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Jackjack (877 KP) rated Love and Monsters (2021) in Movies
Apr 16, 2021
Not too bad!!!
OK so I will start out by saying, do not watch the trailer! Unfortunately it is one of those trailers that show most if not all of the monsters your about to watch!
The film itself is pretty good it's cheesy got a bit of comedy but overall its just a good monster movie, it didn't wow me but kept me hooked enough to stick to it. It starts out explaining how and where all the big monsters came from, you slowly get introduced to the characters as the story unfolds. The main reason for the film if this guy hasn't seen the love of his life in 7 years, and is fed up of waiting around so decides to take a dangerous 7 day hike to reach her, but with monsters in his way every day is a struggle but he has good company with him, the adorable dog he met called Boy. But when he finally reaches his girlfriend a few problems are thrown into the mix.
Definitely worth the watch if you have the time!
The film itself is pretty good it's cheesy got a bit of comedy but overall its just a good monster movie, it didn't wow me but kept me hooked enough to stick to it. It starts out explaining how and where all the big monsters came from, you slowly get introduced to the characters as the story unfolds. The main reason for the film if this guy hasn't seen the love of his life in 7 years, and is fed up of waiting around so decides to take a dangerous 7 day hike to reach her, but with monsters in his way every day is a struggle but he has good company with him, the adorable dog he met called Boy. But when he finally reaches his girlfriend a few problems are thrown into the mix.
Definitely worth the watch if you have the time!
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LoganCrews (2861 KP) rated Journey To The West: Conquering the Demons (2014) in Movies
Sep 21, 2020
Transcendent. A purified gonzo spectacle with enough madcap panache to measure on the Richter scale. Stephen Chow really is the *fucking* man, like if Ang Lee in the early aughts did enough acid to choke out a small village. Like all of Chow's work, it's got it all: riveting emotion, uproarious comedy, zany action, stellar production, and less than zero visible self consciousness to speak on. Exactly what these movies oughta be - plays with space like a champ and stages itself like an old school cult classic with a heavy emphasis on rubberlike physicality and Rube Goldberg-esque setpieces brought lovingly into the modern era, then injected with numerous hallucinogens. A gigantic Buddha bitch slaps the entire planet in this (literally). Have some issues with underwriting in its core relationship, and a bit too loose of pacing near the end; but it whips itself into shape enough to hardly notice too much. Balances silly with serious really formidably. The tectonic, slapstick partner piece to the blood-gushing, limb-loathing 𝘕𝘪𝘯𝘫𝘢 𝘈𝘴𝘴𝘢𝘴𝘴𝘪𝘯.
LoganCrews (2861 KP) rated Nurse Betty (2000) in Movies
Sep 20, 2020
As bleak, jaundiced, and jet-black of a comedy as we've gotten in quite some time - this would make a perfect double feature with 𝘛𝘩𝘦 𝘙𝘶𝘭𝘦𝘴 𝘰𝘧 𝘈𝘵𝘵𝘳𝘢𝘤𝘵𝘪𝘰𝘯 or any of LaBute's other riveting provocations. But unlike even those others, this somehow manages to also have some sort of a happy ending? This really is fantastic; a well-rounded, bizarre, humorous (if not always consistently hilarious), completely solitary curio and a cleaner/better example of a woman flourishing in the knocking down of the toxic men in her life than 𝘔𝘪𝘥𝘴𝘰𝘮𝘮𝘢𝘳. Not to mention it has a surprisingly positive view of women in general without resorting to that insulting, disingenuous T-shirt-ready brand of corporate faux-feminism that stagnates the pond in many of today's films of the sort. Cast is insanely good, legit one of Freeman's best performances and Kinnear isn't too far behind. LaBute really was something, God could you imagine if comedies could still get screenplays like this, sell big, and be in awards contention?
LoganCrews (2861 KP) rated Anchorman 2: The Legend Continues (2013) in Movies
Sep 21, 2020
On par with the first movie, with the added benefit of looking like an actual film production and not a basement eyesore. Maintains the loose schema but ups the joke consistency and jovial absurdity at least five, maybe ten-fold. So if you had to pull me on it, I'd say this one is better. My biggest quibble is that it needed to shave off around fifteen minutes, and truthfully I have less qualms about the actual length as opposed to the steam all but fizzling out in the last act. Also helps that this leans much more into its setting and subject matter, aiming for some admittedly broad satire but no less accurate. A way better comedy movie let alone sequel than it has any right to be, and you all scared McKay away to mostly dull-arrowed political farces because he had the heart to offer us this. For shame. Funny as fuck most of the time, and I just love how lived-in and learned these performances are by actors who know their characters inside and out.
Matthew Krueger (10051 KP) rated My Son, the Vampire (1952) in Movies
Oct 21, 2020
Mother Riley Meets Bela Lugosi
My Son, the Vampire as known as Mother Riley Meets The Vampire as known as Vampire Over London is a good movie.
The plot: Irish washerwoman Old Mother Riley (Arthur Lucan) foils a would-be vampire (Bela Lugosi) and his misguided robot.
This was the final film of the Old Mother Riley film series, and did not feature Lucan's ex-wife and business partner Kitty McShane, whom he had divorced in 1951.
In 1963, a recut American version called My Son, the Vampire was released, featuring an introductory segment with a song by American comedian Allan Sherman.
On the suggestion of producer Richard Gordon, Bela Lugosi had travelled to the UK to appear in a stage play of Dracula, which failed. He needed money to return to the US. Gordon persuaded fellow producer George Minter to use Lugosi in a movie in London.
Lugosi was paid $5,000 for his role. The plot was taken from Abbott and Costello Meet Frankenstein.
Its a funny horror comedy.
The plot: Irish washerwoman Old Mother Riley (Arthur Lucan) foils a would-be vampire (Bela Lugosi) and his misguided robot.
This was the final film of the Old Mother Riley film series, and did not feature Lucan's ex-wife and business partner Kitty McShane, whom he had divorced in 1951.
In 1963, a recut American version called My Son, the Vampire was released, featuring an introductory segment with a song by American comedian Allan Sherman.
On the suggestion of producer Richard Gordon, Bela Lugosi had travelled to the UK to appear in a stage play of Dracula, which failed. He needed money to return to the US. Gordon persuaded fellow producer George Minter to use Lugosi in a movie in London.
Lugosi was paid $5,000 for his role. The plot was taken from Abbott and Costello Meet Frankenstein.
Its a funny horror comedy.