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Gareth von Kallenbach (980 KP) rated Mike and Dave Need Wedding Dates (2016) in Movies
Jun 19, 2019
Mike (Adam Devine), and his brother Dave (Zac Efron), are a couple of easy going and fun loving guys who make their living as liquor salesman, often using some elaborate schemes.
One evening their parents greet them with an ultimatum, they must bring dates to their sister’s wedding in Hawaii. The reason for this is that in their exuberance, Mike and Dave have been known to go overboard in trying to impress the ladies, which has resulted in some epic disasters at numerous family events.
Desperate to appease their Sister Jeanie (Sugar Lyn Beard), the duo turn to the internet to try to find nice girls who will go with them to Hawaii. Naturally they are flooded with thousands of e-mails from girls hoping to score a free trip and their efforts soon get them on a talk show, where they tell their story.
Enter Alice (Anna Kendrick) and Tatiana (Aubrey Plaza); two lifelong friends who have just lost their jobs after Alice was brutally left at the altar on her wedding day. The two see Mike and Dave on television and devise a plan to pass themselves off as decent ladies to score the free trip. The plan works and in no time they are in Hawaii and getting ready for the events.
Unfortunately for Mike and Dave, the two girls are not what they appear as they are actually foul mouthed party girls with a passion for wild and reckless behavior and who lack any sort of internal censor.
Combine this with the internal family tensions that can arise at such events it is no surprise that this wedding is on a fast path to disaster.
What follows is a series of crude, outrageous, and hilarious events as Mike and Dave clash with the girls, family, each other and learn more about life, love and family.
The cast works well with one another and there are some truly funny sequences such as the relaxing massage and musical number. The cast works very well with one another and you will want to watch the outtakes during the final credits as they add even more laughs to the film.
While it is mainly a comedy that uses every bit of its R rating, there are enough laughs for those who are willing to overlook some of the issues with the film’s pacing and basic premise, but remember it is a comedy, and if you do not mind this type of humor, you will find yourself laughing along frequently.
http://sknr.net/2016/07/07/mike-dave-need-wedding-dates/
One evening their parents greet them with an ultimatum, they must bring dates to their sister’s wedding in Hawaii. The reason for this is that in their exuberance, Mike and Dave have been known to go overboard in trying to impress the ladies, which has resulted in some epic disasters at numerous family events.
Desperate to appease their Sister Jeanie (Sugar Lyn Beard), the duo turn to the internet to try to find nice girls who will go with them to Hawaii. Naturally they are flooded with thousands of e-mails from girls hoping to score a free trip and their efforts soon get them on a talk show, where they tell their story.
Enter Alice (Anna Kendrick) and Tatiana (Aubrey Plaza); two lifelong friends who have just lost their jobs after Alice was brutally left at the altar on her wedding day. The two see Mike and Dave on television and devise a plan to pass themselves off as decent ladies to score the free trip. The plan works and in no time they are in Hawaii and getting ready for the events.
Unfortunately for Mike and Dave, the two girls are not what they appear as they are actually foul mouthed party girls with a passion for wild and reckless behavior and who lack any sort of internal censor.
Combine this with the internal family tensions that can arise at such events it is no surprise that this wedding is on a fast path to disaster.
What follows is a series of crude, outrageous, and hilarious events as Mike and Dave clash with the girls, family, each other and learn more about life, love and family.
The cast works well with one another and there are some truly funny sequences such as the relaxing massage and musical number. The cast works very well with one another and you will want to watch the outtakes during the final credits as they add even more laughs to the film.
While it is mainly a comedy that uses every bit of its R rating, there are enough laughs for those who are willing to overlook some of the issues with the film’s pacing and basic premise, but remember it is a comedy, and if you do not mind this type of humor, you will find yourself laughing along frequently.
http://sknr.net/2016/07/07/mike-dave-need-wedding-dates/
Sarah (7800 KP) rated Ready or Not (2019) in Movies
Oct 3, 2019
Wonderfully dark fun
I went into this film not even having seen the trailer, instead going in blind based on having read some favourable reviews. And I can say that I was very pleasantly surprised.
This is a rather wonderful and fun horror, with a lot of laughs, a bit of gore and some marvellous dark comedy. This really doesn’t take itself too seriously and it’s all the better for it, some of the best scenes in this are of the family bickering between each other. That’s not to say the darker and more thrilling scenes in the film aren’t good, because they are. It’s rather tense watching Grace try and escape and her encounters with the deranged family members, and Samara Weaving plays her perfectly. I love the strong heroine aspect of this film, and that they haven’t gone down the stereotypical female needing to be rescued plot. I do think the scary and horror aspects of the film could have been increased and made more of, but it’s still a rather surprisingly good and bonkers film. The ending, whilst parts of it were potentially predictable, was absolutely genius and hilarious and such a fantastic way to end the film.
This is a rather wonderful and fun horror, with a lot of laughs, a bit of gore and some marvellous dark comedy. This really doesn’t take itself too seriously and it’s all the better for it, some of the best scenes in this are of the family bickering between each other. That’s not to say the darker and more thrilling scenes in the film aren’t good, because they are. It’s rather tense watching Grace try and escape and her encounters with the deranged family members, and Samara Weaving plays her perfectly. I love the strong heroine aspect of this film, and that they haven’t gone down the stereotypical female needing to be rescued plot. I do think the scary and horror aspects of the film could have been increased and made more of, but it’s still a rather surprisingly good and bonkers film. The ending, whilst parts of it were potentially predictable, was absolutely genius and hilarious and such a fantastic way to end the film.
