Search
Search results
Bob Mann (459 KP) rated Instant Family (2019) in Movies
Sep 28, 2021
Enjoyable and harmless comedy laced with a degree of sentimentality.
The Plot
Pete (Mark Wahlberg) and Ellie (Rose Byrne) are focused and business-oriented home designers. They’ve talked about having kids “sometime in the future” but the years – as years are want to do – are motoring away from them. Pete is concerned that if they have their own kids now then he will end up being an “old dad” (cue very funny, black-comedy, flashback). This leads them into contact with the State’s fostering service – led by Karen (Octavia Spencer) and Sharon (Tig Notaro) – and they progress into foster training. This introduces into their ‘perfect adult lives’ 15-year old Lizzy (Isabela Moner) and her younger siblings Juan (Gustavo Quiroz) and Lita (Julianna Gamiz). As these guys come from a troubled background Pete and Ellie find they have their work cut out. Who will crack first?
The turns
You’ve got to admire Mark Wahlberg as an actor. In the same vein as Steve Carell, he seems to be able to flex from dramatic (in his case, tough-guy action roles) to comedy without a blink. He’s nowhere near the calibre of actor as Carell, but he brings to all his roles a sense of menace – derived no doubt from his torrid criminal background in younger days. (His wiki page makes your eyes water: there’s a great biopic screenplay waiting to be written there! ) It must have made the kid actor who plays Charlie (Carson Holmes) actually soil himself at a key point in the film!
Wahlberg and the excellent Rose Byrne make a believable driven-couple, and Byrne has such a range of expressive faces that she can’t help but make you laugh.
Of the child actors, Nickelodeon star Isabella Moner shines with genuine brilliance, both in terms of her acting as the fiercely loyal Lizzy but also in terms of her musical ability (she sings the impressive end-title song). With Hollywood in ‘post-La-La-Showman: Here we go again’ mode, this is a talented young lady I predict might be in big demand over the next few years.
Top of my list of the most stupid “where the hell have I seen her before bang-my-head-against-the-cinema-wall” moments is the actress playing Ellie’s mother Jan. She is OF COURSE Julie Hagerty, air-hostess supreme from “Airplane!”.
Also good value, and topping my list of “I know her from lots of films but don’t know her name” is Margo Martindale* as Pete’s exuberant and easily bought mother Sandy. (*Must write this out 100 times before her picture appears in the Picturehouse Harbour Lights film quiz!).
A well-crafty script with some wayward characters
The script by director Sean (“Daddy’s Home”) Anders and John Morris zips along at a fine pace, albeit in a wholly predictable direction. It helps that I struggle the think of many films about the adoption process itself. Sure there have been lots of movies about children that have been adopted – Manchester By The Sea and Lion being two recent examples – but the only film I can immediately think of (and not in a good way) with foster care at its heart was the Katherine Heigl comedy from a few years ago “Life as we know it”. So this is good movie territory to mine.
There are some fine running jokes, notably young Juan’s penchant for constantly getting injured. However, the script also lapses as did Anders’ “Daddy’s Home 2” from last year – into moments of slushy sentimentality. (My dear departed Dad always used to affect an exaggerated snore at such points, and I could hear him in my head at regular intervals during the film!). I would have preferred a harder and blacker edge to the comedy: something that last year’s excellent “Game Night” pulled off so well.
There are also a couple of characters in the film that were poorly scripted and which just didn’t work. While Octavia Spencer was fine (channelling an almost identical version of her wisecracking and sardonic character from “The Shape of Water“), I just had no idea what her colleague Sharon (Tig Notaro) was supposed to be. The tone was all over the place. Similarly, who should pop up on a balcony in an unexpected cameo but the great Joan Cusack. And very funny she is too for the 10 second interruption. But the writers having got her there just couldn’t leave alone and we get a plain embarrassing extended interruption that strikes a duff note in the flow of the film.
Summary
The film is amusing and harmless without taxing many brain cells. Most notably unlike many so-called American ‘comedies’ it did actually make me laugh at multiple points. I should also point out that my wife absolutely loved it, rating it a strong 4* going on 5*.
But the really cute thing is that…
…the film is “inspired by a true family”: namely Anders’ own. He and his wife fostered three kids out of the US foster service, so the script is undoubtedly loosely based on their own experiences, which give it an extra impact for some of Peter and Ellie’s lines. In an essay for TIME (source: bustle.com) Anders wrote:
My wife Beth and I had been talking for years about whether we should have kids,” he wrote. “For the longest time we just felt like we couldn’t afford it. Then I sold a couple of scripts and was feeling like I might have a career, but we were in our 40s and worried we had left it too long. We knew kids would make our life bigger, so one day I joked, ‘Why don’t we just adopt a five-year-old and it will be like we got started five years ago?'”
