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BankofMarquis (1832 KP) rated Young Frankenstein (1974) in Movies
Apr 20, 2020
My All Time Favorite Comedy
There are certain films that I can revisit time and time again and the effects of the film do not diminish for me and I would argue that they get better with age...and with repeated viewings.
Such is the case with Mel Brooks' Universal Horror film spoof/satire YOUNG FRANKENSTEIN from 1974. It is a work of comedic genius and features some of the most memorable characters in motion picture comedy history.
Co-Writen by Brooks and Gene Wilder, Directed by Brooks and starring Wilder, Marty Feldman, Peter Boyle, Teri Garr, Cloris Leachman and the great Madeline Kahn, this film sends up the black and white Universal Horror films of the 1930's not by making fun of them, but by lovingly recreating them and then exaggerating the scenes/circumstances.
Wilder is at his manic best as Dr. Frederick Frankenstein - the grandson of the original Frankenstein - who is brought to Transylvania and soon takes up his grandfather's work. He works through a controlled rage throughout the film until such times where the rage (and his hair) comes bursting forth in maniacal energy that is a comic tour-de-force.
He is surrounded by an outstanding collection of misfits, most notably Marty Feldman's servant/assistant Igor who is game for just about anything. Under-rated is the comedic performance of Teri Garr as Frankenstein's lab assistant Inga who not only has good looks ("what knockers") but can hold her own with Wilder and Feldman in a scene. Peter Boyle is earnest and scary and vulnerable (all at the same time) in his portrayal of "the Monster" who just wants to be understood - the "Puttin' on the Ritz" scene shows some fine comedic chops in an actor that up to this point had not really done comedy (his Emmy nominated work in EVERYONE LOVES RAYMOND is years in the future).
But it is the work of 2 female comediennes that drives this film to another level. Madeline Kahn as Frederick's fiance, Elizabeth, commands (and steals) every scene she is in while the inscrutable Cloris Leachman is deadpan perfection as castle housekeeper Frau Bleucher (horse whinny).
Director Brooks keeps the jokes coming at a fast a furious pace, but keeps the pace and the story going as well. This is much more than "just a collection of jokes" - it is a very good movie.
This film falls squarely in my "Top 10 All Time Favorite Films" - and my #1 comedy of all time.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with Mel Brooks' Universal Horror film spoof/satire YOUNG FRANKENSTEIN from 1974. It is a work of comedic genius and features some of the most memorable characters in motion picture comedy history.
Co-Writen by Brooks and Gene Wilder, Directed by Brooks and starring Wilder, Marty Feldman, Peter Boyle, Teri Garr, Cloris Leachman and the great Madeline Kahn, this film sends up the black and white Universal Horror films of the 1930's not by making fun of them, but by lovingly recreating them and then exaggerating the scenes/circumstances.
Wilder is at his manic best as Dr. Frederick Frankenstein - the grandson of the original Frankenstein - who is brought to Transylvania and soon takes up his grandfather's work. He works through a controlled rage throughout the film until such times where the rage (and his hair) comes bursting forth in maniacal energy that is a comic tour-de-force.
He is surrounded by an outstanding collection of misfits, most notably Marty Feldman's servant/assistant Igor who is game for just about anything. Under-rated is the comedic performance of Teri Garr as Frankenstein's lab assistant Inga who not only has good looks ("what knockers") but can hold her own with Wilder and Feldman in a scene. Peter Boyle is earnest and scary and vulnerable (all at the same time) in his portrayal of "the Monster" who just wants to be understood - the "Puttin' on the Ritz" scene shows some fine comedic chops in an actor that up to this point had not really done comedy (his Emmy nominated work in EVERYONE LOVES RAYMOND is years in the future).
But it is the work of 2 female comediennes that drives this film to another level. Madeline Kahn as Frederick's fiance, Elizabeth, commands (and steals) every scene she is in while the inscrutable Cloris Leachman is deadpan perfection as castle housekeeper Frau Bleucher (horse whinny).
Director Brooks keeps the jokes coming at a fast a furious pace, but keeps the pace and the story going as well. This is much more than "just a collection of jokes" - it is a very good movie.
