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BankofMarquis (1832 KP) rated Black Widow (2021) in Movies
Jul 19, 2021
A Winning Return for the MCU
The Marvel Cinematic Universe is back!
With the much delayed premiere of BLACK WIDOW, the MCU returns with a fun romp that is part family drama, part action adventure - and all MCU.
Starring Scarlett Johansson, of course, as the titular character, BLACK WIDOW takes place after CAPTAIN AMERICA: CIVIL WAR and before AVENGERS: INFINITY WAR. Natasha Romanoff, aka Black Widow, teams up with her “other” family to stop a team of enemy assasins.
But, it’s not the plot that we care about in these types of movies, it’s the characters and the action. And this film brings both in abundance.
Let’s start with the characters - the 4 main “family” members - Johansson (Black Widow), Florence Pugh (Yelena), David Harbour (Alexei) and Rachel Weisz (Melina) are wonderful to spend time with. These are characters that I want to see on the screen and their interactions - though sometimes confrontational - is filled with friendship, respect and love. This is something that other “universes” don’t quite get as well as the MCU and it shows.
Johannson, of course, is terrific as Black Widow. She has this character down and if this is her last go around as this character, she’ll got out with her head held high. David Harbour (STRANGER THINGS) is the comic relief of this film as his (somewhat) overweight superhero RED GUARDIAN, tries to fit into his old costume (reminiscent of MR. INCREDIBLE) while Rachel Weisz (Oscar winner for THE CONSTANT GARDNER) is the grounding/realistic character.
But all 3 of these take a back seat to the terrific Florence Pugh (Oscar nominated for LITTLE WOMEN a few year’s back) as the “little sister” of Black Widow. She and Johannson have terrific chemistry together and the writers/directors give Pugh most of the good lines that will lead the audience to be won over by her character.
The only blemish I have in the performances of this film is Ray Winstone’s rather “average” performance as the main bad guy in this film. I don’t fault Winstone’s performance, I think that it is because the part is underwritten or, worst yet, an afterthought of the writers.
Director Cate Shortland (LORE) does a good job keeping the film moving while interspersing the family drama with the action and the humor at a brisk enough clip to keep your interest for the full 134 minutes of this film. It’s a good return to the MCU and one that will keep you coming back for more.
Which is EXACTLY what the MCU wishes you to do.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
With the much delayed premiere of BLACK WIDOW, the MCU returns with a fun romp that is part family drama, part action adventure - and all MCU.
Starring Scarlett Johansson, of course, as the titular character, BLACK WIDOW takes place after CAPTAIN AMERICA: CIVIL WAR and before AVENGERS: INFINITY WAR. Natasha Romanoff, aka Black Widow, teams up with her “other” family to stop a team of enemy assasins.
But, it’s not the plot that we care about in these types of movies, it’s the characters and the action. And this film brings both in abundance.
Let’s start with the characters - the 4 main “family” members - Johansson (Black Widow), Florence Pugh (Yelena), David Harbour (Alexei) and Rachel Weisz (Melina) are wonderful to spend time with. These are characters that I want to see on the screen and their interactions - though sometimes confrontational - is filled with friendship, respect and love. This is something that other “universes” don’t quite get as well as the MCU and it shows.
Johannson, of course, is terrific as Black Widow. She has this character down and if this is her last go around as this character, she’ll got out with her head held high. David Harbour (STRANGER THINGS) is the comic relief of this film as his (somewhat) overweight superhero RED GUARDIAN, tries to fit into his old costume (reminiscent of MR. INCREDIBLE) while Rachel Weisz (Oscar winner for THE CONSTANT GARDNER) is the grounding/realistic character.
But all 3 of these take a back seat to the terrific Florence Pugh (Oscar nominated for LITTLE WOMEN a few year’s back) as the “little sister” of Black Widow. She and Johannson have terrific chemistry together and the writers/directors give Pugh most of the good lines that will lead the audience to be won over by her character.