It gives you a completely different perspective on the film knowing this. My wife after the film was saying “I’m not sure how accurately it portrays the fostering process”. But it clearly does.
Pete (Mark Wahlberg) and Ellie (Rose Byrne) are focused and business-oriented home designers. They’ve talked about having kids “sometime in the future” but the years – as years are want to do – are motoring away from them. Pete is concerned that if they have their own kids now then he will end up being an “old dad” (cue very funny, black-comedy, flashback). This leads them into contact with the State’s fostering service – led by Karen (Octavia Spencer) and Sharon (Tig Notaro) – and they progress into foster training. This introduces into their ‘perfect adult lives’ 15-year old Lizzy (Isabela Moner) and her younger siblings Juan (Gustavo Quiroz) and Lita (Julianna Gamiz). As these guys come from a troubled background Pete and Ellie find they have their work cut out. Who will crack first?
The turns
You’ve got to admire Mark Wahlberg as an actor. In the same vein as Steve Carell, he seems to be able to flex from dramatic (in his case, tough-guy action roles) to comedy without a blink. He’s nowhere near the calibre of actor as Carell, but he brings to all his roles a sense of menace – derived no doubt from his torrid criminal background in younger days. (His wiki page makes your eyes water: there’s a great biopic screenplay waiting to be written there! ) It must have made the kid actor who plays Charlie (Carson Holmes) actually soil himself at a key point in the film!
Wahlberg and the excellent Rose Byrne make a believable driven-couple, and Byrne has such a range of expressive faces that she can’t help but make you laugh.
Of the child actors, Nickelodeon star Isabella Moner shines with genuine brilliance, both in terms of her acting as the fiercely loyal Lizzy but also in terms of her musical ability (she sings the impressive end-title song). With Hollywood in ‘post-La-La-Showman: Here we go again’ mode, this is a talented young lady I predict might be in big demand over the next few years.
Top of my list of the most stupid “where the hell have I seen her before bang-my-head-against-the-cinema-wall” moments is the actress playing Ellie’s mother Jan. She is OF COURSE Julie Hagerty, air-hostess supreme from “Airplane!”.
Also good value, and topping my list of “I know her from lots of films but don’t know her name” is Margo Martindale* as Pete’s exuberant and easily bought mother Sandy. (*Must write this out 100 times before her picture appears in the Picturehouse Harbour Lights film quiz!).
A well-crafty script with some wayward characters
The script by director Sean (“Daddy’s Home”) Anders and John Morris zips along at a fine pace, albeit in a wholly predictable direction. It helps that I struggle the think of many films about the adoption process itself. Sure there have been lots of movies about children that have been adopted – Manchester By The Sea and Lion being two recent examples – but the only film I can immediately think of (and not in a good way) with foster care at its heart was the Katherine Heigl comedy from a few years ago “Life as we know it”. So this is good movie territory to mine.
There are some fine running jokes, notably young Juan’s penchant for constantly getting injured. However, the script also lapses as did Anders’ “Daddy’s Home 2” from last year – into moments of slushy sentimentality. (My dear departed Dad always used to affect an exaggerated snore at such points, and I could hear him in my head at regular intervals during the film!). I would have preferred a harder and blacker edge to the comedy: something that last year’s excellent “Game Night” pulled off so well.
There are also a couple of characters in the film that were poorly scripted and which just didn’t work. While Octavia Spencer was fine (channelling an almost identical version of her wisecracking and sardonic character from “The Shape of Water“), I just had no idea what her colleague Sharon (Tig Notaro) was supposed to be. The tone was all over the place. Similarly, who should pop up on a balcony in an unexpected cameo but the great Joan Cusack. And very funny she is too for the 10 second interruption. But the writers having got her there just couldn’t leave alone and we get a plain embarrassing extended interruption that strikes a duff note in the flow of the film.
Summary
The film is amusing and harmless without taxing many brain cells. Most notably unlike many so-called American ‘comedies’ it did actually make me laugh at multiple points. I should also point out that my wife absolutely loved it, rating it a strong 4* going on 5*.
But the really cute thing is that…
…the film is “inspired by a true family”: namely Anders’ own. He and his wife fostered three kids out of the US foster service, so the script is undoubtedly loosely based on their own experiences, which give it an extra impact for some of Peter and Ellie’s lines. In an essay for TIME (source: bustle.com) Anders wrote:
My wife Beth and I had been talking for years about whether we should have kids,” he wrote. “For the longest time we just felt like we couldn’t afford it. Then I sold a couple of scripts and was feeling like I might have a career, but we were in our 40s and worried we had left it too long. We knew kids would make our life bigger, so one day I joked, ‘Why don’t we just adopt a five-year-old and it will be like we got started five years ago?'”
It gives you a completely different perspective on the film knowing this. My wife after the film was saying “I’m not sure how accurately it portrays the fostering process”. But it clearly does.