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Darren (1599 KP) rated Fun With Dick and Jane (2005) in Movies
Jul 25, 2019
Story: Fun with Dick and Jane starts as we meet Dick (Carrey) who is about to get a promotion to vice president of the company he has worked for, for year. The problem comes that this promotion is designed to put the blame on the company’s problems on him instead of the men who really are involved, Jack (Baldwin) and Frank (Jenkins).
Dick loses his job and his wife Jane (Leoni) has quit her job, the two struggle to find new jobs and before long they are facing being evicted, which turns them to a life of crime to save their home.
Thoughts on Fun with Dick and Jane
Characters – Dick has been working for a company for his whole working career, he has been waiting for a chance to get to the next step which he gets only to see himself become the fall guy, making him unemployable in the field. He can’t get a job anywhere and out of pure desperation he turns to a life a crime to support his family. Jane is the wife of Dick who quits her job with his new promotion and can’t get a new job, she believes in Dick and ends up teaming up with Dick to commit crime. Jack and Frank are the CEOs that have taken advantage of Dick to get away clean after their illegal trading.
Performances – Jim Carrey gets to play into the full energy comedy that he is known for here, this isn’t the best he has given, but his fans will enjoy what he does, Tea Leoni does struggle with comedy and it is clear to see because she just doesn’t work with Carrey’s comedy. Alec Baldwin and Richard Jenkins get to enjoy their roles in the film playing into what they could be for these real people.
Story – The story follows a couple that are forced into a life of crime after losing everything when a business they are employed with gets closed down with the CEOs leaving the employees broke. This is a remake which has been bought into the modern era of greedy businessman who have taken advantage of their employees only to be left nothing. The story does seem to be going in fast forward with the crime montage flashing over what is happening. This does have a good outcome for everyone involved, but just doesn’t engage for the audience.
Comedy/Crime – The comedy in the film mostly revolves around Jim Carrey bringing in his routine which is enjoyed by people who are fans of his work, the crime side of the film shows just how CEOs can try and get away with things and how one couple looks to crime to survive.
Settings – The film doesn’t give us any settings which feel overly iconic which the film could have had to make us become more invested in what is happening.
Scene of the Movie – The first robbery.
That Moment That Annoyed Me – Crime montage.
Final Thoughts – This is a by the book crime comedy that skips over too much of the interesting material only to leave us feeling like we blinked and missed too much.
Overall: Basic crime comedy.
Dick loses his job and his wife Jane (Leoni) has quit her job, the two struggle to find new jobs and before long they are facing being evicted, which turns them to a life of crime to save their home.
Thoughts on Fun with Dick and Jane
Characters – Dick has been working for a company for his whole working career, he has been waiting for a chance to get to the next step which he gets only to see himself become the fall guy, making him unemployable in the field. He can’t get a job anywhere and out of pure desperation he turns to a life a crime to support his family. Jane is the wife of Dick who quits her job with his new promotion and can’t get a new job, she believes in Dick and ends up teaming up with Dick to commit crime. Jack and Frank are the CEOs that have taken advantage of Dick to get away clean after their illegal trading.
Performances – Jim Carrey gets to play into the full energy comedy that he is known for here, this isn’t the best he has given, but his fans will enjoy what he does, Tea Leoni does struggle with comedy and it is clear to see because she just doesn’t work with Carrey’s comedy. Alec Baldwin and Richard Jenkins get to enjoy their roles in the film playing into what they could be for these real people.
Story – The story follows a couple that are forced into a life of crime after losing everything when a business they are employed with gets closed down with the CEOs leaving the employees broke. This is a remake which has been bought into the modern era of greedy businessman who have taken advantage of their employees only to be left nothing. The story does seem to be going in fast forward with the crime montage flashing over what is happening. This does have a good outcome for everyone involved, but just doesn’t engage for the audience.
Comedy/Crime – The comedy in the film mostly revolves around Jim Carrey bringing in his routine which is enjoyed by people who are fans of his work, the crime side of the film shows just how CEOs can try and get away with things and how one couple looks to crime to survive.
Settings – The film doesn’t give us any settings which feel overly iconic which the film could have had to make us become more invested in what is happening.
Scene of the Movie – The first robbery.
That Moment That Annoyed Me – Crime montage.
Final Thoughts – This is a by the book crime comedy that skips over too much of the interesting material only to leave us feeling like we blinked and missed too much.
Overall: Basic crime comedy.
Simon Pegg recommended Ace Ventura - When Nature Calls (1995) in Movies (curated)
Bob Mann (459 KP) rated The Big Sick (2017) in Movies
Sep 29, 2021
Just what the doctor ordered: a charming and thoughtful summer comedy.
Romance and comedy work together beautifully on film: love is innately ridiculous after all! But mix in a dramatic element – particularly a serious medical emergency – to a Rom Com and you walk a dangerous line between on the one hand letting the drama overwhelm the comedy ( “Well! I don’t feel like laughing now!”) and on the other hand diverging into shockingly mawkish finger-down-the-throat sentimentality. Fortunately the new comedy – “The Big Sick” – walks that line to perfection.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.
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