The only blemish I have in the performances of this film is Ray Winstone’s rather “average” performance as the main bad guy in this film. I don’t fault Winstone’s performance, I think that it is because the part is underwritten or, worst yet, an afterthought of the writers.
Director Cate Shortland (LORE) does a good job keeping the film moving while interspersing the family drama with the action and the humor at a brisk enough clip to keep your interest for the full 134 minutes of this film. It’s a good return to the MCU and one that will keep you coming back for more.
Which is EXACTLY what the MCU wishes you to do.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Joe Goodhart (27 KP) rated DC Universe: Rebirth #1 in Books
Nov 30, 2020
When I still had my physical comic colletion, this had been one of the last ones purchased before making the change over to digital only, selling off the physical copies. That was then, this is now. Long story short, this review is based off of a re-read as part of my "Marvel's Making Some Dumb AF Decisions of Late, Let's Go With DC Instead" Tour!
Let me just say I remember much of it, but it still hit me hard at the end of it! Just lots and lots of SUPER-feels (is that even a word/thing? Oh well, if not, it is now! lol)! Having the story told from Wally West's POV really helped to drive the overall feeling home.
Unfortunately (and this did not necessarily wreck my enjoyment), this re-reading helped to fuel my desire for DOOMSDAY CLOCK to just finish up already! Still not sure on how you can solicit something without it even being close to completely finished! Or better still how Windows 10 can be ready for release, yet every other week there's a new patch or update for it! :S
There was a lot of set-up for what was to come in the DCU, as well as some nods to things past (including WATCHMAN and CRISIS ON INFINITE EARTHS) and the New 52 (which, for the longest time, I hated with a passion)! You don't have to be a pro at "Where's Waldo?" or even Sherlock Holmes, you just need to be alert and taking in everything with a careful eye.
Speaking of attention to detail... Let me give a shout to all the artists involved in this undertaking: Gary Frank (I love the man's art, but his slowness as far as DOOMSDAY CLOCK is frustrating. Clearly, as this book indicates, he is better at illustrating shorter vignettes, rather than epic 12-issue maxi-series!), Ethan Van Sciver (love or hate, you gotta appreciate his art! Bee-yoo-ti-ful!), Phil Jimenez (always love me some Jimenez pencilling!), and Ivan Reis (never a disappointment). And as important as the artists were, it would be unfair of me not to also acknowledge the inkers and colorists on this: Brad Anderson, Jason Wright, and Joe Prado. So, a big ol' panda-rific round of applause and adulation for the art teams for all their hard work! You guys are all aces!
Over the years, DC has published a more than fair amount of solid events and single issues. Is this the best book they've ever published? I wouldn't go that far, but it a damned good one! And at the end of the day, that's what it really comes down to: whether it's a good or a bad one, hence the name of this pretty cool less-FB-ish social media site! :)
Let me just say I remember much of it, but it still hit me hard at the end of it! Just lots and lots of SUPER-feels (is that even a word/thing? Oh well, if not, it is now! lol)! Having the story told from Wally West's POV really helped to drive the overall feeling home.
Unfortunately (and this did not necessarily wreck my enjoyment), this re-reading helped to fuel my desire for DOOMSDAY CLOCK to just finish up already! Still not sure on how you can solicit something without it even being close to completely finished! Or better still how Windows 10 can be ready for release, yet every other week there's a new patch or update for it! :S
There was a lot of set-up for what was to come in the DCU, as well as some nods to things past (including WATCHMAN and CRISIS ON INFINITE EARTHS) and the New 52 (which, for the longest time, I hated with a passion)! You don't have to be a pro at "Where's Waldo?" or even Sherlock Holmes, you just need to be alert and taking in everything with a careful eye.