Ivana A. | Diary of Difference (1171 KP) rated Not My Daughter in Books
Oct 5, 2020
I am so happy to have the opportunity to be part of the blog tour for Not My Daughter by Suzy K. Quinn. Thank you to the team at HQ, for sending me an e-copy in exchange for an honest review. Have a look at the Blog Tour Banner below and check out the other bloggers.
Suzy K Quinn is a British fiction author, and writes in three different genres: psychological thriller, comedy and romance. She was first published by Hachette in 2010 with her debut novel Glass Geishas (now Night Girls), then self-published a romance series, the Ivy Lessons, which became an international bestseller and a #1 Kindle romance bestseller in the US and UK.
After her second daughter was born in 2013, she self-published the Bad Mother’s Diary series, which also went on to become a #1 Kindle romantic comedy bestseller. Suzy K Quinn’s novels have been translated into 7 languages and her books have sold over ¾ million copies worldwide.
She lives in Wivenhoe, Essex, with her husband Demi and two daughters, and travels to Mexico every year to write and study Mayan story telling. Suzy loves her family, friends and readers, but when pushed to add more to the list, she also loves travelling, food and alcohol.
Synopsis:
Lorna has been trying to protect her daughter Liberty for sixteen years. There are dark secrets from her past about her father that Lorna wishes her daughter never finds out. Liberty’s father is a monster, and the best solution is to hide. Forever.
But Liberty has other plans. One day, Liberty decides to find her father, no matter the cost. And Lorna can’t protect her if she doesn’t know where she went…
My Thoughts:
I really enjoyed Not My Daughter. It was a novel that kept me on my toes throughout the whole book and I was eager to know what happens in the end and who the true villain is.
We begin the story in one way, where we have an idea of who the bad person is, and how Lorna is the protector. But once we start reading more, this story becomes more twisted, and we don’t know who to trust anymore. This is something I see in books quite often, but it is not usually as well-written. Suzy did an amazing job writing this part, and making us switch sides as she wanted us to.
The ending was not predictable at all, although, it was a bit unrealistic. However, it really fit nicely with the whole story and I cannot be disappointed.
It is interesting to see how the mother-daughter relationship develops. But more so, how a relationship forms when a daughter wants to get to know her father, no matter what. You meet this person that you share genes with, and you want them to like you. You want them to accept you, like nothing happened. We could see this wish in Liberty as she meets her father – the need to be accepted as a daughter.
I would recommend this book to everyone that loves mystery thrillers. It is a one of a kind, and a very well-written one too.
Suzy K Quinn is a British fiction author, and writes in three different genres: psychological thriller, comedy and romance. She was first published by Hachette in 2010 with her debut novel Glass Geishas (now Night Girls), then self-published a romance series, the Ivy Lessons, which became an international bestseller and a #1 Kindle romance bestseller in the US and UK.
After her second daughter was born in 2013, she self-published the Bad Mother’s Diary series, which also went on to become a #1 Kindle romantic comedy bestseller. Suzy K Quinn’s novels have been translated into 7 languages and her books have sold over ¾ million copies worldwide.
She lives in Wivenhoe, Essex, with her husband Demi and two daughters, and travels to Mexico every year to write and study Mayan story telling. Suzy loves her family, friends and readers, but when pushed to add more to the list, she also loves travelling, food and alcohol.
Synopsis:
Lorna has been trying to protect her daughter Liberty for sixteen years. There are dark secrets from her past about her father that Lorna wishes her daughter never finds out. Liberty’s father is a monster, and the best solution is to hide. Forever.
But Liberty has other plans. One day, Liberty decides to find her father, no matter the cost. And Lorna can’t protect her if she doesn’t know where she went…
My Thoughts:
I really enjoyed Not My Daughter. It was a novel that kept me on my toes throughout the whole book and I was eager to know what happens in the end and who the true villain is.
We begin the story in one way, where we have an idea of who the bad person is, and how Lorna is the protector. But once we start reading more, this story becomes more twisted, and we don’t know who to trust anymore. This is something I see in books quite often, but it is not usually as well-written. Suzy did an amazing job writing this part, and making us switch sides as she wanted us to.
The ending was not predictable at all, although, it was a bit unrealistic. However, it really fit nicely with the whole story and I cannot be disappointed.
It is interesting to see how the mother-daughter relationship develops. But more so, how a relationship forms when a daughter wants to get to know her father, no matter what. You meet this person that you share genes with, and you want them to like you. You want them to accept you, like nothing happened. We could see this wish in Liberty as she meets her father – the need to be accepted as a daughter.
I would recommend this book to everyone that loves mystery thrillers. It is a one of a kind, and a very well-written one too.