This film falls squarely in my "Top 10 All Time Favorite Films" - and my #1 comedy of all time.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated Central Intelligence (2016) in Movies
Sep 29, 2021
Great poster. So-so film.
“Saving the World Takes a Little Hart and a Big Johnson”. I doubt I have ever passed a film poster before and dissolved into paroxysms of mirth, so this film at least wins one award with me.
The story is pretty inconsequential, and used as a framework to build set pieces around. Kevin Hart (“Ride Along”) plays Calvin Joyner – the life and soul of his high school and the guy voted ‘Most likely to succeed’. He’s also a nice guy, sensitively covering the modesty of overweight loser Robbie Wheirdicht (a good Dwayne Johnson lookalike actually played by internet wedding-dance sensation Sione Kelepi) after he’s been ridiculed by bullies in front of the whole school.
But sometimes life doesn’t go to plan and twenty year’s later Calvin may have married his high school sweetheart Maggie (Danielle Nicolet) but has ended up in a low-level forensic accountancy job and not where he wants to be.
Robbie on the other hand has transformed his life and physique to become Bob Stone (Dwayne Johnson), a man with a ‘certain set of skills’ and, as it turns out, a rogue CIA operative. Bob is on the trail of financial codes to help identify the location of the traitorous ‘Black Badger’ who killed his long-term partner Stanton (Aaron Paul). But the Black Badger could be anyone, and the CIA lead (Amy Ryan) suspects it might actually be Stone. With the stakes rising the inept Joyner needs to make a decision on who to trust and who to fear.
The comedy lead Kevin Hart previously impressed with “Get Hard” and raises a few laughs in this one, notably with his attempt at his signature flip twenty years later than he should have attempted it! Johnson’s character is written to be just plain weird and with Johnson’s limited acting range (think Arnie in “Jingle All The Way”) it’s a performance that is on the outlandish side of bizarre. Together the duo make for a likeable pair but this is a very lightweight comedy and is generally a smile-along rather than a laugh-along. It is also uneven in tone, occasionally straying into highly un-comedic territory: a throat-ripping out scene anyone?
The director is Rawson Marshall Thurber who previously directed the better comedy “Dodgeball” and the far worse “We’re the Millers”. So that should set your expectations.
A fairly ho-hum comedy which might entertain you on a long plane flight but is not worth forking out much cash to rent.
The story is pretty inconsequential, and used as a framework to build set pieces around. Kevin Hart (“Ride Along”) plays Calvin Joyner – the life and soul of his high school and the guy voted ‘Most likely to succeed’. He’s also a nice guy, sensitively covering the modesty of overweight loser Robbie Wheirdicht (a good Dwayne Johnson lookalike actually played by internet wedding-dance sensation Sione Kelepi) after he’s been ridiculed by bullies in front of the whole school.
But sometimes life doesn’t go to plan and twenty year’s later Calvin may have married his high school sweetheart Maggie (Danielle Nicolet) but has ended up in a low-level forensic accountancy job and not where he wants to be.
Robbie on the other hand has transformed his life and physique to become Bob Stone (Dwayne Johnson), a man with a ‘certain set of skills’ and, as it turns out, a rogue CIA operative. Bob is on the trail of financial codes to help identify the location of the traitorous ‘Black Badger’ who killed his long-term partner Stanton (Aaron Paul). But the Black Badger could be anyone, and the CIA lead (Amy Ryan) suspects it might actually be Stone. With the stakes rising the inept Joyner needs to make a decision on who to trust and who to fear.
The comedy lead Kevin Hart previously impressed with “Get Hard” and raises a few laughs in this one, notably with his attempt at his signature flip twenty years later than he should have attempted it! Johnson’s character is written to be just plain weird and with Johnson’s limited acting range (think Arnie in “Jingle All The Way”) it’s a performance that is on the outlandish side of bizarre. Together the duo make for a likeable pair but this is a very lightweight comedy and is generally a smile-along rather than a laugh-along. It is also uneven in tone, occasionally straying into highly un-comedic territory: a throat-ripping out scene anyone?