Speaking of attention to detail... Let me give a shout to all the artists involved in this undertaking: Gary Frank (I love the man's art, but his slowness as far as DOOMSDAY CLOCK is frustrating. Clearly, as this book indicates, he is better at illustrating shorter vignettes, rather than epic 12-issue maxi-series!), Ethan Van Sciver (love or hate, you gotta appreciate his art! Bee-yoo-ti-ful!), Phil Jimenez (always love me some Jimenez pencilling!), and Ivan Reis (never a disappointment). And as important as the artists were, it would be unfair of me not to also acknowledge the inkers and colorists on this: Brad Anderson, Jason Wright, and Joe Prado. So, a big ol' panda-rific round of applause and adulation for the art teams for all their hard work! You guys are all aces!
Over the years, DC has published a more than fair amount of solid events and single issues. Is this the best book they've ever published? I wouldn't go that far, but it a damned good one! And at the end of the day, that's what it really comes down to: whether it's a good or a bad one, hence the name of this pretty cool less-FB-ish social media site! :)
Joe Goodhart (27 KP) rated Saga of the Swamp Thing Vol. 1 (Swamp Thing, #1) in Books
Nov 30, 2020
Early last year, I made the conversion to digital, selling off all my physical issues. There were a number of them that I had not read since the day that first came out, selling them in a mylar sleeve with a backing board. Alan Moore's SAGA OF THE SWAMP THING run was one of those series, and it was also one of the ones that I missed dearly. When Comixology announced that Vertigo sale juust before 2017 ended, i was on it, buying all 5 volumes!
I could have "gobbled" this first volume up in a NY minute; however, like a fine wine, I opted to savor each issue, pacing myself, allowing it all to sink in. I recall reading through this issues fast when they came out (this was when you could still buy comics at 7-11), running through them like a chainsaw through butter. Thankfully, I have learned to appreciate the benefits of savoring.
So, was it as good as I remembered? Nope, BETTER! The early 1980s (the first issue of his run, #20, came out in 1984) was probably some of Moore's best writing! There were no preconceived expectations when you saw his name. Sure, you had an inkling that it would likely be good, but nowhere near the level of expectations that the current comic readers have come to expect.
Prior to his assuming the writer's chair for the series, the main character was thought to still be Alec Holland. However (and this is not a spoiler at this point), as we would learn, Dr. Holland did indeed perish when his lab in the swamp was the victim of sabotage. What was left was as far from human as a chair. Swamp Thing, for all intents and purposes, was vegetable, not mammal as previously thought.
That's learned within the first issue. From there, the ride gets wild with suspense and fear, with some decidely creepy art and concepts thrown in. Essentially, a recipe for WIN!
Oh, before I close this review, I would also like to give some love to the artwork inside. Steve Bissette, followed by John Tottleben, turned in some of the most amazing art. Their attention to detail, left the series feeling creepy yet movie-like, almost as if Sam Raimi were in the director's chair! The artwork was further jazzed up by the always-exceptional coloring of Tatjiana Wood, wife of the artist Wally Wood.
Sure, there's probably other horror-related tpbs you could be reading/considering reading, but you won't find another like this one! Even Marvel's Man-Thing (which I still love; call it my "guilty pleasure") wasn't THIS good! So, enough jibber-jabbering, go pick it up already!
I could have "gobbled" this first volume up in a NY minute; however, like a fine wine, I opted to savor each issue, pacing myself, allowing it all to sink in. I recall reading through this issues fast when they came out (this was when you could still buy comics at 7-11), running through them like a chainsaw through butter. Thankfully, I have learned to appreciate the benefits of savoring.
So, was it as good as I remembered? Nope, BETTER! The early 1980s (the first issue of his run, #20, came out in 1984) was probably some of Moore's best writing! There were no preconceived expectations when you saw his name. Sure, you had an inkling that it would likely be good, but nowhere near the level of expectations that the current comic readers have come to expect.
Prior to his assuming the writer's chair for the series, the main character was thought to still be Alec Holland. However (and this is not a spoiler at this point), as we would learn, Dr. Holland did indeed perish when his lab in the swamp was the victim of sabotage. What was left was as far from human as a chair. Swamp Thing, for all intents and purposes, was vegetable, not mammal as previously thought.
