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Joe Julians (221 KP) rated Daddy's Home 2 (2017) in Movies
Feb 6, 2018 (Updated Feb 6, 2018)
The first Daddy's Home was hardly a comedic masterpiece. It was sub par for the most part and only really borderline enjoyable thanks to a cast that seemed enthusiastic and game to play a part in it. For the sequel, like Bad Mom's (a franchise where it's first movie was actually great) it has decided to bring in the grandparents. That didn't work out well for A Bad Mom's Christmas and it doesn't work for Daddy's Home 2 either.
There's nothing wrong with the performances in this one as such. Nobody is all that great, but they do the best they can with the material. The material however is the problem. This script is dire. It's a comedy without any jokes, a christmas movie without any heart and a family story where almost everyone is unwittingly unlikeable. I can't think of a single joke, a single moment that made me laugh and when a film contains Farrel, Wahlberg, Gibson and Lithgow- that's unforgivable.
There's nothing wrong with the performances in this one as such. Nobody is all that great, but they do the best they can with the material. The material however is the problem. This script is dire. It's a comedy without any jokes, a christmas movie without any heart and a family story where almost everyone is unwittingly unlikeable. I can't think of a single joke, a single moment that made me laugh and when a film contains Farrel, Wahlberg, Gibson and Lithgow- that's unforgivable.
Deano Arnott (28 KP) rated Thor: Ragnarok (2017) in Movies
Jan 29, 2018
Immensely funny (1 more)
More like the comics
Thor just turned cool
I know people are going to read this and tell me I'm crazy for actually saying this: BEST MARVEL FILM EVER. From the very first Thor movie to the last avengers film, I thought that Thor never made it anywhere near the top 3 spot for best Marvel superhero. Then along came Ragnarok and I've gotta say, Thor kicked arse. We can't blame Thor for being the uncool avenger, I think we have to blame the writers for the pretty bad Thor titles before this. Ragnarok is filled with tons of action and comedy. The story is centred on a prophecy which once it has begun, Asguard, home of Odin, Thor and fellow Asguardians, will fall and be reduced to ashes. Thor once again takes up arms against a threat again a little too close for comfort. This one is definitely the one to beat.
Awix (3310 KP) rated War on Everyone (2017) in Movies
Mar 6, 2018
Slightly baffling deadpan black comedy parody of American cop thrillers (probably - it's hard to be sure). A pair of incredibly corrupt New Mexico detectives discover previously unsuspected reserves of decency and honesty as they encounter a ruthless gang of thieves.
One of those movies which seems to be trying ridiculously hard to go over the top, but with an absolutely straight face: the main characters aren't just corrupt, they're absurdly corrupt, and the plot at times seems to be intentionally provocative and also absurd (the story relocates all the way to Iceland at one point, but only for about five minutes). It's so in-your-face extreme in some of its attitudes and jokes that it's quite hard to engage with as a story for much of the time. But McDonagh is too good a director to make an entirely bad movie and there are some impressive moments and sequences along the way. But still a strange and difficult-to-figure-out movie.
One of those movies which seems to be trying ridiculously hard to go over the top, but with an absolutely straight face: the main characters aren't just corrupt, they're absurdly corrupt, and the plot at times seems to be intentionally provocative and also absurd (the story relocates all the way to Iceland at one point, but only for about five minutes). It's so in-your-face extreme in some of its attitudes and jokes that it's quite hard to engage with as a story for much of the time. But McDonagh is too good a director to make an entirely bad movie and there are some impressive moments and sequences along the way. But still a strange and difficult-to-figure-out movie.
Mark @ Carstairs Considers (2355 KP) rated A Puzzle to be Named Later (Puzzle Lady #18) in Books
Mar 9, 2018
When Yankee’s pitcher Matt Greystone moves to town to rehab after a car accident, Cora Felton is thrilled. That is before a therapist’s house is broken into and Cora is asked to solve a puzzle that points to something in the therapist’s files. When a second puzzle shows up on the dead body, she knows she has to figure out what is going on.
Like some others in the series, the mystery is the weak link in this book. The action is quick even if it doesn’t always lead us anywhere. The climax is a bit convoluted as well. However, I read these books for the word play and comedy, and that’s here in spades. I laughed multiple times in the book and smiled throughout. Plus, it’s fun to spend time with the gang again, and I liked the new characters as well.
Read my full review at <a href="https://carstairsconsiders.blogspot.com/2017/07/book-review-puzzle-to-be-named-later-by.html">Carstairs Considers</a>.
