, is that it is predominantly a character-led piece. We spend quite a bit of time (for a Marvel movie) in building relationships between the teens, including a sweet lesbian-coming-out 'will they/won't they' tension between Rahne and Danni.
I was also very much attracted to the performance of Blu Hunt. I admit that this might not just be due to her interesting performance (the indigenous / LBGT angle is intriguing) but because she reminded me strongly of a girl at school who I had a mad crush on and completely failed to get off with! Blu is actually native American (from the Lakota tribe). Given she is the lead and has to carry the movie, it's a surprise that she is only about 5th in the billing: I'd have been upset with the director (Josh "A Fault in our Stars" Boone) about that.
Maisie Williams is also effective in this, and gets top billing, although arguably Anya-Taylor-Joy has emerged - with her wonderful "Emma" - as the bigger star since filming.
But it's Taylor-Joy's Rasputin that really stands out as the most interesting of the characters on show. There's a scene where she goes into action - eyes blazing and 'daemon' hovering - that would make a splendid PC screensaver! Stuff the "Black Widow" standalone movie: I'd go watch Illyana Rasputin kicking ass in her own follow-up movie! (Of course, Anya Taylor-Joy was also prominent in "Glass", which unfortunately cements the similarities between the films.)
The movie has had a long and tortuous path to its final release, being made waaaaaayyyyy back in 2017. As an X-Men movie, it's appeared after the X-Men universe finally imploded (with the disappointing whimper of "Dark Phoenix"). So in that sense it's a bit of a ghost of a flick.
Overall, it's a mixed bag. There's a sense of great familiarity with the contents - particularly with the strong echoes of "Glass", actually filmed after this one (but with 'inversion', who knows anymore?). Even the "Indian legend" that runs through the movie swaps a bear for a wolf but ends with a familiar, rather groan-inducing, motto. (It was used in "Tomorrowland" I think?)
But the young cast are attractive and entertained me for the (pleasantly short) running time. It's not going to win any prizes for originality, or indeed anything else. But it really wasn't the X-Men bust I expected it to be.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/09/08/x-men-the-new-mutants-2020-glass-half-full/ . Thanks.)
The plot: So, my review title suggests that the plot is very closely aligned to M Night Shymalan's "Glass" - his "Split" sequel from last year. A Victorian-style hospital-cum-prison similarly forms the claustrophobic setting for the majority of the movie. This is where the troubled teen Dani Moonstar (Blu Hunt) is taken after being suddenly orphaned in dramatic and mysterious circumstances. The only doctor present, Dr Reyes (Alice Braga), says she is being held there for her own - and society's safety - while her puberty-driven mutant tendencies emerge.
Locked away with her is Rahne (Maisie Williams), Charlie (Sam Guthrie), 'hot' Brazilian hunk Roberto (Henry Zaga) and the gloriously named Illyana Rasputin (Anya-Taylor Joy). Danni's arrival sparks a serious of escalating events that literally lead to all hell breaking loose.
Blu is the warmest colour: What made this Marvel movie stand-out for me, from the normal glass-shattering standard, is that it is predominantly a character-led piece. We spend quite a bit of time (for a Marvel movie) in building relationships between the teens, including a sweet lesbian-coming-out 'will they/won't they' tension between Rahne and Danni.
I was also very much attracted to the performance of Blu Hunt. I admit that this might not just be due to her interesting performance (the indigenous / LBGT angle is intriguing) but because she reminded me strongly of a girl at school who I had a mad crush on and completely failed to get off with! Blu is actually native American (from the Lakota tribe). Given she is the lead and has to carry the movie, it's a surprise that she is only about 5th in the billing: I'd have been upset with the director (Josh "A Fault in our Stars" Boone) about that.
Maisie Williams is also effective in this, and gets top billing, although arguably Anya-Taylor-Joy has emerged - with her wonderful "Emma" - as the bigger star since filming.
But it's Taylor-Joy's Rasputin that really stands out as the most interesting of the characters on show. There's a scene where she goes into action - eyes blazing and 'daemon' hovering - that would make a splendid PC screensaver! Stuff the "Black Widow" standalone movie: I'd go watch Illyana Rasputin kicking ass in her own follow-up movie! (Of course, Anya Taylor-Joy was also prominent in "Glass", which unfortunately cements the similarities between the films.)
The movie has had a long and tortuous path to its final release, being made waaaaaayyyyy back in 2017. As an X-Men movie, it's appeared after the X-Men universe finally imploded (with the disappointing whimper of "Dark Phoenix"). So in that sense it's a bit of a ghost of a flick.
Overall, it's a mixed bag. There's a sense of great familiarity with the contents - particularly with the strong echoes of "Glass", actually filmed after this one (but with 'inversion', who knows anymore?). Even the "Indian legend" that runs through the movie swaps a bear for a wolf but ends with a familiar, rather groan-inducing, motto. (It was used in "Tomorrowland" I think?)
But the young cast are attractive and entertained me for the (pleasantly short) running time. It's not going to win any prizes for originality, or indeed anything else. But it really wasn't the X-Men bust I expected it to be.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/09/08/x-men-the-new-mutants-2020-glass-half-full/ . Thanks.)