That's learned within the first issue. From there, the ride gets wild with suspense and fear, with some decidely creepy art and concepts thrown in. Essentially, a recipe for WIN!
Oh, before I close this review, I would also like to give some love to the artwork inside. Steve Bissette, followed by John Tottleben, turned in some of the most amazing art. Their attention to detail, left the series feeling creepy yet movie-like, almost as if Sam Raimi were in the director's chair! The artwork was further jazzed up by the always-exceptional coloring of Tatjiana Wood, wife of the artist Wally Wood.
Sure, there's probably other horror-related tpbs you could be reading/considering reading, but you won't find another like this one! Even Marvel's Man-Thing (which I still love; call it my "guilty pleasure") wasn't THIS good! So, enough jibber-jabbering, go pick it up already!
Kirk Bage (1775 KP) rated Schitt's Creek in TV
Jan 22, 2021
This show was a little off my radar until it went ahead and won 9 Emmys earlier this year. I made a point of adding it to my watchlist, but remained largely unconvinced that it was going to be for me. Not based on anything solid, I just had a feeling.
One season in and I have to admit I find it very easy to watch (often in the background to doing something else) but am still a little on the fence. I can go an entire episode without raising a smile, but there have also been several moments that have had me rolling off my chair. My new instinct about it is that I am gonna need a lot more than the first season under my belt before I develop a true relationship with it. Maybe that was also the thinking of the Emmys, who mostly ignored it for 5 years and then threw everything at in retrospect once they realised it was ending and how fond they had become of it.
Eugene Levy and Maureen O’Hara, as the disfunctuonal parents of two grown up brats forced to slum it in a bumsville town once the family business goes bust, demonstrate terrific comic understanding and timing after years of practice in cringe comedy movies such as Best In Show. The fly on the wall style is not quite The Office, or Parks and Rec, but closest to Arrested Development – which I also struggled with at first, until the joke sunk in.
O’Hara especially, always teetering on the edge of wasted is a joy to watch; just naturally amusing and worth this kind of attention after a long and distinguished career. The kids also have their moments, the pan-sexual man-child David, played by Dan Levy, and the shallow vacuum that is Alexis, played by Annie Murphy, are deliberately annoying at first, but do become strangely endearing over time, a sign of great writing. Levy snr. is more the straight guy in the main, wallowing in pathos and his own ineffectual weaknesses as a father and husband, but also has some great moments here and there.
At this point I can’t honestly say if I will continue to the end, I’m just not that attached to it to face 5 more seasons for sure, but I may dip in from time to time. I do think it is worth a bigger audience than it already has stateside, I’m just not convinced a British / European audience really need it at this point in time, and if it has a time it is probably now or never, as its reference points are very of the moment, 2015-2020, before 2020 became something else entirely.
One season in and I have to admit I find it very easy to watch (often in the background to doing something else) but am still a little on the fence. I can go an entire episode without raising a smile, but there have also been several moments that have had me rolling off my chair. My new instinct about it is that I am gonna need a lot more than the first season under my belt before I develop a true relationship with it. Maybe that was also the thinking of the Emmys, who mostly ignored it for 5 years and then threw everything at in retrospect once they realised it was ending and how fond they had become of it.
Eugene Levy and Maureen O’Hara, as the disfunctuonal parents of two grown up brats forced to slum it in a bumsville town once the family business goes bust, demonstrate terrific comic understanding and timing after years of practice in cringe comedy movies such as Best In Show. The fly on the wall style is not quite The Office, or Parks and Rec, but closest to Arrested Development – which I also struggled with at first, until the joke sunk in.