Darren (1599 KP) rated Buffalo '66 (1998) in Movies
Sep 26, 2019
Characters – Billy Brown has just been released from prison, he has had his own problems which led to him being in prison and it isn’t long before he goes to the extremes to impress his family. He is painted as an aggressive man that believes that woman are just objects and has built his world in lies. Layla is the tap dancer that gets kidnapped, she starts to play along with what Billy wants and even enjoy his company the more time they spend together. Jimmy and Jan are his parents that have both been either distracted or strict in raising Billy, as he wants to impress them now. The Bookie is the man that put Billy in jail as a result of the debts he owed him, he gave him a choice with jail being the only one that didn’t hurt anyone.
Performances – Vincent Gallo doesn’t bring us a very interesting character, it isn’t written well or directed to make us interested in him, he just can’t make this character work. Christina Ricci was trying to break out of the child star roles by now, this is different to what we had seen before, though she does look bored through the film. the rest of the cast struggle too, it is just poorly written to give the actors a chance.
Story – The story follows a gambler that had paid the price for his addiction and now is free, he wants revenge only he spends the time with his kidnap victim as we get to see the difficult life he has had which led him to the life of crime. Well I think that is what we are meant to be seeing, the story does drag along at an awfully slow pace with nothing much happening, trying to make us believe the two could be falling in love, though he is abusive with his actions and spends more time running around looking for a toilet than showing any sort of emotion.
Comedy/Crime/Romance – If this is meant to be a comedy, the jokes miss big time as you will struggle to get a laugh out of this film, while the crime only seems to focus on the kidnapping, which she could have escaped from with ease plenty of times, so that never feels like a threat, the romance just feels awkward for the most part of the film because there is zero chemistry between the two.
Settings – The film is set in the Buffalo area, which is meant to be about the passion of the locals, it could easily be any town with a big American football team.
Scene of the Movie – The first look at the dinner table makes it a clever shot, until it gets boring.
That Moment That Annoyed Me – We spend more time looking for a toilet.
Final Thoughts – This is just a dreadfully dull movie that has no direction in anyway, it fails to capture any attention from the audience with a truly unlikeable main character.
Overall: Dreadfully boring.
Performances – Vincent Gallo doesn’t bring us a very interesting character, it isn’t written well or directed to make us interested in him, he just can’t make this character work. Christina Ricci was trying to break out of the child star roles by now, this is different to what we had seen before, though she does look bored through the film. the rest of the cast struggle too, it is just poorly written to give the actors a chance.
Story – The story follows a gambler that had paid the price for his addiction and now is free, he wants revenge only he spends the time with his kidnap victim as we get to see the difficult life he has had which led him to the life of crime. Well I think that is what we are meant to be seeing, the story does drag along at an awfully slow pace with nothing much happening, trying to make us believe the two could be falling in love, though he is abusive with his actions and spends more time running around looking for a toilet than showing any sort of emotion.
Comedy/Crime/Romance – If this is meant to be a comedy, the jokes miss big time as you will struggle to get a laugh out of this film, while the crime only seems to focus on the kidnapping, which she could have escaped from with ease plenty of times, so that never feels like a threat, the romance just feels awkward for the most part of the film because there is zero chemistry between the two.
Settings – The film is set in the Buffalo area, which is meant to be about the passion of the locals, it could easily be any town with a big American football team.
Scene of the Movie – The first look at the dinner table makes it a clever shot, until it gets boring.
That Moment That Annoyed Me – We spend more time looking for a toilet.
Final Thoughts – This is just a dreadfully dull movie that has no direction in anyway, it fails to capture any attention from the audience with a truly unlikeable main character.
Overall: Dreadfully boring.
Gareth von Kallenbach (980 KP) rated We're The Millers (2013) in Movies
Jun 19, 2019
Life for petty drug dealer David Clark (Jason Sudeikes) is a fairly routine existence. He has his regular customers and makes his living selling small quantities of marijuana to his regulars while maintaining his ethical standards not to sell to children. David had fallen into this line of work in college and is managed to get by and save $20,000 for himself. David’s former college cohort Brad (Ed Helms) is his major supplier and unlike David, Brad has grown extremely wealthy and powerful through letting people like David do the dirty work.
David has long held a torch for his neighbor Rose (Jennifer Aniston), a stripper with a heart of gold who seems only successful at attracting loser boyfriends and maintaining her disdain for David.
When a local homeless girl named Casey (Emma Roberts), is accosted in front of his apartment building, David reluctantly comes to the aid of a well-intentioned dork named Kenny (Will Poulter), who has a habit of acting without thinking. Since Kenny is one of David’s neighbors and despite his geeky nature a good kid, David reluctantly becomes involved and soon finds himself the target of the assailants. Adding insult to injury, the robbers take all his money and drug supplies, including his savings.