The director is Rawson Marshall Thurber who previously directed the better comedy “Dodgeball” and the far worse “We’re the Millers”. So that should set your expectations.
A fairly ho-hum comedy which might entertain you on a long plane flight but is not worth forking out much cash to rent.
Sarah (7800 KP) rated Brooklyn Nine-Nine - Season 1 in TV
Feb 18, 2019
Hilarious
I usually avoid comedy shows, mostly because I have a very discerning/picky sense of humour and I've never really been able to get into most mainstream comedy shows (Friends, Big Bang etc). Whilst Brooklyn Nine-Nine probably isn't quite mainstream, it's by far the funniest show I've seen in a long time.
Andy Samberg is a writing genius, and a great actor too. I can't imagine anyone else playing Peralta as well as he does. Andre Braugher too is brilliantly deadpan as the Captain, and even Terry Crews is pretty funny. This is such a smart, witty and funny show, and I love that the humour is deadpan and just adult enough without bordering on crude or too childish. I'm also so happy that this show doesn't rely on the usual cheesy canned laughter that comes with sitcoms, and it's all the better off for it. This isn't a typical formulaic cop show, but you wouldn't expect it. Most of the plots are entirely irrelevant but there is at least a lot of character development over the course of the series.
I'm only one series in but I can't get enough of this show. I haven't laughed out loud like this in forever!
Andy Samberg is a writing genius, and a great actor too. I can't imagine anyone else playing Peralta as well as he does. Andre Braugher too is brilliantly deadpan as the Captain, and even Terry Crews is pretty funny. This is such a smart, witty and funny show, and I love that the humour is deadpan and just adult enough without bordering on crude or too childish. I'm also so happy that this show doesn't rely on the usual cheesy canned laughter that comes with sitcoms, and it's all the better off for it. This isn't a typical formulaic cop show, but you wouldn't expect it. Most of the plots are entirely irrelevant but there is at least a lot of character development over the course of the series.
I'm only one series in but I can't get enough of this show. I haven't laughed out loud like this in forever!
Madbatdan82 (341 KP) rated Santa Clarita Diet - Season 1 in TV
Apr 14, 2019
A comedy with bite
My wife watched this when it first came out and I didn't bother. Kinda looked like a lame rom com. That was until I caught the end of a season 3 episode she was watching and laughed my arse off. So I went and watched season 1 in 2 days - its soooooo good. IRS the story of a nice suburban family Drew Barrymore & Timothy Olyphant with their teenage daughter. They are real estate agents and have a good if simple life. This all changes when Barrymore, after feeling a bit unwell, vomits (A Lot) during a house viewing. So much so she dies however then comes back to life - except shes now undead and can only eat human flesh. The star of the show is Olyphant. He has never really been a comedic actor but he is hilarious as Joel coming to terms with his wife's new condition and (trying) to help her find food is brilliant. Also there is a lot of really good gore. Like REALLY good and is often unexpected which adds to the comedy. At 30 mins an episode this is perfect for binge watching and will leave you hungry for more!!
Ross (3284 KP) rated Me1 vs Me2 Snooker with Richard Herring in Podcasts
Jan 16, 2018
It's surprisingly unsettling to listen to a man playing himself at snooker
On the surface, there is no comedy in this podcast. it really is a man commentating on himself playing snooker against another version of himself in his cluttered basement. Both players take on slightly different characteristics and playing style but otherwise seem pretty well matched (both quite poor).
The snooker itself is by the by, the real hook here is how Herring speaks when he is concentrating on playing and trying to commentate.
The moments that cause a laugh are when he (the referee) can't remember the rules, or whose turn it is, or when one of the players knocks the ironing board over etc. Or when Herring's natural comedic mind makes a comment or connection when he's concentrating and he blurts something out.
I love how when interviewing himself he doesn't put on a different voice, or even pause before the other "me" starts speaking.
Not his funniest work, but then he never said it would be a comedy podcast. Now at frame number 82, he seems to be sticking to his promise to keep doing it until nobody downloads it any more.
The snooker itself is by the by, the real hook here is how Herring speaks when he is concentrating on playing and trying to commentate.