O’Hara especially, always teetering on the edge of wasted is a joy to watch; just naturally amusing and worth this kind of attention after a long and distinguished career. The kids also have their moments, the pan-sexual man-child David, played by Dan Levy, and the shallow vacuum that is Alexis, played by Annie Murphy, are deliberately annoying at first, but do become strangely endearing over time, a sign of great writing. Levy snr. is more the straight guy in the main, wallowing in pathos and his own ineffectual weaknesses as a father and husband, but also has some great moments here and there.
At this point I can’t honestly say if I will continue to the end, I’m just not that attached to it to face 5 more seasons for sure, but I may dip in from time to time. I do think it is worth a bigger audience than it already has stateside, I’m just not convinced a British / European audience really need it at this point in time, and if it has a time it is probably now or never, as its reference points are very of the moment, 2015-2020, before 2020 became something else entirely.
Lee (2222 KP) rated Joker (2019) in Movies
Oct 6, 2019 (Updated Oct 6, 2019)
Arthur Fleck (Joaquin Phoenix) is a down on his luck loner, currently taking seven different kinds of medication and living with his frail old mother (Frances Conroe). Arthur fantasises about living a ‘normal’ life, with hopes of becoming a stand up comedian and dating his next door neighbour, and the lines between reality and fantasy begin to become just as blurred for us during the movie as they do within Arthur’s mind.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
Amy Norman (1048 KP) rated LINE WEBTOON - Daily Comics in Apps
May 17, 2020
'Webtoon' is a fantastic free app!
Whether or not you love manga, or comic books, this is a good step towards experiencing these formats in the digital world. It may even be the encouraging bridge towards them, especially if you have thought about dabbling in that world but never taken the leap.
The app itself is easy to use, and there are no adverts thrust upon you, or anything that gets in the way of enjoying the series you are reading.
A great deal of the series are produced weekly, you can 'subscribe' to those ones you enjoy, so that you will receive notifications of when they have been updated.
As with most apps there is also the opportunity to purchase 'coins'. Most series are about 3 weeks ahead of the general release, and you can spend those 'coins' on unlocking episodes ahead of the majority of readers (or if you simply can't wait until the next week!)
There are also occasionally 'challenges' so you can earn coins too.
The different series range from having audiences of a couple of hundred people to the millions, but each series is filled with such care and love, you can't help but fall in love with them all, and want to help the 'smaller' artists, by growing their fanbase!
The app also has different projects that give you tasters of potential series, which you can vote on, and then they will help the artist out and make their series a permanent feature.
There is a great community feel in the comments sections, and it is a perfect way for the artists/authors etc to gain feedback.
The artists/authors will occasionally incorporate this into their work, or even steer a story down a path that they hadn't considered before, or will drop an episode about a fan favourite character.
It all feels very personal, and I always thoroughly enjoy reading the episodes, then diving into the comments sections, to share joy with other enthusiastic fans (spoiler free ofc!)
All of the artwork is stunning, and there are so many styles to suit everyones tastes. Some artists will also work with musicians and incorporate music into the episode, this always adds to the magic, whether it is a few sound effects, or a full track.
The ONLY pitfall I would say is that occasionally it can feel like the episodes are a bit short but I imagine it is hard work keeping up with the schedules sometimes!!
However, if you fall in love with a series, it won't matter how long an episode is, it will always leave you wanting more and excited for the next episode ☺
Whether or not you love manga, or comic books, this is a good step towards experiencing these formats in the digital world. It may even be the encouraging bridge towards them, especially if you have thought about dabbling in that world but never taken the leap.
The app itself is easy to use, and there are no adverts thrust upon you, or anything that gets in the way of enjoying the series you are reading.
A great deal of the series are produced weekly, you can 'subscribe' to those ones you enjoy, so that you will receive notifications of when they have been updated.
As with most apps there is also the opportunity to purchase 'coins'. Most series are about 3 weeks ahead of the general release, and you can spend those 'coins' on unlocking episodes ahead of the majority of readers (or if you simply can't wait until the next week!)