Like some others in the series, the mystery is the weak link in this book. The action is quick even if it doesn’t always lead us anywhere. The climax is a bit convoluted as well. However, I read these books for the word play and comedy, and that’s here in spades. I laughed multiple times in the book and smiled throughout. Plus, it’s fun to spend time with the gang again, and I liked the new characters as well.
Read my full review at <a href="https://carstairsconsiders.blogspot.com/2017/07/book-review-puzzle-to-be-named-later-by.html">Carstairs Considers</a>.
Awix (3310 KP) rated Network (1976) in Movies
Feb 16, 2018 (Updated Feb 16, 2018)
Acclaimed satirical comedy-drama; impressively prescient look at American media. Long-serving newscaster is victim of falling ratings, has breakdown and threatens to commit suicide on live TV: network execs are appalled until it transpires this has caused a spike in viewing figures, so they give him a job as a ranting news gimp.
Smartly written and well-performed; slight tendency towards speechifying rather than actual dialogue in the closing stages, but at least the speeches are good. Movie predicts rise of reality TV and collapse in news values with eerie accuracy, also the potential power of rabble-rousing TV demagogues (chief rabble-rouser does not complain about fake news, but it's a near thing). On another level, film is basically just cinema being snotty about how television is a more juvenile and morally bankrupt medium - 1976 was one of the very last years they could do this without it seeming like massive hypocrisy.
Smartly written and well-performed; slight tendency towards speechifying rather than actual dialogue in the closing stages, but at least the speeches are good. Movie predicts rise of reality TV and collapse in news values with eerie accuracy, also the potential power of rabble-rousing TV demagogues (chief rabble-rouser does not complain about fake news, but it's a near thing). On another level, film is basically just cinema being snotty about how television is a more juvenile and morally bankrupt medium - 1976 was one of the very last years they could do this without it seeming like massive hypocrisy.
Awix (3310 KP) rated Eddie The Eagle (2016) in Movies
Feb 17, 2018 (Updated Feb 17, 2018)
Rather baffling sports comedy bio-pic from the producers of the Kingsman series; shares several key personnel and obsession with reverse snobbery. Working class lad dreams of becoming Olympian, is cruelly rejected by posh sports authorities, battles adversity to come a heroic last at the Olympics.
Theoretically based on a true story, but the actual facts of Michael Edwards' life are almost entirely discarded: the most interesting character in the film is his trainer (Jackman), who isn't even a real person. The film seems more concerned with endlessly banging on about how awful the upper classes are and presenting Edwards as a loveable clown; it's not as if this actually helps the film, because it's not really very funny. Deploys various sports movie clichés reasonably effectively; the fact that the climax is presented not as 'can he win?' but 'can he avoid killing himself?' is implicitly amusing, I suppose. Potentially an interesting topic for a film; not in this version, though.
Theoretically based on a true story, but the actual facts of Michael Edwards' life are almost entirely discarded: the most interesting character in the film is his trainer (Jackman), who isn't even a real person. The film seems more concerned with endlessly banging on about how awful the upper classes are and presenting Edwards as a loveable clown; it's not as if this actually helps the film, because it's not really very funny. Deploys various sports movie clichés reasonably effectively; the fact that the climax is presented not as 'can he win?' but 'can he avoid killing himself?' is implicitly amusing, I suppose. Potentially an interesting topic for a film; not in this version, though.
Awix (3310 KP) rated Wonder Wheel (2017) in Movies
Mar 12, 2018 (Updated Mar 12, 2018)
Not-bad-by-his-recent-standards-at-least Woody Allen melodrama (NB: theme park attractions are not central to plot). Frustrated former actress trapped in unhappy marriage with Fred Flintstone lookalike starts an affair with intellectual lifeguard, becomes insanely jealous when her stepdaughter also catches her lover's eye.
One of Allen's more theatrical movies - it certainly seems to have been made on a relatively low budget. Feels very much like a pastiche of Tennessee Williams or Eugene O'Neill, only considerably less subtle. At least as a character piece focused on a (somewhat) older woman there are fewer of the more problematic Allen tropes on display, and no sign of a laboured message or theme. Film is carried by a tremendous performance from Kate Winslet; Juno Temple is also good in a supporting role. Watchable stuff, certainly for Allen's remaining followers, although you do still wish he'd just make one more all-out comedy in the old-school style.