Unable to pay Brad for what was taken, David reluctantly enters into an agreement where he traveled to Mexico and return a quantity of marijuana for Brad who in turn will wipe his debts clean and pay him for his efforts. Not wanting to end up in jail but seeing no other way out of his predicament, David enlists Casey, Kenny, and a reluctant but desperate Rose to pose as his all-American family for the trip in an effort to throw off any customs or law enforcement officials would be suspicious of David traveling alone.
Things seem to go smoothly at first despite tensions amongst the ad hoc family and despite a rendezvous with some scary individuals; they soon find their R.V. loaded to the max with bundles of drugs. This development panics David as he was expecting to transport only a modest amount across the border and realizes that being discovered with the quantities he’s attempting to smuggle into the country would result in some serious jail time.
Undaunted, the family who dubbed themselves the Miller’s continue with the plan which results in a series of humorous misfortunes along the way him including an overzealous RV couple (Nick Offerman and Katheryn Hahn), who just happens to be an active DEA agent with a knack for showing up no matter where the Miller’s go. You race against time with some serious bad guys in pursuit; the Miller’s must come together and put aside their dysfunctions to accomplish their bizarre and wacky mission.
While most people will be able to see the romantic subplots from a mile away what really makes this film shine is the outrageous comedy that is persistent throughout. The best laughs have not been wasted in the trailers which is unfortunately all too common for films of this type and the supporting work of Offerman and Poulter nearly steal the movie. Aniston is essentially playing the same character she plays in almost every one of her performances but at least she gets to take a little bit wilder edge that she teased in last year’s “Horrible Bosses”. Her repair shop striptease is definitely one of the more memorable scenes in the film that has nothing on the tender yet humorous scene or she decides to help Kenny out in regard to his awkwardness with women.
Sudeikes has really been on a roll of late as he not only had a hit with the previously mentioned “Horrible Bosses”, but has done solid work in the interim not the least of which is his outing as the sympathetic Dave. One would think film about drug smugglers, strippers, and other social undesirables would not be so enjoyable nor would characters come across is so endearing and sympathetic. That being said the film was definitely very pleasant supriserites and if you set your expectations accordingly you may find yourself not only laughing along at the outrageous antics but looking forward to spending more time with this crazy group in the future.
http://sknr.net/2013/08/07/were-the-millers/
David has long held a torch for his neighbor Rose (Jennifer Aniston), a stripper with a heart of gold who seems only successful at attracting loser boyfriends and maintaining her disdain for David.
When a local homeless girl named Casey (Emma Roberts), is accosted in front of his apartment building, David reluctantly comes to the aid of a well-intentioned dork named Kenny (Will Poulter), who has a habit of acting without thinking. Since Kenny is one of David’s neighbors and despite his geeky nature a good kid, David reluctantly becomes involved and soon finds himself the target of the assailants. Adding insult to injury, the robbers take all his money and drug supplies, including his savings.
Unable to pay Brad for what was taken, David reluctantly enters into an agreement where he traveled to Mexico and return a quantity of marijuana for Brad who in turn will wipe his debts clean and pay him for his efforts. Not wanting to end up in jail but seeing no other way out of his predicament, David enlists Casey, Kenny, and a reluctant but desperate Rose to pose as his all-American family for the trip in an effort to throw off any customs or law enforcement officials would be suspicious of David traveling alone.
Things seem to go smoothly at first despite tensions amongst the ad hoc family and despite a rendezvous with some scary individuals; they soon find their R.V. loaded to the max with bundles of drugs. This development panics David as he was expecting to transport only a modest amount across the border and realizes that being discovered with the quantities he’s attempting to smuggle into the country would result in some serious jail time.
Undaunted, the family who dubbed themselves the Miller’s continue with the plan which results in a series of humorous misfortunes along the way him including an overzealous RV couple (Nick Offerman and Katheryn Hahn), who just happens to be an active DEA agent with a knack for showing up no matter where the Miller’s go. You race against time with some serious bad guys in pursuit; the Miller’s must come together and put aside their dysfunctions to accomplish their bizarre and wacky mission.
While most people will be able to see the romantic subplots from a mile away what really makes this film shine is the outrageous comedy that is persistent throughout. The best laughs have not been wasted in the trailers which is unfortunately all too common for films of this type and the supporting work of Offerman and Poulter nearly steal the movie. Aniston is essentially playing the same character she plays in almost every one of her performances but at least she gets to take a little bit wilder edge that she teased in last year’s “Horrible Bosses”. Her repair shop striptease is definitely one of the more memorable scenes in the film that has nothing on the tender yet humorous scene or she decides to help Kenny out in regard to his awkwardness with women.