There are also occasionally 'challenges' so you can earn coins too.
The different series range from having audiences of a couple of hundred people to the millions, but each series is filled with such care and love, you can't help but fall in love with them all, and want to help the 'smaller' artists, by growing their fanbase!
The app also has different projects that give you tasters of potential series, which you can vote on, and then they will help the artist out and make their series a permanent feature.
There is a great community feel in the comments sections, and it is a perfect way for the artists/authors etc to gain feedback.
The artists/authors will occasionally incorporate this into their work, or even steer a story down a path that they hadn't considered before, or will drop an episode about a fan favourite character.
It all feels very personal, and I always thoroughly enjoy reading the episodes, then diving into the comments sections, to share joy with other enthusiastic fans (spoiler free ofc!)
All of the artwork is stunning, and there are so many styles to suit everyones tastes. Some artists will also work with musicians and incorporate music into the episode, this always adds to the magic, whether it is a few sound effects, or a full track.
The ONLY pitfall I would say is that occasionally it can feel like the episodes are a bit short but I imagine it is hard work keeping up with the schedules sometimes!!
However, if you fall in love with a series, it won't matter how long an episode is, it will always leave you wanting more and excited for the next episode ☺
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BankofMarquis (1832 KP) rated Venom: Let There Be Carnage (2021) in Movies
Oct 7, 2021
Suffers from Sequel-itis
If you ever heard of the term “Sequel-itis” and wondered what a good example of film suffering from this malady would be, look no further than VENOM: LET THERE BE CARNAGE.
The sequel to the surprisingly well made - and well acted - 2018 VENOM that introduced audiences to the (sometimes) villain, (sometimes) anti-hero, VENOM and the human/symbiot that he has bonded to (it makes sense in the first film) - this sequel looks and feels like a quick “money-grab” that is keeping this character “warm” for bigger things (I hope) down the road.
Directed by famed motion capture expert, Andy Serkis, VENOM: LET THERE BE CARNAGE feels like a movie that was directed by a Special FX veteran for this film is long on special effects and short on what makes a film work - plot and character.
And that’s too bad for the 2018 VENOM film was a surprise in that while it had it’s CGI moments (and plenty of them), it also had interesting plot and characters and took full advantage of two of the better actors working today - Tom Hardy and Michelle Williams.
The sequel looked promising enough as both Hardy and Williams were back and Woody Harrelson was cast as the main villain (with Naomi Harris along as the villain’s sidekick) so some of the ingredients were there for a quality sequel.
Unfortunately, this sequel leaned heavily into the CGI-ness of the first film and made the CGI Alien Venom the focal point of the story, relegating the humans to the back. No actor was pushed further to the back than Williams who was stuck with a weak “damsel in distress” arc while Harrelson and Harris take turns over-acting the other making their pair of villains some of the weakest in recent comic-book movies memory.
And then there is the performance of Hardy as Eddie Brock. He is sleepwalking his way through this film, looking like he has very little interest in what is going on and just wants to grab his paycheck and get home.
Some of these sins could be forgiven if the CGI elements - and the battles between Venom and Carnage - are interesting. Unfortunately, they just are not - they are “fine”, but nothing interesting or original, so this film is destined to get washed off the shore (and memory) as quickly as a sandcastle is washed away on a beach.
If you are going to check out this flick, make sure you stay for the “end credits” scene (which is only, thankfully, about 2 minutes into the credits), it is the best part of this film.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
The sequel to the surprisingly well made - and well acted - 2018 VENOM that introduced audiences to the (sometimes) villain, (sometimes) anti-hero, VENOM and the human/symbiot that he has bonded to (it makes sense in the first film) - this sequel looks and feels like a quick “money-grab” that is keeping this character “warm” for bigger things (I hope) down the road.
Directed by famed motion capture expert, Andy Serkis, VENOM: LET THERE BE CARNAGE feels like a movie that was directed by a Special FX veteran for this film is long on special effects and short on what makes a film work - plot and character.