The moments that cause a laugh are when he (the referee) can't remember the rules, or whose turn it is, or when one of the players knocks the ironing board over etc. Or when Herring's natural comedic mind makes a comment or connection when he's concentrating and he blurts something out.
I love how when interviewing himself he doesn't put on a different voice, or even pause before the other "me" starts speaking.
Not his funniest work, but then he never said it would be a comedy podcast. Now at frame number 82, he seems to be sticking to his promise to keep doing it until nobody downloads it any more.
Sarah (7800 KP) rated Last Christmas (2019) in Movies
Nov 27, 2019
Lacking in romance & comedy
The trailer made this film look awful, and whilst it isnt quite as bad as it looked, it left me feeling rather underwhelmed.
For a rom-com set at Christmas, it's surprisingly lacking in romance, comedy and even festive spirit. The romance feels rather forced and there isn't any sort of spark between the two main characters at all, so it's quite unbelievable. I like Emilia Clarke, but even she can't save the lack of connection. There are a few funny lines in the film, but the rest of the script seems out of place, badly written and the intended humour falls flat. And trying to be relevant with some Brexit references doesn't work either.
Even the plot itself isn't great. It varies from typical rom-com to a predictable twist and even the George Michael/Wham theme didn't work. I was expected to be overwhelmed with music but instead you'd barely notice this was meant to be the theme at all. Admittedly the twist may go some way to explaining some of my above niggles, but not all of them. This is one of those strange films that isn't good but isn't terrible enough to hate every minute of it either. Definitely not a christmas classic though!
For a rom-com set at Christmas, it's surprisingly lacking in romance, comedy and even festive spirit. The romance feels rather forced and there isn't any sort of spark between the two main characters at all, so it's quite unbelievable. I like Emilia Clarke, but even she can't save the lack of connection. There are a few funny lines in the film, but the rest of the script seems out of place, badly written and the intended humour falls flat. And trying to be relevant with some Brexit references doesn't work either.
Even the plot itself isn't great. It varies from typical rom-com to a predictable twist and even the George Michael/Wham theme didn't work. I was expected to be overwhelmed with music but instead you'd barely notice this was meant to be the theme at all. Admittedly the twist may go some way to explaining some of my above niggles, but not all of them. This is one of those strange films that isn't good but isn't terrible enough to hate every minute of it either. Definitely not a christmas classic though!
Awix (3310 KP) rated Bad Boys for Life (2020) in Movies
Jan 23, 2020
Creaky buddy-cop sequel does feel a bit like a prison sentence. Any film calling itself 'Bad Boys' which opens with one of the 'boys' rushing to the birth of their grandchild likely has serious self-awareness issues, and it proves to be the case here. The same kind of schtick as in the other two films - Smith and Lawrence squabble a lot, shoot people, quietly actually really love each other, etc, etc. Though it has to be said that this film does favour Smith fairly blatantly (one wonders how the salaries of the two stars compare).
Putting a film this dumb, vacuous and mechanical out in January really does throw the weaknesses in its construction into sharp relief: it basically goes comedy bit, action bit, sentimental character bit, comedy bit (and so on) for two hours and then stops. Easy on the eye, but makes one of the Lethal Weapon sequels look like a classy piece of work. I would say at least it's not a Michael Bay movie, but the Prince of Darkness turns up in a cameo acting role. Scrapes an extra star for the odd vaguely funny line and one genuinely startling plot development, but the rest of it is deeply crass and equally predictable.
Putting a film this dumb, vacuous and mechanical out in January really does throw the weaknesses in its construction into sharp relief: it basically goes comedy bit, action bit, sentimental character bit, comedy bit (and so on) for two hours and then stops. Easy on the eye, but makes one of the Lethal Weapon sequels look like a classy piece of work. I would say at least it's not a Michael Bay movie, but the Prince of Darkness turns up in a cameo acting role. Scrapes an extra star for the odd vaguely funny line and one genuinely startling plot development, but the rest of it is deeply crass and equally predictable.