Sudeikes has really been on a roll of late as he not only had a hit with the previously mentioned “Horrible Bosses”, but has done solid work in the interim not the least of which is his outing as the sympathetic Dave. One would think film about drug smugglers, strippers, and other social undesirables would not be so enjoyable nor would characters come across is so endearing and sympathetic. That being said the film was definitely very pleasant supriserites and if you set your expectations accordingly you may find yourself not only laughing along at the outrageous antics but looking forward to spending more time with this crazy group in the future.
http://sknr.net/2013/08/07/were-the-millers/
Neon's Nerd Nexus (360 KP) rated Us (2019) in Movies
May 13, 2019
A stab in the dark
#usmovie is a powerful, #political & psychological #horror that has so many strong messages to convay that it constantly intimates & frightens the viewer in ways that most mainstream horror films simply can't comprehend. ?THIS #REVIEW MAY CONTAIN SPOILERS? #jordanpeele manages to do it again this time around & while not quite to the quality of #getout #us manages to shine with its impressive direction & nerve shattering soundtrack. To start i want to talk about the messages that I think came across to me while viewing Us. For most of its runtime you could be fooled into thinking Peele has made a simple but very decent #80s #nostalgia/home invasion/#slasher movie but once we hit the final act it almost tests you to see how much of the finer details you been paying attention to by hitting you with the overall message its been trying to convey. This world is falling apart at the seems & we are the ones responsible, we create imaginary #borders, distance/alienate ourselves from one another day by day, weve stoped comunicating, #loving trusting in one another & we gradually grow our hatred & fuel our #social awkwardness with technology. Its highly #depressing stuff & when it finally sinks in this is whats at the movies core & how it relates so well to the world today the burden of it ways heavy as you leave the cinema. Cutting ties with one another is a strong theme here as well as how lack of comunication, childhood trauma & inner #demons can become toxic/contagious & lead to the destruction of a family. Acting is simply phenomenal with #LupitaNyongo giving a performance so nerve shattering yet so humble that she deserves an award for sure. Its not a flawless movie however as does have flaws, its a little drawn out at times & when the film feels the need to talk you through & explain itself i found it a little tedious but that being said it accomplishes a perfect balance of #comedy, horror & seriousness with a spine tingling score & #gorgeous cinematography making it well worth experiencing. #odeon #odeonlimitless #filmbuff #filmcritic #friyay #weekend #scary #black #gore #trump #america #usa
Neon's Nerd Nexus (360 KP) rated Venom (2018) in Movies
May 13, 2019
We arnt Venom
#venom is this years biggest flop. Inconsistent, #boring, generic & makes even #spiderman 3 look good in comparison. What wound me up most is the characters/the acting, every single person in this film underreacts not only to situations but to each others presence too. There's simply no #emotion towards anyone or anything, #sadness, shock, #horror & #panic all feel missing from everyone giving each of them a hollow & cartoonish feel. Characters also lack #motivation for any of their actions making a good chunk of them completely disposable. Tone wise its a mess with the sparce #horrific/#dark scenes edge taken away instantly because they are followed by such a #childish/out of place slapstick #comedy vibe. Infact Venoms tone felt more like watching #Jumanji rather than a 15 certificate #film with most of its runtime feeling like an over simplified dumbed down #family film. There's so many inconsistencies too like relationships going from hostile to fine with no explanation, characters figuring things out first time without having found evidence, people appear out of seemingly nowhere on multiple occasions & nobody ever notices any of the #death/destruction being caused around the city. Its all so obvious that it feels like either huge chunks of the film is either missing or someone was really bad at editing & keeping consistency. Action is poor, forgettable, generic & anticlimactic & the cgi #feels cheap, #lazy & unimaginative like a straight to dvd #movie. Plot is borderline offensive its that basic with so many early visual cues to whats going to happen that its really #inteligence insulting at times. #tomhardy is great as always & really seems like he's giving it his all but the bad writing & awful script kill what #charm & likability his character has completely & the interaction between him & Venom lacks punch & believability too. #Upgrade proved this year that you dont need a big budget to make a great film about losing control of yourself & yet Venom with all its backing doesnt even come close to doing anything right. Last years #life would of made a far better venom movie than this. #wednesdaywisdom #filmcritic #stanlee #mcu #comic #marvel
Kaz (232 KP) rated Oh Dear Silvia in Books
May 15, 2019
What the 'blurb' says:
'Silvia Shute lies in a hospital bed. Family and friends are at her side, each thinking they know the real Silvia. But do they? For Silvia hides a secret. And as her visitors gather, so the truth about Silvia is slowly revealed...'
My Thoughts:
I had never read anything by Dawn French (for anyone who doesn't know who she is, she is a famous British comedian, best known as one half of comedy duo French and Saunders) before reading 'Oh Dear Silvia' and to be honest, I had low expectations of it.
It's not that I didn't like Dawn French, I think she is a very funny woman. However with there being a current trend of celebrities writing cheesy, badly written chick-lit and selling copies because of their names alone, I thought this was going to be the same. Thankfully, I was wrong.