One of Allen's more theatrical movies - it certainly seems to have been made on a relatively low budget. Feels very much like a pastiche of Tennessee Williams or Eugene O'Neill, only considerably less subtle. At least as a character piece focused on a (somewhat) older woman there are fewer of the more problematic Allen tropes on display, and no sign of a laboured message or theme. Film is carried by a tremendous performance from Kate Winslet; Juno Temple is also good in a supporting role. Watchable stuff, certainly for Allen's remaining followers, although you do still wish he'd just make one more all-out comedy in the old-school style.
Awix (3310 KP) rated I, Tonya (2017) in Movies
Feb 20, 2018 (Updated Feb 20, 2018)
The most bad-assed ice skating movie in history blows the lid off the vicious, cut-throat world of people who whizz about on a rink all day wearing tulle. Reasonably true story of how Tonya Harding rose from wrong-side-of-the-tracks background to become top US ice dancer, suffered through various horrible relationships, briefly became infamous for (possible) involvement in an assault on her rival.
A smart movie that has fun with the grotesque outrageousness of much of the story, manages to avoid most sports movie clichés too. There's an extent to which serious issues are (wait for it) skated over in favour of very funny black comedy, but great performances and moments mean that doesn't feel like much of an issue. In the end, it manages to feel genuinely sympathetic to Harding as a person; the viewer likely will, as well. Movie is a contender; makes Margot Robbie look like one, too.
A smart movie that has fun with the grotesque outrageousness of much of the story, manages to avoid most sports movie clichés too. There's an extent to which serious issues are (wait for it) skated over in favour of very funny black comedy, but great performances and moments mean that doesn't feel like much of an issue. In the end, it manages to feel genuinely sympathetic to Harding as a person; the viewer likely will, as well. Movie is a contender; makes Margot Robbie look like one, too.
Awix (3310 KP) rated Spider-Man: Homecoming (2017) in Movies
Feb 12, 2018
Third time's a charm
Wasn't it Oscar Wilde who said that to cast one actor as Spider-Man is a sound artistic choice, but to cast three in only fifteen years is possibly taking the mickey? Hey ho. Marvel Studios bring all their usual skill to this latest addition to the series, and the result is as entertaining as you'd expect.
They do make quite a big deal out of the fact that Spider-Man is back in continuity with the Avengers (et al), much more so than happens in the other MCU films, but I suppose it's forgivable. The movie's two big innovations are to basically tell the story as a goofy 80s-style high school comedy, and to actually have a genuinely strong and memorable villain (Michael Keaton makes a real impression as another sort of birdman). Solid script; also very funny; doesn't quite supplant memories of the Sam Raimi-Tobey Maguire films, but stands comparison to them very well.
They do make quite a big deal out of the fact that Spider-Man is back in continuity with the Avengers (et al), much more so than happens in the other MCU films, but I suppose it's forgivable. The movie's two big innovations are to basically tell the story as a goofy 80s-style high school comedy, and to actually have a genuinely strong and memorable villain (Michael Keaton makes a real impression as another sort of birdman). Solid script; also very funny; doesn't quite supplant memories of the Sam Raimi-Tobey Maguire films, but stands comparison to them very well.
Awix (3310 KP) rated Dr. Strangelove (1964) in Movies
Jun 12, 2018
Love the Bomb
Inspired, justly-celebrated black comedy satirising the absurdity of the nuclear arms race. American general is unhinged by a sudden attack of impotence, 'does a silly thing' and launches an atomic attack on the USSR. The President tries his best to restore order and sanity but finds the deck is stacked against him - suddenly it feels like too much trouble not to have a war...
The brilliant triple-performance by Peter Sellers is what you remember of this film, but it is powered along by the tension between the black absurdity of its characters and situations and the naturalistic realism with which they are depicted. Some terrific dialogue and brilliant visual gags, and a lacerating subtext about masculinity running out of control. Current concerns about crazed egomaniacs with their fingers on nuclear buttons mean that Dr Strangelove shows every sign of becoming worryingly topical again, but you can hardly blame Stanley Kubrick for that.
The brilliant triple-performance by Peter Sellers is what you remember of this film, but it is powered along by the tension between the black absurdity of its characters and situations and the naturalistic realism with which they are depicted. Some terrific dialogue and brilliant visual gags, and a lacerating subtext about masculinity running out of control. Current concerns about crazed egomaniacs with their fingers on nuclear buttons mean that Dr Strangelove shows every sign of becoming worryingly topical again, but you can hardly blame Stanley Kubrick for that.