Jordan Binkerd (567 KP) rated MASH (1970) in Movies
Jul 31, 2019
Broke new comedy ground (3 more)
Biting social commentary
Excellent cast
Moderately funny
Less a plot than a loosely-connected set of escapades (2 more)
Not the show you remember
Some of the stuff the protagonists get up to is legitimately awful, and this shouldn't have been okay even in the 70s
Groundbreaking at the time, but unremarkable today
If you're looking into this on account of the TV show, don't bother. It's very different. An anti-Vietnam movie about Korea, MASH is a dark comedy that's moderately funny and broke new ground at the time, but there's not much to recommend it today. Worth seeing? Sure. But it's not necessarily deserving of its cult status.
Plus, the protagonists are legitimately despicable people. You're supposed to cheer for them against the by-the-book fuddy-duddies like Burns and "Hot Lips" Houlihan, but honestly? The scene where they pull up the sides of the shower tent and expose HLH mid-shower is a bit uncomfortable, made more so by her breakdown/rant next scene as she berates the unit Commander for letting them get away with crap like that - and she's not wrong. The protagonists deserve to be court martialed for this, but no consequences are ever leveled. Even for the 70s, that's messed up....
Plus, the protagonists are legitimately despicable people. You're supposed to cheer for them against the by-the-book fuddy-duddies like Burns and "Hot Lips" Houlihan, but honestly? The scene where they pull up the sides of the shower tent and expose HLH mid-shower is a bit uncomfortable, made more so by her breakdown/rant next scene as she berates the unit Commander for letting them get away with crap like that - and she's not wrong. The protagonists deserve to be court martialed for this, but no consequences are ever leveled. Even for the 70s, that's messed up....
Jordan Binkerd (567 KP) rated Holmes and Watson (2018) in Movies
Aug 5, 2019 (Updated Aug 6, 2019)
Decent cast (1 more)
The Billy Zane cameo was good.
This film is the one thing a Sherlock Holmes film should never be - dumb
Sherlock Holmes is a versatile character. You can try drama, action, even comedy, but there is one thing a Sherlock Holmes film should never be: stupid. Unfortunately, that's right where this one lands. Will Ferrell is capable of doing intelligent comedy, though it doesn't happen often - just look at Stranger Than Fiction. I have every belief that this could have been good if they'd chucked the script out the window and started over. As it is, Sherlock Holmes comes off as a moron half the time, which could be an interesting take if they committed to it, but they don't. The result is a muddled vehicle for jokes about Donald Trump, selfies, and sexting via telegram. A couple scenes seem to be trying to do for (to?) Guy Ritchie's Holmes movies what Men in Tights did for other Robin Hood films, but even that falls short. I'm not going to tell you to avoid the movie like the plague - I'm sure SOMEONE out there will enjoy it. I'm just not sure I care to associate with that person.
Gareth von Kallenbach (980 KP) rated American Ultra (2015) in Movies
Aug 6, 2019
Jesse Eisenberg plays a “stoned” cold killer without a memory in the new action comedy American Ultra. But when the pompous government weasel played by Topher Grace decides to eliminate the asset, Stoner Eisenberg finds himself running for his life and yet relying on secret spy skills he didn’t know he had. Think Jason Borne meets Pineapple Express. Only with way more low budget action and far less stoner humor. Which is a shame because American Ultra doesn’t quite know what it wants to be. If it would have made a commitment to either the action or the stoner comedy, we would could have and a solid movie in either direction, but instead we just get, meh.
That isn’t to say the film is bad. I went in with low expectations and enjoyed myself. It has some chuckles but they are few and far between. Kristen Stewart seems right at home with her performance of Eisenberg’s girlfriend who is caught up in the ride and helps him along the way. While Jesse Eisenberg and Topher Grace are not menacing and their action sequences seem stiff and awkward. However this film makes it clear that it doesn’t take itself seriously and thus if you just go along with the ride you may enjoy it.
That isn’t to say the film is bad. I went in with low expectations and enjoyed myself. It has some chuckles but they are few and far between. Kristen Stewart seems right at home with her performance of Eisenberg’s girlfriend who is caught up in the ride and helps him along the way. While Jesse Eisenberg and Topher Grace are not menacing and their action sequences seem stiff and awkward. However this film makes it clear that it doesn’t take itself seriously and thus if you just go along with the ride you may enjoy it.