The writing is this book is very good. The descriptions are, at times, beautiful and each of the characters are believable and diverse. Even though the main character doesn't utter a single word throughout the book, I still felt that I knew her because of the other characters and their complex relationships with each other. One of the characters, Silvia's sister Jo, for me felt like a bit of cartoon character at the beginning. There is a scene involving her in the book, which I felt didn't fit in with the tone of the story, but I still laughed at it though. As the book progressed though, I did warm to her.
The pace of the book was slow, but I felt that this was effective, because it allowed the story to unfold at a natural pace. Towards the end, however, one of the more sinister elements of the plot, was concluded slightly quicker and in more lighthearted way, than it should have been. In my opinion, this could have been dealt with better and with more impact.
Overall, I'm glad that I read this book because on the whole, it's written with sensitivity and subtle wit. I look forward to reading more of Dawn French's novels in the future.
My Rating ****
'Silvia Shute lies in a hospital bed. Family and friends are at her side, each thinking they know the real Silvia. But do they? For Silvia hides a secret. And as her visitors gather, so the truth about Silvia is slowly revealed...'
My Thoughts:
I had never read anything by Dawn French (for anyone who doesn't know who she is, she is a famous British comedian, best known as one half of comedy duo French and Saunders) before reading 'Oh Dear Silvia' and to be honest, I had low expectations of it.
It's not that I didn't like Dawn French, I think she is a very funny woman. However with there being a current trend of celebrities writing cheesy, badly written chick-lit and selling copies because of their names alone, I thought this was going to be the same. Thankfully, I was wrong.
The writing is this book is very good. The descriptions are, at times, beautiful and each of the characters are believable and diverse. Even though the main character doesn't utter a single word throughout the book, I still felt that I knew her because of the other characters and their complex relationships with each other. One of the characters, Silvia's sister Jo, for me felt like a bit of cartoon character at the beginning. There is a scene involving her in the book, which I felt didn't fit in with the tone of the story, but I still laughed at it though. As the book progressed though, I did warm to her.
The pace of the book was slow, but I felt that this was effective, because it allowed the story to unfold at a natural pace. Towards the end, however, one of the more sinister elements of the plot, was concluded slightly quicker and in more lighthearted way, than it should have been. In my opinion, this could have been dealt with better and with more impact.
Overall, I'm glad that I read this book because on the whole, it's written with sensitivity and subtle wit. I look forward to reading more of Dawn French's novels in the future.
My Rating ****
Gareth von Kallenbach (980 KP) rated Joe (2014) in Movies
Aug 6, 2019
So, officially … spring is here although it still feels like winter to your friendly
neighborhood freelance photographer but according to the calendar it’s spring.
Another indicator that it might be spring? Nicolas Cage has a new film out.
Seriously, he does .. and it’s actually a dark, heavy-duty drama.
‘Joe’ is based on the 1991 novel of the same name written by author Larry Brown.
Directed by David Gordon Green who’se credits include comedies like 2008’s
‘Pineapple Express’ and the HBO t.v. series ‘Eastbound & Down’ … ‘Joe’is certainly
no comedy.
Starring Nicolas Cage, Tye Sheridan, and Ronnie Gene Belvins ‘Joe’ is a dark, gritty
film that tells the story of Joe Ransom. An angry ex-con who befriends Gary, a teenager
from an abusive, broken home who approaches Joe looking for work with his ‘tree poinsoning’
crew. Impressed by Gary’s stubborness and determination Joe gives him a job (and later
his truck) and attempts to set Gary on ‘the right path’ and becomes an unlikely rolemodel
for him. At home though, Gary’s family life is slowly spiraling at of control due to
his alcholic father and the situation points to a dark, violent confrontation.
I can honestly say that this is one of Nic Cage’s best and ‘sincere’ performances in a
while and due to the darkness of the film, it will most likely go unrecognized. The film
doesn’t hold back. It’s in-your-face, gritty, and violent. The minute you don’t think it
can get more disturbing, it does just that. As the viewer, the experience was like an
old-fashioned pinball machine only you, the viewer, ARE the pinball.
I don’t recommend this as a ‘date movie’ but if you like Nicolas Cage’s work and you’re
looking for a good drama, this is defintely one to see. If this movie is any indication,
I imagine it won’t be too long before Nic Cage has another great performance under his belt
so keep an eye out. ‘Joe’ is rated ‘R’ and you can catch it in theaters on April 11th.
I give the film 4 out of 5 stars.
neighborhood freelance photographer but according to the calendar it’s spring.
Another indicator that it might be spring? Nicolas Cage has a new film out.
Seriously, he does .. and it’s actually a dark, heavy-duty drama.
‘Joe’ is based on the 1991 novel of the same name written by author Larry Brown.
Directed by David Gordon Green who’se credits include comedies like 2008’s
‘Pineapple Express’ and the HBO t.v. series ‘Eastbound & Down’ … ‘Joe’is certainly
no comedy.