And that’s too bad for the 2018 VENOM film was a surprise in that while it had it’s CGI moments (and plenty of them), it also had interesting plot and characters and took full advantage of two of the better actors working today - Tom Hardy and Michelle Williams.
The sequel looked promising enough as both Hardy and Williams were back and Woody Harrelson was cast as the main villain (with Naomi Harris along as the villain’s sidekick) so some of the ingredients were there for a quality sequel.
Unfortunately, this sequel leaned heavily into the CGI-ness of the first film and made the CGI Alien Venom the focal point of the story, relegating the humans to the back. No actor was pushed further to the back than Williams who was stuck with a weak “damsel in distress” arc while Harrelson and Harris take turns over-acting the other making their pair of villains some of the weakest in recent comic-book movies memory.
And then there is the performance of Hardy as Eddie Brock. He is sleepwalking his way through this film, looking like he has very little interest in what is going on and just wants to grab his paycheck and get home.
Some of these sins could be forgiven if the CGI elements - and the battles between Venom and Carnage - are interesting. Unfortunately, they just are not - they are “fine”, but nothing interesting or original, so this film is destined to get washed off the shore (and memory) as quickly as a sandcastle is washed away on a beach.
If you are going to check out this flick, make sure you stay for the “end credits” scene (which is only, thankfully, about 2 minutes into the credits), it is the best part of this film.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated Morbius (2022) in Movies
Apr 5, 2022
The latest Marvel offering is Morbius. Michael Morbius (Jared Leto) grew up in Greece under the care of Dr.Emil Nikols (Jared Harris). In this universe, Emil is Michael’s Mentor. This story takes
bits from the comic book but it clearly isn’t canon. It is an adequate anti-hero origin story for Phase 4 which gives us the backstory of Morbius’ creation.
Morbius has a rare blood disease. As a child, he made his best friend Milo/Lucien (Matt Smith), a promise to find the cure for their shared illness. Michael, in his quest for the cure, became the youngest scientist to win the Nobel Prize from his development of artificial blood.
He works with fellow scientist Martine Bancroft (Adria Arjona) who becomes his love interest.
Morbius has been working on vampire bats and the abilities within their blood. Once the formula has stabilized, he begins human trials on himself. In doing so, the serum that he has developed transforms him into a vampire that needs human blood to sustain his existence.
The film seems to have dropped the trail to lead the audience to logical conclusions. There are questions that need to be answered which would help flesh out the actions of the characters.
Why the serum, if the reason is to create a cure, why did the bat and human combination mutate instead of the blood changing?
There are points throughout the film that feel like critical explanatory lines were edited out.
Some scenes had witty banter between Michael and Milo. It would have been good to see Morbius enjoy his transformation from his weak, ill state to the Vampire.
The film was good. It definitely could have been better with more information. I wanted to understand motivation by the actors indicating motive or have red herrings thrown through the film.
The best parts for me were the moments where he stumbled upon his new abilities. He observes them like the scientist he is and takes it as data, in order to understand the changes.
The CGI was muddy, in trying to show movement as quick. What it looked like was trying to
convey speed, but in doing so, ended up having what showed up as squiggly lines instead.
I liked it, but didn’t love it mainly for what it seemed to lack, continuity. I think for an origin film, the character needs to be brought out as clean as possible in order to develop solid character traits.
If you go see the movie, there are two end credit scenes. There are a couple situations that you go see the movie, there are two end credit scenes. There are a couple situations that lead into the Multiverse of Magic. I am definitely looking forward to that film.
3 stars out of 5
bits from the comic book but it clearly isn’t canon. It is an adequate anti-hero origin story for Phase 4 which gives us the backstory of Morbius’ creation.
Morbius has a rare blood disease. As a child, he made his best friend Milo/Lucien (Matt Smith), a promise to find the cure for their shared illness. Michael, in his quest for the cure, became the youngest scientist to win the Nobel Prize from his development of artificial blood.