Starring Nicolas Cage, Tye Sheridan, and Ronnie Gene Belvins ‘Joe’ is a dark, gritty
film that tells the story of Joe Ransom. An angry ex-con who befriends Gary, a teenager
from an abusive, broken home who approaches Joe looking for work with his ‘tree poinsoning’
crew. Impressed by Gary’s stubborness and determination Joe gives him a job (and later
his truck) and attempts to set Gary on ‘the right path’ and becomes an unlikely rolemodel
for him. At home though, Gary’s family life is slowly spiraling at of control due to
his alcholic father and the situation points to a dark, violent confrontation.
I can honestly say that this is one of Nic Cage’s best and ‘sincere’ performances in a
while and due to the darkness of the film, it will most likely go unrecognized. The film
doesn’t hold back. It’s in-your-face, gritty, and violent. The minute you don’t think it
can get more disturbing, it does just that. As the viewer, the experience was like an
old-fashioned pinball machine only you, the viewer, ARE the pinball.
I don’t recommend this as a ‘date movie’ but if you like Nicolas Cage’s work and you’re
looking for a good drama, this is defintely one to see. If this movie is any indication,
I imagine it won’t be too long before Nic Cage has another great performance under his belt
so keep an eye out. ‘Joe’ is rated ‘R’ and you can catch it in theaters on April 11th.
I give the film 4 out of 5 stars.
Erika (17788 KP) rated Peter Rabbit 2: The Runaway (2021) in Movies
Jun 15, 2021
Full disclosure, I absolutely loved the first Peter Rabbit film. I found it completely hilarious and cackled numerous times. The sequel did not make me laugh.
I typically don’t watch straight-up kid movies anymore, because they’re not funny, and they are as annoying as the kids in the audience. This movie completely reminded me of that.
The film begins with the wedding of Bea and Thomas, the rabbits and other members of McGregor’s Garden are all present. The animals are mixed in with the humans, and it looked very odd. I can’t figure out why. Bea and Thomas enter married bliss (?), running a shop in town, and tending the garden. Bea’s first Peter Rabbit book has been published by Thomas himself. Bea receives an offer from a publisher, Nigel Basil-Jones, played by David Oyelowo, to have her book republished so it can reach a wider audience. Bea begins to compromise her integrity to please Nigel and make the rabbits hipper to boost sales. Meanwhile, Peter embraces his bad boy/ mischievous image and makes friends with this super creepy rabbit from the city, participating in food heists.
The two main plotlines really didn’t make sense together and seemed to only be related because they were both about family. Yawn.
James Corden, who I can tolerate most of the time, was so completely annoying. His performance killed any motivation I had to see a possible third movie. This movie was just dumb, but I guess it probably entertained children.
There were a few positives. Oyelowo was hilarious, and one of the best parts of the film. He is the only reason I’m giving this film two-stars His comedy skills are on point and his interactions with Domhnall Gleeson were the best source of adult laughs. I also loved the voice acting of Flopsy, Mopsy, and Cottontail. Though, I was a little bummed that Daisy Ridley did not return as Cottontail.
The recent marketing stated, “In Theaters. Finally”. I’m not sure this film should have been released in theaters, they should have released it on VOD at Easter-time either in 2020, or 2021.
I typically don’t watch straight-up kid movies anymore, because they’re not funny, and they are as annoying as the kids in the audience. This movie completely reminded me of that.
The film begins with the wedding of Bea and Thomas, the rabbits and other members of McGregor’s Garden are all present. The animals are mixed in with the humans, and it looked very odd. I can’t figure out why. Bea and Thomas enter married bliss (?), running a shop in town, and tending the garden. Bea’s first Peter Rabbit book has been published by Thomas himself. Bea receives an offer from a publisher, Nigel Basil-Jones, played by David Oyelowo, to have her book republished so it can reach a wider audience. Bea begins to compromise her integrity to please Nigel and make the rabbits hipper to boost sales. Meanwhile, Peter embraces his bad boy/ mischievous image and makes friends with this super creepy rabbit from the city, participating in food heists.
The two main plotlines really didn’t make sense together and seemed to only be related because they were both about family. Yawn.
James Corden, who I can tolerate most of the time, was so completely annoying. His performance killed any motivation I had to see a possible third movie. This movie was just dumb, but I guess it probably entertained children.
There were a few positives. Oyelowo was hilarious, and one of the best parts of the film. He is the only reason I’m giving this film two-stars His comedy skills are on point and his interactions with Domhnall Gleeson were the best source of adult laughs. I also loved the voice acting of Flopsy, Mopsy, and Cottontail. Though, I was a little bummed that Daisy Ridley did not return as Cottontail.
The recent marketing stated, “In Theaters. Finally”. I’m not sure this film should have been released in theaters, they should have released it on VOD at Easter-time either in 2020, or 2021.