He works with fellow scientist Martine Bancroft (Adria Arjona) who becomes his love interest.
Morbius has been working on vampire bats and the abilities within their blood. Once the formula has stabilized, he begins human trials on himself. In doing so, the serum that he has developed transforms him into a vampire that needs human blood to sustain his existence.
The film seems to have dropped the trail to lead the audience to logical conclusions. There are questions that need to be answered which would help flesh out the actions of the characters.
Why the serum, if the reason is to create a cure, why did the bat and human combination mutate instead of the blood changing?
There are points throughout the film that feel like critical explanatory lines were edited out.
Some scenes had witty banter between Michael and Milo. It would have been good to see Morbius enjoy his transformation from his weak, ill state to the Vampire.
The film was good. It definitely could have been better with more information. I wanted to understand motivation by the actors indicating motive or have red herrings thrown through the film.
The best parts for me were the moments where he stumbled upon his new abilities. He observes them like the scientist he is and takes it as data, in order to understand the changes.
The CGI was muddy, in trying to show movement as quick. What it looked like was trying to
convey speed, but in doing so, ended up having what showed up as squiggly lines instead.
I liked it, but didn’t love it mainly for what it seemed to lack, continuity. I think for an origin film, the character needs to be brought out as clean as possible in order to develop solid character traits.
If you go see the movie, there are two end credit scenes. There are a couple situations that you go see the movie, there are two end credit scenes. There are a couple situations that lead into the Multiverse of Magic. I am definitely looking forward to that film.
3 stars out of 5
Daniel Boyd (1066 KP) rated Marvel's Daredevil - Season 2 in TV
Jul 21, 2017
Brilliant writing (1 more)
Fantastic performances
Down and Dirty Crimefighting
These shows are fantastic. The Netflix/Marvel TV universe that has been built off of the back of these shows is awesome. If you are a fan of the Marvel Max comic books, then these shows have been made for you. Marvel reintroduces Daredevil (and Punisher in Daredevil Season 2,) in epic fashion. This is a world where the events of the Avengers movies have taken place, but these are gritty, street level stories that tell tales of a more personal, visceral kind of battle. If you like your Marvel superheroes, but find the Avengers too tame, then wade right in. These heroes are foul mouthed, real people who happen to have some amazing abilities. Charlie Cox is a fantastic Matt Murdock and Krysten Ritter is a brilliant Jessica Jones, the supporting characters are also well implemented, such as Elektra, Stick, Foggy Nelson, Karen Paige, Night Nurse, Nuke, Luke Cage and Trish. The villains in each show are also some of the best the Marvel have had so far, Vincent D’Onofrio plays a tragic, but still scheming and suitably evil version of Kingpin, which gives the character a depth that hasn’t yet been explored. I really hope that they use the character in the solo Spiderman movie. David Tennant plays Killgrave or The Purple Man in Jessica Jones and he also kills it, you can tell he really had fun with the role too, which makes him even more entertaining whenever he is onscreen. Season 2 of Daredevil just recently finished up and during it we were introduced to the new Punisher, played by Jon Bernthal, who again gives us the chance to explore the character and his psyche to a level that we haven’t seen before. He is still the hardcore badass that you would expect, but his mentality in this universe goes deeper than that and that is something that is very cool to see. Overall I have loved every episode of these shows to date and as long as they carry on the tone and the overall production standard that they have set themselves so far, I can’t wait to see what else this universe has to offer. There is also exciting rumours stating that they could appear in the Avengers Infinity War films. I can’t wait to see all of this and I really feel that all of these characters show great potential. Keep doing what you are doing Marvel, because it is truly awesome. Doing these character’s origin stories in an R rated TV show setting was a great idea and the writing and performances on Netflix stand up to any show on HBO or AMC. If you haven’t seen the entirety of these shows yet, stop what you are doing and go marathon them right now, you will not regret it.